In 1961 Mircea Eliade published his one of his most important articles about the methodology of the History of Religions: “History of Religions and a New Humanism” which opened the first issue of the journal History of Religions. Eliade...
moreIn 1961 Mircea Eliade published his one of his most important articles about the methodology of the History of Religions: “History of Religions and a New Humanism” which opened the first issue of the journal History of Religions. Eliade describes there task of the discipline. Beyond being a scientific discipline the science of religions will fulfill its true cultural function by making the meanings of religious documents intelligible to the mind of modern man and this cultural role is of the first importance. The main factor which incited Eliade to define such a task was on the one hand, the recent reappearance of the peoples of Asia on the stage of history and, on the other; the so-called primitive peoples were preparing to make their appearance on the horizon of greater history. Eliade expected these confrontations between Westerners and non-Westerners would create new cultural values. Eliade believed that by attempting to understand the existential situations expressed by the documents he is studying, the historian of religions would inevitably attain to a deeper knowledge of man. It is on the basis of such a knowledge that a new humanism, on a world-wide scale, could develop. The specificity of this task to this discipline is due to its research area. This article was reissued in The Quest: History and Meaning in Religion (1969) with some addenda. There Eliade emphasizes the privileged position of the History of Religions among the other humanistic disciplines. For him, more than any other humanistic discipline (i.e., psychology, anthropology, sociology, etc.), history of religions can open the way to a philosophical anthropology. For the sacred is a universal dimension and the beginnings of culture are rooted in religious experiences and beliefs. Furthermore, even after they are radically secularized, such cultural creations as social institutions, technology, moral ideas, arts, etc., cannot be correctly understood if one does not know their original religious matrix, which they tacitly criticized, modified, or rejected in becoming what they are now: secular cultural values. Thus, the historian of religions is in a position to grasp the permanence of what has been called man's specific existential situation of "being in the world," for the experience of the sacred is its correlate. In fact, man's becoming aware of his own mode of being and assuming his presence in the world together constitute a "religious" experience.
Four years later published Eliade’s article “Crisis and Renewal in the History of Religions”. In the first article mentioned above Eliade’s main concern was about the task of the History of Religions: a new humanism. Now he tackles with the problem of methodology. How this aim can be reached? This is the major subject of this article.
Eliade reiterates his conception of the History Religions as a privileged discipline. He claims that the history of religions is not merely a historical discipline as for example, archeology or numismatics. It is as well a total hermeneutics, being called to decipher and explicate every kind of encounter of man with the sacred, from prehistory to our day. This kind of hermeneutics is different from textual interpretation or philosophical hermeneutics of Dilthey, Heidegger or Gadamer. It seems that Eliade’s hermeneutics was rather influenced by the French philosopher Paul Ricoeur, his colleague at the Divinity School of the University of Chicago from 1970 and at the same time a family friend.
Eliade’s creative hermeneutic is more than an instruction; it is also “a spiritual technique susceptible of modifying the quality of existence itself”. What is at stake in not a discovery about a natural phenomenon or about a new element for example but an existential situation, a being in the world. The historian of religions is studying the sacred worlds of people. The sacred is the key element shaping their every day life and their self representation of their world and themselves. Eliade emphasizes the fact that the discovery of a spiritual world is in terms of quality different from other kinds of discoveries. Creative hermeneutics unveils significations that one did not grasp before, or puts them in relief with such vigor that after having assimilated this new interpretation the consciousness is no longer the same.
In conclusion the hope of Eliade was the inner transformation of the researcher and, of the sympathetic reader through the hermeneutical effort of deciphering the meaning of myths, symbols, and other traditional religious structures. That’s why he considered the phenomenology and history of religions among the very few humanistic disciplines that are at the same time propaedeutic and spiritual techniques.
While in the creative hermeneutics Eliade emphasizes primarily the role of the of specialist in the field of religion, Ricœur, develops more precisely the inner changes occurring in the individual mind by putting emphasis upon self-understanding as the outcome of the hermeneutical process. For Ricoeur, the purpose of all interpretation is to conquer a remoteness, a distance between the past cultural epoch to which the text belongs and the interpreter himself. By overcoming this distance, by making himself contemporary with the text, the exegete can appropriate its meaning to himself: foreign, he makes it familiar, that is, he makes it his own. It is thus the growth of his own understanding of himself that he pursues through his understanding of others. Every hermeneutics is thus, explicitly or implicitly, self-understanding by means of understanding others.
The purpose of this paper is to unclose the hermeneutical process, this “royal road” of the History of Religions as labeled by Eliade. The inspiration came from the reading of Camus’ Le Mythe de Sisyphe, The case of Camus, provides us a very rich and interesting illustration of the manner in which hermeneutics is deployed and of the function of mythology even for those who deny the reality of such narratives.
Le Mythe de Sisyphe. Essai sur l’absurde, one of the first books of Albert Camus, one of the most important French authors of the 20th century was published in 1942. The source of inspiration for the title of the book is its last chapter, five pages in total. The principal problematic of this work is to find an answer to the problem of whether a meaningless existence is worthy of being lived or not. Stimulated by an atheist and materialist paradigm, Camus argues that despite all its meaninglessness, one must choose life and reject suicide. But why? How can an existence deprived of an ultimate aim going to be destroyed by death be assumed? Camus thinks that it is necessary to resist death, which is the biggest obstacle in front of existence, and to embrace life albeit its meaninglessness. He finds, the archetype of this thought, represented by the concept of absurd, found in the myth of Sisifos, an ancient Greek myth. According to Camus, it is necessary to imagine Sisifos who defied death happy. However, the original myth depicts a rebellious man who because he rebelled against the divine realm and tried to escape from death was condemned to eternal torment in Hell. His punishment was to roll a stone to the top of a mountain. When he ascended the top of the mountain in Tartarus, every time the rock rolled back to the bottom, It is noteworthy that Camus used its own paradigm to reject the paradox of an element borrowed from a system of beliefs diametrically opposed to his one that deny both the postmortem phase and the divine order. Through the hermeneutical process Camus is confronted with a wisdom which Socrates described as defeating the fear of death. The myth has become a kind of mirror by reflecting his own reality to Camus reflects immortality.
The total hermeneutics of Eliade involves an existential aspect of understanding because of the existential and ontological character of the documents studies by the historian of religions. The religious nature of data like, myths, symbols or religious texts enable the existential dimension of understanding. In his second article Eliade speaks of the “encounter of man with the sacred” i.e. with the wholly other. The other provides something we do not have and thus fills a gap or establishes the missing link. Camus’ hermeneutic endeavor represents such a task: finding a meaning to the existence even though it appears there is no meaning to be found. The main concern of Camus’ problematic and the source of his existential anxiety is the phenomenon of death, his worst enemy. The myth of Sisyphus by narrating the immortality of the soul provides the missing link in the thinking of Camus. The wisdom or the message that Camus perceives from this myth is to not be afraid of death. Because death is an inseparable element of the human condition and that life is not restricted to this world. There is an afterlife shaped by man’s earthly life. But Camus restricts himself with the first part of the message. The myth of Sisyphus sat Camus up with wisdom.
In conclusion Camus’ case illustrates beautifully what Eliade means by creative hermeneutics. But it demonstrates at the same time that sometimes the power of the message carried by myths are so strong that it does not necessary needs a specialists to be deciphered. It can reveal itself to everybody searching for it.