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Papers by Saša Babič
umazanije in odpadkov pokaže tudi, kako hitro konceptualno približamo
naša dejanja svetu odpadnih predmetov in gnusne umazanije.
sound, and silence. Radio structures the space and time in its punctuality (cf. Gitelman 2006). The news in analogue radio, for example, was scheduled by the hour, introduced by a tic-tac sound that counts the seconds down until the aviso and the anchor read their text.
At that exact same time, the community outside the home, the
imagined we (cf. Anderson 2006 [1983]), tuned in to listen to the ephemeral words that conjured worlds. However, it was not just listening; it was also a practice of taking part. Inasmuch as she follows the words, the listener is absorbed into the imagined community, recreated and re-enacted at a predetermined, recurrent time that yields predictability and structure to the world—the waves (infra)structure commonality.
umazanije in odpadkov pokaže tudi, kako hitro konceptualno približamo
naša dejanja svetu odpadnih predmetov in gnusne umazanije.
sound, and silence. Radio structures the space and time in its punctuality (cf. Gitelman 2006). The news in analogue radio, for example, was scheduled by the hour, introduced by a tic-tac sound that counts the seconds down until the aviso and the anchor read their text.
At that exact same time, the community outside the home, the
imagined we (cf. Anderson 2006 [1983]), tuned in to listen to the ephemeral words that conjured worlds. However, it was not just listening; it was also a practice of taking part. Inasmuch as she follows the words, the listener is absorbed into the imagined community, recreated and re-enacted at a predetermined, recurrent time that yields predictability and structure to the world—the waves (infra)structure commonality.
Legends in Slovenia) is the first book dedicated to the topic of
Slovenian contemporary legends, and can therefore be considered as a turning point in this genre in Slovenian folkloristics.