William Blake

1757-1827
• one of the first writers of the "Romantic
Period."
• Before this period, most writers, such as
Alexander Pope, wrote more for form
instead of for content.
• Blake, on the other hand, turned back to
Elizabethan and early seventeenth-century
poets, and other eighteenth- century poets
outside the tradition of Pope.
• Blake was not always a poet. In fact, his
only formal training was in art.
• At the age of ten, he entered a drawing
school. He later studied at the Royal
Academy of Arts.
• During his “free” time, he read and soon
began to try writing poetry.
• Married Catherine Boucher; taught her to
read and write;
• He was never a rich person; his engravings
were not much recognized by the public;
• Died poor but without debts.
• In 1788, at the age of thirty-one, Blake began to
experiment with relief etching.
• He called this method "illuminated printing."
• He wrote the text of his poems on copper plates
with pens and brushes, using an acid-resistant
medium. The illustrations were also drawn onto
the plates. He then etched the plates in acid in
order to eat away the untreated copper and leave
the design standing.
• The pages printed from these plates then had to
be colored by hand in water colors and stiched
together to make up a volume.
• Blake used illuminated printing for four of his
works. These included Songs of Innocence and
Experience, The Book of Thel, The Marriage of
Heaven and Hell, and Jerusalem.
 Works:
• Poetical Sketches (1783) • Europe, a Prophecy (1794)
• There is no Natural Religion • The Book of Urizen (1794)
(1788) • The Song of Los (1794)
• All Religions Are One (1788) • The Book of Ahania (1795)
• Songs of Innocence (1789) • The Book of Los (1795)
• Book of Thel (1789) • Night Thoughts (1797)
• The French Revolution: A (engravings)
Poem in Seven Books (1791) • Milton (1804)
• A Song of Liberty (1792) • Grave (1808)
• The Marriage of Heaven and • Everlasting Gospel (1818)
Hell (1793) • Jerusalem (1820)
• Visions of the Daughters of • The Ghost of Abel (1822)
Albion (1793)
• Dante's Divine Comedy (1825)
• America, A Prophecy (1793) (engravings)
• Songs of Experience (1794) • The book of Job (1826)
• Songs of Innocence and of (engravings)
Experience (1794)
Songs of Innocence and Experience
Songs of Innocence and Experience was written
by Blake in the 1790s. The main theme of the
poems in this work came from Blake's belief that
children lost their "innocence" as they grew older
and were influenced by the ways of the world.
Blake believed that children were born innocent.
They grew to become experienced as they were
influenced by the beliefs and opinions of adults.
When this happened, they could no longer be
considered innocent. The poems from Songs of
Innocence were written from an innocent child's
perspective. Those from Songs of Experience
were written from the perspective of a more
experienced person who had seen all of the evil in
the world and had, in a way, become bitter towards
it.
 The Shepherd

How sweet is the Shepherd's sweet lot!

From the morn to the evening he strays;
He shall follow his sheep all the day,
And his tongue shall be filled with praise.

For he hears the lamb's innocent call,

And he hears the ewe's tender reply;
He is watchful while they are in peace,
For they know when their Shepherd is nigh.
 The Little Black Boy
My mother bore me in the southern wild,
And I am black. but O! my soul is white;
White as an angel is the English child,
But I am black as if bereav'd of light.
My mother taught me underneath a tree,
And, sitting down before the heat of day,
She took me on her lap and kissed me,
And pointing to the east began to say:
"Look on the rising sun: there God does live,
And gives his light, and gives his heat away;
And flowers and trees and beasts and men receive
Comfort in morning, joy in the noonday.
"And we are put on earth a little space,
That we may learn to bear the beams of love;
And these black bodies and this sunburnt face
Is but a cloud, and like a shady grove.
"For when our souls have learn'd the heat to bear,
The cloud will vanish: we shall hear his voice,
Saying: 'Come out from the grove, my love & care.
And round my golden tent like lambs rejoice.'

Thus did my mother say, and kissed me;

And thus I say to little English boy.
When I from black and he from white cloud free.
And round the tent of God like lambs we joy,

I'll shade him from the heat, till he can bear

To lean in joy upon our father's knee;
And then I'll stand and stroke his silver hair,
And be like him, and he will then love me.
 The Lamb
Little Lamb, who made thee?
Dost thou know who made thee?
Gave thee life & bid thee feed,
By the stream & o'er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little Lamb, who made thee?
Dost thou know who made thee?
Little Lamb, I'll tell thee,
Little Lamb, I'll tell thee:
He is called by thy name,
For he calls himself a Lamb.
He is meek & he is mild;
He became a little child.
I a child & thou a lamb.
We are called by his name.
Little Lamb, God bless thee!
Little Lamb, God bless thee!
 The Chimney Sweeper
When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry " 'weep! 'weep! 'weep! 'weep!"
So your chimneys I sweep & in soot I sleep.
There's little Tom Dacre, who cried when his head,
That curl'd like a lamb's back. was shav'd: so I said
"Hush. Tom! never mind it, for when your head's bare
You know that the soot cannot spoil your white hair."
And so he was quiet & that very night,
As Tom was a-sleeping, he had such a sight!
That thousands of sweepers, Dick, Joe, Ned or Jack.
Were all of them lock'd up in coffins of black.
And by came an Angel who had a bright key,
And he open'd the coffins & set them all free;
Then down a green plain leaping, laughing, they run,
And wash in a river. and shine in the Sun.
Then naked & white, all their bags left behind,
They rise upon clouds and sport in the wind;
And the Angel told Tom, if he'd be a good boy,
He'd have God for his father & never want joy.
And so Tom awoke; and we rose in the dark.
And got with our bags & our brushes to work.
Tho' the morning was cold, Tom was happy & warm;
So if all do their duty they need not fear harm.
 The Divine Image
To Mercy, Pity, Peace, and Love
All pray in their distress;
An to these virtues of delight
Return their thankfulness.
For Mercy, Pity, Peace, and Love
Is God, our father dear,
And Mercy, Pity, Peace, and Love
Is Man, his child and care.
For Mercy has a human heart,
Pity a human face,
And Love, the human form divine,
And Peace, the human dress.
Then every man, of every dime
That prays in his distress,
Prays to the human form divine,
Love, Mercy, Pity, Peace.
And all must love the human form,
In heathen, turk, or jew;
Where Mercy, Love & Pity dwell
There God is dwelling too.
 The Little Boy Lost

"Father! father! where are you going!

O do not walk so fast.
Speak, father, speak to your little boy,
Or else I shall be lost."

The night was dark, no father was there;

The child was wet with dew;
The mire was deep, & the child did weep,
And away the vapour flew.
 The Little Boy Found

The little boy lost in the lonely fen.

Led by the wand'ring light,
Began to cry; but God, ever nigh,
Appear'd like his father, in white.

He kissed the child, & by the hand led.

And to his mother brought,
Who in sorrow pale, thro' the lonely dale.
Her little boy weeping sought.
 Holy Thursday
'Twas on a Holy Thursday, their innocent faces clean,
The children walking two & two, in red & blue & green,
Grey-headed beadles walk'd before, with wands as white as snow,
Till into the high dome of Paul's they like Thames' waters flow.

O what a multitude they seem'd, these flowers of London town!

Seated in companies they sit with radiance all their own.
The hum of multitudes was there, but multitudes of lambs,
Thousands of little boys & girls raising their innocent hands.

Now like a mighty wind they raise to heaven the voice of song,
Or like harmonious thunderings the seats of heaven among.
Beneath them sit the aged men, wise guardians of the poor;
Then cherish pity, lest you drive an angel from your door.
 Holy Thursday
Is this a holy thing to see,
In a rich and fruitful land,
Babes reduced to misery,
Fed with cold and usurious hand? Is that
trembling cry a song!
Can it be a song of joy?
And so many children poor,
It is a land of poverty! And their sun does never
shine.
And their fields are bleak & bare.
And their ways are fill'd with thorns
It is eternal winter there. For where-e'er the sun
does shine,
And where-e'er the rain does fall:
Babe can never hunger there,
Nor poverty the mind appal.
 The Little Girl Lost (Beginning)
In futurity Lost in desert wild
I prophetic see, Is your little child.
That the earth from sleep, How can Lyca sleep,
(Grave the sentence deep) If her mother weep.
Shall arise and seek If her heart does ache,
For her maker meek: Then let Lyca wake;
And the desert wild If my mother sleep,
Become a garden mild. Lyca shall not weep.
In the southern clime, Frowning frowning night,
Where the summers prime, O'er this desert bright,
Never fades away; Let thy moon arise,
Lovely Lyca lay. While I close my eyes.
Seven summers old Sleeping Lyca lay;
Lovely Lyca told. While the beasts of prey,
She had wandered long. Come from caverns deep,
Hearing wild birds song. View'd the maid asleep
Sweet sleep come to me The kingly lion stood
Underneath this tree; And the virgin view'd,
Do father, mother weep. Then he gambol round
Where can Lyca sleep. O'er the hallowed ground;
 The Little Girl Lost
(Conclusion)
Leopards, tygers play, The Little Girl Found
Round her as she lay;
While the lion old,
Bow'd his mane of gold. All the night in woe,
And her bosom lick, Lyca's parents go:
And upon her neck, Over valleys deep,
From his eyes of Blame, While the deserts weep. Tired
Ruby tears there came; and woe-begone,
Hoarse with making moan:
While the lioness, Arm in arm seven days,
Loos'd her slender dress. They trac'd the desert ways.
And naked they convey'd Seven nights they sleep,
To caves the sleeping maid. Among shadows deep:
And dream they see their child
Starved in desert wild. Pale thro'
pathless ways
The fancied image strays,
 Little Girl Found (Conclusion)
Famish'd, weeping, weak They look upon his eyes
With hollow piteous shriek Fill'd with deep surprise
Rising from unrest, And wondering behold,
The trembling woman prest A spirit arm'd in gold.
With feet of weary woe; On his head a crown
She could no further go. On his shoulders down,
In his arms he bore, Flow'd his golden hair.
Her arm'd with sorrow sore; Gone was all their care.
Till before their way, Follow me he said,
A couching lion lay. Weep not for the maid;
Turning back was vain, In my palace deep,
Soon his heavy mane, Lyca lies asleep.
Bore them to the ground; Then they followed,
Then he stalk'd around, Where the vision led:
Smelling to his prey. And saw their sleeping child
But their fears allay, Among tygers wild.
When he licks their hands; To this day they dwell
And silent by them stands. In a lonely dell
Nor fear the wolvish howl,
Nor the lions growl.
 The Chimney Sweeper
A little black thing among the snow:
Crying weep, weep, in notes of woe!
Where are thy father & mother! say!
They are both gone up to the church to pray.
Because I was happy upon the heath,
And smil'd among the winters snow:
They clothed me in the clothes of death,
And taught me to sing the notes of woe.
And because I am happy, & dance & sing,
They think they have done me no injury:
And are gone to praise God & his Priest & King
Who make up a heaven of our misery.
 The Angel
I Dreamt a Dream! what can it meanl
And that I was a maiden Queen:
Guarded by an Angel mild:
Witless woe, was ne'er beguiled!
And I wept both night and day
And he wip'd my tears away
And I wept both day and night
And hid from him my hearts delight
So he took his wings and fled:
Then the morn blush'd rosy red:
I dried my tears & armed my fears,
With ten thousand shields and spears.
Soon my Angel came again;
I was arm'd, he came in vain:
For the time of youth was fled
And grey hairs were on my head.
 The Human
Pity would be no more,
Abstract
If we did not make somebody Poor:
And Mercy no more could be,
If all were as happy as we;
And mutual fear brings peace;
Till the selfish loves increase.
Then Cruelty knits a snare,
And spreads his baits with care.
He sits down with holy fears,
And waters the ground with tears:
Then Humility takes its root
Underneath his foot.
Soon spreads the dismal shade
Of Mystery over his head;
And the Caterpillar and Fly,
Feed on the Mystery.
And it bears the fruit of Deceit,
Ruddy and sweet to eat;
And the Raven his nest has made
In its thickest shade.
The Gods of the earth and sea,
Sought thro' Nature to find this Tree
But their search was all in vain:
There grows one in the Human Brain
 The Tyger
Tyger Tyger, burning bright, What the hammer! what the
In the forests of the night; chain,
What immortal hand or eye, In what furnace was thy brain
Could frame thy fearful What the anvil, what dread
symmetry grasp,
In what distant deeps or Dare its deadly terrors clasp!
skies. When the stars threw down their
Burnt the fire of thine eyes! spear
On what wings dare he And water'd heaven with their
aspire? tears:
What the hand, dare seize Did he smile his work to see
the fire! Did he who made the Lamb
And what shoulder, & what make thee!
art. Tyger Tyger burning bright,
Could twist the sinews of thy In the forests of the night:
heart? What immortal hand or eye,
And when thy heart began to Dare frame thy fearful
beat, symmetry!
What dread hand! & what
dread feet!
 London
I wander thro' each chartered street.
Near where the chartered Thames does flow
And mark in every face I meet
Marks of weakness, marks of woe.
In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg'd manacles I hear
How the Chimney-sweepers cry
Every blackning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls
But most thro' midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse
 Infant Sorrow

My mother groaned! my father wept.

Into the dangerous world I leapt:
Helpless, naked, piping loud;
Like a fiend hid in a cloud.
Struggling in my fathers hands:
Striving against my swaddling bands:
Bound and weary I thought best
To sulk upon my mothers breast.
 A Poison Tree
I was angry with my friend;
I told my wrath, my wrath did end
I was angry with my foe:
I told it not, my wrath did grow.
And I watered it in fears,
Night & morning with my tears:
And I sunned it with smiles,
And with soft deceitful wiles.
And it grew both day and night.
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine.
And into my garden stole,
When the night had veiled the pole;
In the morning glad I see;
My foe outstretched beneath the tree.
 A Little
Nought loves another as itself
Boy Lost
Nor venerates another so.
Nor is it possible to Thought
A greater than itself to know:
And Father, how can I love you,
Or any of my brothers more?
I love you like the little bird
That picks up crumbs around the door.
The Priest sat by and heard the child.
In trembling zeal he seized his hair:
He led him by his little coat:
And all admir'd the Priestly care.
And standing on the altar high,
Lo what a fiend is here! said he:
One who sets reason up forejudge
Of our most holy Mystery.
The weeping child could not be heard.
The weeping parents wept in vain:
They strip'd him to his little shirt.
And bound him in an iron chain.
And burn'd him in a holy place,
Where many had been burn'd before:
The weeping parents wept in vain.
Are such things done on Albions shore.
 A Little Girl Lost
Children of the future Age,
Reading this indignant page:
Know that in a former time,
Love! sweet Love! was thought
a crime
In the Age of Gold,
Free from winters cold:
Youth and maiden bright,
To the holy light,
Naked in the sunny beams
delight Tired with kisses sweet
Once a youthful pair They agree to meet,
Fill'd with softest care: When the silent sleep
Met in garden bright, Waves o'er heavens deep;
Where the holy light, And the weary tired wanderers weep.
Had just removed the curtains To her father white
of the night Came the maiden bright: But his loving
There in rising day, look,
On the grass they play: Like the holy book,
Parents were afar: All her tender limbs with terror shook.
Strangers came not near her Ona! pale and weak!
fear. To thy father speak:
And the maiden soon forgot O the trembling fear!
O the dismal care!
That shakes the blossoms of my hoary
hair
 The School Boy
I love to rise in a summer morn,
When the birds sing on every tree;
The distant huntsman winds his horn,
And the sky-lark sings with me.
O! what sweet company.
But to go to school in a summer morn.
O! it drives all joy away;
Under a cruel eye outworn,
The little ones spend the day,
In sighing and dismay.
Ah! then at times I drooping sit,
And spend many an anxious hour.
Nor in my book can I take delight,
Nor sit in learnings bower,
Worn thro' with the dreary shower.
How can the bird that is born for joy,
Sit in a cage and sing.
How can a child when fears annoy,
But droop his tender wing,
And forget his youthful spring
O! father & mother, if buds are nip'd,
And blossoms blown away,
And if the tender plants are strip'd
Of their joy in the springing day,
By sorrow and cares dismay,
How shall the summer arise in joy.
Or the summer fruits appear.
Or how shall we gather what griefs destroy
Or bless the mellowing year,
When the blasts of winter appear.
 THEL'S Motto

Does the Eagle know what is in the pit?

Or wilt thou go ask the Mole:
Can Wisdom be put in a silver rod?
Or Love in a golden bowl?
 THE VOICE OF THE DEVIL
All Bibles or sacred codes, have been the causes
of the following Errors.
1. That Man has two real existing principles Viz: a
Body & a Soul.
2. That Energy, call'd Evil, is alone from the Body,
& that Reason, call'd Good, is alone from the Soul.
3. That God will torment Man in Eternity for
following his Energies.
But the following Contraries to these are True.
1. Man has no Body distinct from his Soul; for that
call'd Body is a portion of Soul discern'd by the
five Senses, the chief inlets of Soul in this age.
2. Energy is the only life and is from the Body and
Reason is the bound or outward circumference of
Energy.
3. Energy is Eternal Delight.
 The Tyger
Tyger Tyger, burning bright, What the hammer! what the
In the forests of the night; chain,
What immortal hand or eye, In what furnace was thy brain
Could frame thy fearful What the anvil, what dread
symmetry grasp,
In what distant deeps or Dare its deadly terrors clasp!
skies. When the stars threw down their
Burnt the fire of thine eyes! spear
On what wings dare he And water'd heaven with their
aspire? tears:
What the hand, dare seize Did he smile his work to see
the fire! Did he who made the Lamb
And what shoulder, & what make thee!
art. Tyger Tyger burning bright,
Could twist the sinews of thy In the forests of the night:
heart? What immortal hand or eye,
And when thy heart began to Dare frame thy fearful
beat, symmetry!
What dread hand! & what
dread feet!