Modernism in Art and Fashion
Modernism in Art and Fashion
Modernism in Art and Fashion
Art and
Fashion
Felicia Sukoputri
Belinda Poetri Dhanti
Agatha Nainggolan
Bennedictus Gilang Bagaskara Putra
Table of Contents
01 02 03
While the majority of Picasso’s works of Cubism are paintings, he also created stunning prints;
etchings, lithographs and linocuts in the style of Cubism. Such Cubist prints are exceedingly rare and
are often created after the image of renowned Picasso Cubist paintings such as Still Life with a Bottle
of Rum (1911).
How Pablo Picasso Influence Fashion?
The Cubist movement is very special but methodical in its conduct. Cubism consumes
fashion in the most divine sense of the word and it is an inevitable success, mainly
because of the agile nature of art and the possibilities that come from it. Pablo Picasso,
let Cubism gain momentum as a movement and then flow to designers who do not copy
their approach, but only use it as inspiration for their own interpretations.The
relationship between art and fashion is somewhat symbiotic: artists have and still do
draw inspiration from fashions of the past and present while designers embrace art as a
cultural statement to keep their designs relevant and alluring. It’s easy to appreciate that
art history isn’t defined solely by the contemporary, and fashion is by no means limited
strictly to clothing; but it’s difficult to realise that the condensing of these significant
cultural elements into one.
01
PABLO PICASSO
Besides paintings, Matisse was also a sculptor, and half of his creation
was finished between 1900-1910. Matisse also liked to travel to various
parts of the world to study, including Algeria where he learned about
African art and primitivism, then Spanish to learn about Moorish art, and
Morocco.
In the early 40s, Matisse was diagnosed with abdominal cancer and had a
successful surgery. However, he had serious complications that lead him to
chair and bed-bound. In this time Matisse developed the new art using
paper and scissors. With the help of his assistant, he started to do cut-out
and collages. He would cut sheets of paper and pre-painted with the help of
his assistant into various shapes, colours, and sizes then finally arranging
them into vibrant compositions. These kinds of arts make Matisse became
unique and remembered by many people. His work in vibrant colour and his
cut-out technique of art become unique.
Matisse’s work of art has influenced many fashion designers such as Yves
Saint Laurent, Vivienne Westwood, Valentino, and many more for their
collection. Some of the inspirations are from Matisse models' way of
dressing, his cut-out arts, paintings, and even women that closed to Henri
become their inspirations for their fashion collection
02
HENRI MATISSE
Yves Saint Laurent’s
fashion week of AW14
Yves Saint Laurent’s old working house, Dior, also got inspired by the great
artist that Matisse is. In a different way, they used the painting « The fall of
Icarus » (1943) to create this blue dress presented during the fashion week of
AW14.The colours and the shape of the dress reminds us almost instantly of
this Matisse painting. The red from the collar is the same as the figure and the
blue is obviously the highlight of the dress. The details of the brooch’s bring
back the yellow details of the painting.
HENRI MATISSE
Duro Olowu
Fashion designer Yves Saint Laurent looked to Matisse’s cut outs for his
fall/winter 1980 haute couture collection. His black velvet and moiré faille
evening dress with multicolour satin appliqué leaves was inspired by
The Sheaf (shown).
HENRI MATISSE
Ostwald Helgason
Spring 2013 Ready-
to-Wear
The Skeleton Dress was the first of its kind because of its subject matter, but also because of its
technique. Schiaparelli used a technique called trapunto where two layers of fabric are sewn
together creating an outline. Wadding is inserted into the outline, creating a raised effect. This
technique creates a textured surface on the flat fabric giving the illusion that human bones are
protruding through the dress. It caused a scandal because the dress was made of a clingy material
that stuck to the skin. The imaginations of Dali’s paintings and drawings were realized in the
physical three-dimensional world by Schiaparelli’s garments. Dali, as mentioned earlier, was
interested in anatomy, and this translates into his work as well.