An Introduction To Cultural Studies
An Introduction To Cultural Studies
An Introduction To Cultural Studies
Diambil dari Chris Barker, Cultural Studies: Theory and Practice (New Delhi: Sage Publications, 2000), hal. 3-34.
Introduction
The kind of cultural studies influenced by poststructuralists theories of language, representation and subjectivity is given greater attention than a cultural studies more concerned with the ethnography of lived experience or with cultural policy Cultural studies does not speak with one voice, it cannot be spoken with one voice
Cultural studies is constituted by the language-game of cultural studies Language-game: by which the meaning of words are located in their usage in a complex network of relationships between words and not from some essential characteristic or referent Meaning is contextual and relational It depends on the relationships between words which have family resemblances and on specific utterances in the context of pragmatic narratives In Lyotard's works, the term 'language games', sometimes also called 'phrase regimens', denotes the multiplicity of communities of meaning, the innumerable and incommensurable separate systems in which meanings are produced and rules for their circulation are created 3
Cultural studies is an interdisciplinary field in which perspectives from different discplines can be selectively drawn on to examine the relations of culture and power Cultural studies is concerned with all those practices, institutions and systems of classification through which there are incalculated in a population particular values, beliefs, competencies, routines of life and habitual forms of conduct The forms of power that cultural studies explores are diverse and include gender, race, class, colonialism, etc. The prime institutional sites for cultural studies are those higher education, and as such cultural studies is like other academic discplines
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Key Concepts in Cultural Studies: Culturethe actual grounded terrain of practices, Culture: and Signifying Practices
representations, languages and customs of any specific society Culture: the contradictory forms of common sense which have taken root in and helped to shape popular life Language is not a neutral medium for the formation of meanings and knowledge about an independent object world existing outside of language, but is constitutive of those very meanings and that very knowledge These processes of meaning production are signifying practices, and to understand culture is to explore how meaning is produced symbolically in language as a signifying system
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Representation
Representation: how the world is socially constructed and represented to and by us The study of culture as the signifying practices of representation This requires us to explore the textual generation of meaning It also demands investigation of the modes by which meaning is produced in a variety of contexts
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Articulation
Articulation: the formation of a temporary unity between elements that do not have to go together Articulation suggests both expressing/representing and a puttingtogether Representations of gender may be puttogether with representations of race, as in the case of gendered nationality above, in context-specific and contingent ways which cannot be predicted before the fact
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Power
Power is not simply the glue that holds the social together, or the coercive force which subordinates one set of people to another, though it certainly is this, but the processes that generate and enable any form of social action, relartionship or order Power, while certainly constraining, is also enabling
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Popular Culture
Subordination is a matter not just of coercion but also of consent Popular culture, with which cultural studies has been especially concerned, is said to be the ground on which consent is won or lost Ideology: maps of meaning which, while they purport to be universal truth, are historically specific understandings which obscure and maintain power Hegemony: the process of making, maintaining and reproducing ascendant meanings and practices Hegemony implies a situation where a historical bloc of powerful groups exercises social authority and leadership over subordinate groups through the winning of consent 13
The concept of text suggest not simply the written word, though this is one of its senses, but all practices which signify This includes the generation of meaning through images,sounds, objects (such as clothes) and activities (like dance and sport) The meanings that critics read into cultural texts are not necessarily the same as those produced by active audiences or readers Indeed, readers will not necessarily share all the same meanings with each other Further, texts, as forms of representation, are polysemic
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The moment of consumption marks one of the processes by which we are formed as persons What it is to be a person, subjectivity, and how we describe ourselves to each other, identity, became central areas of concern in cultural studies during the 1990s The argument, known as anti-essentialism, is that identities are not things which exist They have no essential or universal qualities Rather, they are discursive constructions, the product of discourses or regulated ways of speaking about the world
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The Intellectual Strands of Cultural Studies: Marxism and the Centrality of Class
Marxism is, above all, a form of historical materialism It stresses the hisrtorical specifity of human affairs and the changeable character of social formations whose core features are located in the material conditions of existence Thus labour, and the forms of social organization that material production takes, a mode of production, are central categories of Marxism The organization of a mode of production is not simply a matter of co-ordinating objects Rather, it is inherently tied up with relations between people which, while social, that is, cooperative an co-ordinated, are also matters of power and conflict
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Capitalism
The centrepiece of Marxs work was an analysis of the dynamics of capitalism, a mode of production premised on the private ownership of the means of production The fundamental class division of capitalism is between those who own the means of production, the bourgeoisie, and those who, being a propertyless proletariat, must sell their labour to survive A commodity is something available to be sold in the marketplace and commodification the process associated with capitalism by which objects, qualities and signs are turned into commodities
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Structuralism
If culturalism takes meaning to be its central category and casts it as the product of active human agents, structuralism speaks instead of signifying practices which generate meaning as an outcome of structures or predictable regularities which lie outside of any given person A structuralist understanding of culture is concerned with the systems of relations of an underlying structure (usually language) and the grammar which makes meaning possible
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We find structuralist principles at work when LeviStrauss describes kinship systems as like a language Barthes myths Culturalism focused on meaning production by human actors in an historical context Structuralism culture as an expression of deep structures of language which lie outside of the intentions of actors and constrain them Culturalism stresses history Structuralism synchronic in approach, analysing the structures of relations in a snapshot of particular moment Culturalism interpretation as a way of understanding meaning Structuralism the possibility of a science of signs, of objective knowledge
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Poststructuralism after structuralism Poststructuralism absorbs aspects of structural lingustics while subjecting it to a critique which, it is claimed, surpasses structuralism Poststructuralism rejects the idea of an underlying stable structure which founds meaning through fixed binary pairs (black-white; good-bad) Rather, meaning is unstable, being always deferred and in process Intertexualitymeaning is the outcome of relationships between texts Poststructuralism is anti-humanist in its decentring of the unified, coherent human subject as the origin of stable meanings
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Foucault is concerned with the description and analysis of the surfaces of discourse and their effects under determinate material and historical conditions Discourse constructs, defines and produces the objects of knowledge in an intelligible way while at the same time excluding other ways of reasoning as unintelligible Discursive practices and discursive formation the historical conditions and determining rules of formation of regulated ways of speaking about objects Regime of truth Genealogy
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Anti-Essentialism
Essentialism words have stable referents and social categories reflect an essential underlying identity The speaking subject is dependent on the prior existence of discursive subject positions, empty spaces or functions in discourse from which to comprehend the world Anti-essentialism does not mean that we cannot speak of truth or identity Rather, it points to them as being not universals of nature but productions of culture in specific times and places Poststructuralism offers us irony an awareness of the contingent, constructed character of our beliefs and understandings which lack firm universal foundations
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Postmodernism
Postmodernism the rejection of truth as a fixed eternal object Lyotard postmodern: incredulity towards metanarratives Lyotard rejects the idea of grand narratives or stories that can give us certain knowledge of the direction, meaning and moral path of human development Postmodernism in its understanding that knowledge is specific to languagegames, embraces local, plural and diverse knowledges
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Freud the self is constituted in terms of an ego (or conscious rational mind), a superego (social conscience) and the unconscious (the source and repository of the symbolic workings of the mind which functions with a different logic from reason) Through processes of identification with others and with social discourses we create an identity which embodies an illusion of wholeness The libido or sexual drive does not have any pre-given fixed aim or object Rather, through fantasy, any object, which includes persons or parts of bodies, can be the target of desire
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The Politics of Difference: Feminism, Race and Postcolonial Theory In this context, there has been a growing emphasis on difference in the social field, and in particular on questions of gender, race and ethnicity
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Feminism
Feminism: a field of theory and politics which contains competing perspectives and prescriptions for action We may locate feminism as asserting that sex is a fundamental and irreducible axis of social organization which, to date, has subordinated women to men Feminism is centrally concerned with sex as an organizing principle of social life where gender relations are thoroughly saturated with power relations Patriarchy: male-headed family, mastery, and superiority Liberal feminism, socialist feminism, radical feminism
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A criticism of the concept of patriarchy is its treatment of the category of woman as undifferentiated That is, all women are taken to share something fundamental in common in contrast to all men This is an assumption continually challenged by black feminists, who have argued that the movement has defined women as white and overlooked the differences between black and white womens experiences
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Questions of Methodology
Cultural studies has not devoted itself to questions of research methods and methodology It is not with the technicalities of method but with the philosophical approaches which underpin them, that is, methodology
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Epistemology
Epistemology: questions about the status of knowledge and truth has been between representationalist (realist) and antirepresentationalist (poststructuralism, postmodernism and pragmatism) Nietzsches characterization of truth as a mobile army of metaphors and metonyms Knowledge is a question not of true discovery but of the construction of interpretations about the world which are taken to be true In so far as the idea of truth has an historical purchase, it is the consequence of power, that is, of whose interpretations are to count as truth
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Ethnography
Ethnography: an empirical and theoritical approach inherited from anthropology which seeks detailed holistic description and analysis of cultures based on intensive fieldwork Ethnography concentrates on the details of local life while connecting them to wider social processes Ethnographic cultural studies has been centred on the qualitative exploration of values and meanings in the context of a whole way of life, that is, with questions of cultures, life-worlds and identities In the context of media-oriented cultural studies, ethnography has become a code-word for a range of qualitative methods, including participant observation, in-depth interviews and focus groups
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Textual Approaches
The three outstanding modes of analysis in cultural studies draw from: 1. Semiotics 2. Narrative theory 3. deconstructionism
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Texts as Signs
Semiotics explores how the meanings generated by texts have been achieved through a particular arrangement of signs and the deployment of cultural codes Such analysis draws attention to the ideological or myths of texts The medias selective and value-laden representations are not accurate pictures of the world but the site of struggles over what counts as meaning and truth
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Texts as Narratives
Narrative theory plays a part in cultural studies A narrative is an ordered sequential account which makes claims to be a record of events Narratives are the structured form in which stories advance explanations for the ways of the world Narratives offer us frameworks of understanding and rules of reference about the way the social order is constructed and in doing so supply answers to the question: how shall we live? Soap opera is the name of a genre Genres structure the narrative process and contain it Genres regulate it in particular ways using specific elements and combinations of elements to produce coherence and credibility Genre thus represents systematizations and repetitions of problems and solutions in narratives
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Deconstruction
To deconstruct is to take apart, to undo, in order to seek out and display the assumptions of a text Deconstruction involves the dismantling of hierarchical conceptual oppositions such as man/women, black/white, reality/appearance, nature/culture, reason/madness, etc., which serve to guarantee truth by excluding and devaluing the inferior part of the binary The purpose of deconstruction is not simply to reverse the order of binaries but to show that they are implicated in each other Deconstruction seeks to expose the blind-spots of texts, the unacknowledged assumptions upon which they operate
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Reception Studies
Exponents of reception or consumption studies argue that whatever analysis of textual meanings a critic may undertake, it is far from certain which of the identified meanings, if any, will be activated by actual readers/audiences/consumers Hall: the production of meaning does not ensure consumption of that meaning as the encoders might have intended because (television) messages, constructed as a sign system with multiaccentuated components, are polysemic that is, they have more than one potential set of meanings Understanding is always from the position and point of view of the person who understands, involving not merely reproduction of textual meaning but the production of meaning by the readers
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Theory can be understood as narratives which seek to distinguish and account for general features which describe, define and explain persistently perceived occrurences Theory does not picture the world more or less accurately Rather, it is a tool, instrument or logic for intervening in the world through the mechanisms of description, definition, prediction and control Theoritical work can be thought of as a crafting of the cultural signposts and maps by which we are guided As a political theory, cultural studies has hoped to organize disparate opposition groups into an alliance of cultural politics
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