Bit1312 Chapter 5
Bit1312 Chapter 5
Bit1312 Chapter 5
Overview
• Introduction to sound.
• Digital audio.
• MIDI audio.
Introduction to Sound
• Vibrations in the air create waves of pressure that are perceived as sound.
• Sound waves vary in sound pressure level (amplitude) and in frequency or pitch.
Digital Audio
• Digital audio data is the actual representation of sound, stored in the form of samples.
• Samples represent the amplitude (or loudness) of sound at a discrete point in time.
• Quality of digital recording depends on the sampling rate, (or frequency) that is, the
number of samples taken per second.
• The three sampling frequencies most often used in multimedia are CD-quality 44.1
kHz, 22.05 kHz and 11.025 kHz.
MIDI Audio
MIDI Audio
• Since they are small, MIDI files embedded in web pages load and play promptly.
• Length of a MIDI file can be changed without affecting the pitch of the music or
degrading audio quality.
• A sound file’s format is a recognized methodology for organizing data bits of digitized
sound into a data file.
• MIDI files sound better than digital audio files when played on a high-quality MIDI device.
• MIDI does not have consistent playback quality while digital audio provides consistent
playback quality.
• One requires knowledge of music theory in order to run MIDI, while digital audio does
not have this requirement.
– Don’t have enough RAM, hard disk space, CPU processing power, or bandwidth
Summary
• Digital audio data is the actual representation of a sound, stored in the form of
samples.
Summary
• MIDI files sound better than digital audio files when played on high-quality MIDI
device.
Reference
Vaughan, Multimedia: Making It Work, Seventh Edition, McGraw Hill, New York.
End of Lecture