Romanticism

By: Susan M.
Pojer
Horace Greeley HS Chappaqua, NY
The Spirit of the Age (1790-1850)
 A sense of a shared vision among the
Romantics.
 Early support of the French Revolution.
 Rise of the individual  alienation.
 Dehumanization of industrialization.
 Radical poetics / politics  an obsession

with violent change.
A Growing Distrust of Reason
Early
Enlightenment 19c Romanticism
Society is good, curbing Civilization corrupts!
violent impulses!
 The essence of human experience is subjective

and emotional.
 Human knowledge is a puny thing compared to
other great historical forces.
 “Individual rights” are dangerous efforts at
selfishness  the community is more important.
The Romantic Movement
 Began in the 1790s and peaked in the 1820s.
 Mostly in Northern Europe, especially in Britain

and Germany.
 A reaction against classicism.
 The “Romantic Hero:”

 Greatest example was Lord
Byron
 Tremendously popular among
the European reading public.
 Youth imitated his haughtiness
and rebelliousness.
Characteristics of Romanticism
The Engaged & Enraged Artist:

 The artist apart from society.
 The artist as social critic/revolutionary.
 The artist as genius.

Wandering
Above the Sea
of Fog
Caspar David
Friedrich,
1818
Lady Macbeth - Henry Fuseli, 1794
The Individual/ The Dreamer:

 Individuals have unique, endless
potential.
 Self-realization comes through art
 Artists are the true philosophers.
The Dreamer
Gaspar David Friedrich, 1835
Solitary Tree
Caspar David Friedrich, 1823
Glorification of Nature:
 Peaceful, restorative qualities [an
escape from industrialization and
the dehumanization it creates].
 Awesome, powerful, horrifying
aspects of nature.
 Indifferent to the fate of humans.
 Overwhelming power of nature.

An Avalanche in the Alps
Philip James de Loutherbourg, 1803
Sunset After a Storm On the Coast of
Sicily – Andreas Achenbach, 1853
The Deluge
Francis Danby, 1840
Tree of Crows
The Wreck of the Hope (aka The Sea of Ice)
Shipwreck – Joseph Turner, 1805
The Raft of the Medusa
Théodore Géricault, 1819
The Eruption of Vesuvius - John Martin
Isaac Newton – William Blake, 1795
Dr. Frankenstein’s Adam & Eve??
Rain, Steam, and Speed
Joseph Mallord William Turner, 1844
Rain,
Steam, &
Speed
(details)
The Slave Ship
The
Slave
Ship
(details)
Flatford Mill – John Constable, 1817
The Corn
Field
John Constable,
1826
The Hay Wain - John Constable, 1821
Revival of Past Styles:

 Gothic & Romanesque revival.
 “Neo-Gothic” architectural style.
 Medieval ruins were a favorite
theme for art and poetry.
Salisbury Cathedral from the Bishop’s Ground
John Constable, 1825
Salisbury Cathedral from the Meadows
John Constable, 1831
Hadleigh Castle - John Constable, 1829
Eldena Ruin
Winter Landscape with Church
British Houses of Parliament
1840-1865
The Supernatural:
 Ghosts, fairies, witches, demons.
 The shadows of the mind—dreams &
madness.
 The romantics rejected materialism
in pursuit of spiritual self-awareness.
 They yearned for the unknown and
the unknowable.
Cloister Cemetery in the Snow
Caspar David Friedrich, 1817-1819
Abbey in an Oak Forest
Caspar David Friedrich, 1809-1810
Mad Woman
With a Mania
of Envy
Theodore
Gericault,
1822-1823
Pity - William Blake, 1795
The Great Red
Dragon and the
Woman Clothed
with the Sun
William Blake,
1808-1810
Stonehenge - John Constable, 1836
Nightmare (The Incubus)
Henry Fuseli, 1781
Manfred and the Witch of the Alps
John Martin - 1837
Witches
Sabbath
Francisco
Goya,
1798
Procession of Flagellants on Good Friday
Francisco Goya, 1793
Saturn Devours
His Son
Francisco Goya,
1819-1823
Greece on the
Ruins of
Missolonghi
Eugène
Delacroix, 1827
Liberty Leading the People
Eugène Delacroix, 1830
Detail of the
Musket Bearer
Delacoix, himself
The Rise of the Cartheginian Empire
Joseph Turner, 1815
His Majesty’s Ship, “Victory”
(Trafalgar) - John Constable, 1806
An Officer of the
Imperial Horse
Guard
Théodore Géricault,
1814
Napoleon
at the
St. Bernard
Pass
David,
1803
The Shooting of May 3, 1808
Pandemonium - John Martin, 1841
Exoticism:
 The sexy “other.”
 A sense of escape from reality.
 A psychological/moral justification
of imperialism?
Grand Canal, Venice
Massacre of Chios - Eugène Delacroix, 1824
The Fanatics of Tangiers
Eugène Delacroix, 1837-1838
The Sultan of Morocco and His
Entourage
Women of Algiers in Their Apartment
The Turkish Bath
Jean Auguste Ingres, 1852-1863
The Bullfight - Francisco Goya
Charge of the Mamelukes, May 2nd, 1808
The Royal Pavillion at Brighton
John Nash, 1815-1823
God as the Architect - William Blake,
1794
Elohim Creating Abraham
William Blake, 1805
Body of Abel Found by Adam and Eve
William Blake, 1825
Faust and Mephistopheles
Eugène Delacroix, 1826-1827
The Seventh Plague of Egypt
John Martin, 1823
The Cathedral
Gaspar David
Friedrich,
1818
The Cathedral
(details)
Gaspar David
Friedrich,
1818
The Great Age of the Novel
 Gothic Novel:
Jane Eyre - Charlotte Bronte (1847)
Wuthering Heights - Emily Bronte (1847)
 Historical Novel:
Ivanhoe - Sir Walter Scott (1819)
Les Miserables - Victor Hugo (1862)
The Three Musketeers – Alexander Dumas
(1844)
The Great Age of the Novel
 Science Fiction Novel:
Frankenstein - Mary Shelley (1817)
Dracula – Bramm Stoker (1897)
 Novel of Purpose:
Hugh Trevar - Thomas Holcroft (1794)
Other Romantic Writers
Jacob and Wilhelm
Grimm
- Grimm’s Fairy Tales
(1814-1816)
Johann Wolfgang von Goethe

- Faust (1806-1832)
The Romantic Poets
 Percy Byssche Shelley
 Lord Byron (George Gordon)
 Samuel Taylor Coleridge
 William Wordsworth
 John Keats
 William Blake
George
Gordon’s
(Lord Byron)
Poem
The
Prisoner
of Chillon
Mary
Shelley
Frankenstein
Sir
Walter
Scott
Ivanhoe
William
Wordsworth’s
Poem,
Tintern
Abbey
Samuel
Taylor
Coleridge’s
Poem,
The Rime
of the
Ancient
Mariner
The Political Implications
 Romanticism could reinforce the greatest
themes of political liberalism or political
conservatism.
 Contributed to growing nationalist

movements.
 The concepts of the Volk and the
Volkgeist.
 The uniqueness of cultures was
emphasized.
Bibliographic Sources
 CGFA: A Virtual Art Museum.

http://cgfa.sunsite.dk/fineart.htm
 “Romanticism” on Artchive.
http://artchive.com/artchive/romanticism.html

Romanticism

Uploaded by

Copyright:

Available Formats

Romanticism

Uploaded by

Document Information

Original Description:

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Romanticism

Uploaded by

Copyright:

Available Formats

By: Susan M.

 Early support of the French Revolution.

 Rise of the individual  alienation.

 Radical poetics / politics  an obsession

 The essence of human experience is subjective

 Mostly in Northern Europe, especially in Britain

 The “Romantic Hero:”

The Engaged & Enraged Artist:

 The artist as social critic/revolutionary.

 The artist as genius.

The Individual/ The Dreamer:

 Overwhelming power of nature.

Revival of Past Styles:

with the Sun

Johann Wolfgang von Goethe

 Contributed to growing nationalist

 CGFA: A Virtual Art Museum.

You might also like