Music 10 3rd Quarter

Grade 10, Quarter III
According to National Artist Ramon Santos,

PhD, it refers to compositions that have
adopted ideas and elements from 20th century
art music in the West, as well as the latest
trends and musical styles in the entertainment
industry.
(1883- 1952)
 founded the Centro de Senoritas, Conservatory of
Music, Buencamino Music Academy in 1930
 Works:
Harana, Mayon, Larawan, Maligayang Bati, Prinsesa ng
Kumintang
(1889- 1947)
 konown as the“Father of Kundiman” and belongs to
the “Triumverate of Filipino Composers”
 music was Romantic in style, incorporating Western
forms and techniques with folk materials.
 Works:
Kundiman (Anak Dalita), Himutok, Pakiusap, Madaling
Araw, Sakali man, Pilipinas kong mahal, Ano kaya ang
kapalaran?
(1893- 1934)
 a 20th century modern composer in the Romantic
style.
 Works:
Bituing Marikit, Magbalik ka Hirang, Nasaan ka Irog,
Mutya ng Pasig
(1894- 1980)
National Artist for Music
 “Father of Philippine Impressionist Music”
 Works:
Hatinggabi
(1902- 1985)
 a composer, music teacher, conductor and
clarinetist.
 hi name was closely identified to his work for the
orchestra: as a conductor for the opera, ballet, and
dance recitals; and his music for movies.
 Works:
Bukang Liwayway, Pilipinas kong Mahal, Mutya ng
Silangan
(1904- 1996)
 promoted Philippine music by extensively using folk
materials in his work.
 restored the Philippine Constabulary Band in 1945,
which was considered “one of the best military bands
in the world.”
 Works:
Minuet, Mindanao Sketches, Prinsesa ng Kumintang
(1909- 1991)
• was a researcher and official composer of the Phil.
government-in- exile, under Pres. Manuel L. Quezon.
• served as pianist- director of the USO concert unit that
entertained the Allied Forces during WWII.
• Works:
A la Juventud Filipina, Bailes de Ayer, Caprice on a
folksong, Cello Sonata, Ibong Adarna, Kandingan,
Malakas at Maganda Overture, Okaka, Oriental
Fantasy,…
(1912- 1992)
known as a nationalist composer who
expressed the Philippines’ cultural identity
through his compositions.
Works:
Bulaklak Alitaptap, Bagong Lipunan, Payapang
Daigdig, Pasko na Naman, Noche Buena, Kay
Tamis ng Buhay, Sapagkat Mahal kita
(1913- 2002)
known as the “romantic nationalist”
incorporated Philippine folk elements in his
composition with Western forms and harmony
Works:
Sa Ugoy ng Duyan, Suite Pastorale, Lahing
Kayumanggi
(1922- 1994)
prolific composer whose works include concerti,
sonatas, symphonies, symphonic poems, five
operas in a Philippine dialect, numerous band
ovetures, and over 200 marches.
also wrote 50 Masses in Latin and 20 in English
(born 1929)
holds sole distinction among Filipino composers
of having composed five full-length operas.
Works:
Maria Makiling, Diego Silang, Prinsesa Urduha, Ang
Ating Watawat, Pasko sa Barangay, Dakilang lahi,…
(born 1954)
 contemporary composer and conductor who spans
both popular and classical worlds with his pop
music, ballads, operas, zarzuelas, orchestral
arrangements, masses, psalms, and choral
compositions.
 Works:
Kay Ganda ng ating Musika, Alikabok, Spoliarium
(1917- 2004)
 His musical style was profoundly influenced when he
encountered the music of the indigenous tribes of Mindoro in
1953.
 He then embarked on his life’s work, dedicated to the
understanding and preservation of Filipino traditional music.
 His extensive research and fieldwork resulted in an immense
collection of recorded music taken from the remote mountain
villages and far- flung inland communities in the Philippines.
Ugma- Ugma
Agungan
Pagsamba
Ugnayan
Udlot
Udlot
(1918- 2008)
 Her compositional style demonstrated a fusion of Eastern and
western styles in using instruments, melody, harmony, and
rhythm.
 She is particularly known for incorporating indigenous Filipino
instruments into orchestral productions.
Toccata for Percussion and Winds
The Legend of the Sarimanok
Divertissement and Concertante
Dularawan
(born 1935)
 first Filipino composer to conduct his own works at the
Carnegie Recital Hall in NYC, started composing when he
was still studying at Siliman University in southern city of
Dumaguete.
 Among his numerous compositions in the musical play
Andres Bonifacio, Ang Dakilang Anak Pawis
 the Passionate and the Wild  Balitaw Nos. 1- 7
 Mangamuyo I and Mangamuyo  Lam- ang Epic
II  Lorenzo Ruiz
 The Redemption
 Chorale Symphonic Ode Nos. 1
 Five Little Fingers and 2
 Tubig ng Buhay  Aniway and Tomaneg
 Dakilang Pagpapatawad  Song Cycle Nos. 1-4
 Andres Bonifacio  Choral Cycle Nos. 1- 3
 Ang Dakilang Anak Pawis  Diyos Ama ay Purihin
 Ang Pag ibig ng Diyos
(born 1936)
 is one of the most accomplished musicians in the Philippines,
best known as a liturgical composer whose body of work
leans towards religious figures and events.
 his versatility as a pianist, composer, arranger, theorist, and a
teacher is widely recognized.
 Aba!, Sto. Nino  Mass in Honor of Sto. Nino
 La Naval  Three Psalms- A hymn in
 Lord Takayama Ukon
honor of St. Lorenzo Luis
 Ang Sarswela sa San
 Awakening Salvador
 Seven Mansions  Pugad Lawin
 Papal Mass for World Youth  The Virgin of Naval
Day 1995
 Transfiguration
 Mass in Honor of St.
Lorenzo Luis
(born 1941)
 his compositional style features chromaticism, music seria,
and electronic components, combined with indigenous
Philippine music elements.
 held the position of Dean of the UP College of Music from
1978 to 1988.
 at present, he is the head of the UP Center of
Ethnomusicology and was appointed Professor Emeritus of
the same instituton.
Ding Ding nga Diyawa
Nabasag na Banga at Iba’t iba pang Pinag-
ugpong- ugpong na Pananalita sa Wikang
Pilipino para sa labing anim na titig
L’BAD
(1942- 2014)
 one of Asia’s leafing figures in liturgical music.
 founded the Asian Institute of Liturgy and Music.
 supervised the publication of a new Asian hymnal containing
mostly works of Asian composers.
 Sikhay sa Kabila ng Paalam  Transfiguration
 Ashen Wings
 Missa Mysterium
 La Loba Negra
 Prelude and Toccata  Pokpok Alimpako
 Fragments  Salimbayan
 Yerma  Umiinog
 The Life of Wartime Filipino
Hero  Walang Tinag
 Jose Abad Santos  Pamugun
 Restless
(born 1959)
 founding music director of the Metro Manila Community
Orchestra, the UP Festival Orchestra, and the Crosswave
Symphony Orchestra,
 he is noted for conducting the premiere performances of the
works of Filipino composers as well as other Asian
composers.
 his own musical compositions have been performed by well-
known international artists and ensembles.
 Missa de Gallo
 Oyog- Oyog
 2nd Og- og  Musika para sa Pasyon at Buhay
 Abe  Pompyang
 Ako ang Daigdig  Pintigan
 Alitaptap
 Pilipino Komiks
 Aliw-iw
 Sigaw
 Awiting Bayan
 Barasyon  Tatluhan
 Asia  Auit
 Kah-non  Ub-og
 Humigit Kumulang
 Ug- nay
 Lima
 Tula- li
 Mi-sa
(born 1961)
 Associate Professor in Composition and Theory,
ethnomusicologist, cultural activist, and writer
 he is known for writing music utilizing unorthodox musical
instruments such as bean-pod rattles, leaves, iron- nails
chimes, various Asian instruments such as bamboo scrapers
and bamboo flutes, and vocal music using Asian vocal
techniques.
 WALA
 DALUY
 IBO- IBON
 SALAYSAY
 PATANGIS- BUWAYA
 PANTAWAG
 BASBASAN
(1910-2002)
National Artist for Literature and Music
 Guinness Book of World Records holder for being
the only person to make music with a leaf
 wrote lyrics for over 4, 000 songs
 received numerous awards for his musical
achievements in film
(1903- 1982)
 composer of the nationalistic song Bayan Ko
 acknowledged as the “Dean of Filipino Composers
and Musical Directors”
(1913-1986)
 a composer, conductor, and musical director
 composed the popular song Dahil Sayo in 1938
 awarded the Cultural achievement Award in
Popular music by the Philippine Government
Cultural Association
 received Gawad CCP Para sa Sining in 1986
(1909- 1964)
 accomplished composer of traditional Filipino love
songs.
 his popular works include Dungawin Mo Hirang,
Bakya Mo Neneng, Caprichosa, Sa Libis ng Nayon, at
Kataka- taka
(1916- 1998)
 a composer, teacher, and musical arranger
 arranged the Phil. national anthem and the local classic
Kataka-taka for the Boston Pops Orchestra when it
performed for the Philippine Independence Night in
Boston in 1972.
 wrote a total of more or less 120 movie theme songs,
and composed more than 250 scores for movies.
(1921- 2014)
 a classical and jazz composer, musical arranger,
and bass player
 widely considered by modern Filipino jazz
musicians as “one of the founders of traditional jazz
in the Philippines”
(1936- 1988)
 a composer, film scorer, musical director, and
musical teacher
 his works embodied Filipino sense of musicality,
with the classical sound of the kundiman evident in
many of his ballads
(1934- 2004)
 was considered “a nationally acclaimed composer
of numerous popular Filipino Classics.”
 wrote the classic Kapantay Ay Langit and Child (the
English Language version of Freddie Aguilar’s
Anak)
 served as president of the FILSCAP
(1925- 2015)
 a singer, composer and musical arranger.
 composed and recorded romantically soulful songs
 award winning musical director of the television
musical program Aawitan Kita

Music 10 3rd Quarter

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Grade 10, Quarter III

According to National Artist Ramon Santos,

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