EMBROIDERY
EMBROIDERY
EMBROIDERY
EMBROIDERY
Embroidery is the art of decorating fabric or other materials using a needle to
stitch thread or yarn. Embroidery may also incorporate other materials such
as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on
hats, clothing, blankets, and handbags. Embroidery is available in a wide variety
of thread or yarn colour. It is often used to personalize gifts or clothing items.
Some of the basic techniques or stitches of the earliest embroidery are chain
stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch.
[1]
Those stitches remain the fundamental techniques of hand embroidery today.
1. Back stitch-
Backstitch is so easy to learn that you'll have it down within the first
few stitches. This basic stitch will likely be the one you'll use the most.
Backstitch is useful for any outline and it pairs well with other stitches,
making it a key stitch to learn.
2. Running Stitch
3. Straight Stitch
Use the straight stitch to form stars, scattered fills, textures, and more.
Practice length and placement to work this versatile stitch into your
projects.
4. French Knot
This stitch involves wrapping the needle to form a knot on the fabric's
surface. The trick to making French knots is to hold the working thread
taut but not too tight. Give it some practice.
5. Stem stitch
Stem stitch is another basic stitch that's perfect for creating smooth
outlines. It works well for straight lines and curves, and despite its
name, it isn't only for embroidering stems. Use a stem stitch on just
about any line in your stitching.
Like so many stitches, you can adjust the width of stem stitching or
use it for fill stitching. Just try to keep your stitch length consistent to
create a beautiful result.
6. Chain stitch
lf you want a bolder line of embroidery, then chain stitch is the stitch
for you. Chain stitch forms a row of linked stitches that stands out.
There are several ways to work the chain stitch, and it's a good idea to
at least learn how to work it forward and in reverse. Once you've
mastered those, try some of the other variations.
7. Satin Stitch
The basic satin stitch is one of the most classic embroidery stitches for
filling an area. There are a few variations, but at its essence, satin
stitch is a series of straight stitches worked next to each other. What
could be simpler?
8. Feather stitch
Feather stitch is a linked stitch that creates open lines that almost look
like they're moving. It's perfect for making frames and borders and
works well layered or embellished with other stitches.
The look of feather stitch makes it good for stitching seaweed, foliage,
feathers, or scales, and the variations make it possible to embroider
many natural designs.
9. Split Stitch
Lazy daisy flowers typically have five or six detached chain stitches.
You work a fly stitch similar to a detached chain stitch, but rather than
making a petal or teardrop shape, fly stitch forms a V shape or
sometimes a soft curve.
Try fly stitches in a row, scattered as fill, stitched in a radius, or in
plenty of other variations.
Woven wheel stitch looks like a more advanced embroidery stitch, but
it's actually quite simple. Start with a star of straight stitches, then
weave the working thread to form a flower. Soon, you have a stitch
that'll fill your hoop with amazing florals.
Motifs from nature: Aari embroidery often features motifs from nature such as trees,
leaves, and vines. In fact, This is applicable to creating beautiful and intricate designs.
Abstract: Use Aari Work to create abstract designs. Of course, This can be more open
to interpretation and used to create a more modern look.
Peacock (Mor): Peacock is the national bird of India and the embodiment of
gracefulness. It symbolizes royalty, honor and beauty. It is a symbol for power,
strength, confidence, royalty, beauty and even divinity. Its features symbolize
immortality and immunity to evil. The peacock motif is widely adopted as a motif
in various embroideries. In kasuti embroidery of Karnataka, a geometric peacock is
often used, as it is strongly associated with beauty and passion. It is also seen in
Rabari embroidery of Kutch, Kantha of Bengal. It is embodiment of grace-
fullness.
Fish Motif (Matsya): It is a favourite motif in the Kantha of Bengal and usually
shown in water. The water is universally accepted as a source of life and is symbol
of purification and regeneration. It is also a symbol of prosperity, fertility and
purity. It is also a sign of good fortune. In Nakshi Kantha, fish is one of the most
popular motif and an auspicious motif representing the first reincarnation of lord
Vishnu.
Parrot Motif (Tota): Symbolizes passion and courtship, parrot motif is commonly
found in Gujarat and Rajasthan embroideries. They are depicted as a symbol of
passion and fertility. They are usually used as motifs on bridal, trousseau, to
symbolize these
LACES
Embroidered lace is embroidered on a base using a needle. The base varies according
to the type. Many techniques use a net, either woven or knotted. The net varies: Woven
fabric with threads removed to make a grid
Lace is a delicate fabric made of yarn or thread in an open weblike pattern,[1] made by
machine or by hand. Generally, lace is split into two main
categories, needlelace and bobbin lace,[2]: 122 although there are other types of lace, such
as knitted or crocheted lace. Other laces such as these are considered as a category of
their specific craft. Knitted lace, therefore, is an example of knitting. This article
considers both needle lace and bobbin lace.
While some experts say both needle lace and bobbin lace began in Italy in the late
1500s,[2]: 122 [3]: 12 there are some questions regarding its origins.
Originally linen, silk, gold, or silver threads were used. Now lace is often made
with cotton thread, although linen and silk threads are still available. Manufactured lace
may be made of synthetic fiber. A few modern artists make lace with a fine copper or
silver wire instead of thread.
1. Needle lace
2. Pillow lace
Crocheted lace includes Irish crochet, pineapple crochet, and filet crochet.
Cutwork, or whitework, is lace constructed by removing threads from a woven
background, and the remaining threads wrapped or filled with embroidery.
Knitted lace includes Shetland lace, such as the "wedding ring shawl", a lace
shawl so fine that it can be pulled through a wedding ring.[4]
Knotted lace includes macramé and tatting.
Machine-made lace is any style of lace created or replicated using mechanical
means.
Needle lace, such as Venetian Gros Point, is made using a needle and thread.
This is the most flexible of the lace-making arts. While some types can be made
more quickly than the finest of bobbin laces, others are very time-consuming.
Some purists regard needle lace as the height of lace-making. [citation needed] The
finest antique needle laces were made from a very fine thread that is not
manufactured today.
Tape lace makes the tape in the lace as it is worked, or uses a machine- or
hand-made textile strip formed into a design, then joined and embellished with
needle or bobbin lace.
Tatting is a textile craft consisting of a series of knots and loops arranged with
a shuttle or needle based process.
PILLOW LACES
Bobbin lace is a lace textile made by braiding and twisting lengths of thread,
which are wound on bobbins to manage them. As the work progresses, the weaving
is held in place with pins set in a lace pillow, the placement of the pins usually
determined by a pattern or pricking pinned on the pillow.
Bobbin lace is also known as pillow lace, because it was worked on a pillow,
and bone lace, because early bobbins were made of bone[1] or ivory.
Bobbin lace is one of the two major categories of handmade laces, the other
being needle lace, derived from earlier cutwork and reticella.
Reticella
Also known as reticello or in French point coupé or point couppe) is a needle
lace dating from the 15th century and remaining popular into the first quarter of the
17th century.
Reticella (Italian, ‘a small net’) is an extreme form of cutwork lace, and thereby
classed as a form of embroidered lace. It dates from the late medieval period and
involves the large-scale removal of squares of woven ground cloth, usually linen,
that are filled in with embroidered patterns. Later reticella used a grid made of
thread rather than a cloth ground.
Both methods result in a characteristic geometric design of squares and circles with
arched or scalloped borders. The resulting appearance of the cloth is like a giant
mesh or network. Reticella is distinctive in the large size of its individual meshes
(6–13 mm) and the use of buttonhole stitch to create the patterns within each mesh.
Historically, reticella is younger than the first forms of embroidered lace. The
earliest written record that appears to refer to reticella is the Sforza
inventory (1493), where it is called redezela. Queen Elizabeth I’s (1533-1603)
wardrobe accounts list small partlets or ruffs worked in de opera rete and de opera
rhet (i.e. ‘of net work’), which probably mean reticella, as this form was very
popular during the Elizabethan period for decorating ruffs.
The degree of detail in needlepoint depends on the thread count of the underlying
mesh fabric. Due to the inherent lack of suppleness of needlepoint, common uses
include eyeglass cases, holiday ornaments, pillows, purses, upholstery, and wall
hangings
History
The roots of needlepoint go back thousands of years to the ancient Egyptians, who
used small slanted stitches to sew up their canvas tents. Howard Carter,
of Tutankhamen fame, found some needlepoint in the cave of a Pharaoh who had
lived around 1500 BC.
Modern needlepoint descends from the canvas work in tent stitch, done on an
evenly woven open ground fabric that was a popular domestic craft in the 16th
century.