This volume provides an important milestone in the history of attempts to theorize digital cultur... more This volume provides an important milestone in the history of attempts to theorize digital cultural heritage for museums and educational settings. This book's target audience is students and professionals in the field of cultural preservation and management. The cover presents a minimal collage of historical images tracing the development of cataloguing systems and museum archives. The editors have organized an extensive and diverse series of essays in this volume to assist scholars in the mapping of critical theory related to digital media in the 'research, preservation, management, interpretation, and representation of cultural heritage'. The 22 essays are divided into three categories that cover object morphologies, knowledge management systems and the impact of virtual cultural heritage. The foreword suggests that this book is an important link to the Media in Transition series which aims to explore older periods of media change as well as 'our own digital age'. Other later titles in this MIT Press series include: Rethinking Media Change, Democracy and New Media, New Media 1740-1915 and Neo Baroque Aesthetics. Co-editors Fiona Cameron, a research fellow at the Centre for Cultural Heritage at the University of West Sydney, Australia, and Sarah Kenderdine, Director of Special Projects, Museum Victoria, Melbourne, each have extensive experience in museum studies in the digital age. For Cameron and Kenderdine, the essays 'identify some of the ways in which digital technologies have transformed the traditional museum'. They considered circa 2007 was a good time to reconsider the conventional assumptions of museology and museum practice. The 455 pages of text are sparsely illustrated with 22 black and white images. The book is academic in tone, and its readability is aimed at the experienced cultural heritage scholar rather than the novice. The book as whole reminded me of the generational lag that often accompanies the introduction of new media as it highlights the museum industry's dilemmas. It clearly reveals the reluctance of institutions to embrace exhibition experimentation or to imaginatively seek new agency for their management agendas. Since the book's publication in 2007 new visual media technologies
Penelitian ini adalah penelitian deskriptif yang bertujuan untuk mengetahui jumlah kebutuhan ener... more Penelitian ini adalah penelitian deskriptif yang bertujuan untuk mengetahui jumlah kebutuhan energi listrik di Desa Sanglepongan Kabupaten Enrekang pada tahun 2021 dengan metode moving average (MA). Objek penelitian pada penelitian ini adalah jumlah kebutuhan energi listrik di Desa Sanglepongan sedangkan subjek penelitian pada penelitian ini adalah data historis penggunaan energi listrik di Desa Sanglepongan. Teknik pengumpulan data yang digunakan adalah teknik observasi dan dokumentasi. Teknik analisis data yang digunakan adalah teknik analisis statistik deskriptif. Berdasarkan hasil penelitian diperoleh bahwa metode moving average (MA) baik digunakan untuk memprediksi dengan |MAPE| (mean absolute percentage error) sebesar 10%, kemudian prediksi jumlah kebutuhan energi listrik di Desa Sanglepongan pada tahun 2021 adalah sebesar 107.656 W atau naik sebesar 4,13% dari tahun 2019 dan 0.37% dari tahun 2020.
This volume provides an important milestone in the history of attempts to theorize digital cultur... more This volume provides an important milestone in the history of attempts to theorize digital cultural heritage for museums and educational settings. This book's target audience is students and professionals in the field of cultural preservation and management. The cover presents a minimal collage of historical images tracing the development of cataloguing systems and museum archives. The editors have organized an extensive and diverse series of essays in this volume to assist scholars in the mapping of critical theory related to digital media in the 'research, preservation, management, interpretation, and representation of cultural heritage'. The 22 essays are divided into three categories that cover object morphologies, knowledge management systems and the impact of virtual cultural heritage. The foreword suggests that this book is an important link to the Media in Transition series which aims to explore older periods of media change as well as 'our own digital age'. Other later titles in this MIT Press series include: Rethinking Media Change, Democracy and New Media, New Media 1740-1915 and Neo Baroque Aesthetics. Co-editors Fiona Cameron, a research fellow at the Centre for Cultural Heritage at the University of West Sydney, Australia, and Sarah Kenderdine, Director of Special Projects, Museum Victoria, Melbourne, each have extensive experience in museum studies in the digital age. For Cameron and Kenderdine, the essays 'identify some of the ways in which digital technologies have transformed the traditional museum'. They considered circa 2007 was a good time to reconsider the conventional assumptions of museology and museum practice. The 455 pages of text are sparsely illustrated with 22 black and white images. The book is academic in tone, and its readability is aimed at the experienced cultural heritage scholar rather than the novice. The book as whole reminded me of the generational lag that often accompanies the introduction of new media as it highlights the museum industry's dilemmas. It clearly reveals the reluctance of institutions to embrace exhibition experimentation or to imaginatively seek new agency for their management agendas. Since the book's publication in 2007 new visual media technologies
Penelitian ini adalah penelitian deskriptif yang bertujuan untuk mengetahui jumlah kebutuhan ener... more Penelitian ini adalah penelitian deskriptif yang bertujuan untuk mengetahui jumlah kebutuhan energi listrik di Desa Sanglepongan Kabupaten Enrekang pada tahun 2021 dengan metode moving average (MA). Objek penelitian pada penelitian ini adalah jumlah kebutuhan energi listrik di Desa Sanglepongan sedangkan subjek penelitian pada penelitian ini adalah data historis penggunaan energi listrik di Desa Sanglepongan. Teknik pengumpulan data yang digunakan adalah teknik observasi dan dokumentasi. Teknik analisis data yang digunakan adalah teknik analisis statistik deskriptif. Berdasarkan hasil penelitian diperoleh bahwa metode moving average (MA) baik digunakan untuk memprediksi dengan |MAPE| (mean absolute percentage error) sebesar 10%, kemudian prediksi jumlah kebutuhan energi listrik di Desa Sanglepongan pada tahun 2021 adalah sebesar 107.656 W atau naik sebesar 4,13% dari tahun 2019 dan 0.37% dari tahun 2020.
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