Expressionism
Expressionism
Expressionism
nts of
Music
Expressionism
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Introduction
Expressionism was a modernist movement, initially in poetry and painting,
P originating in Germany at the beginning of the 20th century.
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E Expressionism was developed as an avant-garde style before the First World
S War. It remained popular during theWeimar Republic, particularly in Berlin.
S The style extended to a wide range of the arts, including expressionist
I architecture, painting, literature, theatre, dance, film and music.
O In Music, expressionism conveys true emotions in exaggeration through the
N application of atonality and dissonance of the lack of agreement and
I consistency in music.
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Characteristics of
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E 1. Expressionism
High Degree of Dissonance
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S 2. Extreme contrast of dynamics
I 3. Constant changing of texture
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4. Distorted melodies and harmonies
I 5. Angular melodies with wide leaps
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X Composer
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Born: September 13,1874 Vienna Austria
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Died: July 132, 1951
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He taught himself music theory but took
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lessons in counterpoint.
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1898 – converted to Christianity in the
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Lutheran church.
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1901 – he married Mathilde Zemlinsky
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1908 – His wife left him for several months
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for a young Austrian painter, Richard Gersti.
Pierrot Lunaire, Op.21 of 1912
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X Development of Twelve-tone
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method
The basic set for Schoenberg’s
S Wind Quintet (1924) is E♭–G–
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I A–B–C♯–C–B♭–D–E–F♯–A♭–F;
O for his String Quartet No. 4
N (1936) it is D–C♯–A–B♭–F–E♭–
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E–C–A♭–G–F♯–B.
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X Important things in constructing
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twelve=tone technique
E The basic premises of twelve-tone
S music are as follows:
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•All twelve notes of the chromatic
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O scale must occur.
N •No note can be repeated in the series
I until the other 11 notes of the
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M chromatic scale have occurred
(exceptions include direct repetition of
a note, trills, and tremolos)
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X Pierrot Lunaire
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R Pierrot Lunaire is a song cycle. It is written in
E three parts with each part containing seven
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S songs.
I The piece on our playlist, “Madonna,” is song
O number 6 from Part One.
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It was composed during Schoenberg’s second
S period after the composer had turned to
M atonality but before he developed his twelve-
tone method.
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X Structure of Pierrot Lunaire
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“Pierrot Lunaire” consists of three groups of seven poems.
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E In the first group,
S Pierrot sings of love, sex and religion; in the second, of
S violence, crime, and blasphemy; and in the third of his
I return home to Bergamo, with his past haunting him.
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X Igor Stravinsky
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R He and Schoenberg represent two major streams of
E compositional thought in the modern era: Schoenberg’s
S twelve-tone atonality on the one hand and Stravinsky’s
S neo-classicism (the style in which he wrote a good deal of
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his music, though not Rite of Spring) on the other.
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I It is interesting to note that both men, as a result of
S upheaval in Europe and Russia, not only made the United
M States their home but lived a short distance from each
other in Los Angeles for years.
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X Igor Stravinsky
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R Life in Switzerland
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S Stravinsky became an overnight sensation following the
S success of The Firebird’s premiere in Paris on 25 June
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1910.
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N The composer had travelled from his estate in Ustilug,
I Ukraine, to Paris in early June to attend the final
S rehearsals and the premiere of The Firebird.
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Thank You
Troubadour The History
and of Do-Re-
Trouveres Mi
GUIDO D’ AREZZO –
- Benedictine monk.
Travelling
Latin hymn = Ut
performers. Queant Laxis.
https://www.youtube.c
om/watch?
v=po4noXwm4x0&t=2s