Jordan University Of

Science And Technology

College Of Architecture And
Design
Design III
Site Analysis & Program
Ahmad Aqel / Tawfiq
Mahasneh / Deemah
Sayaheen / Hani Alsayed
LOCATION
North of Jordan ,
Rammtha

Jordan University of
science and
technology

College of architecture And Design

CIRCULATION

Car Circ

Guest Circ
Student Circ
The Location

Site plan

Gym

LAND Stadium
USE
The main Buildin
entrance College g
of
pedestria architectu
re Bus
ns comple
Visitor x
The cars garage

Sub
entry
N
CLIMATE

Solar diagram cartesian

Solar Diagram
Poler

Sunbath

Wind
SENSORY

Void land
St
af
fc
ar
ga
ra
ge

More Noise Good View

Less Noise Bad View
ZONING
Entrance
hall
a in
M

N iv e
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Ar dy
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Direct relationship

Indirect relationship
Building site
 CONCLOUSION

• The wind movement is northwest, so it is answered that there are ventilation openings
on the north and west side and the materials used in the construction are an acoustic
wall, but there is inconvenience on the western side, so the concrete wall must be
sound-proof and for the eastern and southern sides it will be glass, but the glass must be
sound-proof because of little noise From the southern side, but there is a beautiful view
with trees on the southern side because they have beautiful views, the person feels
positive towards the green views. As for the roof materials, it will be glass because
when a person looks at the sky, he feels positive and optimistic and seeks to work
harder and for the interior colors it must be positive when he looks at it The person
feels comfortable and reassured, which is the white color. As for the movement inside
the building, it must be a series for the person between the rooms of the library, and for
the interior walls, they must be isolating the sound because the person needs a quiet
place to study and the colors must be consistent and comfortable
 Surry Hills Library Surry Hills Library and
Community Centre /
and Community FJMT

Centre / FJMT
•Architects: Francis-Jones
Morehen Thorp ; Landscape
architects: Matthew Todd,
Mark Brandon
•Area: 2497 m²
•Year: 2009

Design Purpose

The key approach that emerged from

these discussions was that the
community wanted a facility that
everyone could share. Rather than
only a library or a community centre
or childcare centre, it became clear
that it was important to have all of
these facilities together in one
building, in one place. In this way the
building became a truly shared place
Concept where the whole community could
meet and use in different ways.
Important, too, was for the building to
Transparency represent and reflect the community’s
building was not merely ‘transparent’, or only expose values.
what is accommodated within, but that it represented
and embodied the values of the community.
Accessibility, openness, transparency and sustainability
were key values as was a general sense of aspiration.
Form
four integrated formal elements emerged: a new simple open
space and platform, a prismatic glass environmental atrium, a
suspended ‘U’ shaped timber form and a transitional foyer space.
The series of glass prisms creates an open, transparent façade,
akin to an open dolls house, and addresses the new open space
so that all the different activities of the centre are visible and
displayed, encouraging participation.

Materials

~ Louvre systems From

Wood
~ Glass
~ Alliminuim & Steel
 User Experience

building to represent and reflect the community’s values , By

make the whole community could meet and use in different way (
hybrid public building )

the new open space so that all the different activities of

the centre are visible and displayed, encouraging
participation.

Glass roof
Suspended cloud A glass roof and a glass
façade allow natural sunlight
Suspended cloud-like roof
profiles bring daylight into
to enter the children's area, in
this space and extend out addition to a sandy floor that
above the street to mark the stimulates play
entrance.

The ‘solid’ sections of this timber form

are made of automated louvre systems
Building Systems that filter and control sunlight and view.
This warm timber form is lifted above the
ground to create transparency and
Sustainable design accessibility.

The building incorporates many

sustainable design innovations and seeks
to integrate these into the architecture and
explore the expressive potential of such
systems.
Connected with Nature
feeling of being in nature while moving
inside the building through trees and
natural lighting

Environmental atrium’s series

Experimental use of plants to bio-filter
pollutants is integrated in the gardens
of specially selected plants within
these glass enclosures. Natural
daylight is filtered through these
layers of glass and garden and flow
environmental initiatives intrinsic
The array of environmental initiatives intrinsic to the design
deep into the interiors.
also include a thermal labyrinth for passive filtering and
tempering of the air, solar-tracking timber louvre systems,
automated fabric shading, mixed mode ventilation, extensive
photovoltaic array, geothermal cooling bores, green roof,
rainwater collection and recycling, and sustainable material
selection.
control systems ( BMS )
Computerised building management and control
systems (BMS) automatically monitor and control
the internal environmental conditions of the
building, adjusting the ventilation and sunshade
louvres throughout the day to control heat load, light
and shade, and switching lights on and off when
required. The BMS also monitors and records both
electrical and hydraulic systems to maximise the
environmental efficiency of the building and identify
 Dome of Visions 3.0
Aarhus, Denmark
Dome of Visions 3.0
Aarhus, Denmark

Architect : Atelier Kristoffer Teilga

Year : 2016
Size : 3000 sqft – 5000 SQFT

Design
Purpose
Is an experiment that aims to
create knowledge about how it
affects our architecture and our
well-being to build inside a
greenhouse and work with a
passive and solar heated space as
a building envelope that generates
Concept a third climate, as the majority of
Constructi the area we use.
Uncertainty as a premise promotes a sensitivity on
A space that is neither inside nor outside and
therefore provides a better space for a meeting
between man and nature.
Dome Structure
wood as the all bearing material
in DOV 3.0 it is, based on our
current knowledge, the
sustainable choice. It also applies
when we choose to let the
knowledge of the material
producers be co decision makers
in designing the building’s
elements. The same applies when
we choose to let the material
producers' knowledge be part of
the design of the building's
elements.

Progra
m
will form a framework where
people with ease can meet in
an open and safe space where
ideas and thoughts can be All construction is temporary , So
exchanged and unfolded you can disassembled it again
through trust
When the dome is clad with polycarbonate When we choose wood as the all
space has been created for a
in rhombus shapes, instead of hexagons or bearing material in DOV 3.0 it is,
wide variety of events,
triangles, waste is reduced from the sheets based on our current knowledge,
lectures, debates,
and at the overlapping joints. the sustainable choice
conversations, concerts and
The amount of steel is reduced and the
exhibitions that can open
production is optimized in a way that
eyes, ears, thoughts and
makes it easier to assemble and requires
 User
Experience
Fresh Air , Comfort Zone ,
Opened Area , Planting

Expolite Good
Views Forest Walkthrough
Exploitation of the new view from the side
of the walking area within the scope of the Using plants, soil, and trees, and their interference
project with the building ... to release negative energy

Open Terraces
Using the open terraces that mixes a sense of belonging to nature
ARhus Knowledge Center
ARhus Knowledge
Roeselare, Belgium Center
Roeselare, Belgium

Architect : FIRM
Location L Roeselare , Belgium
YEAR : 2014
SIZE : 5000 sqft – 10000 sqt

Design Purpose

The city centre will be

structurally strengthened
by enlarging a modern
centre of knowledge and
learning, developing
additional commercial
premises and building new
homes.

Concept
renewal of the inner-city nucleus formed by
Noordstraat, Ooststraat and Henri Horriestraat.
 User Experience

Energy Zone
Gathering area for Asking and make
discussion with people.

Good welcome area

Wide entrance and high rise

Comfortable Corner
Blue fabric curtain that give the readers a
feeling of comfort

Attention zone
Gathering area for taking books

Shelter on the highest

level
1-SEATTLE’S
CENTRAL
LIBRARY General
• Location: Seattle, Washington

• Architects: OMA & REX

• Architect: Rem Koolhaas

• Structural Engineer: Arup &

Magnusson Klemencic Associates

• Square Footage: 362,987- square-foot

Concept

“The modern library, especially in a

cybercity such as Seattle, must
transform itself into an information
storehouse aggressively orchestrating
the coexistence of all available
technologies.

SHAPE & FORM

A large glass building with straight lines intersecting indicates the
importance of the building

The " spiral " , was a new way of delivering books to customers within a
library system . Instead of books on different shelves and floors, the spiral
inclined allowed a continuous row of books that make them " easy to
navigate.

The architects pushed and pulled the platforms almost 50 feet out of
vertical alignment with each other to capture light and views

context

The apparent scale lessness of its diamond-grid

cladding, Illuminated at night, it glows like a giant
X-ray, exposing its vital organs through its
exoskeleton.

On the initial images it is only visible the unusual and dislocated silhouette of the
building, but as the pedestrian approaches, the interior of the building and its
floating platforms are revealed.

When passing by the library, pedestrians enter their details through sight and
perception, and not through use or touch

In the later views of this sequence, the pedestrian curiously does not enter the library
but passes just next to it.
 program

Reading room & headquarters Mixing Living room & assembly Kids & staff floor Books
chamber

X X X X X
sight
smell X

touch X

tast X

e
hear X X X X

Privacy

public

User experience

The use of yellow in the stairs motivates

users to move between floors

when a person looks at the

library here there are levels When you read and sit in a high place Children naturally have their own
that make the human feel you feel the importance of this place and space for computing, as well as an
close to it enter this thing in memory because it is a area of ​green mossy stories under a
unique thing diagonal support beam.

It has a flat visual artist Ann although connected, stacked vertically allowing optimization of
Hamilton is a party Language : 11 surrounding views, wrapped in a skin of steel and glass.
different alphabets marked in the
wood.
Sections
ROUTE FOR GETTING A
BOOK

ROUTE FOR MEETING AND MEETING

FRIEND
2-CULTURAL
CENTER AKUREYRI,
General
ICELAND
Architects: Arkitema Architects

Area: 7400 m²

Year: 2010

Concept

The arts center will form a social linchpin in Akureyri.

Its significance as a social linchpin is reflected partly
in the building's circular form, and partly in the public
pedestrian street which cuts through the building.

Choosing a circular shape indicates

symbolism, stability and centering in
place.

The path
From the start it gave me the feeling that the place
had been a lot, and that the pedestrians were not
paying attention to the waters around them and
continuing their way.
 The material

Granite is a gem in nature, able to provide uniqueness to

any building with a contemporary finish.

The facade

The importance of designers in the building, and this is evidenced

by the high narrow windows that feel like giants put them, they
were also built for the optimum natural lighting inside

The interior

It gives the user comfort while

wandering and makes him feel
warm, Calms the mind and
relaxes the nervous system.

In order to link the outside atmosphere of

the building and me, it is not far from the
importance of the place.

The light The water

The presence of water works on its
Sunlight that enters and makes you feel reflection on the glass, and this can
the mystery and curiosity within the arouse feelings of relaxation and calm
center. in humans
-3KHET PATHUM WAN,
THAILAND
General

Architects: Department of ARCHITECTURE

Area: 1260 m²

Year: 2019

Photographs: W Workspace

There is an urge to rethink what a learning space is; and what a

learning space for an architecture school could become.

The project has expanded the meaning of the architecture

library to be more than a place for reading books, but to
become 'a creative incubator’ for students of architecture.

While digital data already surrounds us

virtually, the physical space of the library There is a three-dimensional system
attempts to surround us with physical
books and magazines. Showcase spaces
that provides a common space for
showing book covers facing out are students and an open platform for
maximized, rather than the usual holding exhibitions and various
compressed stacks we see only book events. This works to inspire students.
spines
 On the top floor
The pixelated steps are reading area that,
with rearrangement of the cushions, can
be turned into an auditorium for
occasional lectures or movies as another
source of inspiration.

Quite zone
A quiet area exists for those who need focus
and isolation, the barrels are rearranged in a
maze formation to reduce the turbulence
caused by the surrounding circulation. The
reflective ceiling reveals the outline of the
illuminated maze.

Reading room

Attempt to bring plants indoors to motivate

students to read, Very contrast in color
Analysis

there are somethings that leave a feeling in you such as shiny

There are things that capture your attention such as objects made of glass , gentle shapes without edges ,elegant
timber construction, huge areas of closely packed tree curves rounding off the geometrical volumes of the objects
trunks floating on wide expanses of water, the wood at specific points such as Zaha Hadid Baku cultural center
also give you the feeling of warm and give you this kind of building give you satisfaction feeling
comfort feel

some buildings make you feel uncomfortable such as buildings from

brutalism architecture their architecture is mainly huge or bulky big
buildings that is made of solid ,cold materials such as cement and
steel saint marie la verpilliere
CONCLOUSION