Project in Mapeh
Project in Mapeh
Project in Mapeh
Music or songs:
Symphonies
Symphony No. 1 in D major, D 82 Symphony No. 2 in B-flat major, D 125 Symphony No. 3 in D major, D 200 Symphony No. 4 in C minor, D 417 Tragic Symphony No. 5 in B-flat major, D 485 Symphony No. 6 in C major, D 589 Little C major Symphony No. 7 in E major, D 729: Sketched in full score 1821, with part of the first movement fully orchestrated (performing versions by John Barnett, Felix Weingartner and Brian Newbould) Symphony No. 8 in B minor, D 759 Unfinished, sometimes counted as No. 7. Only the first two movements are completed, third movement was sketched, fourth was probably never written Symphony No. 9 in C major, D 944 Great C major, sometimes counted as No. 7 or No. 8 (see: Curse of the ninth) Symphony No. 10 in D major (elaborated by Brian Newbould from the symphonic sketch D 936a) Last In addition, there was long believed to have been a "Sketch for a Grand Symphony" made at Bad Gastein in 1824. No score of this Gastein Symphony appears to have survived, but it is often
identified with the Sonata in C major for piano four-hands (Op. 140, D 812) and/or the Octet in F, D 803. Orchestrations of the Sonata, also known as the Grand Duo, were made by Joseph Joachim and others in an attempt to restore this "lost symphony" to the Schubert canon, but it is now known that the 'Grand Symphony' begun in 1824 is the same work as the "Great C major" (cf John Reed, Schubert, The Final Years (London, 1972)).
Also, there are other incomplete sketches, D 2b (formerly D 997), D 615 and D 708a, all in the key of D major.
Felix mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy and generally known in English-speaking countries as, Felix Mendelssohn]) (3 February 1809 4 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period. The grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a notable ethnically Jewish family, although he himself was brought up initially without religion, and later as a Lutheran Christian. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities.
Music or songs:
Symphonic
String Symphony No. 2 in D major String Symphony No. 3 in E minor String Symphony No. 4 in C minor String Symphony No. 5 in B flat major String Symphony No. 6 in E flat major String Symphony No. 7 in D minor String Symphony No. 8 in D major (wind instruments added later) String Symphony No. 9 in C minor
o o o o
String Symphony No. 10 in B minor String Symphony No. 11 in F major String Symphony No. 12 in G minor String Symphony No. 13 in C minor "Symphoniesatz" (single movement)
Symphony No. 1 in C minor, Op. 11 Symphony No. 2 in B flat major, Op. 52 "Lobgesang" Symphony No. 3 in A minor, Op. 56 "Scottish" Symphony No. 4 in A major, Op. 90 "Italian" Symphony No. 5 in D major/minor, Op. 107 "Reformation" Overture & Incidental Music to Shakespeare's "A Midsummer's Night Dream," Opp. 21, 61
Frederic chopin
Frederic Franois Chopin ( February or 1 March 1810 17 October 1849) was a Polish composer and virtuoso pianist. He is considered one of the great masters of Romantic music and has been called "the poet of the piano". Chopin was born in elazowa Wola, a village in the Duchy of Warsaw, to a Polish mother and French-immigrant father. A renowned child-prodigy pianist and composer, he grew up in Warsaw and completed his musical education there. Following the Russian suppression of the Polish November 1830 Uprising, he settled in Paris as part of the Great Emigration. He supported himself as a composer and piano teacher, giving few public performances. From 1837 to 1847 he carried on a relationship with the French woman writer George Sand. For most of his life, Chopin suffered from poor health; he died in Paris in 1849 at the age of 39.
Music or songs:
No. 1: Prelude in C major (composed 1839) No. 2: Prelude in A minor (1838) No. 3: Prelude in G major (18381839) No. 4: Prelude in E minor (1838) No. 5: Prelude in D major (18381839)
No. 6: Prelude in B minor (18381839) No. 7: Prelude in A major (1836) No. 8: Prelude in F-sharp minor (18381839) No. 9: Prelude in E major (18381839) No. 10: Prelude in C-sharp minor (18381839) No. 11: Prelude in B major (18381839) No. 12: Prelude in G-sharp minor (18381839) No. 13: Prelude in F-sharp major (18381839) No. 14: Prelude in E-flat minor (18381839) No. 15: Prelude in D-flat major, Raindrop (18381839) No. 16: Prelude in B-flat minor (18381839) No. 17: Prelude in A-flat major (1836) No. 18: Prelude in F minor (18381839) No. 19: Prelude in E-flat major (18381839) No. 20: Prelude in C minor, Chord or Funeral March (18381839) No. 21: Prelude in B-flat major (18381839) No. 22: Prelude in G minor (18381839) No. 23: Prelude in F major (18381839) No. 24: Prelude in D minor (18381839) Op. 45: Prelude in C-sharp minor (1841)
Franz liszt
Franz Liszt (October 22, 1811 July 31, 1886) was a 19thcentury Hungarian composer, pianist, conductor, and teacher. Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age. In the 1840s he was considered by some to be perhaps the greatest pianist of all time. He was also a wellknown composer, piano teacher, and conductor. He was a
benefactor to other composers, including Richard Wagner, Hector Berlioz, Camille Saint-Sans, Edvard Grieg and Alexander Borodin.
Music or songs:
Symphonic poems
S.95, Pome symphonique No. 1, Ce qu'on entend sur la montagne (Berg Symphonie) [first/second/third version] (184849, 1850, 1854) S.96, Pome symphonique No. 2, Tasso, Lamento e Trionfo [first/second/third version] (1849, 185051, 1854) S.97, Pome symphonique No. 3, Les Prludes (1848) S.98, Pome symphonique No. 4, Orpheus (185354) S.99, Pome symphonique No. 5, Prometheus [first/second version] (1850, 1855) S.100, Pome symphonique No. 6, Mazeppa [first/second version] (1851, b. 1854) S.101, Pome symphonique No. 7, Festklnge [revisions added to 1863 pub] (1853) S.102, Pome symphonique No. 8, Hrode funbre [first/second version] (184950, 1854) S.103, Pome symphonique No. 9, Hungaria (1854) S.104, Pome symphonique No. 10, Hamlet (1858) S.105, Pome symphonique No. 11, Hunnenschlacht (185657) S.106, Pome symphonique No. 12, Die Ideale (1857) S.107, Pome symphonique No. 13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (188182)
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (October 9 or 10, 1813 January 27, 1901) was the most influential composer of the nineteenth century Italian opera, who focused on the dramatic aspects of the genre rather than the showcase of singers' talents. Born into a poor family and thus denied the musical education considered mandatory for a successful artist, still he created works that are frequently performed around the world. "La donna mobile" from "Rigoletto" and "Libiamo ne' lieti calici" from "La traviata" have become part of popular culture.
Music or songs:
Oberto, 17 November 1839 Un giorno di regno, 5 September 1840 Nabucco, 9 March 1842 I Lombardi alla prima crociata, 11 February 1843 Ernani, 9 March 1844 I due Foscari, 3 November 1844 Giovanna d'Arco, 15 February 1845 Alzira, 12 August 1845 Attila, 17 March 1846 Macbeth, 14 March 1847 I masnadieri, 22 July 1847 Jrusalem (a revision and translation of I Lombardi alla prima crociata) 26 November 1847 Il corsaro, 25 October 1848 La battaglia di Legnano, 27 January 1849 Luisa Miller, 8 December 1849 Stiffelio, 16 November 1850 Rigoletto, 11 March 1851 Il trovatore, 19 January 1853 La traviata, 6 March 1853
Les vpres siciliennes, 13 June 1855 Simon Boccanegra, 12 March 1857 Aroldo (A major revision of Stiffelio), 16 August 1857 Un ballo in maschera, 17 February 1859 La forza del destino, 10 November 1862 Don Carlos, 11 March 1867 Aida, 24 December 1871 Otello, 5 February 1887
Eugene Delacroix
Ferdinand Victor Eugne Delacroix (26 April 1798 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish writer Walter Scott and the German writer Johann Wolfgang von Goethe.
Works:
Works:
The Third of May 1808, 1814. Oil on canvas, 266 345 cm. Museo del Prado, Madrid
It is not known whether this 1805 Goya portrait is of his wife Josefa Bayeu or of Leocadia Weiss Charles IV of Spain and His Family, 1800. Thophile Gautier described the figures as looking like "the corner baker and his wife after they won the lottery".
Works:
Drawing of St John's Church, Margate by Turner from around 1786, when he would have been 11 or 12 years old
A View of the Archbishop's Palace, Lambeth - this watercolour was Turner's first to be accepted for the Royal Academy's annual exhibition in
Fishermen at Sea exhibited in 1796 was the first oil painting exhibited by Turner at the Royal Academy
Rain, Steam and Speed - The Great Western Railway painted (1844)
Theodore gericault
Jean-Louis Andr Thodore Gricault (26 September 1791 26 January 1824) was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement.
Works:
John Constable
John Constable (11 June 1776 31 March 1837) was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his homenow known as "Constable Country"which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".[2] His most famous paintings include Dedham Vale of 1802 and The Hay Wain of 1821. Although his paintings are now among the most popular and valuable in British art, he was never financially successful and did not become a member of the establishment until he was elected to the Royal Academy at the age of 52. He sold more paintings in France than in his native England. Dedham Vale (1802)
Works: