Contemporaryphil 200511222413
Contemporaryphil 200511222413
Contemporaryphil 200511222413
CONTEMPORARY
PHILIPPINE MUSIC
BRENDA B. CATALYA
Asuncion National High School
CONTENT STANDARDS
The learner demonstrates
understanding of...
1. Characteristic features of
contemporary music.
PERFORMANCE STANDARDS
The learner...
1. Sings contemporary songs.
CONTENT STANDARDS
The learner demonstrates
understanding of...
1. Characteristic features of
contemporary music.
PERFORMANCE STANDARDS
The learner...
1. Sings contemporary songs.
LEARNING COMPETENCIES
The learner...
1. Listens perceptively to excerpts of major contemporary
works.
2. Describes characteristics of traditional and new music.
3. Gives a brief biography of selected contemporary
Philippine composers.
4. Sings selections of contemporary music with
appropriate pitch, rhythm, style, and expression.
5. Explores ways of creating sounds on a variety of
sources.
6. Improvises simple vocal/instrumenta
accompaniments to selected songs.
7. Creates a musical on the life of a
selected contemporary Philippine
composer.
8. Evaluates music and music
performances using knowledge of
musical elements and style.
CONTEMPORARY
PHILIPPINE MUSIC
According to National Artist Ramon
Santos, PhD, “contemporary music
in the Philippines refers to
compositions that have adopted
ideas and elements from 20 century
th
Nicanor Abelardo
Nasaan Ka Irog?, Bituing Marikit,
Mutya ng Pasig, Paskong Anong
Saya, Cavatina,
Kundiman ng Luha, Magbalik Ka
Hirang
Was born on November
5, 1883 in Bulacan. He was
the son of a musically inclined
couple. His father was
Fortunato Buencamino, a
church
organist and band master. His
mother was Luisa Beltran, a
noted singer.
Francisco Beltran Buencamino Sr.
Harana, Pandanggo ni Neneng, Collar de
Sampaguita, Dulces las Horas, Mayon
(Fantasia de Concierto), My Soul’s Lament,
Larawan, Mazurka, Boholana, Mi Bandera,
Princesa ng Kumintang, Maligayang Bati,
Ang Bukang Liwayway, Pandanggo ni Neneng,
Ang Bagong Balitaw, Himig ng Nayon,
Damdamin (Romance), and Pizzicato Caprice.
Considered as the first
Filipino avant garde
composer, he also
worked at a recording
studio in Paris in 1958
which specialized in
musique concrète.