Papers by Javier Rivera Blanco
Lexikon des gesamten Buchwesens Online
La Intervencion En La Arquitectura Prerromanica Asturiana 1997 Isbn 84 8317 011 6 Pags 59 70, 1997
La Arquitectura Como Diversidad 1998 Isbn 84 7820 411 3 Pags 29 46, 1998
Ars Sacra Revista De Patrimonio Cultural Archivos Artes Plasticas Arquitectura Museos Y Musica, 2006
Terceras Jornadas Sobre El Bosque De Bejar Y Las Villas De Recreo En El Renacimiento 1999 Isbn 84 923043 1 6 Pags 13 18, 1999
Los grandes monasterios …, 2007
Información del artículo Sahagún y Cluny: vidas paralelas.
Boletín del Seminario de …, 1981
Papeles del Partal
... En esta época y en los comienzos de la transición años setenta-entran masivamente en España ... more ... En esta época y en los comienzos de la transición años setenta-entran masivamente en España las ... el proyecto de Moneo para el completamiento del Banco de España en Madrid por medio de la ... mixtos en el Templete de San Pietro in Montorio de Roma, en Tusculum por el ...
The stylistic innovations emanating from the European Baroque, and the French, Italian and German... more The stylistic innovations emanating from the European Baroque, and the French, Italian and German Baroque in particular, arrived in Spain after a long influence of Herrerian or Escorial-style classicism in the Spanish architecture of the seventeenth century. The usual methods of dissemination in the Early Modern era, such as exchanges of architects and patrons, treatises, books and engravings, imported works of art, etc. led to the gradual spread of variations involving the new tastes, initially in the form of simple decorations, and then subsequently in structural work, in plans and elevations. According to traditional theories, the various phases of the Spanish Baroque began with a post-classical period in the early seventeenth century, followed by phases which in various circles have been called pre-Churrigueresque and Churrigueresque. This was followed by two well-defined schools in the eighteenth century-a courtly Baroque and another much more traditional ("pure") school, which was contemporary to the Spanish high Baroque, with strong Italian, German and French influences. The century ended with a late Baroque associated with neoclassical trends. During the medieval period and the Renaissance, Spain was in a special situation in terms of its socio-political circumstances. Unlike other countries, settlements and religious structures were still being consolidated in the southern territories that had been liberated from the Muslims only a few decades earlier, and in particular, significant cultural changes that had taken place with the expulsion of the Jews and the Moriscos. The Counter-Reformation was a key factor, with its requirements for the renewal of Catholicism, and this affected many of its important buildings, such as cathedrals (Fig. 1). It should also be remembered that during the sixteenth, seventeenth and eighteenth centuries, many of Spain's cathedrals were not only in need of completion-which did not take place due to financial problems-but also refurbishment to suit new aesthetic tastes. Moreover, other types of stonework had become obsolete or had been damaged by the passage of time, or by problems in construction, or of a technical nature. Other factors were common throughout Europe, and these included demographic changes and new functions and aesthetic trends, adaptations to the new liturgy, to new symbologies, financial and political situations, etc. As is well-known, cathedrals in Europe and America are the major buildings on the urban and social landscape of early modern cities. Spanish Renaissance and Baroque architects, who had extensive technical knowledge and had received advanced
El presente artículo forma parte de una serie de trabajos prospectivos encaminados a la elaboraci... more El presente artículo forma parte de una serie de trabajos prospectivos encaminados a la elaboración de una descripción comparada español-francés de los grupos N 1 Prep N2, con vistas a aplicaciones en el campo de la lingtiística informática'. Entre dichos grupos. los casos de forma N1 de N2 plantean, por su complejidad, problemas de descripción particularmente arduos, especialmente desde una perspectiva de procesamiento automático. Como paso previo al análisis de esta estructura, se requiere dar Cuenta de todos los casos en que se dé un fenómeno de no composicionalidad semántica. Abordaremos aquí la descripción de un tipo de estructuras N1 de N2 con un grado de fijación intermedia entre las secuencias totalmente libres (el hijo de Juan, los habitantes de París...) y las secuencias fijas (punto de vista, casa de citas...). Se trata de construcciones del tipo paciencia de
Boletin Del Seminario De Estudios De Arte Y Arqueologia Bsaa, 1983
revista PH, 2004
Introducción Del patrimonio de las élites culturales al patrimonio de la sociedad democrática
Boletín del Seminario de Estudios de Arte y …, 1977
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Papers by Javier Rivera Blanco