Books by Anne Crémieux
Collective Works by Anne Crémieux
Routledge, 2021
This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual... more This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries.
The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial, philosophical, and political perspectives, showing how seriality as a paradigm informs media convergence and resides at the core of cinema and television history. By associating theoretical considerations and close readings of specific works, as well as diachronic and synchronic approaches, this volume offers a complex panorama of issues related to seriality including audience engagement, intertextuality and transmediality, cultural legitimacy, authorship, and medium specificity in remakes, adaptations, sequels, and reboots.
Written by a team of international scholars, this book highlights a diversity of methodologies that will be of interest to scholars and doctoral students across disciplinary areas such as media studies, film studies, literature, aesthetics, and cultural studies. It will also interest students attending classes on serial audiovisual narratives and will appeal to fans of the series it addresses, such as Fargo, Twin Peaks, The Hunger Games, Bates Motel, and Sherlock.
Presses universitaires François Rabelais, 2020
Loin d’être systématiquement opposés par leur mode de production, leur public ou même leur port... more Loin d’être systématiquement opposés par leur mode de production, leur public ou même leur portée artistique, cinéma et télévision sont liés par leur exploitation de la sérialité.
Quels liens entretient la sérialité au sens large avec le récit audiovisuel ? Quelle est sa spécificité en tant que stratégie narrative dans les arts audiovisuels ? Quelles implications esthétiques, culturelles, industrielles et économiques sont à l’œuvre dans les multiples formes de sérialité audiovisuelle qui existent ?
A travers l’histoire du cinéma mais aussi de son évolution inter-médiatique suite à l’arrivée de la télévision et d’internet, ainsi que l’analyse d’œuvres comme Hannibal, CSI, Scream ou encore Wolverine, cet ouvrage éclaire sur les mécanismes et les contraintes de l’écriture audiovisuelle en série.
Avec les contributions de : Fanny Beuré, Adrienne Boutang, Claire Cornillon, Véronique Eleftériou, Hélène Laurichesse, David Lipson, Hélène Machinal, Martial Martin, Gilles Menegaldo, Aymeric Pantet, Yann Roblou, Jules Sandeau & Dominique Sipière.
Papers Available Online by Anne Crémieux
Issue of American studies e-journal Transatlantica
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Books by Anne Crémieux
Collective Works by Anne Crémieux
The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial, philosophical, and political perspectives, showing how seriality as a paradigm informs media convergence and resides at the core of cinema and television history. By associating theoretical considerations and close readings of specific works, as well as diachronic and synchronic approaches, this volume offers a complex panorama of issues related to seriality including audience engagement, intertextuality and transmediality, cultural legitimacy, authorship, and medium specificity in remakes, adaptations, sequels, and reboots.
Written by a team of international scholars, this book highlights a diversity of methodologies that will be of interest to scholars and doctoral students across disciplinary areas such as media studies, film studies, literature, aesthetics, and cultural studies. It will also interest students attending classes on serial audiovisual narratives and will appeal to fans of the series it addresses, such as Fargo, Twin Peaks, The Hunger Games, Bates Motel, and Sherlock.
Quels liens entretient la sérialité au sens large avec le récit audiovisuel ? Quelle est sa spécificité en tant que stratégie narrative dans les arts audiovisuels ? Quelles implications esthétiques, culturelles, industrielles et économiques sont à l’œuvre dans les multiples formes de sérialité audiovisuelle qui existent ?
A travers l’histoire du cinéma mais aussi de son évolution inter-médiatique suite à l’arrivée de la télévision et d’internet, ainsi que l’analyse d’œuvres comme Hannibal, CSI, Scream ou encore Wolverine, cet ouvrage éclaire sur les mécanismes et les contraintes de l’écriture audiovisuelle en série.
Avec les contributions de : Fanny Beuré, Adrienne Boutang, Claire Cornillon, Véronique Eleftériou, Hélène Laurichesse, David Lipson, Hélène Machinal, Martial Martin, Gilles Menegaldo, Aymeric Pantet, Yann Roblou, Jules Sandeau & Dominique Sipière.
Papers Available Online by Anne Crémieux
The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial, philosophical, and political perspectives, showing how seriality as a paradigm informs media convergence and resides at the core of cinema and television history. By associating theoretical considerations and close readings of specific works, as well as diachronic and synchronic approaches, this volume offers a complex panorama of issues related to seriality including audience engagement, intertextuality and transmediality, cultural legitimacy, authorship, and medium specificity in remakes, adaptations, sequels, and reboots.
Written by a team of international scholars, this book highlights a diversity of methodologies that will be of interest to scholars and doctoral students across disciplinary areas such as media studies, film studies, literature, aesthetics, and cultural studies. It will also interest students attending classes on serial audiovisual narratives and will appeal to fans of the series it addresses, such as Fargo, Twin Peaks, The Hunger Games, Bates Motel, and Sherlock.
Quels liens entretient la sérialité au sens large avec le récit audiovisuel ? Quelle est sa spécificité en tant que stratégie narrative dans les arts audiovisuels ? Quelles implications esthétiques, culturelles, industrielles et économiques sont à l’œuvre dans les multiples formes de sérialité audiovisuelle qui existent ?
A travers l’histoire du cinéma mais aussi de son évolution inter-médiatique suite à l’arrivée de la télévision et d’internet, ainsi que l’analyse d’œuvres comme Hannibal, CSI, Scream ou encore Wolverine, cet ouvrage éclaire sur les mécanismes et les contraintes de l’écriture audiovisuelle en série.
Avec les contributions de : Fanny Beuré, Adrienne Boutang, Claire Cornillon, Véronique Eleftériou, Hélène Laurichesse, David Lipson, Hélène Machinal, Martial Martin, Gilles Menegaldo, Aymeric Pantet, Yann Roblou, Jules Sandeau & Dominique Sipière.