Arts of The Neoclassical and Romantic Periods

Download as pptx, pdf, or txt
Download as pptx, pdf, or txt
You are on page 1of 22

ARTS OF THE

NEOCLASSICAL
AND ROMANTIC
PERIODS
Arts – Quarter 3
A river landscape
“THE DEATH OF MARAT”
( Neo-classical Painting ) ( Romantic Era Painting
Title Lorem Ipsum )

Dolor Sit Amet


Consectetuer Elit
Nunc Viverra
Pellentesque Habitant
Lorem Ipsum
Title Lorem Ipsum
Dolor Sit Amet
Consectetuer Elit
Nunc Viverra
Pellentesque Habitant
Lorem Ipsum
Elements and Principles: “Death of Marat”
by: Jacques-Louis David
 1. Line- a combination of horizontal lines and vertical lines and the
 imaginary line that passes through Marat’s nose, down his right arm
 continuing in the fold of the cloth just under his elbow.
 2. Color- The scene is in fact carefully drawn in sober tones. The more
 brilliant colors are the white of the cloths, the green of the bathtub top
 and the yellow-brown of the side table. Colors are quite
 saturated adding a solid consistence to the surfaces
 3. Balance-The painting is almost divided into two halves: the lower one
 with Marat, the bathtub, the cloth, the pieces of paper, the inkwell etc.
 and the upper half acting as a counterbalance as it is just an neutral
 background.
 4. Space-The sense of space is reduced to a minimum as David is not
 preoccupied with the rendering of a perfect perspective of a room but
 he is rather interested in idealising Marat.
Romantic Period Paintings
Function or Uses
• Broke new ground in the expression of emotion, both subtle and
stormy. It embraced many distinctive themes, such as a longing for
history, supernatural elements, social injustices, and nature.
• Revived medievalism and elements of art and narrative perceived as
authentically medieval in an attempt to escape population growth,
early urban sprawl, and industrialism.
• Assigned a high value to the achievements of "heroic" individualists and
artists, whose examples, it maintained, would raise the quality of
society.
• Promoted the individual imagination as a critical authority allowed of
freedom from classical notions of form in art.
Elements and Principles: “Landscape
with Boatman” by Théodore
Rousseau”
 1. Color
 • gloomy and somber tones
 • nature's real light and color
 • The intensity of color emphasizes the
foreground, middle ground and
 background.
 2. Texture
 • small, highly textured brushstrokes
 • the use of Impasto technique- refers to an
area of thick paint or
 texture, in a painting
Elements and Principles: “Landscape
with Boatman” by Théodore
Rousseau”
3. Emphasis
• The realistic view of a landscape in exact
time. The melancholy
atmosphere that characterizes his landscapes.
Nature’s real light and
color, rather than the type of light and color
approved of by the French
Academy.
4. Space
• Most of his landscape painting is using an
open and enclosed space.
 THEODORE ROUSSEAU (1812-
1867)
 France
 Rousseau was one of the earliest
artists
 to have ventured directly in the
 outdoors to observe and analyze
natural
 forms. He was known for his
 exceptional and unconventional
nature-
 based paintings. He was highly

You might also like