Livro com 16 capítulos sobre a história do cinema brasileiro feito por mulheres - publicação inéd... more Livro com 16 capítulos sobre a história do cinema brasileiro feito por mulheres - publicação inédita nessa abordagem. Veja o sumário:
Prefácio Heloísa Buarque de Hollanda
Apresentação Karla Holanda | Marina Cavalcanti Tedesco (orgs)
Cléo de Verberena e o trabalho da mulher no cinema silencioso brasileiro Luciana Corrêa de Araújo
Gilda Bojunga: caminhos e percalços de uma afirmação Sheila Schvarzman
Cinema brasileiro (moderno) de autoria feminina Karla Holanda
Cineastas brasileiras (feministas) durante a ditadura civil-militar Alcilene Cavalcante
Estéticas e políticas de resistência no "cinema de mulheres" brasileiro (anos 1970 e 1980) Ana Maria Veiga
Helena Solberg: militância feminista e política nas Américas Mariana Ribeiro Tavares
O discurso historiográfico em Mulheres de cinema Luís Alberto Rocha Melo
Articulações feministas no cinema brasileiro nas décadas de 1970 e 1980 Érica Sarmet | Marina Cavalcanti Tedesco
Cassandra Rios e o cinema erótico brasileiro: autoria e performatividade Alessandra Soares Brandão | Ramayana Lira de Sousa
Protagonismos experimentais femininos no surto superoitista dos anos 1970 Rubens Machado Júnior | Marina da Costa Campos
Identidade, resistência e poder: mulheres negras e a realização de documentários Gilberto Alexandre Sobrinho
Formas de visibilidade e re(existência) no cinema feito por mulheres negras Ceiça Ferreira | Edileuza Penha de Souza
Amor, plástico e barulho: protagonismo e rivalidade femininas como elementos estéticos e narrativos no cinema pernambucano Daiany Ferreira Dantas | Isaiana Carla Pereira dos Santos | Renata Izabel de Freitas Nolasco
Documentário biográfico e o protagonismo feminino Denise Tavares
Do pai ao país: o documentário autobiográfico face ao fracasso das esquerdas no Brasil Ilana Feldman
Dora e a luta histórica contra os fascismos: subversão e limiar em Retratos de Identificação Roberta Veiga
In 2005 the Movimento dos Trabalhadores Sem Teto (Homeless Workers Movement), operating in the Br... more In 2005 the Movimento dos Trabalhadores Sem Teto (Homeless Workers Movement), operating in the Brazilian state of São Paulo since the 1990s, created its Brigada de Guerrilha Cultural (Cultural Guerrilla Brigade). The Brigade's responsibility was to produce through cultural activities such as theatre, music, poetry and film production the Movement's own political culture. The Brigade, which worked simultaneously as advertiser and agent of insurrection and militant expression, lasted until 2007. The central focus of this article is the activist documentary video that was produced within this context and its influence on identity formation. The article discusses more precisely how political video documentaries took part in a broader social and cultural project, contributing in this way to processes of transformation of community identity.
In the last decade, Latin American feminist film studies has become an increasingly visible and s... more In the last decade, Latin American feminist film studies has become an increasingly visible and significant area in traditional scholarly pursuits (publications and academic conferences) but also in the broader realms of film preservation, archival work, and international networks such as the recently created Latin American Women's Audiovisual Research Network, RAMA (www.red-rama.com). Nevertheless, much work remains to be done to ensure the preservation, systematization and access to documentary sources for the study of women's filmmaking in the region. On the one hand, national cinematheques and film archives are often in precarious circumstances due to political, economic and/or institutional reasons (as is the case of Cinemateca Brasileira currently under threat of closure by Jair Bolsonaro's regime). On the other hand, personal collections stored in the houses or basements of film researchers, filmmakers or family members and friends are also in danger of disappearing. Typically, these private collections are key sources when pursuing research on women filmmakers since their work has often been overlooked by official archives. To counteract this situation, we need projects that foster a collective retrieval and resignification of those primary materials that constitute the basis of our research work, such as programmatic documents; statutes concerning the creation of associations or collectives; minutes and meeting agendas; scripts or treatments for films that were never made; unpublished interviews; photographs; letters; production materials (shooting plans, budgets); promotional materials; and documentation produced in encounters and conferences (pamphlets, programs, posters), among others. As a necessary step in this direction, the special issue of Studies in Spanish & Latin American Cinemas "Documents for a feminist history of Latin American cinema" seeks to map, systematize, make visible and offer a critical and contextual framework for understanding archival sources about the filmmaking practices of Latin American women who have worked in cinema, video and/ or television, both inside and outside the region. Our desire is to establish a close intergenerational and cross-cultural dialogue among researchers and filmmakers. Moreover, we plan to collaborate with already existing archives and collections. We welcome contributions that address, but are not limited to, the following issues: • Methodological and historiographic approaches to the writing of Latin American feminist film histories (archival turn, affective turn, critical fabulation, etc.). • Specific study cases of archives and documentary sources such as: film festivals, conferences and meetings of film and video-makers; personal or family archives; archives of collectives or production companies; and other institutional and informal archives. • Critical introductions to key documentary resources accompanied by the original documents. Proposals that include the excerpts of textual, photographic and or audiovisual materials can be included as part of the journal's companion website https://slacextras.com/
Livro com 16 capítulos sobre a história do cinema brasileiro feito por mulheres - publicação inéd... more Livro com 16 capítulos sobre a história do cinema brasileiro feito por mulheres - publicação inédita nessa abordagem. Veja o sumário:
Prefácio Heloísa Buarque de Hollanda
Apresentação Karla Holanda | Marina Cavalcanti Tedesco (orgs)
Cléo de Verberena e o trabalho da mulher no cinema silencioso brasileiro Luciana Corrêa de Araújo
Gilda Bojunga: caminhos e percalços de uma afirmação Sheila Schvarzman
Cinema brasileiro (moderno) de autoria feminina Karla Holanda
Cineastas brasileiras (feministas) durante a ditadura civil-militar Alcilene Cavalcante
Estéticas e políticas de resistência no "cinema de mulheres" brasileiro (anos 1970 e 1980) Ana Maria Veiga
Helena Solberg: militância feminista e política nas Américas Mariana Ribeiro Tavares
O discurso historiográfico em Mulheres de cinema Luís Alberto Rocha Melo
Articulações feministas no cinema brasileiro nas décadas de 1970 e 1980 Érica Sarmet | Marina Cavalcanti Tedesco
Cassandra Rios e o cinema erótico brasileiro: autoria e performatividade Alessandra Soares Brandão | Ramayana Lira de Sousa
Protagonismos experimentais femininos no surto superoitista dos anos 1970 Rubens Machado Júnior | Marina da Costa Campos
Identidade, resistência e poder: mulheres negras e a realização de documentários Gilberto Alexandre Sobrinho
Formas de visibilidade e re(existência) no cinema feito por mulheres negras Ceiça Ferreira | Edileuza Penha de Souza
Amor, plástico e barulho: protagonismo e rivalidade femininas como elementos estéticos e narrativos no cinema pernambucano Daiany Ferreira Dantas | Isaiana Carla Pereira dos Santos | Renata Izabel de Freitas Nolasco
Documentário biográfico e o protagonismo feminino Denise Tavares
Do pai ao país: o documentário autobiográfico face ao fracasso das esquerdas no Brasil Ilana Feldman
Dora e a luta histórica contra os fascismos: subversão e limiar em Retratos de Identificação Roberta Veiga
In 2005 the Movimento dos Trabalhadores Sem Teto (Homeless Workers Movement), operating in the Br... more In 2005 the Movimento dos Trabalhadores Sem Teto (Homeless Workers Movement), operating in the Brazilian state of São Paulo since the 1990s, created its Brigada de Guerrilha Cultural (Cultural Guerrilla Brigade). The Brigade's responsibility was to produce through cultural activities such as theatre, music, poetry and film production the Movement's own political culture. The Brigade, which worked simultaneously as advertiser and agent of insurrection and militant expression, lasted until 2007. The central focus of this article is the activist documentary video that was produced within this context and its influence on identity formation. The article discusses more precisely how political video documentaries took part in a broader social and cultural project, contributing in this way to processes of transformation of community identity.
In the last decade, Latin American feminist film studies has become an increasingly visible and s... more In the last decade, Latin American feminist film studies has become an increasingly visible and significant area in traditional scholarly pursuits (publications and academic conferences) but also in the broader realms of film preservation, archival work, and international networks such as the recently created Latin American Women's Audiovisual Research Network, RAMA (www.red-rama.com). Nevertheless, much work remains to be done to ensure the preservation, systematization and access to documentary sources for the study of women's filmmaking in the region. On the one hand, national cinematheques and film archives are often in precarious circumstances due to political, economic and/or institutional reasons (as is the case of Cinemateca Brasileira currently under threat of closure by Jair Bolsonaro's regime). On the other hand, personal collections stored in the houses or basements of film researchers, filmmakers or family members and friends are also in danger of disappearing. Typically, these private collections are key sources when pursuing research on women filmmakers since their work has often been overlooked by official archives. To counteract this situation, we need projects that foster a collective retrieval and resignification of those primary materials that constitute the basis of our research work, such as programmatic documents; statutes concerning the creation of associations or collectives; minutes and meeting agendas; scripts or treatments for films that were never made; unpublished interviews; photographs; letters; production materials (shooting plans, budgets); promotional materials; and documentation produced in encounters and conferences (pamphlets, programs, posters), among others. As a necessary step in this direction, the special issue of Studies in Spanish & Latin American Cinemas "Documents for a feminist history of Latin American cinema" seeks to map, systematize, make visible and offer a critical and contextual framework for understanding archival sources about the filmmaking practices of Latin American women who have worked in cinema, video and/ or television, both inside and outside the region. Our desire is to establish a close intergenerational and cross-cultural dialogue among researchers and filmmakers. Moreover, we plan to collaborate with already existing archives and collections. We welcome contributions that address, but are not limited to, the following issues: • Methodological and historiographic approaches to the writing of Latin American feminist film histories (archival turn, affective turn, critical fabulation, etc.). • Specific study cases of archives and documentary sources such as: film festivals, conferences and meetings of film and video-makers; personal or family archives; archives of collectives or production companies; and other institutional and informal archives. • Critical introductions to key documentary resources accompanied by the original documents. Proposals that include the excerpts of textual, photographic and or audiovisual materials can be included as part of the journal's companion website https://slacextras.com/
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Papers by Marina Tedesco
Prefácio
Heloísa Buarque de Hollanda
Apresentação
Karla Holanda | Marina Cavalcanti Tedesco (orgs)
Cléo de Verberena e o trabalho da mulher no cinema silencioso brasileiro
Luciana Corrêa de Araújo
Gilda Bojunga: caminhos e percalços de uma afirmação
Sheila Schvarzman
Cinema brasileiro (moderno) de autoria feminina
Karla Holanda
Cineastas brasileiras (feministas) durante a ditadura civil-militar
Alcilene Cavalcante
Estéticas e políticas de resistência no "cinema de mulheres" brasileiro (anos 1970 e 1980)
Ana Maria Veiga
Helena Solberg: militância feminista e política nas Américas
Mariana Ribeiro Tavares
O discurso historiográfico em Mulheres de cinema
Luís Alberto Rocha Melo
Articulações feministas no cinema brasileiro nas décadas de 1970 e 1980
Érica Sarmet | Marina Cavalcanti Tedesco
Cassandra Rios e o cinema erótico brasileiro: autoria e performatividade
Alessandra Soares Brandão | Ramayana Lira de Sousa
Protagonismos experimentais femininos no surto superoitista dos anos 1970
Rubens Machado Júnior | Marina da Costa Campos
Identidade, resistência e poder: mulheres negras e a realização de documentários
Gilberto Alexandre Sobrinho
Formas de visibilidade e re(existência) no cinema feito por mulheres negras
Ceiça Ferreira | Edileuza Penha de Souza
Amor, plástico e barulho: protagonismo e rivalidade femininas como elementos estéticos e narrativos no cinema pernambucano
Daiany Ferreira Dantas | Isaiana Carla Pereira dos Santos | Renata Izabel de Freitas Nolasco
Documentário biográfico e o protagonismo feminino
Denise Tavares
Do pai ao país: o documentário autobiográfico face ao fracasso das esquerdas no Brasil
Ilana Feldman
Dora e a luta histórica contra os fascismos: subversão e limiar em Retratos de Identificação
Roberta Veiga
CFP by Marina Tedesco
Prefácio
Heloísa Buarque de Hollanda
Apresentação
Karla Holanda | Marina Cavalcanti Tedesco (orgs)
Cléo de Verberena e o trabalho da mulher no cinema silencioso brasileiro
Luciana Corrêa de Araújo
Gilda Bojunga: caminhos e percalços de uma afirmação
Sheila Schvarzman
Cinema brasileiro (moderno) de autoria feminina
Karla Holanda
Cineastas brasileiras (feministas) durante a ditadura civil-militar
Alcilene Cavalcante
Estéticas e políticas de resistência no "cinema de mulheres" brasileiro (anos 1970 e 1980)
Ana Maria Veiga
Helena Solberg: militância feminista e política nas Américas
Mariana Ribeiro Tavares
O discurso historiográfico em Mulheres de cinema
Luís Alberto Rocha Melo
Articulações feministas no cinema brasileiro nas décadas de 1970 e 1980
Érica Sarmet | Marina Cavalcanti Tedesco
Cassandra Rios e o cinema erótico brasileiro: autoria e performatividade
Alessandra Soares Brandão | Ramayana Lira de Sousa
Protagonismos experimentais femininos no surto superoitista dos anos 1970
Rubens Machado Júnior | Marina da Costa Campos
Identidade, resistência e poder: mulheres negras e a realização de documentários
Gilberto Alexandre Sobrinho
Formas de visibilidade e re(existência) no cinema feito por mulheres negras
Ceiça Ferreira | Edileuza Penha de Souza
Amor, plástico e barulho: protagonismo e rivalidade femininas como elementos estéticos e narrativos no cinema pernambucano
Daiany Ferreira Dantas | Isaiana Carla Pereira dos Santos | Renata Izabel de Freitas Nolasco
Documentário biográfico e o protagonismo feminino
Denise Tavares
Do pai ao país: o documentário autobiográfico face ao fracasso das esquerdas no Brasil
Ilana Feldman
Dora e a luta histórica contra os fascismos: subversão e limiar em Retratos de Identificação
Roberta Veiga