TEXTURE

ORGANIC
MECHANICAL

SHAPES
COLOR
LINES
CONCEPTS
BASIC DESIGNS AND
 LINES
• Is characterized by a mark or
stroke
MECHANICAL
TEXTURE

SHAPES
ORGANIC

COLOR
• Consists of two connected

LINES
points
• Every lines has length, width
and direction
• It can be horizontal, vertical,
diagonal, zigzag, crooked, or
curved
 COLOR
• Contributes to the visual
impact & beauty of an art work
MECHANICAL
TEXTURE

SHAPES
ORGANIC

COLOR
LINES
• Gives emphasis to Create a
hierarchy
• Designers and artists use the
color wheel as guide in mixing
colors
 SHAPES
• All objects are composed of
shapes and all other design
MECHANICAL
TEXTURE

SHAPES
ORGANIC

COLOR
LINES
elements are shapes in some
way.
• There are 2 types of shapes:
1. Mechanical shapes
2. Organic shapes
 MECHANICAL SHAPES
• Shapes created with circles or
parts of circles and straight

MECHANICAL
TEXTURE

SHAPES
ORGANIC

COLOR
line-rectangle, triangle and

LINES
the like
• Have measured sides and
defined edges, or perfect
curves
• Can be simple or complex and
are human made
 ORGANIC SHAPES
• Related with things from the
natural world like plants and

MECHANICAL
animals
TEXTURE

SHAPES
ORGANIC

COLOR
LINES
• Shapes with natural look,
flowing and curving
appearances like leaves, insects,
clouds and fruits
• These shapes give a natural and
spontaneous feel
 TEXTURE
The way you feel or perceive
about a surface
TACTILE TEXTURE

MECHANICAL
TEXTURE

SHAPES
ORGANIC

COLOR
• Three-dimensional feel of a

LINES
surface
• It can be touched
VISUAL TEXTURE
• The illusion shown on the surface
of a material
• An example of this is a photograph
 PRINCIPLES OF
DESIGN
ASSYMETRICAL

SYMMETRICAL

RHYTHM
BALANCE
RADIAL

UNITY
The beauty of an artwork is based on
the successful blending of the
elements and principles of design:
unity, rhythm and balance
 UNITY
• Refers to the state where all
ASSYMETRICAL

SYMMETRICAL

RHYTHM
BALANCE
RADIAL

UNITY
parts of the artwork agree
with the total design
• Designers use unity to make
elements in a composition
appear to belong together
 RHYTHM
• Achieved when parts of the
design is in harmony to the
whole design
ASSYMETRICAL

SYMMETRICAL

RHYTHM
BALANCE
RADIAL

UNITY
• Is achieved when an element is
repeated

Rhythm and
unity
 BALANCE
ASSYMETRICAL

SYMMETRICAL

RHYTHM
• The equal distribution of

BALANCE
RADIAL

UNITY
weight employing both
functional and decorative
elements and/or objects of
various sizes
 SYMMETRICAL
BALANCE
• Also called

SYMMETRICAL
Formal balance
ASSYMETRIAL

RHYTHM
BALANCE
RADIAL

UNITY
• Achieved by
arranging
elements and
objects on each
side of a center
or dominant point
 ASSYMETRICAL
BALANCE
• Is informal
balance and

ASSYMETRICAL

SYMMETRICAL

RHYTHM
BALANCE
happens when
RADIAL

UNTIY
elements and
objects differ in
shapes and size
but appear
evenly balanced
 RADIAL BALANCE
• Is often found in small items
such as plates, bowls or
pillows where

ASSYMETRICAL

SYMMETRICAL

RHYTHM
BALANCE
RADIAL

UNITY
there is
circular
balancing of
parts or
objects
around a
center
ANALOGOUS
COMPLEMENTARY

COLORS
COLORS
SCHEME
WHEEL
COLOR SCHEME
COLOR WHEEL &
 COLOR WHEEL
• Is a chart of colors that
COMPLEMENTARY
ANALOGOUS

shows how each color is

WHEEL
related to other colors
• An interior designer chooses
a color scheme based on
choosing colors from the
color wheel
ANALOGOUS
COMPLEMENTARY

COLORS
COLORS
SCHEME
COLOR WHEEL

WHEEL
 COLOR SCHEME
• Are used to create style and
COMPLEMENTARY
ANALOGOUS

appeal

SCHEME
COLORS
COLORS

WHEEL
• Is an arrangement or
combination of colors
• Colors that create an
aesthetic feeling when used
together will commonly
accompany each other
 PRIMARY, SECONDARY
AND TERTIARY COLORS
It is crucial for a designer to learn
and understand the way colors are
COMPLEMENTARY
ANALOGOUS

put together to help him or her to

SCHEME
COLORS

COLORS

WHEEL
choose the right color scheme for
a particular age group
PRIMARY COLORS
• Are the basic colors from which
all other colors come: Red,
Blue, and yellow
 SECONDARY COLORS
• Created by mixing tow
primary colors: violet,
COMPLEMENTARY
ANALOGOUS

SCHEME
COLORS
COLORS
green, and orange

WHEEL
TERTIARY COLORS
• Combination of primary and
secondary colors: red orange,
yellow orange, yellow green,
blue green, blue violet and red
violet
 COMPLEMENTARY
COLOR SCHEME
• Colors that are opposite each

COMPLEMENTARY
ANALOGOUS

SCHEME
COLORS
COLORS

WHEEL
other on the color wheel
• Examples of this are violet and
yellow, red and green
• This results in a very vibrant
look and feel
ANALOGOUS COLOR
SCHEME
• Are colors that are beside

COMPLEMENTARY
ANALOGOUS

SCHEME
COLORS
COLORS
each other on the color

WHEEL
wheel
• An example is red orange,
orange and yellow orange
• These colors typically match
well and are pleasing to the
eye
 TYPES
INTERIOR
DESIGNER
INTERIOR
DESIGNING
TONE
TINT/SHADE

NEUTRAL
TONE

INTERIOR
DESIGNING
TINT, SHADE AND
 TYPES
INTERIOR
DESIGNER
INTERIOR
DESIGNING
TONE
TINT/SHADE

and gray
NEUTRAL COLORS
Are colors that is black, white,

NEUTRAL
 TINT
The result of adding white to a
color to make it lighter

TINT/SHADE
NEUTRAL
DESIGNING
DESIGNER
INTERIOR
INTERIOR

TONE
TYPES

SHADE
The result if black is added to a
color to make it darker
 TYPES
INTERIOR
DESIGNER
INTERIOR
DESIGNING

color
TONE
The result if gray is added to a

TONE
TINT/SHADE
NEUTRAL
 INTERIOR DESIGNING
• Is an activity that involves
Turning of an enclosed space

TINT/SHADE
NEUTRAL
into a place for various

DESIGNING
DESIGNER

INTERIOR

TONE
INTERIOR
TYPES

human activities
• It is a versatile profession; it
involves developing
concepts, dealing with
clients about a project,
managing and executing the
plan
 INTERIOR DESIGNER
• Is a licensed professional who
responds to the demands of

TINT/SHADE
NEUTRAL
clients to create and furnish

DESIGNING
INTERIOR

TONE
DESIGNER
INTERIOR
TYPES

interiors with the right

TINT/SHADE
NEUTRAL
DESIGNING
INTERIOR

TONE
DESIGNER
INTERIOR
TYPES
COMMERCIAL
INTERIOR DESIGN
Refers to the interior design
of hotels, museums, theatres,
offices, hospitals etc.