Bard Graduate Center

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Derived from Latin ex voto suscepto “in pursuance of a vow,” an ex voto embodies the hopes, dreams, and anxieties of the person who deposits it. Almost anything, regardless of size, weight, form, or original function, can become a votive object. Ultimately, the category refers to a subset of the material world in which a thing is not necessarily made to be a votive, but instead becomes charged with votive meaning once dedicated to a deity or deities. This volume, one of the first collections devoted exclusively to the subject, builds on the assumption that a shared conceptual framework underpins votive objects, and that by merit of their consecration they have become a category representing a special stage in the life of a material.

The contributors to this comparative study examine ex votos across a range of locations and time periods, including the classical Mediterranean world, medieval Europe, the period of the Catholic Reform, and on to Mexico, Shinto and Buddhist Japan, and Muslim Iran. Voluminous and diverse, Ex Voto will appeal in a wide range of fields, including history, religion, and anthropology.

This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.

cultural histories of the material world Cultural Histories of the Material World is a series centered on the exploration of the material turn in the study of culture. Volumes in the series examine the ways human beings have shaped and interpreted the material world from a broad range of scholarly perspectives and show how attention to materiality can contribute to a more precise historical understanding of specific times, places, ways, and means.