Q3 PPT Arts7

Download as pptx, pdf, or txt
Download as pptx, pdf, or txt
You are on page 1of 22

a

Grade 7 Arts
Week 1 Day 1
Learning
Competency:
analyzes elements and
principles of art in the
production one’s arts
and crafts inspired by
the arts of Mindanao
(A7ELIIIb-1)
DIRECTION
S:
Look for the
10 words
related to the
arts and
crafts of
Mindanao
inside the
puzzle and
write them
PROCESS QUESTIONS:
1.Are you that familiar with the words you
have found in the previous activity?
2.How did you come to know these
concepts?
3.What did you feel after knowing these
concepts?
4.Have you seen actual objects or examples
of the words you listed? How do you think
WHAT KIND OF CRAFT IS IT?
DIRECTIONS: Using the graphic
organizer below, categorize the
following objects inside the table
whether it is an example of
woodcraft, metal craft, bead work, or
design motif.
Crocodile tooth necklace Hilot
Kandit Maniksembulan Matilak
Okir Pegupaan Sarimanok Saruk
Snake bone belts

WOOD METAL BEAD TEXTILE


•- •- •-
•- •- •-
B’laan’s Traditional Clothing
and its characteristics
One of the ethno-linguistic groups that inhabits
Mindanao is the B’laan. They usually reside in
specific place in Mindanao like South and North
Cotabato and Davao del Sur. The B’laan’s name
comes from a combination of two words “bila”,
which means “house”, and “an”, which means
“people”. This ethno-linguistic group is known for
its embroidery, brass ornaments, and beadwork
which are used in their traditional clothing.
The B’laan also use mother-of-pearl that are cut and shaped into geometric forms to
look like sequins called taknum. The B’laan are also known for their ikat process
which is used in weaving highly-polished abaca textiles. This process is done by
dyeing the fabric where the yarns are tightly wrapped with strings before weaving.
Bagobos’ Traditional Clothing
and its characteristics
This group’s name comes from the word “bago”
which means “new”. and “obo”, which means
“growth”. Bagobos are known for their ceremonial
cloth called Inabal. This is a special textile woven
from deep brown abaca fibers. Like the B’laan, ikat
process is used by Bagobos to obtain intricate
designs for their textiles. Bagobo women are the
only ones who are only allowed to weave this
fabric. Inabal clothing is valued by both men and
Additionally, red holds women
a special meaning in Bagobo textile design for men. The hero
or warrior called bagani by Bagobos usually wear blood-red clothes, and a head
kerchief called tangkulu. This style of clothing represents their courage as Bagobos.
The weaving tradition of Bagobo is usually tied to the magandi, a dominant warrior
class that is recognized through a red color of their clothing.
Bagobos’ Traditional Clothing
and its characteristics
Bagobo women also wear rows of bells around their waist
and ankles that produce tinkling sounds every time they
move or walk called Kolungkolung. The sound made by the
Kolungkolung is relatively “standard” to the bagobo taste
which means that they use Kolungkolung to give pleasing
sound as they perform their traditional dance.

The distinct ceremonial attire of Bagobo, made of ikat textiles, is likely to be referred
to as kostyom (costume) or dress. They use kostyom (costume) when speaking to a
person outside their tribe. However, among themselves they use their language’s
term for garment or clothing, which is ompak'n Bagobo. Wearing these clothes
expresses various meanings, describing different modes of being a Bagobo.
T’boli’s Traditional Clothing
and its Characteristics
T’bolis are also known in using t’nalak similar to the
Bagobos. However, unlike Bagobos, T’bolis are more well-
known in the use of t’nalak. They also find this textile
sacred and important. Occasions like traditional wedding
rituals usually involve the exchange of t’nalak textile. The
t’nalak of T’bolis are made by women of royal blood, and
thousands of patterns with reference folklore and stories
are known to the T’boli women by memory. Fu Dalu, a
spiritual guardian, is said to guide t’nalak weaving, a
process that follows several rituals and rules.4.
T’boli weavers believe that they are visited by their ancestors and gods in their
dreams to teach them weaving designs and patterns. In 1998, Lang Dulay, the
famous T’boli dream weaver, was able to receive the National Living Treasures-
Gawad Manlilikha ng Bayan (GAMABA) Award by the National Commission for Culture
T’boli’s Traditional Clothing
and its Characteristics
The GAMABA is an award that aims to give honor and pride
to different traditional artist who contributed to preserve
the works, skills and crafts of their group. This also
promotes the preservation of the Filipino culture through
arts. A dream weaver like Lang Dulay, has proven that
T’bolis are great keepers of culture and tradition. Fibers
used in weaving are harvested from the abaca tree and
prepared in a process known as kedungon. Two metal
blades are used to quickly remove the pulp from the
filaments, which are worked by hand into fine threads.
During tembong (connecting), an artisan connects
individual threads from end to end.
Maranao’s Traditional
Clothing and its
Characteristics
The Maranao is the biggest group of Muslims living in
Mindanao. They are dwellers who occupy the lands
surrounding Lake Lanao. They are known to be the “People
of the Lake” because they are the considered as the Lake
Lanao’s guardians. The Maranao people are popularly
known for their malong. It is a traditional hand woven tube
skirt that is made using a backstrap loom. It can also be a
The famous malong ofmachine-made multi-colored
Maranao is somehow similar cotton cloth. of Malaysia,
to the sarong
Brunei, and Indonesia. However, the malong we have in Mindanao is much
bigger and longer than sarong, and it is stitched together at both ends so that it
has a tubular shape. Meanwhile, the sarong is not stitched at both ends and it is
usually square in shape with varied patterns like checkers.
The other types of Malong are
the following:

 Malong a andon- it is considered the most expensive and


rarest or oldest of the three types. Andon refers to the
“patola” motif, or a double ikat woven sari, usually made
from silk.
 Malong a landap- it is characterized by “langkit”, or
decorative strips of profuse geometric designs, which are
hand sewn on the malong. This type is considered the
most popular.
 Malong a ampik- it is characterized by a pattern with
geometrical shapes colored with black and white, and
combination of contrasting primary colors.
Yakan’s Traditional Clothing
and its Characteristics
The Yakan is an indigenous tribe native to the island of
Basilian. Their weaving skills is recognized for their use of
remarkable technicolor geometric patterns. The intricately
woven fabrics are used for clothing and other accessories.
They also use distinctive face decorations to complement
their attire in traditional ceremonies. Yakan women
traditionally made the textiles for their cultural dress
known as the Semmek. They also crafted accessories and
interior decors from abaca, pineapple, and bamboo fibers
grown on the
The malong used for ceremonies andisland.
rituals is usually made of silk, while the
The hand-loomed fabrics woven by Yakan women are known for their bright
colors and geometric patterns
Yakan’s Traditional Clothing
and its Characteristics
o Seputangan is a square cloth used by the Yakan women
as a head or as a belt. It is the most decorative piece of
garment because of its with different designs, but it is
the most time- consuming to make.
o Badjulapi, is a tight blouse with long sleeves worn by
Yakan women, which is ornamented with gold, silver and
bronze buttons.
o Yakan sawal, is a traditional tight-fitting, striped trousers
made of bamboo fibers with vertical stripes, zigzag and
diamond patterns.
o Pinalantupan is a type of skirts layered over the trousers
made from a mix of pineapple and bamboo fibers.
o Pagal Bato is a bride’s button-up jacket made of satin or
cotton cloth, and sometimes mixed with lurex threads.
Textiles
o Textiles include embroidery , felt making , knitting, lac
making, tapestry and weaving. It is the most common
form of craft among the different ethnolinguistic groups
in Mindanao.
o The distinct motifs and patterns characterize the design
of each group. For example, one of the decorative
motifs used in the textiles of Maranao is the Sarimanok.
The sarimanok is the Maranao’s legendary bird. It comes
from the words “sari”, meaning cloth or garment and
“manok” , the Filipino term for chicken. It further is
derived from the totem bird of the Maranaos called
Itotoro, which is believed to be a medium to the spirit
world together with its twin spirit bird called Inikadowa.
PROCESS QUESTIONS:
1.Are you that familiar with the words you
have found in the previous activity?
2.How did you come to know these
concepts?
3.What did you feel after knowing these
concepts?
4.Have you seen actual objects or examples
of the words you listed? How do you think

You might also like