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JSTOR

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JSTOR is a non-profit digital library for the intellectually curious. We help everyone discover, share, and connect valuable ideas. Official account. JSTOR.org | About
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📢 Introducing The JSTOR Collective!

We’re thrilled to announce our new Tumblr community: The JSTOR Collective! 🎉

This is a space where faculty, librarians, students, researchers, and lifelong learners can come together to share ideas, spark conversations, and, yes, even post academic memes. 😉

Whether you’re deep in research, looking for study tips, or just want to connect with others passionate about knowledge, this is the place for you.

✨ What you’ll find:

  • Meaningful discussions and resources
  • A welcoming, inclusive space for all
  • Humor, curiosity, and plenty of memes

Join The JSTOR Collective and help us build a vibrant, self-sustaining community that celebrates the joy of learning.

Let’s connect, collaborate, and grow—together. 🌱

Click to Begin

Thank you to everyone who has joined the community and introduced themselves so far!

Again, while we'll pop in once in a while to share resources we think may be useful or prompt some conversations, this is foremost a space for you to find and interact with like-minded individuals. We truly hope you'll find a new... well, community here!

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Wrapping the week up with some great news: JSTOR’s Access in Prison initiative has now reached over 1 million incarcerated learners!

Since 2007, we’ve worked to expand access to academic resources for students taking college courses while incarcerated. Now, thanks to ongoing collaboration and support, JSTOR is available in nearly 1,400 prisons worldwide.

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My university doesn't let me have access to all of Jstor, do you have a web page or information sheet I could send them ? I'd love for them to have their student be able to access it all

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Hi! We have a web page that directs librarians to all the information they need about expanding their library's access options.

There are links to pages about our one-time payment option for access to all archival journals (existing and added later), multi-discipline/discipline specific/regional packages, ebooks, primary sources, and our Artstor collection (which contains over 2 million images).

JSTOR is a non-profit, and the cost of these packages helps enable us to digitize millions of pages of scholarly content each year, provide reliable 24/7 access to researchers in 170+ countries, invest in new technologies that support the use of this content, offer outreach and support services, pay license fees to content owners, and ensure the long-term preservation of these materials.

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Before there was Moo Deng, there was William.

This little blue hippopotamus, known affectionately as William, has been a fan favorite at The Metropolitan Museum of Art for over a century. Dating back to Egypt’s Middle Kingdom (c. 1961–1878 BCE), William was likely placed in tombs to offer protection in the afterlife.

His bright faience glaze and lotus decorations connect him to the Nile’s waters—but don’t let his charm fool you! Ancient Egyptians knew that hippos were both revered and feared, making William a powerful symbol. He epitomizes the Egyptian craftsmanship of the era.

Image: Hippopotamus (William), ca. 1961–1878 B.C. Faience. The Metropolitan Museum of Art.

There is also this lil guy from the Pre-Dynastic Period in the Ashmolean Museum!

Not in the Egyptian domain at all, but I saw this delightfully rotund creature and the bowl-carrying hedgehog in the museum of archaeology in Athens and thought to share

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reblogged
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jstor

📢 Introducing The JSTOR Collective!

We’re thrilled to announce our new Tumblr community: The JSTOR Collective! 🎉

This is a space where faculty, librarians, students, researchers, and lifelong learners can come together to share ideas, spark conversations, and, yes, even post academic memes. 😉

Whether you’re deep in research, looking for study tips, or just want to connect with others passionate about knowledge, this is the place for you.

✨ What you’ll find:

  • Meaningful discussions and resources
  • A welcoming, inclusive space for all
  • Humor, curiosity, and plenty of memes

Join The JSTOR Collective and help us build a vibrant, self-sustaining community that celebrates the joy of learning.

Let’s connect, collaborate, and grow—together. 🌱

Click to Begin

Thank you to everyone who has joined the community and introduced themselves so far!

Again, while we'll pop in once in a while to share resources we think may be useful or prompt some conversations, this is foremost a space for you to find and interact with like-minded individuals. We truly hope you'll find a new... well, community here!

Avatar
reblogged
Avatar
jstor

Before there was Moo Deng, there was William.

This little blue hippopotamus, known affectionately as William, has been a fan favorite at The Metropolitan Museum of Art for over a century. Dating back to Egypt’s Middle Kingdom (c. 1961–1878 BCE), William was likely placed in tombs to offer protection in the afterlife.

His bright faience glaze and lotus decorations connect him to the Nile’s waters—but don’t let his charm fool you! Ancient Egyptians knew that hippos were both revered and feared, making William a powerful symbol. He epitomizes the Egyptian craftsmanship of the era.

Image: Hippopotamus (William), ca. 1961–1878 B.C. Faience. The Metropolitan Museum of Art.

There is also this lil guy from the Pre-Dynastic Period in the Ashmolean Museum!

Avatar

Before there was Moo Deng, there was William.

This little blue hippopotamus, known affectionately as William, has been a fan favorite at The Metropolitan Museum of Art for over a century. Dating back to Egypt’s Middle Kingdom (c. 1961–1878 BCE), William was likely placed in tombs to offer protection in the afterlife.

His bright faience glaze and lotus decorations connect him to the Nile’s waters—but don’t let his charm fool you! Ancient Egyptians knew that hippos were both revered and feared, making William a powerful symbol. He epitomizes the Egyptian craftsmanship of the era.

Image: Hippopotamus (William), ca. 1961–1878 B.C. Faience. The Metropolitan Museum of Art.

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Anonymous asked:

Can I still use all of jstor after I graduate college?

There are a few options for using JSTOR after graduation.

  1. Check with your school's library to determine whether or not they offer alumni access.
  2. Check with your local public library to see if they offer JSTOR access.
  3. If you register for a personal account, you can read a limited number of articles per month for free!
  4. We offer individual subscriptions under JPASS, with monthly or annual plans.
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Anonymous asked:

I'm a secondary school dropout but i'm on a course which allows me to go to university part time and work up to applying for a degree and I just submitted my first ever piece of academic work and it was the most terrifying thing i've ever done but thank you jstor for all the books and papers you had ready to go to help me <3

Thank you so much for sharing this, and congratulations on submitting your first academic work! Here's to many more 🪄

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The "related text" tab when viewing an article has led me to so many gems and has saved so many of my essays thank you so much for this feature I love you JSTOR

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It's because we love a good rabbit hole!

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Before the civil rights movement took center stage in the 1960s, Black women like Ella P. Stewart were laying the groundwork for change. A pioneering pharmacist, activist, and community leader, Stewart broke barriers as the first Black woman to graduate from the University of Pittsburgh’s pharmacy school and later co-owned Toledo’s first Black-owned pharmacy.

Stewart’s pharmacy was a community hub, a safe space for Black Toledoans during segregation, and a temporary home for civil rights icons like W.E.B. Du Bois and Marian Anderson when hotels refused them. She went on to lead the National Association of Colored Women–advocating for anti-lynching laws, equal housing, and scholarships for Black students.

Now, her legacy lives on through the Ella P. Stewart Scrapbooks, a collection documenting decades of activism. Thanks to Reveal Digital and Bowling Green State University, portions of her archive are now digitized and freely accessible on JSTOR.

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JSTOR omg hi!! i have a fever right now but i just want to say that i love you and i love reading articles on your website for my degree AND FOR FUN jstor if you were a person i would kiss you

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We're blushing!! And hope you're feeling better <3

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Alexander Miles, a prominent African-American inventor of the late 19th century, is best known for his groundbreaking invention - elevator doors that could open and close automatically. This invention transformed the safety of elevator rides, with automatic doors now considered a standard feature in modern elevators.

Born on May 18, 1838, in Circleville, Ohio, Alexander Miles was the son of Michael and Mary Miles. As a young adult, he relocated to Waukesha, Wisconsin, where he worked as a barber throughout the 1860s. It was while living in Winona, Minnesota, in 1870, that he met Candace J. Dunlap from New York City, who later became his wife. After the birth of their daughter, Grace, the family moved to Duluth, Minnesota.

In Duluth, Miles enjoyed significant success as a barber, setting up a barbershop in the four-story St. Louis Hotel. He smartly invested his savings into purchasing a real estate office. His business acumen led to him becoming the first Black member of the Duluth Chamber of Commerce. In 1884, Miles constructed a three-story brownstone building in an area that later came to be known as the “Miles Block.”

While taking elevator rides in his buildings, Miles noticed the dangerous risks associated with manually operated elevator shaft doors being left open. Determined to solve this problem, he invented a mechanism that allowed elevator shaft doors to operate at the correct times. The mechanism, which involved a flexible belt attached to the elevator cage touching drums positioned along the elevator shaft, automated the elevator doors through a series of levers and rollers. On October 11, 1887, Alexander Miles was granted a patent for his life-saving invention (U.S. Patent 371,207).

In 1899, Miles and his family moved to Chicago, Illinois, where he started The United Brotherhood, a life insurance company for Black customers who were denied coverage by White-owned firms. Eventually, Miles relocated to Seattle, Washington. Prior to his death on May 7, 1918, he was considered the wealthiest Black person in the Pacific Northwest area, largely due to the income from his invention. In recognition of his contributions, Alexander Miles was inducted into the National Inventors Hall of Fame in 2007.

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