Recent statistics about Chinese traditional arts on douyin, shared by DouyinGroup.
The videos in the background are all taken from douyins shared by various creators (credited in the bottom right).
English added by me :)
(Full video text below the cut)
Setting the rules before a tuoshen (拖神; “god dragging” folk custom) procession.
English added by me :)
A Spring Festival folk custom local to Chaoshan (Chaozhou and Shantou, Guangdong province) called 盐灶拖神/Yanzao tuoshen (“Yanzao (a village in Yanhong town, Chenghai district, Shantou city) God dragging”).
This local custom falls under the greater folk custom of 游神/youshen (“walking the gods”). For youshen customs, and more specifically in Yanzao tuoshen, there is a “god walking team” responsible for carrying the palanquin upon which the god Ying Laoye (营老爷) sits. Ying Laoye is a protector deity local to Chaoshan. The custom of god-walking is not only related to prosperity but also is meant to strengthen the ties of the clans in the villages, and remind the people of their bond; Yanzao is what is known as a “natural village” (自然村落), a village that has been formed naturally after a long period of settlement by villagers whose main occupation is agriculture/farming. The village forms its own customs with family at the center of many of them, as many of the villagers are related. For example, Yanzao has about 20k people divided into four districts; among those numbers, there are about 10k surnamed Lin, 5k surnamed Chen, and 1k surnamed Li and Zhou.
When it comes to Yanzao tuoshen, the god walking team is tasked with safely carrying the god through the village. In the above video, the team is all wearing white. They will often wield incense that they use to hit outsiders with. In other tuoshen processions, the god walking team may be shirtless, their bodies covered in oil to make it difficult for outsiders to grab them and pull them out of the way. The goal of the outsiders is to find a way to get to the palanquin. If the outsiders are able to get onto the palanquin and maintain the position for a length of time, it will bring them good luck. However, surrounding people will usually very quickly pull them down again. If the palanquin is taken over by outsiders, then a “god saving team” will be dispatched to take back the palanquin and continue carrying it through the village.
Usually by the end of the procession, the god is dragged down from the palanquin and is broken apart and sunk into a body of water. On a later auspicious date, the god will then be fished back up, repaired, and returned to the temple for worship. This is meant to bring luck to the villagers.
One folk legend regarding this custom tells that there was once a very poor villager whose turn it was to worship the god, a custom which required him to treat the other villagers to a banquet. However, the poor villager was really too poor, and had no way of supporting others, so he secretly took the god’s statue and dragged it to the seaside, burying it there and then running off in the night to Nanyang. Unexpectedly, that year, the village saw bountiful harvest and the poor villager also struck great fortune in Nanyang, leading the villagers to wonder if perhaps the god enjoyed being carried away. This is said to have lead to the tradition of dragging the gods.
Sources (Chinese):