Taylor Swift - Red
Taylor Swift - Red
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Taylor Swift - Red
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Taylor Swift - Red
Taylor Swift - Red
Uploaded by
吕泽晋Copyright:
Available Formats
from Taylor Swift - Red
22
Words and Music by Taylor Swift, Shellback and Max Martin
Intro
Moderately q = 103
G5 D5 Csus2 D5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (acous.)
mf
P.M. P.M. P.M. P.M.
3 3 3
0 0 X 0 X 0 2 2 0 0 0 0 X 0 X 0 2 2 0 0
0 0 X 0 X 0 0 0 0 X X X X X 0 0 0
X X X 3 3 3
3 3 3
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
G5 D5 Csus2 D5 G5 D5
1. It feels like a per - fect night to dress up like hip - sters and make fun of our ex - es,
Csus2 D5 G5 D5 Csus2 D5
ah, ah, ah, ah. It feels like a per - fect night for break - fast at mid - night,
G5 D5 Csus2 D5
to fall in love with strang - ers, ah, ah, ah, ah.
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 1
P.M. P.M. P.M.
3 3 3 3
0 0 X 0 X 0 2 2 2 0 0 0 0 X 0 2 2 0 0
0 0 X 0 X 0 0 0 0 0 X X X X 0 0 0
X X X 3 3 3 0 0
3 3 3
Copyright © 2012 Sony/ATV Music Publishing LLC, Taylor Swift Music and MXM Music AB
All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of MXM Music AB Exclusively Administered by Kobalt Songs Music Publishing
International Copyright Secured All Rights Reserved 1
Pre-Chorus
G D Cadd9 D
Yeah. We're hap - py, free, con - fused and lone - ly at the same
Rhy. Fig. 3
Gtr. 1
let ring let ring let ring let ring
3 3 3 X 3 3 3 3 3 3 X X 3 3 3
0 0 0 X 0 2 2 0 0 0 0 X X 2 2 0
0 0 0 X 0 0 0 2 2 X X 0 0 0
X X 0 0 3 3 X X 0 0
3 3
Rhy. Fig. 3A
*Gtr. 2 (acous.)
mf
let ring let ring let ring let ring
0 0 0 X 3 3 X X
0 0 0 X 0 2 2 0 0 0 0 X X 2 2 0
0 0 0 X 4 4 0 2 2 X X 4 4 0
X X 5 5 3 3 X X 5 5
3 3
*Doubled throughout
G D Cadd9 D
time. It’s mis - er - a - ble and mag - i - cal. Oh,
let ring let ring let ring let ring
0 X 3 3 3 3 3 X X 3 3 3
0 0 0 X 0 2 2 0 0 0 0 X X 2 2 0
0 0 0 X 0 0 0 2 2 X X 0 0 0
X X 0 0 3 3 X X 0 0
3 3
let ring let ring let ring let ring
0 X 3 3 X X
0 0 0 X 0 2 2 0 0 0 0 X X 2 2 0
0 0 0 X 4 4 0 2 2 X X 4 4 0
X X 5 5 3 3 X X 5 5
3 3
2
G D Cadd9 D
yeah. To - night’s the night when we for - get a - bout the dead -
let ring let ring let ring
3 3 3 X 3 3 3 3 3 X X 3 3 3
0 0 0 X 0 2 2 0 0 0 X X 2 2 0
0 0 0 X 0 0 0 0 2 2 X X 0 0 0
X X 0 0 3 3 X X 0 0
3 3
let ring let ring let ring
0 0 0 X 3 3 X X
0 0 0 X 0 2 2 0 0 0 X X 2 2 0
0 0 0 X 4 4 0 0 2 2 X X 4 4 0
X X 5 5 3 3 X X 5 5
3 3
G D Cadd9
- lines. It’s time. Oh, oh.
End Rhy. Fig. 3
let ring let ring
3
0 X 3 3 3
0 0 0 X 0 2 2 0 0
0 0 0 X 0 0 0 2
X X 0 0 3
3 3
End Rhy. Fig. 3A
let ring let ring
0 X
0 0 X 0 2 2 0
0 0 0 0 X 4 4 0
X X X 5 5
3 3 3
3
Chorus
Gtrs. 1 & 2 tacet
G5 D Cadd9 Em
I don’t know a - bout you, but I’m feel - ing twen - ty - two.
Riff A
Gtr. 4 (elec.)
mf
w/ clean tone
12 12 X 12 X 12 X 12 X X X X 12 X 12 X 12 X 12 X
X X X X X X X X X X X X X X X X X X X X
10 10 X 10 X 10 X 10 X X X X 10 X 10 X 10 X 10 X
Rhy. Fig. 4
*Gtr. 3
mf
3 2 2 0 3 3
3 3 3 3 0 0
0 2 2 0 0 0
0 0 0 2 2 2
X 3 2 2
3 0 0
*Kybd. arr. for gtr.
D Cadd9 D
Ev - ’ry - thing will be al - right if you keep me next to you.
End Riff A
X X X 12 X 12 X 12 X 12 X 12 12 X 12 X 12 X 12 X
X X X X X X X X X X X X X X X X X X X X
X X X 10 X 10 X 10 X 10 X 10 10 X 10 X 10 X 10 X
End Rhy. Fig. 4
2 0 0 2 2 2
3 3 3 3 3 3
2 0 0 2 2 2
0 2 2 0 0 0
3 3
4
Gtr. 3: w/ Rhy. Fig. 4
Gtr. 4: w/ Riff A (2 times)
G5 D Cadd9 Em
You don’t know a - bout me, but I’ll bet you want to.
D Cadd9 D
Ev - ’ry - thing will be al - right if we just keep danc - ing like we’re
G5 D Cadd9
twen - ty - two, oo,
Rhy. Fig. 5A
Gtr. 3
3 2 2 0 0 0
3 3 3 3 3 3
0 2 2 0 0 0
0 0 0 2 2 2
X 3 3 3
3
Rhy. Fig. 5
Gtrs. 1 & 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
X X X X X X 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3
5
Em D
twen - ty - two oo.
End Rhy. Fig. 5A
0 3 3 2 2 2
3 0 0 3 3 3
0 0 0 2 2 2
2 2 2 0 0 0
3 2 2
0 0
End Rhy. Fig. 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 1 1/2 times)
Gtrs. 2 & 3 tacet
G5 D5 Csus2 D5
2. It seems like one of those nights. This place is too crowd - ed,
G5 D5 Csus2 D5
too man - y cool kids, ah, ah, ah, ah.
Spoken: Who’s Tay - lor Swift an - y - way? Oo!
Gtr. 2: w/ Rhy. Fig. 3A (1st 4 meas.) Gtr. 1: w/ Rhy. Fig. 2
G D Cadd9 D G D Cadd9 D
It seems like one of those nights we ditch the whole scene and end up dream - ing in - stead of sleep - ing.
6
Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
G D Cadd9 D
Yeah. We're hap - py, free, con - fused and lone - ly in the best
Riff B End Riff B
Gtr. 5 (elec.)
mf
w/ clean tone
let ring throughout
10 10 10 10
7 8 8 8 8 8 7 8 8 8 8 8
Gtr. 5: w/ Riff B (2 times)
G D Cadd9 D
way. It’s mis - er - a - ble and mag - i - cal. Oh,
G D Cadd9 D
yeah. To - night’s the night when we for - get a - bout the heart -
G D Cadd9 D
- breaks. It’s time. Oh, oh.
Gtr. 5
10 10
7 8 8 8 8 8
7
Chorus
Gtr. 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 4: w/ Riff A (6 times)
Gtr. 5 tacet
G5 D Cadd9 Em D Cadd9
Oo.
I don’t know a - bout you, but I’m feel - ing twen - ty - two. Ev - ’ry - thing will be al - right if
(Hey.)
D G5 D Cadd9 Em
you keep me next to you. You don’t know a - bout me, but I’ll bet you want to.
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
Gtr. 3: w/ Rhy. Fig. 5A (4 times)
D Cadd9 D G5 D
Al - right.
Ev -’ry - thing will be al - right if we just keep danc - ing like we’re twen - ty - two,
Cadd9 Em D
Huh, uh, uh uh, uh. I don’t know a - bout
oo, twen - ty - two oo.
8
G5 D Cadd9 Em
you.
Twen - ty - two, oo, twen - ty - two,
D G5 D Cadd9
*
Oo. ...we ditch the whole scene.
(It feels like one of those nights...
oo.
*Gang vocals, next 6 meas.
Em D G5 D
...we won’t be sleep - ing.
It feels like one of those nights... It feels like one of those nights...)
Cadd9 Em D
**
...you look like bad news. I got - ta have you. I got - ta have you.
**w/ delay set for half-note
regeneration w/ 2 repeats.
Interlude
***Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1st 2 meas.)
***Gtr. 3: w/ Rhy. Fig. 5A (1st 2 meas.)
G5 D Cadd9
**
Oh,
***w/ studio filter effect.
9
Em D μ
oo, yeah, hey.
Gtr. 3
*
0 3 3 2 2 2 2
3 0 0 3 3 3 3
0 0 0 2 2 2 2
2 2 2 0 0 0 0
3 2 2
0 0
*w/ studio filter effect (next meas.).
Gtrs. 1 & 2
**
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0
3 3 3 3 3 3
**w/ studio filter effect (next meas.).
Outro-Chorus
Gtrs. 1 & 2 tacet
Gtr. 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 4: w/ Riff A (6 times)
G5 D Cadd9 Em
I don’t know a - bout you.
I don’t know a - bout you, but I’m feel - ing twen - ty - two.
(Hey.)
D Cadd9 D
Oo.
Ev - ’ry - thing will be al - right if you keep me next to you.
10
G5 D Cadd9 Em
You don’t know a - bout me.
You don’t know a - bout me, but I’ll bet you want to.
D Cadd9 D
Dance like
Ev - ’ry - thing will be al - right if we just keep danc - ing like we’re
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
Gtr. 3: w/ Rhy. Fig. 5A (4 times)
G5 D Cadd9
we’re twen - ty - two, oo, whoa.
twen - ty - two, oo,
Em D
Let’s dance to -
twen - ty - two oo.
11
G5 D Cadd9 Em D
night. Ee, yeah, yeah, yeah, yeah, ee, yeah.
Twen - ty - two, oo, twen - ty - two, oo.
G5 D Cadd9 Em
* ...we ditch the whole scene.
(It feels like one of those nights... It feels like one of those nights...
Twen - ty - two, oo, twen - ty - two
*Gang vocals, next 6 meas.
D G5 D Cadd9
...we won’t be sleep - ing. ...you look like bad news.
It feels like one of those nights...)
oo. Twen - ty - two, oo.
Em D μ
I got - ta have you. I got - ta have you.
12
from Taylor Swift - Red
All Too Well
Words and Music by Taylor Swift and Liz Rose
C5 Gsus4 Am7 Fsus2 F G
3 14 3 14 2 14 3 14 134211 3 4
Intro
Moderately slow q = 93
*C5 Gsus4 Am7 Fsus2
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1
(acous.)
mp
Gtr. 2 (elec.)
** mp
w/ slight dist.
let ring
5 3 5 5
5 0
3
*See top of page for chord diagrams pertaining to rhythm slashes.
**w/ vol. pedal set to 1/2 vol.
Gtr. 1: w/ Rhy. Fig. 1
C5 Gsus4 Am7 Fsus2
1. I
Gtr. 2
5 3 5 5
0 5
3 5 5 5
Verse
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet
C5 Gsus4 Am7 Fsus2
walked through the door with you, the air was cold. But some - thing ’bout it felt like home some - how and I
Copyright © 2012 Sony/ATV Music Publishing LLC, Taylor Swift Music and Liz Rose Music
All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of Liz Rose Music Exclusively Administered by Songs Of Kobalt Music Publishing
International Copyright Secured All Rights Reserved 1
C5 Gsus4 Am7 F
left my scarf there at your sis - ter’s house and you’ve still got it in your drawer e - ven now.
Gtr. 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 X 2
X X X X X X X X 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 X 3
3 3 3 3 3 3 3 3 X X X X X X X X X 0 0 0 0 0 0 0 X 3
3 3 3 3 3 3 3 3 3 1
Interlude
Gtr. 1: w/ Rhy. Fig. 1
C5 Gsus4 Am7 Fsus2
2. Oh, your
Gtr. 2
let ring
1 3 5 5 3 3 5 1
5
2 3
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
C5 Gsus4 Am7 Fsus2
sweet dis - po - si - tion and my wide - eyed gaze. We’re sing - ing in the car, get - ting lost up - state.
1 1 1 1 1 1
0 2 2 2 2 0
2 3 3 3 3 2
C5 Gsus4 Am7 Fsus2
Au - tumn leaves fall - ing down like piec - es in - to place and I can pic - ture it af - ter all these days. And I
1 1 1 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 0 0 0 0 0 2 2 2 2 2 2 2 2 3 3 3 3 3 3
2
Pre-Chorus
C5 Gsus4 Am7
Rhy. Fig. 2
Gtr. 1
know it’s long gone and that mag - ic’s not here no more. And I might be o - kay but I’m not
slight P.M. slight P.M.
5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 5 7 5 5 7 7 7 7 7 7 7 7
3 3 3 3 3 3 5 5 5 5 5 5 5 5
Gsus4 F
End Rhy. Fig. 2
fine at all. ’Cause
slight P.M.
0 0 1
2 0 0 2
5 5 5 5 5 5 5 5 3 3 3
5 5 5 5 5 5 5 5 3 3 3
3 3 3 3 3 3 3 3 1
Chorus
C5 Gsus4 Am F
Rhy. Fig. 3 End Rhy. Fig. 3
there we are a - gain on that lit - tle town street. You al - most ran the red ’cause you were look - ing o - ver at me. Wind in my hair,
*f
1 1
1 1 1 X X 1 1
0 0 0 0 0 X X 0 0 0
X 0 0 0 2 X X 3 0 0
3 X 0
3 3
*Vol. pedal at full vol.
3
Gtr. 1: w/ Rhy. Fig. 3
C5 Gsus4 Am7 F
I was there, I re - mem - ber it all too well. 3. Pho - to
3 3 3
1 1 0 0 1 0 1 X X 1 0 1
0 0 0 0 0 2 2 2 X X 0 0 0
X 0 0 0 0 0 2 2 2 X X 3 3 3
3 X 0 0
3
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
C5 Gsus4 Am7 Fsus2
al-bum on the count - er, your cheeks were turn - ing red. You used to be a lit - tle kid with glass - es in a twin sized bed. And your
* mp P.M.
3
1 6
0 5 5 5 5 5 5 5 5
3 5 5 5 5 5 5 7 7 7 7 7 7 7 5
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
*Roll back vol. pedal to 1/2 vol.
C5 Gsus4 Am7 Fsus2
moth-er’s tell -ing sto - ries ’bout you on the tee -ball team. You taught me ’bout your past think - ing your fu - ture was me. And I
P.M. P.M. let ring P.M.
5 5 6 6 6 6 6 6 6
5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 2
C5 Gsus4 Am7
know it’s long gone and there was noth - ing else I could do. And I for - get a - bout you long e - nough to for-
P.M. P.M.
8 8 8 8 8 8 8 X 5 5 5 5 5
5 5 5 5 5 5 5 5 7 7 7 7 7 X 5 5 5 5 5 5 5
5 5 5 5 5 5 5 9 9 9 9 9 X 7 7 7 7 7 7 7
4
Gsus4 F
get why I need - ed to. ’Cause
let ring f
2
5 5 5 5 5 5 1 0 0 1 1 1 1 1 1
4 4 4 4 4 4 2 0 2 2 0 0 0 0
5 5 5 5 5 5 3 3 3 3 3 3 0 0
Chorus
*Gtrs. 1 & 3: w/ Rhy. Fig. 3 (2 times)
C5 Gsus4 Am7 F
**
there we are a - gain in the mid - dle of the night. We’re danc-ing ’round the kit - chen in the re - frig - er - a - tor light. Down the stairs,
P.M.
3 3
1 1 1 1
0 0 2 2
X 0 3 3 3
3 X 0 0 0 0 0 0
0 0 3 3
*Gtr. 3 (acous.), played mf.
**Male harmony
C5 Gsus4 Am7 F
I was there, I re - mem - ber it all too well.
3 3 3 3 3 1 1
1 X X 1 1 0 1 1 1 0 1 1
0 X X 0 0 0 0 2 2 2 2 2 0 0
X X X 0 2 2 2 3 3 3 3 3 0 0
3 X X X 0 0 0 0
3
Interlude
Gtrs. 1 & 3: w/ Rhy. Fig. 3 (1st 3 meas.)
C5 Gsus4 Am7
3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 3 3 3 3 3 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 X X
X X X X X X X X 0 0 0 0 0 0 0 2 2 2 2 2 2 2 X X
3 3 3 3 3 3 3 3 0 0 X X X X X 0 0 0 0 0 0 0 0 0 X X
3 3 3 3 3 0 0
5
F G
Gtrs.
1&3
3
May - be we got
Gtr. 2
1 1 1 1 1 1 1
1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 X X X X X X X X X X X X X X X X X
1 1 1 1 1 1 1 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0
Chorus
Gtrs. 1 & 3: w/ Rhy. Fig. 3 (3 1/2 times)
C5 Gsus4 Am7
lost in trans - la - tion, may - be I asked for too much. But may - be this thing was a mas - ter - piece till you
3
1 1 1 1 1
0 0 0 0 0 0 0 0 0 2 0 0
X X X X 0 0 0 0 2 2 0 0
3 3 3 3 X 0 0 0 0 0 0
3
F C5 Gsus4 Am7
tore it all up. Run - ning scared, I was there, I re - mem - ber it all too well.
3 3 3
1 1 1 1 1
2 2 2 0 0 0 0 0 0 0 0 0
3 3 3 0 0 X X 0 0 0 0 0 0 0 X X 2 2
0 0 3 3 0 0 X X X X X 0 0 2 3 3
3 3 3 3 3
F C5 Gsus4 Am7
And you call me up a - gain just to break me like a prom - ise. So cas - ual - ly cruel in the name
0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 0 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 X X X X X X X X X X X 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 X X X X X X X X X 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 X 3 3 3 3 3 3 3 3 3
6
F C5 Gsus4
of be - ing hon - est. I’m a crump - led up piece of pa - per ly - ing here ’cause I re - mem - ber it all,
3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 0 X X X X X X X X X 0 0 0 0 0 0 0 0 0
0 3 3 3 3 3 3 3 3 3 X X X X X X X X X
3 3 3 3 3 3 3 3 3
Am7 F
Gtr. 1
all, all too well.
Gtr. 2
mf
let ring
3
1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 3
0 0 0 0 0 0 0 0 0
Gtr. 3
3 3 3 3 3 3 3 1
1 1 1 1 1 1 1 X 1
0 0 0 0 0 0 0 X 2
2 2 2 2 2 2 2 X 3
0 0 0 0 0 0 0 X 3
1
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 3 tacet
C5 Gsus4 Am7 Fsus2
Gtr. 2
let ring
12
15 15 17 13 13 12
17
14 15 15 14
7
Verse
Gtr. 1: w/ Rhy. Fig. 3 (4 times)
C5 Gsus4 Am7 F
4. Time won’t fly, it’s like I’m par -a - lyzed by it. I’d like to be my old self a -gain but I’m still try-ing to find it. Af - ter
P.M. slight P.M.
X X 13 13 13 13 13
X X 13 13 13 13 13
X X 14 14 14 14 14
14 14 12
C5 Gsus4 Am7 F
plaid shirt days and nights when you made me your own. Now you mail back my things and I walk home a - lone. But you
P.M. P.M. P.M. P.M. P.M. slight P.M. P.M.
12 12
13 13 13 12 12 12 13 13 6
12 12 12 12 12 12 12 12 12 12 14 14 14 14 14 14 14 14 5 5 5 5 5 5
12 12 7 7 7 7 7 7
C5 Gsus2 Am7 F
keep my old scarf from that ver - y first week, ’cause it re - minds you of in - no - cence and it smells like me. You can’t get rid
P.M.
8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 1 1 1 1 1 1 1 1 1
C5 Gsus4 Am7 F
of it ’cause you re - mem - ber it all too well, yeah. ’Cause
P.M. f
0 0
10 10 7 7 9 9 10 10 10 15 15 15 15 15 15 15 0 0
10 10 5 5 5 5 X X X X X X X X X X X X X X 0 0
8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 5 5 5 7 7 8 8 8 13 13 13 13 13 13 13 0 0
8
Chorus
Gtrs. 1 & 3: w/ Rhy. Fig. 3 (2 times)
C5 Gsus4 Am7 F
there we are a - gain when I loved you so, back be -fore you lost the one real thing you’ve ev - er known. It was rare,
3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0
X X X X X X X X X 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 3 3 3 3 3 3 3 0 0
3 3 3 3 3 3 3 3 3 X X X X X X X 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3
C5 Gsus4 Am7 F
I was there, I re - mem - ber it all too well. Wind in my hair,
3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 1 1 1 1 1 0 0 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0
X X X X X X X X 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 3 3 3 3 3 3 3 0 0
3 3 3 3 3 3 3 3 X X X X X X X X X 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3
Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 3 (1 1/4 times)
Gtr. 3: w/ Rhy. Fig. 3
C5 Gsus4 Am7 F
you were there, you re - mem - ber it all. Down the stairs, you were there, you re - mem - ber it all. It was rare,
0
1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 1 1 1 0 1 1 0 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 2 0 2
X X X X X X X 0 0 0 0 0 0 0 0 0 2 2 2 2 2 0 3 3 3
3 3 3 3 3 3 3 0 0 X X X X X X X X X 0 0 0 0 0
0 0 3 3 3 3 3 3 3 3 3
Gtr. 3 tacet
C5 Gsus4 Am7 F
Gtr. 3
Gtr. 1
I was there, I re - mem - ber it all too well.
mf
1 3 5
0 5
X 5 3
3
9
from Taylor Swift - Red
Begin Again
Words and Music by Taylor Swift
Csus2 D5 G/B
2 34 13 1 34
Intro
Moderately slow q = 79
*G5
Gtr. 1
(acous.)
mf
w/ fingers
let ring throughout
3 3
3 3 3 3 3 3
0 0 0 0 0
0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3
*Chord symbols reflect implied harmony.
Verse
G5 Cadd9
1. Took a deep breath in the mir - ror. He did - n’t like it when I wore high heels, but I do.
Riff A
3 3 3
3 3 3 3 3 3 3 3
0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2
3 3 3 3
3 3 3 3 3 3 3 3
G/B
Turn the lock and put my head - phones on.
3 3
3 3 3 3 3 3
0 0 0 0 0
2 2 2 2 0 0 0 0
3 3 3 3 2 2 2 2
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Cadd9
He al - ways said he did - n’t get this song, but I do, I do.
End Riff A
3 3
3 3 3 3 3 3 3 3 3
0 0 0 0 0
0 0 0 0 2 2 2 2 2 2
2 2 2 2 3 3 3 3 3 3 3
Interlude
G5
3
3 3 3 0 3
0 0 0 0 0
0 0 0 0 0 0 0
3 3 3
Verse
Gtr. 1: w/ Riff A
G5 Cadd9
2. Walked in ex - pect - ing you’d be late, but you got here ear - ly and you stand and wave. I walk to you.
Gtr. 2 (elec.)
*p mp
w/ clean tone
let ring throughout
3
3 1
0 0
0 2
X 3
3
*Vol. swells
G/B
3
You pull my chair out and help me in. And you don’t know how nice that is, but
1
0 0
2 4
3
2
Cadd9
I do.
Riff B End Riff B
Gtr. 1
3 3 3
3 3 3 3 3
0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3
Gtr. 2
3
0
2
Chorus
Cadd9 Dadd4
And you throw your head back laugh - ing like a lit - tle kid.
Riff C
0
3 3 3 3 3
0 0 0 0
2 2 2 4 4 4 4
3 3 3 3 5 5 5 5
0 2
3 3
0 2
X 0
3
3
Em7 G G/B
I think it’s strange that you think I’m fun - ny ’cause he nev - er did. And
0
3 3 3 3 3
0 0 0 0 0 0
2 2 0 0 0 0
2
3 3
0
3
0 0
2 4
Cadd9 Dadd4 G5 D/F#
I’ve been spend - in’ the last eight months think - ing all love ev - er does is break and burn and
0
3 3 3 3 3 3 3
0 0 0 0 0 0 2 0
2 2 2 2 4 4 4 4 0 0
3 3 3 3 5 5 5 5
3 3 2
3 3
0 2 0 2
2 4 0 0
X X
3 2
4
Em7 Cadd9 Dadd4
end. But on a Wednes - day in a ca - fé, I watched it be - gin a - gain.
End Riff C
0
3 3 3 3 3 3 3
0 0 0 0 0 0 0
2 2 2 2 2 2 4 4
3 3 3 3 5 5
0 0
3
0 2
2 4 0
Interlude
G5
3 3
3 3 3 3 3 3
0 0 0 0
0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3
0
4
3
5
Verse
Gtr. 1: w/ Riff A
Gtr. 2 tacet
G5
3. You said you nev - er met one girl who had as man - y James Tay - lor rec - ords as you, but
Gtr. 3 (elec.)
mp
w/ clean tone
let ring throughout
3 3
4 5 5 5 5
Cadd9 G/B
I do. We tell stor - ies and you don’t know why
3 3
5 5 4
Gtr. 1: w/ Riff B
Cadd9
I’m com - in’ off a lit - tle shy, but I do.
3
0
4 5 2 2
Chorus
Gtr. 1: w/ Riff C
Cadd9 Dadd4
But you throw your head back laugh - ing like a lit - tle kid.
*Gtrs. 2 & 3
3
0 0
2 4
3 3 7 5 7
*Composite arrangement
6
Em7 G G/B
I think it’s strange that you think I’m fun - ny ’cause he nev - er did.
0 3
0 3
0 0
2 0
2 X 2
0 3
Cadd9 Dadd4 G5 D/F#
I’ve been spend - in’ the last eight months think - ing all love ev - er does is break and burn and
0 2
3 3
0 2
X 0 5 4
3
Em7 Cadd9 Dadd4
end. But on a Wednes - day in a ca - fé, I watched it be - gin a - gain.
3 3
0 0
2 2 4 0
3 5
7
Interlude
G5
Gtrs. 2 & 3
3 3 3 3 3 3
3 3 3 3 3 3
0 0 0 0 0 0
4 4
3
Gtr. 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X X X X X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Csus2 D5
And we
3
3 3 3 3 3 3 3
0 0 0 0 0 2 2 2
0 0 0
3
(cont. in slashes)
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
X X X X X X X X X X X X X X X 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
8
Bridge
*Csus2 D5 Csus2
Gtr. 1
walked down the block to my car and I al - most brought him up, but you start to talk a - bout the mov -
Gtr. 2
3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5
Gtr. 3
3 3 3 3 3
0 0 2 2 0 0 0 0
X 0 0 X X
3 3 3 3
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
D5 Csus2 G/B
- ies that your fam - ’ly watch - es ev - ’ry sin - gle Christ - mas and I wan - na talk a - bout that. And for the first
5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3
7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4
0
3
2 2 2 0 0
0 0 0 X 2 0
3 3 3 2 2
9
Csus2
time, what’s past is past.
3
3
0
X 4 5
3
2 4 5
Chorus
Gtr. 1: w/ Riff C
Cadd9 Dadd4
’Cause you throw your head back laugh - ing like a lit - tle kid.
Gtr. 2
3 2
3 3
0 2 0
X 0 4
3
Gtr. 3
3 3
0 2
2 0
3 2
10
Em7 G G/B
I think it’s strange that you think I’m fun - ny ’cause he nev - er did. And
3 0 1 0
0 0 2
2
3
0 0
2 0
2 X 2
0 3
Cadd9 Dadd4
I’ve been spend - in’ the last eight months think - ing all love ev - er does is
3
2 0
2 0 0 4
2
0
3
11
G5 D/F# Em7 Cadd9
break and burn and end. But on a Wednes - day in a ca - fé,
Gtrs. 2 & 3
3 3
0 2 0
0 0
2 2
X X 2 3
3 2 0
Gtr. 1: w/ Riff C (last 4 meas.)
Dadd4 G5 D/F# Em7
I watched it be - gin a - gain. Oo.
3
3 3 3 3
2 0 2 0 0
0 0 4
X
3
Cadd9 Dadd4 μ
But on a Wednes - day in a ca - fé, I watched it be - gin a - gain.
3 3
0 0 0
2 2 4
3 5
12
from Taylor Swift - Red
Everything Has Changed
Words and Music by Taylor Swift and Ed Sheeran
Capo II
Intro
Moderately slow q = 80
F# F#sus4 F# F#sus4 F#
*[E] [Esus4] [E] [Esus4] [E]
(Studio noise)
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (acous.)
2 sec.
mf
let ring thoughout
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 2 2 2 1 1 1 1 1 1 2 2 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Verse
F# D#m7 B
[E] [C#m7] [A]
1. All I knew this morn -in’ when I woke is I know some - thing now,
Rhy. Fig. 2
0 0 0 0 0 0
0 0 0 0 0 0 4 5 5 5 5 5 5 5 5 X X 2 2 2 2 2 2 2 2 X X
1 1 1 1 1 1 4 4 4 4 4 4 4 4 X X 2 2 2 2 2 2 2 2 X X
2 2 2 2 2 2 4 6 6 6 6 6 6 6 6 X X 2 2 2 2 2 2 2 2 X X
2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 X X 0 0 0 0 0 0 0 0 X X
0 0 0 0 0 0 0 0
C# μ F# D#m7
[B] [E] [C#m7]
know some - thin’ now I did - n’t be - fore. And all I’ve seen since eight - een hours a - go
0 0 0 0 0 0
4 4 0 0 0 0 0 0 4 5 5 5 5 5 5 5 X
4 4 4 1 1 1 1 1 1 X X 4 4 4 4 4 4 4 X
4 4 4 2 2 2 2 2 2 X X 4 6 6 6 6 6 6 6 X 2
2 2 2 2 2 2 2 2 2 X X 4 4 4 4 4 4 4 X 0
0 0 0 0 0 0 0 0
Copyright © 2012 Sony/ATV Music Publishing LLC, Taylor Swift Music and Sony/ATV Music Publishing LLC (UK) Limited
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
B C#
[A] [B]
is green eyes and freck - les and your smile in the back of my mind mak - ing me feel like
End Rhy. Fig. 2
2 2 2 2 2 2 2 4 4 4 4 4 4 4 0 0
2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 0 0
2 2 2 2 2 2 2 2 0 0 4 4 4 4 4 4 4 4 0 0
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0
Pre-Chorus
F#5 G#5
[E5] [F#5]
I just wan - na know you bet - ter, know you bet - ter, know you bet - ter now.
Rhy. Fig. 3
P.M.
2 4 4 4 4 4 4 4
2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2
B5 D#5 C#5 F#5
[A5] [C#5] [B5] [E5]
I just wan - na know you bet - ter, know you bet - ter, know you bet - ter now. I just wan - na know you bet - ter, know
End Rhy. Fig. 3
P.M.
2 2 2 2 2 2 2 2 2 6 6 6 6
2 2 2 2 2 2 2 2 2 6 6 6 6 4 4 4
0 0 0 0 0 0 0 0 0 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
G#5 B5 B D#m C#
[F#5] [A5] [A] [C#m] [B]
you bet - ter, know you bet - ter now. I just wan - na know you, know you, know you. ’Cause
P.M.
4 4
2 2 5 5 X 4 4
2 2 X 6 6 X 4 4
2 2 2 2 2 2 X 6 6 X 4 4
4 4 4 4 4 4 4 4 0 0 0 0 0 0 4 4 2 2
2 2 2 2 2 2 2 2
2
Chorus
F# D#m
[E] [C#m]
*
all I know is we said hel - lo and your eyes look like com - in’ home. All
Rhy. Fig. 4
**Gtrs. 1 & 2
let ring throughout
0 0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5
1 1 1 1 1 1 1 1 1 6 6 6 6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 6 6 6 6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0
*Male harmony
**Gtr. 2 (acous.), played mf. Two gtrs. arr. for one.
C#sus4 Bsus2 F#
[Bsus4] [Asus2] [E]
I know is a sim - ple name. Ev -’ry - thing has changed. All I know is you held the door.
End Rhy. Fig. 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1
4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
D#m C#sus4 B5 μ
[C#m] [Bsus4] [A5]
You’ll be mine and I’ll be yours. All I know since yes - ter - day, yay, is ev -’ry- thing has changed.
4 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 2
6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 2
4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 0
Interlude
Gtr. 1: w/ Rhy. Fig. 1
F# F#sus4 F# F#sus4 F#
[E] [Esus4] [E] [Esus4] [E]
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 2 2 2 1 1 1 1 1 1 2 2 2 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
Verse
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2 tacet
F# D#m7 B
[E] [C#m7] [A]
2. Male: And all my walls stood tall, paint - ed blue. And I’ll take ’em down,
0
0
1
2
2
0
C# μ F# D#m7
[B] [E] [C#m7]
take ’em down and o - pen up the door for you.
Female: And all I feel in my stom - ach is but - ter - flies
B C#
[A] [B]
the beau - ti - ful kind, mak - in’ up for lost time, tak - in’ flight, mak - in’ me feel like...
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 3 (1 1/2 times)
F# G#m11
[E] [F#m11]
*
Male: I just wan - na know you bet - ter, know you bet - ter, know you bet - ter now.
Gtr. 2
Riff A
mf
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
1 1 2 2
2 4 4 4 4 4
*Female harmony
B D#m7 C#add11
[A] [C#m7] [Badd11]
I just wan - na know you bet - ter, know you bet - ter, know you bet - ter now.
End Riff A
0 0 0 0 0
5 5 5 5 0 0 7 7
6 6 6 8 8
7 7 7 11 11 11 9 9
4
Gtr. 2: w/ Riff A
F# G#m11
[E] [F#m11]
I just wan - na know you bet - ter, know you bet - ter, know you bet - ter now.
B D#m7 C#add11
[A] [C#m7] [Badd11]
I just wan - na know you, know you, know you. Female: ’Cause
Gtr. 1
P.M.
X 4
2 2 2 2 2 2 2 2 6 6 X 4
0 0 0 0 0 0 0 0 4 4 X 2
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)
F# D#m
[E] [C#m]
*
all I know is we said hel - lo and your eyes look like com - in’ home. All
Voc. Fig. 1
(Oo.
*Male harmony
C#add4 Bsus2 F#
[Badd4] [Asus2] [E]
I know is a sim - ple name. Ev -’ry - thing has changed. All I know is you held the door.
Oo.)
To Coda
D#m C#add4 Bsus2
[C#m] [Badd4] [Asus2]
You’ll be mine and I’ll be yours. All I know since yes - ter - day, yay, is ev -’ry- thing has changed
End Voc. Fig. 1
5
Bridge
D#m B F#
[C#m] [A] [E]
Come back and tell me why I’m feel - in’ like I’ve missed you all this time.
Gtrs. 1 & 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 1 1 1 1 1 1 1 1 1 1 1 1 1
6 6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0
C#sus4 D#m B
[Bsus4] [C#m] [A]
And meet me there to - night, and let me know that it’s
(Huh.)
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2 2 2 2 2 0 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
F# C#5
[E] [B5]
*
not all in my mi - i - ind.
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 4 4 4 4 4 4 4 0 0
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0
0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 4
2 2 2 2 2 2 2 2 2 2 2 2 4
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
*mind
6
Pre-Chorus
Gtr. 2 tacet
F# G#5
[E] [F#5]
I just wan - na know you bet - ter, know you bet - ter, know you bet - ter now.
Gtr. 1
1 1 1
2 2 2 2 2 2 4 4 4 4
2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 0 0
0 0 0 0 2 2 2 2 2 2 2
D.S. al Coda
Bsus2 D#5 C#5
[Asus2] [C#5] [B5]
I just wan - na know you, know you, know you.
0 0 0 0 0 0 4 4 4
2 2 2 2 2 2 4 4 4 4
2 2 2 2 2 2 2 2 6 6 6 X 4 4 4 4 4
0 0 0 0 0 0 0 0 2 4 4 4 4 X 2 2 0
0
Coda
Outro-Chorus
Bkgd. Voc.: w/ Voc. Fig. 1
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (1 1/2 times)
F# D#m C#sus4
[E] [C#m] [Bsus4]
All I know is we said hel - lo, so dust off your high - est hopes. All I know is pour - ing rain,
Bsus2 F# D#m
[Asus2] [E] [C#m]
and ev - ’ry - thing has changed. All I know is a new found grace. All my days I’ll know your face.
C#sus4 B5 μ
[Bsus4] [A5]
All I know since yes - ter - day, yay, is ev - ’ry - thing has changed.
Gtrs. 1 & 2
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4 4 4 4 4 2
4 4 4 4 4 4 4 4 4 4 4 4 2
2 2 2 2 2 2 2 2 2 2 2 2 0
7
from Taylor Swift - Red
Holy Ground
Words and Music by Taylor Swift
Intro
Fast q = 160
E
Gtr. 1 (acous.)
mf
let ring
0
0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
Verse
Gtr. 1 tacet
E
1. I was rem - i - nisc - in’ just the oth - er day while hav - ing cof - fee all a - lone and, Lord, it took me a - way, back to a
Rhy. Fig. 1
*Gtrs. 2 & 3 (acous.)
mf
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Composite arrangement
**Gtr. 4 (elec.)
mf
w/ slight dist.
P.M.
0
1 1 1 1 1 1 1 1 1 1 0
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
**Two gtrs. arr. for one.
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Asus2
first - glance feel - in’ on New York time, back when you fit in my po - ems like a per - fect rhyme.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
P.M.
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 1
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E
Took off fast - er than a green light, go. Yeah, you skip the con - ver - sa - tion when you al - read - y know. I left a
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
let ring
P.M. P.M.
0
0
1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2
C#m7 Asus2
note on the door with a joke we’d made. And that was the first day. And,
End Rhy. Fig. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2
6 6 6 6 6 6 6 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0
P.M.
0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 2 2 2 2 2
6 6 6 6 6 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 2
Chorus
Gtr. 4 tacet
Bsus4 C#m7 Asus2
dar - lin’, it was good
Gtrs. 2 & 3
Rhy. Fig. 2 End Rhy. Fig. 2
0 0 0
0 0 0
4 6 2
4 6 2
2 4 0
Gtr. 5 (elec.)
mf
let ring
w/ clean tone
0 0
0 0 0 0
4 6 2 2 2 2
4 6 2 2 2 4
2 4 0 0
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 times)
Bsus4 C#m7 Asus2
nev - er look - in’ down. And
Gtr. 5
let ring
0 0
0 0 0 0
4 6 2 2 2 2
4 6 2 2 2 4
2 4 0 0
3
Bsus4 C#m7 Asus2
right there where we stood was ho - ly ground.
let ring let ring let ring
0
0 0 0 0 0 0
4 4 6 6 2 2 2 2
4 6 6 2 2 2
2 4 0 0
Interlude
Gtr. 5 tacet
E Asus2
Gtrs. 2 & 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 4
P.M.
1 1 1 1 1 1 1 1 1 1 2
2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Gtr. 6 (elec.)
mf
w/ dist.
0 0 0
0 0 0
1 1 2
2 2 2
2 2 0
0 0
*Doubled throughout
4
Gtr. 6 tacet
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
P.M.
0
2 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
0
2
2
0
Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 1
E
2. Spin - nin’ like a girl in a brand - new dress, we had this big wide cit - y all to our - selves. We block the
Gtr. 4
P.M. P.M.
P.M. P.M.
P.M.
P.M.
P.M.
P.M. P.M.
P.M.
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
Asus2
noise with the sound of “I need you,” and for the first time I had some - thin’ to lose. And I
P.M. P.M.
P.M.
P.M.
P.M. P.M. P.M.
P.M.
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E
guess we fell a - part in the us - u - al way, and the sto - ry’s got dust on ev - e - ry page. But some -
P.M. P.M.
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
C#m7 Asus2
times I won - der how you think a - bout it now, and I see your face in ev - ’ry crowd. ’Cause,
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
P.M. P.M.
0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 2 2 2 2 2
6 6 6 6 6
4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0
6
Chorus
Bsus4 C#m7 Asus2 Amaj9
dar - lin’, it was good
(Hoo - ray, hoo - ray.
*Gtr. 7
Riff A End Riff A
mp
w/ dist.
let ring let ring let ring
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 6 6 6 2 2 2 2 2 2
*Synth arr. for gtr.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtrs. 2 & 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 4
P.M.
P.M. P.M.
0 0
0 0
4 4 6 6 6 2 2 2 2 1
4 4 6 6 6 2 2 2 2 2
2 2 2 2 2 2 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 times)
Gtr. 7: w/ Riff A (2 times)
Bsus4 C#m7 Asus2 Amaj9
nev - er look - in’ down. And
Hoo - ray, hoo - ray.
Gtr. 4
P.M.
4 4 6 6 6 2 2 2 2 1
4 4 6 6 6 2 2 2 2 2
2 2 2 2 2 2 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0
7
Bsus4 C#m7 Asus2
right there where we stood was ho - ly ground.
Hoo - ray.)
P.M.
4 4 6 6 6 2 2 2 2 2
4 4 6 6 6 2 2 2 2 2
2 2 2 2 2 2 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0
Interlude
E Asus2
(Hoo - ray. hoo - ray. hoo - ray. ah, ah.
Gtr. 7
let ring let ring
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 2 2 2 2 2 2
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Gtrs. 3 & 4
P.M.
1 1 1 1 1 1 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
*Composite arrangement
8
C#m7 Asus2 A%
Hoo - ray. hoo - ray. hoo - ray. ah, oh.)
Gtr. 7
let ring let ring
0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 0 0 0 0
1 1 1 1 1 1 2 2 2 2 2 2
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 2 2 2 2 2 2 2
6 6 6 6 6 6 6 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0
Gtrs. 3 & 4
P.M.
0 2
0 0
6 6 6 6 6 6 2 2 2 2 2 2
6 6 6 6 6 6 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 5
0 2
0 0
2 2
2 2
0 0
Bridge
Gtr. 7 tacet Gtr. 4 tacet
Eadd9
To - night I’m gon - na dance for all that we’ve been through.
Gtrs. 2, 3, 4 & 6 *Gtrs. 2, 3 & 6
2 2
0 0
1 1
2 2
2 2
0 0
*Composite arrangement
9
Asus2
But I don’t wan - na dance if I’m not danc - ing with you.
0 0 X X
0 0 X X
2 2 X X
2 2 X X
0 0 X X
Gtr. 6 tacet
E
To - night I’m gon - na dance like you were in this room.
Gtr. 7
let ring
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1
Gtrs. 2 & 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 4
P.M.
1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10
Asus2
But I don’t wan - na dance if I’m not danc - ing with
let ring
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
P.M.
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Chorus
Gtrs. 2, 3 & 7 tacet
B5 C#5 A5 Asus2
you. It was good
Gtr. 4
P.M. P.M. P.M. P.M. P.M.
4 4 6 6 2 4 4 4 4
4 4 6 6 2 2 2 2 2
2 2 2 2 2 2 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0
11
B5 C#5 A5 Asus2
nev - er look - in’ down. And
P.M. P.M. P.M. P.M. P.M.
4 4 6 6 2 4 4 4 4
4 4 6 6 2 2 2 2 2
2 2 2 2 2 2 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0
Bsus4 C#m7 Asus2
right there where we stood was ho - ly ground.
Gtrs. 2 & 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Gtr. 8 (elec.)
mp
w/ slight dist.
0 0 0 0
0 0 0 0
2 2 2 2
2 2 2 2
0 0 0 0
*Two gtrs. arr. for one.
Gtr. 4
P.M. P.M.
4 4 6 6 6 6 2 2 2 2 2
4 4 6 6 6 6 2 2 2 2 2
2 2 2 2 2 2 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0
12
Interlude
E Asus2
Voc. Fig. 1
(Hoo - ray, hoo - ray, hoo - ray, ah, ah.
Rhy. Fig. 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 2 2 2 2 2 2 6 6
2 2 2 2 2 2 2 2 2 2 2 6 6
2 2 2 2 2 0 0 0 0 0 0 4 4
0 0 0 0 0 0
Rhy. Fig. 4A
P.M.
1 1 1 1 1 1 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
13
C#m7 Asus2
End Voc. Fig. 1
hoo - ray, hoo - ray, hoo - ray, ah, oh.)
End Rhy. Fig. 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
6 6 6 6 6 6 6 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 2 2 2 2 2 2
6 6 6 6 6 6 2 2 2 2 2 2
4 4 4 4 4 4 0 0 0 0 0 0
End Rhy. Fig. 4A
P.M.
6 6 6 6 6 6 2 2 2 2 2 2
6 6 6 6 6 6 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0
Outro
Bkgd. Voc.: w/ Voc. Fig. 1 (1 3/4 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (1 3/4 times)
Gtr. 4: w/ Rhy. Fig. 4A (1 3/4 times)
E Asus2
To - night I’m gon - na dance for all that we’ve been through.
(Oo, oo, oo,
Rhy. Fig. 5
Gtr. 8
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 0 0 0 0 0 0
0 0 0 0 0 0
14
C#m7 Asus2
But I don’t wan - na dance if I’m not danc - ing with you.
oo.
End Rhy. Fig. 5
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 2 2 2 2 2 2
6 6 6 6 6 6 2 2 2 2 2 2
4 4 4 4 4 4 0 0 0 0 0 0
Gtr. 8: w/ Rhy. Fig. 5
E Asus2
To - night I’m gon - na dance like you were
Oo, oo,
C#m7
in this room. But I don’t wan - na dance
oo.)
Free time
Asus2
if I’m not danc - ing with you.
Gtrs. 2, 3 & 8
0
0
2
2
0
Gtr. 4
2
2
0
15
from Taylor Swift - Red
I Almost Do
Words and Music by Taylor Swift
A“2 E B“4 C#‹7
4fr
12 231 134 134
Intro
Slow q = 75
Asus2 E Bsus4 C#m7 Bsus4
Riff A
*Gtr. 1 (acous.)
mf
7 9 9 5 7 9 9 7 4 4 5
*Doubled throughout
Riff A1
Gtr. 2 (acous.)
mf
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 5 5 5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 3 (acous.)
mf
let ring throughout
0 0 0 0 0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 1 1 1 1 4 4 4 4 4 6 6 6 6 4 4 X
2 2 2 2 2 2 4 4 4 4 4 6 6 6 6 4 4 X
0 0 2 2 2 2 2 2 2 2 2 4 4 4 4 2 2 X
0 0 0 0
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
1
Asus2 E Bsus4
End Riff A
7 9 9 5
4 4 8
End Riff A1
0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5
8
9
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 X 0 0
2 2 2 2 2 2 2 1 1 0 4 4 4 4
2 2 2 2 2 0 4 4 4 4
0 0 2 2 2 2 2 2
0 0
Verse
Gtrs. 1 & 2 tacet
Asus2 E Bsus4
1. I bet this time of night you’re still up.
Rhy. Fig. 2
Gtr. 3
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 1 1 1 1 4 4 4 4 4 4 4
2 2 2 2 2 4 4 4 4 4
0 2 2 2 2 2
0
Asus2 E Bsus4
I bet you’re tired from a long hard, uh, week.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 1 1 1 1 4 4 4 4 4 4 4 2
2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 2
0 2 2 2 0
0
2
Asus2 E Bsus4 C#m7 Bsus4 Asus2
I bet you’re sit - tin’ in your chair by the win - dow look - ing out at the cit - y. And I
End Rhy. Fig. 2
0 0 0 0 X X 0 0 0 0 0 0 0 0 0
0 0 0 0 X X 0 0 0 0 0 0 0 0 0
2 2 2 2 1 1 X X 4 4 4 4 6 6 6 6 4 4 2
2 2 2 2 X X 4 4 4 6 6 6 6 4 4 2
0 2 2 2 2 2 4 4 4 4 2 2 0
0
E Bsus4
bet some - times you won - der ’bout me.
(cont. in slashes)
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
2 2 4 2 2 1 1 1 4
2 2 2 2 2 4
0 2 2 2 2
0
Chorus
*Asus2 E Bsus4 Asus4
Rhy. Fig. 3
Gtr. 3
And I just wan - na tell you it takes
**Gtrs. 4 & 5
(acous.)
mf
let ring throughout
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 0 0
2 2 2 2 2 1 1 1 X 4 4 4 4 4 4 4 2
2 2 2 2 2 2 2 2 X 4 4 4 4 4 4 4 2
0 0 0 0 0 2 2 2 X 2 2 2 2 2 2 2 0
0 0 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
**Composite arrangement
3
C#m7 Bsus4
ev - ’ry - thing in me not to call you.
Rhy. Fig. 4
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 X 6 6 6 4 4 4 4 8 9 9 9 8 8
2 2 2 2 X 6 6 6 4 4 4 4 X X X X
0 0 0 0 X 4 4 4 2 2 2 2 6 7 7 7 6 6
Asus2 E Bsus4 C#m7 Bsus4 Asus2
End Rhy. Fig. 3
(cont. in notation)
And I wish I could run to you. And I hope you know that
End Rhy. Fig. 4
(cont. in slashes)
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 0 0
2 2 2 2 2 1 1 1 X 4 4 4 4 6 6 6 4 4 2
2 2 2 2 2 2 2 2 X 4 4 4 4 6 6 6 4 4 2
0 0 0 0 0 2 2 2 X 2 2 2 2 4 4 4 2 2 0
0 0 0
Asus2 E Bsus4
Gtrs.
4&5
ev - ’ry time I don’t I al - most do, I al -
Gtr. 3
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
2 2 2 2 2 1 1 1 4 4 4
2 2 2 2 2 2 2 2 4 4 4
0 0 0 0 0 2 2 2 2 2
0 0 0
4
Interlude
Gtrs. 1 & 2: w/ Riffs A & A1
Gtr. 3: w/ Rhy. Fig. 1
Gtrs. 4 & 5 tacet
Asus2 E Bsus4 C#m7 Bsus4
- most do.
Asus2 E Bsus4
Gtr. 3
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 X 0 0 0 0
2 2 2 2 2 2 2 2 1 X X 4 4 4 4 4 4 4 4 2
2 2 2 2 X 4 4 4 4 4 4 4 2
0 0 2 X 2 2 0
0
Verse
Gtr. 3: w/ Rhy. Fig. 2
Asus2 E Bsus4
2. I bet you think I ei - ther moved on or hate you, ’cause
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 6 (acous.)
mf
X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X
Gtr. 6: w/ Rhy. Fig. 5 (3 times)
Asus2 E Bsus4
each time you reach out there’s no re - ply.
5
Asus2 E Bsus4 C#m7 Bsus4
I bet it nev - er ev - er oc - curred to you that I can’t say hel - lo
Gtrs. 4 & 5
(cont. in slashes)
0 0 0 0 0 0
0 0 0 0 0 0
2 1 4 4 6 6 4
2 2 4 4 6 6 4
0 2 2 2 4 4 2
0
Asus2 E Bsus4
Gtrs.
4&5
(cont. in notation)
to you and risk an - oth - er good - bye.
Rhy. Fig. 6 End Rhy. Fig. 6
Gtr. 3
0 0 0 0 0 0 0
0 0 0 0 0 0 0
2 2 2 2 2 2 1 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 4 4 4 4 4 4 4 4 4
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
0
Chorus
Gtr. 3: w/ Rhy. Fig. 3
Gtr. 6: w/ Rhy. Fig. 5 (4 times)
Asus2 E Bsus4 Asus4
And I just wan - na tell you it takes
Rhy. Fig. 7 End Rhy. Fig. 7
Gtrs. 4 & 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X 0 0 0 0 0 0 0
2 2 2 2 2 1 1 1 X 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 X 4 4 4 4 4 4 4
0 0 0 0 0 2 2 2 X 2 2 2 2 2 2 2
0 0 0
6
C#m7 Bsus4
ev - ’ry - thing in me not to call you.
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 X 6 6 6 4 4 4 4 8 9 9 9 8 8
2 2 2 2 X 6 6 6 4 4 4 4 X X X X
0 0 0 0 X 4 4 4 2 2 2 2 6 7 7 7 6 6
Gtrs. 4 & 5: w/ Rhy. Fig. 4 (last 2 meas.)
Asus2 E Bsus4 C#m7 Bsus4 Asus2
And I wish I could run to you. And I hope you know that
Asus2 E Bsus4
Rhy. Fig. 8 End Rhy. Fig. 8
Gtrs.
3, 4 & 5
ev - ’ry time I don’t I al - most do, I al - most do.
Gtr. 2
0 0 0
4 5 5 5
Guitar Solo
Gtr. 2 tacet
Gtrs. 3, 4 & 5: w/ Rhy. Fig. 3 (last 2 meas.)
Asus2 E Bsus4 C#m7 Bsus4 Asus2
(Ah.
Gtr. 7 (acous.)
mf
let ring throughout
16 14
17 16 17 16 14
16 16 14 16 14
14 14 14 14 14 14 14 14 14 16 14
7
Asus2 E B5
Oo. Oh,
Ah.)
Gtr. 7
16 14 14 14 16
17 16 17 17 16 17 17
16 16 14
14 14 14 14 14 14 16
Gtr. 2
16
*Gtrs. 3, 4 & 5
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X
2 2 2 2 2 1 1 1 X 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 X 4 4 4 4 4 4 4
0 0 0 0 0 2 2 2 X 2 2 2 2 2 2 2
0 0 0
*Composite arrangement
8
Bridge
Gtr. 2 tacet
Gtr. 7 tacet
C#5 Asus2 Bsus4
we made quite a mess, babe, it’s prob - ’bly bet - ter off this way.
Gtr. 7
13
Gtrs. 3, 4 & 5
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
6 2 2 2 2 4 4 4 4 4
6 2 2 2 2 4 4 4 4 4
4 0 0 0 0 2 2 2 2 2
C#m7 Asus2 Bsus4
And I con - fess, ba - by, in my dreams you’re touch - ing my face
Gtrs. 3, 4 & 5
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
6 2 2 2 2 2 X 4 4 4 4 X
6 2 2 2 2 2 X 4 4 4 4 X
4 0 0 0 0 0 X 2 2 2 2 X
9
E5 E5/D# C#m7 Bsus4
and ask - ing me if I wan - na try a - gain with you.
Gtr. 3
0 0 0 0 0
0 0 0 0 0
9 6 4
9 9 9 9 6 4
7 6 4 2
Gtrs. 4 & 5
0
0 0 0 0
9 8 6 4
X X X X
7 6 4 2
Aadd9 B
And I al - most do.
Gtr. 3
0
0
2 2 2 2 2 X X 4 4 4 4 4 4 4 4 0
2 2 2 2 2 X X 4 4 4 4 4 4 4 4 0
0 0 0 0 0 2 2 2 2 2 2 2 2 0
Gtr. 4
0 0 0 0
0 0 0 0
2 2 2 2 4
2
0
Gtr. 5
0 0 0 0 0 0 0
6 6 6 6 8 8 8 8 8 8
6 7 7 7 7 7 7 7 7 9 9 9 9 9 9
10
Chorus
Gtr. 3: w/ Rhy. Fig. 3
Gtrs. 4 & 5: w/ Rhy. Fig. 7
Gtr. 6: w/ Rhy. Fig. 5 (4 times)
Asus2 E Bsus4 Asus4
And I just wan - na tell you it takes
Gtr. 7
let ring
17 17 X 17 17 17 17 17 17 17 17 17 17
16 X X 16 16 X X X X X X 16 16
14 X 14 14 14 14 14 14 14 14 14 14 14
Gtrs. 4 & 5: w/ Rhy. Fig. 4
C#m7 Bsus4
ev - ’ry - thing in me not to call you.
let ring
17 17 17 17 17 17 17 17 17 17 X 17 17
16 16 X X X X
14 14 14 14 14 14 14 X 14 14 14
Asus2 E Bsus4 C#m7 Bsus4 Asus2
And I wish I could run to you. And I hope you know that
let ring
17 17 17 X X X 17 17 17 17
16 16 16 X X X 16 16 16 16 16 X
14 14 14 14 14 X X X X 14 14 14 14
14
11
Gtrs. 3, 4 & 5: w/ Rhy. Fig. 8
Asus2 E B5
ev - ’ry time I don’t I al - most do, I al - most do.
16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 X
X X X X X X X X X X X X X X X X
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 X
Interlude
Gtrs. 3, 4 & 5: w/ Rhy. Fig. 3 (last 2 meas.)
Asus2 E Bsus4 C#m7 Bsus4 Asus2
(Ah.
14 14
17 17 17 17 17 17 17 17 17 17 17 17 16 16 16 17
16 16
14 14 14
12
Gtrs. 3, 4 & 5: w/ Rhy. Fig. 8
Asus2 E B5
Oo.
Ah.)
17 17 17 17 17 17
16 X 16 16 16
14 14 X X X
14 14 14
Outro
Asus2 E Bsus4
Rhy. Fig. 9 End Rhy. Fig. 9
Gtrs.
4&5
I bet this time at night you’re still up.
Gtr. 7
let ring
17
X 16 16 16
14 X X
14 14
Gtr. 3
0 0 0 0 0 0 0 0 0 0 X 0 0 0 0
0 0 0 0 0 0 0 0 0 0 X 0 0 0 0
2 2 2 2 2 2 1 1 1 1 X 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 X 4 4 4 4 4 4 4
0 0 0 0 0 0 2 2 2 2 X 2
0 0 0 0 X
13
Gtrs. 4 & 5: w/ Rhy. Fig. 9
Asus2 E Bsus4
I bet you’re tired from a long hard, uh, week.
16 16 16 16 16 16
X X X X X X
14 14 14 14 14 14
0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 1 1 1 0 4 4 4 4 4 4
2 2 4 4 4 4 4 4
0 2 2
0
Gtr. 7 tacet
Asus2 E Bsus4 C#m7 Bsus4 Asus2
I bet you’re sit - ting in your chair by the win - dow look - ing out at the cit - y. And I
Gtr. 3
0 0 0 0 0 0
0 0 0 0 0 0 0
2 2 2 1 4 4 4 6 6 6 6 4 4
2 2 2 4 4 6 6 6 6 4 4
0 2 2 0
0
Gtr. 4
0 0
6
7 7 6 4
Gtr. 5
0 0 0 0 0
2 0 0 0
2 2 2 1 1 8 8 4 6 6 6 6 4 4
2 9 9 4 6 6 6 6 4 4
2 0
0
14
Asus2 E Badd4
rit.
hope some - times you won - der ’bout me.
Gtr. 7
rit.
17 17 17
X 16 X
14 14 14
Gtr. 3
rit.
0 0 0 0 0
0 0 0 0 0 0
2 2 2 2 1 2 1
2 2 2
0 0 2
0
Gtr. 4
rit.
0
6 6
7 6
Gtr. 5
rit.
0 0 0 0 0
0 0 0 0 0
2 2 1 2 1 8
2 2 2 9
0 0 2
0
15
from Taylor Swift - Red
I Knew You Were Trouble
Words and Music by Taylor Swift, Shellback and Max Martin
Ebm Cb
6fr
Gtr. 1 chords:
1342 1333
[Am] [F] [G] [C]
Gtr. 2 chords:
Gtrs. 2, 3 & 5: Capo VI 231 1342 3 32 1
Intro Verse
Fast q = 154
Gb Gb
1. Once up - on a time, a
Gtr. 1 (elec.) Rhy. Fig. 1
mf
w/ clean tone
11 X X 11 X X 11 X 11 X X 11 X X 11 X 11 X X 11 X X 11 X
11 X X 11 X X 11 X 11 X X 11 X X 11 X 11 X X 11 X X 11 X
11 X X 11 X X 11 X 11 X X 11 X X 11 X 11 X X 11 X X 11 X
9 X X 9 X X 9 X 9 X X 9 X X 9 X 9 X X 9 X X 9 X
Db
few mis - takes a - go, I was in your sights, you got me a - lone. You
11 X X 11 X X 11 X 6 X X 6 X X 6 X 6 X X 6 X X 6 X
11 X X 11 X X 11 X 6 X X 6 X X 6 X 6 X X 6 X X 6 X
11 X X 11 X X 11 X 6 X X 6 X X 6 X 6 X X 6 X X 6 X
9 X X 9 X X 9 X 4 X X 4 X X 4 X 4 X X 4 X X 4 X
Ebm Cb
found me, you found me, you found me, e, e, e, e. I
End Rhy. Fig. 1
7 X X 7 X X 7 X 7 X X 7 X X 7 4 X X 4 X X 4 X 4 X X 4 X 4 4 X
8 X X 8 X X 8 X 8 X X 8 X X 8 4 X X 4 X X 4 X 4 X X 4 X 4 4 X
8 X X 8 X X 8 X 8 X X 8 X X 8 4 X X 4 X X 4 X 4 X X 4 X 4 4 X
6 X X 6 X X 6 X 6 X X 6 X X 6 2 X X 2 X X 2 X 2 X X 2 X 2 2 X
Copyright © 2012 Sony/ATV Music Publishing LLC, Taylor Swift Music and MXM Music AB
All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of MXM Music AB Exclusively Administered by Kobalt Songs Music Publishing
International Copyright Secured All Rights Reserved 1
Gtr. 1: w/ Rhy. Fig. 1
Gb Db
guess you did - n’t care, and I guess I liked that. And when I fell hard you took a step back, with -
Ebm Cb
out me, with - out me, with - out me, e, e, e, e.
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 1
Gb Db
*[C] [G]
And he’s long gone when he’s next to
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 2 (acous.)
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
mp
P.M. P.M. P.M. P.M.
0 0 0 0 0 0
1 1 1 1 1 1 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above represent actual sounding chords. Capoed fret is “0” in tab.
Ebm Cbmaj7
[Am] [Fmaj7]
me. And I re - a - lize the blame is on me. ’Cause
(cont. in slashes)
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 X
1 1 1 1 1 1 1 1 1 1 1 1 1 X
2 2 2 2 2 2 2 2 2 2 2 2 2 X
2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2
Chorus
*[Am] [F] [G] [C] [G]
Rhy. Fig. 3A End Rhy. Fig. 3A
Gtr. 2
I knew you were trou - ble when you walked in, so shame on me, now.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 1
7 7 4 4 6 6 11 11 6 6
8 8 4 4 6 6 11 11 6 6
8 8 4 4 6 6 11 11 6 6
6 6 2 2 4 4 9 9 4 4
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 2: w/ Rhy. Fig. 3A (2 times)
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
Flew me to plac - es I nev - er been, till you put me down. Oh,
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
I knew you were trou - ble when you walked in, so shame on me, now.
Gtr. 1
7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 11 11 11 11 6 6 6 6
8 8 8 8 8 8 8 8 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 11 11 11 11 6 6 6 6
8 8 8 8 8 8 8 8 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 11 11 11 11 6 6 6 6
6 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 9 9 9 9 4 4 4 4
[Am] [F] [G] [C]
Gtr. 2
Flew me to plac - es I nev - er been, now I’m ly - in’ on the cold, hard
7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 11
8 8 8 8 8 8 8 8 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 11
8 8 8 8 8 8 8 8 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 11
6 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 9
3
Half-time feel
Gtrs. 1 & 2 tacet
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
*
ground. Oh, oh. Trou -ble, trou -ble, trou - ble.
Rhy. Fig. 4 End Rhy. Fig. 4
*Gtr. 3
f
w/ clean tone
0 0 1 1 3 3 3 0 0 0 3
1 1 1 1 0 0 0 1 1 1 0
2 2 2 2 0 0 0 0 0 0 0
2 2 3 3 0 0 0 2 2 2 0
0 0 3 3 X X X 3 3 3 X
1 1 3 3 3 3
*Sampled elec. gtr. *w/ dist.
End half-time feel
Gtr. 3: w/ Rhy. Fig. 4
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
**
Oh, oh. Trou -ble, trou -ble, trou - ble.
**w/ dist.
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gb Db
2. No a - pol - o - gies, he’ll nev - er see you cry. Pre - tends he does - n’t know that he’s the rea - son why you’re
Ebm Cb
drown - ing, you’re drown - ing, you’re drown - i - i - i - i - ing. And I
Gb Db
heard you moved on from whis - pers on the street. A new notch in your belt is all I’ll ev - er be. And
Riff A
Gtr. 4 (elec.)
mp
w/ slight dist. & chorus
let ring let ring
14 13
14 14
15 15
16 16 15
4
Ebm Cb
now I see, now I see now I see, e, e, e, e.
End Riff A
let ring
14
14
15 16 16
16 16
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)
Gtr. 2: w/ Rhy. Fig. 2
Gtr. 4: w/ Riff A
Gb Db
[C] [G]
He was long gone when he met
(Ah.
Ebm Cb
Gtr. 1
me. And I re - a - lize the joke is on me. Hey!
Ah.)
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
Chorus
Half-time feel
Gtrs. 1 & 2 tacet
Gtr. 3: w/ Rhy. Fig. 4 (6 times)
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
I knew you were trou - ble when you walked in, so shame on me, now.
(Oh.)
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
Flew me to plac - es I nev - er been till you put me down. Oh,
(Oh.)
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
I knew you were trou - ble when you walked in, so shame on me, now.
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
Flew me to plac - es I nev - er been, now I’m ly - in’ on the cold, hard
(Yeah.)
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
*
ground. Oh, oh. Trou -ble, trou - ble trou - ble.
(Yeah. Trou - ble.)
*w/ dist.
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
**
Oh, oh. Trou -ble, trou -ble, trou - ble.
And the
**w/ dist.
Bridge
Cb Ebm
[F] [Am]
sad - dest fear comes creep - in’ in that you
***Gtr. 5
mp
w/ clean tone
0 0
2 2 5
3 7
3 7
1 5 5 0 0 1 5
***Two backwards gtrs. arr. for gtr.
6
Cb Db
[F] [G]
nev - er loved me, or her, or an - y - one, or an - y - thing. Ah, yeah.
0 0 0
2 2 0
3 0
3 X
1 3
Chorus
Gtr. 3: w/ Rhy. Fig. 4 (7 times)
Gtr. 5 tacet
Ebm Cb Db Gb Db
[F] [G] [C] [G]
[Am]
I knew you were trou - ble when you walked in, so shame on me, now.
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
Flew me to plac - es I nev - er been till you put me down. Oh,
(Nev - er been. Oh.
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
I knew you were trou - ble when you walked in, so shame on me, now.
Oo, right then, oo, right then.
7
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
Flew me to plac - es I nev - er been now I’m ly - in’ on the cold, hard
Oo, ly - in’ on the cold, hard
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
*
ground. Oh, oh. Trou -ble, trou -ble, trou - ble.
ground. Oh.
*w/ dist.
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
**
Oh, oh. Trou -ble, trou - ble, trou - ble.
Oh. Oh.
**w/ dist.
Ebm Cb Db Gb Db
[Am] [F] [G] [C] [G]
I knew you were trou - ble when you walked in,
***
Trou -ble, trou - ble, trou - ble.
***w/ dist.
Ebm Cb Db Gb μ
[Am] [F] [G] [C]
†
I knew you were trou - ble when you walked in,
Trou -ble, trou -ble, trou - ble.)
Gtr. 3
0 0 1 1 3 3 3 0 0 0
1 1 1 1 0 0 0 1 1 1
2 2 2 2 0 0 0 0 0 0
2 2 3 3 0 0 0 2 2 2
0 0 3 3 X X X 3 3 3
1 1 3 3 3
†w/ dist.
8
from Taylor Swift - Red
Red
Words and Music by Taylor Swift
Asus2 E Bsus4 C#m7
4fr
34 231 134 134
Gtr. 2: Capo IV
Intro
Moderately q = 124
**A C#m Badd4
[F] [Am] [G]
1. Lov - in’ him is like
Gtr. 1 (acous.)
Riff A End Riff A
mf
let ring let ring let ring
0 0 0
2 5 4
2 6 4
*Gtr. 2
mf
w/ fingers
let ring let ring let ring
1 1 0
2
3 2 0
0
3
*Banjo arr. for gtr.
**Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above represent actual sounding chords respective to Gtr. 1.
Capoed fret is “0” in tab.
Verse
Gtr. 1: w/ Riff A (4 times)
A C#m Badd4
[F] [Am] [G]
driv - in’ a new Ma - ser - a - ti down a dead end street.
Gtr. 2
let ring let ring let ring let ring
1 1 1 1 1 0 0 0
2 2 0
3 3 3 2 2 0 0
0 0 0
3 3 3
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
A C#m
[F] [Am]
Fast - er than the wind, pas - sion - ate as sin, end - ing so
Riff B
let ring let ring let ring
0 0 0 1 1 1 1 1 1
2 2
0 0 3 3 3 2 2
0 0 0
3 3 3
Gtr. 3 tacet
**Gtr. 4: w/ Riff A (2 times)
Badd4 A
[G] [F]
sud - den - ly. Lov - in’ him is like try - in’ to change your mind once you’re
Gtr. 2 End Riff B
let ring let ring
0 0 0 0 1 0 1 1 1
0 2 2
0 0 0 3 3 3
3 3 3 3 3 3
Gtr. 3 (elec.)
* mp
w/ dist.
w/ slide
4 4
4 4
4 4
*Vol. swell **Gtr. 4 (elec.): w/ clean tone & chorus, played mp.
C#m Badd4
[Am] [G]
al - read - y fly - in’ through the free fall. Like the
Gtr. 2
let ring let ring
1 1 1 0 0 0 0 0 0
2 2 0 0 0 0
0 0 0
3 3 3 3 3 3
2
A C#m Badd4
[F] [Am] [G]
col - ors in au - tumn so bright just be - fore they lose it all.
Riff C
let ring let ring let ring
1 1 1 1 1 1 0 0 0
2 2
3 3 3 2 2 0 0
0 0 0
3 3 3
Chorus
Gtrs. 2 & 3 tacet
*Asus2 E
Rhy. Fig. 1
Gtr. 1
Los - ing him was blue like I’d nev - er known. Mis - sing him was
Gtr. 5 (elec.)
f
w/ slight dist.
let ring
12 12 12 12
9 10 10 9 9 9 9
Gtrs. 6 & 7 (elec.)
Gtr. 3
Rhy. Fig. 2
mp
f
w/ dist.
4 4
4 4 2 2 9 9 9 9 9
4 4 2 2 9 9 9 9 9
0 7 7 7 7
Gtr. 2
End Riff C
let ring
0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
3
Bsus4 Asus2 C#m7
End Rhy. Fig. 1 Rhy. Fig. 3
dark grey, all a - lone. For - get - ting him was like try - in’ to know some - bod -
Voc. Fig. 1 End Voc. Fig. 1
(Ah.)
Gtr. 5
let ring let ring
7 7 7 12 12
7 7 7 7 9 10 10 10 9
Gtrs. 6 & 7
0 0
0 0
4 4 4 4 4 4 4 4 4 2 2 2 2 2 6
4 4 4 4 4 4 4 4 4 2 2 2 2 2 6
2 2 2 2 2 2 2 2 2 0 0 0 0
Bsus4
End Rhy. Fig. 3
- y you’ve nev - er met. But lov - in’ him was
let ring let ring
12 12 7 9 7 7 7
9 9 9 9 7 7 7 7
End Rhy. Fig. 2
let ring
6 6 6 6 6 4 4 4 4 4 4 4 4
6 6 6 6 6 4 4 4 4 4 4 4 4
4 4 4 4 4 2 2 2 2 2 2 2 2 2
4
Gtr. 1: w/ Rhy Fig. 3 (1 1/2 times)
Asus2 C#m7 Bsus4
*Voc. Fig. 2
**
Red.
(Red, red. Red, red.
Rhy. Fig. 4
0 0 0 0 0 0
0 0 0 0 0 0
2 2 6 6 4 4
2 2 6 6 4 4
0 0 4 4 2 2
2 2 X X 2 4 6 X 4 4 6 9
2 2 X X 2 4 6 X 4 4 X
0 0 X X 0 2 4 X 2 2 4 7
*Refers to upstemmed voc. only.
**w/ Auto-Tune. Staccatoed rhythms indicate mixing console mute button reattacks.
Gtr. 5: w/ Rhy. Fig. 4
Asus2 C#m7 Bsus4
Lov - in’ him was red.
Red, red.
End Rhy. Fig. 4
9 8 8 9 9 8 8 2 2 X X 2 4 6 6 4
X X X X X X X 2 2 X X 2 4 6 6 4
7 6 6 7 7 6 6 0 0 X X 0 2 4 4 2
5
Verse
Gtr. 2: w/ Riff B (3 times)
Gtrs. 6 & 7 tacet
Bsus4 A
[F]
Gtr. 1
(cont. in notation)
End Voc. Fig. 1
2. Touch - in’ him was like re - al - iz - ing all you ev - er
Red, red.)
Gtr. 3
mp
4 4 2
4 4 2
4 4 2
Gtrs. 6 & 7
Gtr. 1
P.M.
4
4 2 2 2 2 2 2 4 6
2 0 0 0 0 0 0 2 4
Gtr. 3 tacet
C#m B
[Am] [G]
want - ed was right there in front of you. Mem - o - riz - ing him was as
Gtr. 1
P.M.
6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
6
A C#m B
[F] [Am] [G]
ea - sy as know - in’ all the words to your old fav - ’rite song. Fight - ing with him was like
Gtr. 1
P.M.
0 0 0
0 0 0
4 4 4 4 4
2 2 2 2 2 2 2 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtr. 6
let ring let ring let ring
2 6 4
0 4 2
Gtr. 1 tacet
A C#m B
[F] [Am] [G]
try - in’ to solve a cross - word and re - al - iz - in’ there’s no right an - swer. Re - gret - ting him was like
Gtr. 8 (elec.)
*
w/ dist.
16
16
*Track fades in.
Gtr. 7
w/ slide w/o slide w/ slide
9 X 9
9 X 9 6 X X 6 6 4 X 4 4 4 4 13
9 X 9 6 X X 6 6 4 X 4 4 4 4 13
2 X 2
Gtr. 6
slight P.M.
4 4
2 2 2 2 6 6 6 6 4 4 4 4 4 4 4 4 4
0 0 0 0 2 4 4 4 4 2 2 2 2 2 2 2 2 2
7
Gtr. 2: w/ Riff C
A C#m B
[F] [Am] [G]
wish - ing you nev - er found out that love could be that strong. Los - ing him was
Gtr. 8
16 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
17 17 17 17 17 17 17 17 17 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16
18 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16
Gtr. 3
4
4
4
Gtr. 7
Gtr. 5
w/o slide w/ slide w/o slide w/ slide
9 X 9 9 9
9 X 9 9 6 X 6 6
9 X 9 9 6 X 6 6
Gtr. 6
slight P.M.
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 4 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 2 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
8
Chorus
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3 tacet Bkgd. Voc.: w/ Voc. Fig. 1
Gtrs. 6 & 7: w/ Rhy. Fig. 2
Gtr. 8 tacet
Asus2 E
Bsus4 Asus2
blue like I’d nev - er known. Mis - sing him was dark grey, all a - lone. For - get - ting him was
Gtr. 3
14
14
14
Gtr. 5
let ring let ring let ring
12 12 12 12 11 11 9 7 7
10 10 9 9 9 9 7 7 7 7 7 7 9
Gtr. 1: w/ Rhy. Fig. 3 (3 times)
C#m7 Bsus4
like try - in’ to know some - bod - y you nev - er met. But lov - in’ him was
Gtr. 5
let ring let ring let ring
12 12 12 12 11 11 9 7 7 7
10 10 9 9 9 9 7 7 7 7 7 7
Bkgd. Voc.: w/ Voc. Fig. 2
Gtr. 5: w/ Rhy. Fig. 4
Asus2 C#m7 Bsus4
red. Oh, red. Burn - in’ red.
Rhy. Fig. 5
Gtrs. 6 & 7
P.M.
4 4
2 2 X X 2 4 6 6 4 4 6 9 9 8 8 9 9 8 8
2 2 X X 2 4 6 6 6 4 4 4 4 X X X X X X X X
0 0 X X 0 2 4 4 4 4 4 4 2 2 2 2 4 7 7 6 6 7 7 6 6
9
Asus2 C#m7 Bsus4
Re - mem - ber - in’ him comes in
Gtr. 5
0 0 0 7 7 7 7 7 X X 7 X X 7 7 7 7 X
0 0 0 5 7 7 5 7 X X 7 X X 7 7 7 7 7 7 7 X
2 2 2 6 6 6 6 4 X X 4 X X 4 4 4 4 4 4 4 X
2 2 2
0 0 0
End Rhy. Fig. 5
Gtrs. 6 & 7
P.M.
4 4 4 4
2 2 X X 2 4 6 6 4 4 4 4 4 4
2 2 X X 2 4 6 6 6 4 4 4 4 4 4 4 4
0 0 X X 0 2 4 4 4 4 4 4 2 2 2 2 2 2 2 2 0
Bridge
Gtrs. 1 & 6 tacet
Asus2 B5 C#5 B/D# E5
Gtr. 1
flash - backs and ech - oes. Tell my - self it’s time now, got - ta let go. But mov - in’ on from
Gtr. 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 7 7 7 7 9 9 9 9 12 12 12 12
2 2 2 2 4 4 4 4 6 6 6 6 8 8 9 9
5 5 5 5 7 7 7 7 9 9 9 11 11 11 12 12
Gtrs. 6 & 7
Gtr. 7
2 2 2
2 2 2
0 0 0
10
A5 E/G# B5
him is im - pos - si - ble when I still see it all in my head in burn - in’ red.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7
2 2 2 2 1 1 1 1 4 4 4 4 4 4 4 4 4 4 4 4 4
X X
X X
5 5 5 5 4 4 4 4 7 7 7 7 7
slight P.M.
7 7 7 7 7 7 7 7
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 4 4 4 4 4 4 4 4 4
7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4
2
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
Gtr. 5 tacet
Asus2 C#m7 Bsus4
Burn -ing, it was
Gtr. 9 (elec.)
f
w/ slight dist.
w/ slide
5 7 7 7 5 4
5 7 7 5 5 5 4
4 4 4
Gtrs. 6 & 7
0 0 0 0 0 2 2
0 0 0 0 0 4 4
2 2 4 6 6 6 4 4 4 4 4 4 4 4 4 2 2
2 2 4 6 6 6 4 4 4 4 4 4 4 4 4 2 2
0 0 2 4 4 4 2 2 2 2 2 2 2 2 2 0 0
11
Asus2 C#m7 Bsus4
red. Oh, los - in’ him was
8va
let ring
12 12 12 12 14 14 12 12 11 11 16 19
10 12 12 12 12 12
0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Chorus
Half-time feel End half-time feel
Gtr. 9 tacet Bkgd. Voc.: w/ Voc. Fig. 1
Asus2 E Bsus4
Gtr. 1
blue like I’d nev - er known. Mis - sing him was dark grey, all a - lone. For - get - ting him was
8va
Gtr. 9
19 19
Gtr. 5
12 12 12 12 12 12 12 12 11 11 11 9 9 9 7 7 7 7
10 10 10 10 9 9 9 9 7 7 7 7 7 7 7 7 8
Gtrs. 6 & 7
P.M.
2 9 9 4 4 4 4 4 4 4 4
2 9 9 4 4 4 4 4 4 4 4 4 4 4
0 7 7 2 2 2 2 2 2 2 2 2 2 2
12
Gtr. 1: w/ Rhy. Fig. 3 (3 times)
Bsus4
Asus2 C#m7
like try -in’ to know some - bod - y you nev - er met. ’Cause lov - in’ him was
Gtr. 5
let ring let ring
12 12 12 12 7 7 7 7 7 7 7 7 7 7
10 10 10 10 10 10 9 9 9 9 9 9 7 7 7 7 7 5 5 5 7 7 5 5 7 7
Gtrs. 6 & 7
0 0 0 0 0 0 0
0 0 0 4 4 4 4 4 4 4 0 0 0 0 4 4 4 4
2 2 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0
Bkgd. Voc.: w/ Voc. Fig. 2
Gtr. 5: w/ Rhy. Fig. 4
Gtrs. 6 & 7: w/ Rhy. Fig. 5
Asus2 C#m7 Bsus4
red. A, yeah, yeah, red. Oh, burn - in’ red.
Asus2 C#m7 Bsus4
And that’s
Gtrs. 3 & 9
5 5 12
Gtr. 5
0 0 7 7 0 0 0 0 0 0
0 0 9 9 9 9 0 0 4 5 5 5
2 2 6 6 6 6 4 4 4 4 4 4 4
2 2 4 4 4
0 0 2 2 2 2
13
Outro
Bkgd. Voc.: w/ Voc. Fig. 2
Gtr. 1: w/ Rhy. Fig. 3 (1 1/2 times)
Gtr. 5: w/ Rhy. Fig. 4 (1st 2 meas.)
Gtrs. 6 & 7: w/ Rhy. Fig. 5
Asus2 C#m7 Bsus4
why he’s spin - nin’ ’round in my head.
Gtr. 9
12 12 10 10 9 9 7
Gtr. 3
12 11 12 11 9 11 9 7 9 7 5 7
Asus2 C#m7
Comes back to me burn - in’ red. Yeah,
Gtr. 9
7 7 17 17 16
Gtr. 3
2 2 12 11 12 11 9 11
Gtr. 5
0 0 0 0 0 0
0 0 0 0 0 0
4 4 4 4 2 2
4 4 4 4 2 2
2 2 2 2 0 0
14
Bsus4
Gtr. 1
yeah. His love was like
12 14 14
16 16 12
9 7 9 7 5 7 2
0 0 0 0 0
0 0 0 0 0
6 6 4 4 4
6 6 4 4 4
4 4 2 2 2
Gtrs. 1, 3, 5 & 9 tacet Gtrs. 6 & 7 tacet
A C#m B
[F] [Am] [G]
rit.
driv - in’ a new Ma - ser - a - ti down a dead end street.
Gtr. 2
let ring rit.
let ring let ring
1 1 0
2
3 2 0
0
3
Gtrs. 6 & 7
rit.
2
2
0
15
from Taylor Swift - Red
Sad Beautiful Tragic
Words and Music by Taylor Swift
Intro
Moderately fast q = 131
G D
*Gtr. 1
Riff A
(Sound effects) 4 sec.
mp
2 3 2 3 2 3
*Ukulele arr. for gtr.
Gtr. 2 (acous.)
4 sec.
mp
let ring throughout
3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3
Dsus4 Am C Cadd2
End Riff A
5 3 3 3 3
1 0 1 0 1 0
2 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 0 1 1 1 1 1 1 1 1 1 1 1 0 1 1 1 1 1 1 1 1 1 1 1 0
2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3
Gtr. 1: w/ Riff A
G D Dsus4
Rhy. Fig. 1
Gtr. 2
3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 3 3 3 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Am C
End Rhy. Fig. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 0 1 1 1 1 1 1 1 1 1 1 1 0
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3
Verse
Gtr. 2: w/ Rhy. Fig. 1 (4 times)
G D Dsus4 Am
Long hand writ - ten note deep in your pock - et.
C G D
Words, how lit - tle they mean when you’re a
Dsus4 Am C G
lit - tle too late. I stood
D Dsus4 Am
right by the tracks, your face in a lock - et.
C G D
Good girls, hope - ful they’ll be and
Dsus4 Am C
long they will wait. We
Chorus
1st time, Gtr. 1: w/ Riff A (2 times)
2nd time, Gtr. 1: w/ Riff A (1 3/4 times)
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
G D Dsus4
had a beau - ti - ful, mag - ic
2
Am C
love there. What a
G D Dsus4
sad, beau - ti - ful, tra - gic
To Coda
Am C
love af - fair.
Interlude
Gtr. 2: w/ Rhy. Fig. 1
G D Dsus4
Gtr. 1
2 3 2 3 7 5 2 3
Am C
2. In
3
1 0 1 0 3 1
2 0
Verse
Gtr. 1 tacet
G D
dreams, I meet you in warm con - ver - sa -
Gtr. 1
3
Rhy. Fig. 2
Gtr. 2
3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3
3
Am C
- tion. We both a -
End Rhy. Fig. 2
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 0 1 1 1 1 1 1 1 1 1 1 1 0
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3
Gtr. 2: w/ Rhy. Fig. 2
G D Am
wake in lone - ly beds in dif - ’rent cit - ies.
Gtr. 2: w/ Rhy. Fig. 1
C G D Dsus4
And time is tak - ing its sweet time e - ras -
Gtr. 2: w/ Rhy. Fig. 2
Am C G
- ing you. And you’ve got your de - mons and, dar -
Gtr. 1
3 3 3 3
3 1 1 1 0
D.S. al Coda
D Am C
- lin’, they all look like me. ’Cause we
let ring
2 0 0 0
3 1 1 1
2 2 0 0
2 2
4
Coda
Interlude
Gtr. 2: w/ Rhy. Fig. 1
G D Dsus4
Uh, oo, uh,
Gtr. 1
7 7 7 7 7 7 7 5 5 5 5 5
Am C
oo.
5 3 3 3 3 3 3 3
Bridge
Am C
Dis - tance, tim - ing, break - down, fight - ing,
Gtr. 1
Riff B
let ring let ring
0 0 0 0 0
1 1 1 1 1 1 1 1 1 1
2 2 2 2 0 0 0
2 2
Rhy. Fig. 3
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3
5
G D
si - lence, train runs off its tracks.
End Riff B
let ring let ring
3 3 2 2 0
3 3 3 3 3 3 3
4 4 2 2 2 2
5 5 5
End Rhy. Fig. 3
3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3
Gtr. 1: w/ Riff B
Gtr. 2: w/ Rhy. Fig. 3
Am C
Kiss me, try to fix it. Could you just try to lis - ten?
G D
Hang up, give up. For the life of
Am7 G/B C
us, we can’t give back.
Gtr. 2
p
0 0 0 3 3 3 0 0 3
1 1 1 3 3 3 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
2 0 2 2 2 2 2
0 2 3 3 3 3 3
6
Chorus
G *D
A beau - ti - ful, mag - ic
mp
3 3 3 3 3 2 2 2 3
3 3 3 3 3 3 3 0
0 0 0 0 0 2 2 2 2
0 0 0
2
3
*Chord symbols reflect implied harmony.
Am C
love there. What a
0 0 0 0 0
1 1 1 1 1 0 1 1 1 1 1 1 1 0
2 2 2 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 3 3 3 3 3 3 3 3
Gtr. 2: w/ Rhy. Fig. 2
G D
sad, beau - ti - ful, trag - ic,
Am C
beau - ti - ful, trag - ic, beau - ti - ful. What we
Gtr. 1
mp mf mp
7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7
7
Chorus
1st time, Gtr. 1: w/ Riff A (2 times)
2nd time, Gtr. 1: w/ Riff A
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
G D Dsus4
had a beau - ti - ful, mag - ic
Voc. Fig. 1
(Oh, whoa, oh, whoa,
Am C
love there. What a
End Voc. Fig. 1
oo, oo.)
1.
Bkgd. Voc.: w/ Voc. Fig. 1
G D Dsus4
sad, beau - ti - ful, tra - gic
Am
C
love af - fair. We
2.
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 4 meas.)
G D Dsus4
sad, beau - ti - ful, tra - gic
Gtr. 1
2 3 7 8 7 5 3 5 5
3
Gtr. 1 tacet
Am C G5
love af - fair.
Gtr. 2
3 5
5 0
0
X
3
8
from Taylor Swift - Red
Starlight
Words and Music by Taylor Swift
Asus2 Bsus4 E5 C#m7 E/G#
7fr 4fr
34 134 134 134 3 14
Chorus
Moderately fast q = 126
μ **A Badd 119 Emaj7/G# C#m7
I said, “Oh my, what a mar -vel - ous tune.” It was the best night, nev - er would for - get how he moved. The
Riff A End Riff A
*Gtr. 1
mp
w/ fingers
let ring throughout
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 2 2 2 2
6 6 6 6 6 4 4 4 4 4 4
0 2 4
4
*Keyboards arr. for gtr.
**Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A
A Badd 119 Emaj7/G# C#m7
whole place was dressed to the nines and we were danc - ing, danc - ing like we’re made of
A B A B
star - light, like we’re made of star - light.
Gtr. 2 (elec.)
*** p mf
w/ dist.
14 14 12 12 14 14 12 12 14 14 12 12 14 14 12 12 14 14 12 12 14 14 12 12 14 14 12 12 14 14 12
12
***Vol. swell
Gtr. 3 (elec.)
†p mf
w/ dist.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
†Vol. swell
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Verse
Gtrs. 2 & 3 tacet
A5 B5
1. I met Bob - by on the board - walk, sum - mer of for - ty - five.
Gtr. 2
Gtr. 5 (elec.)
Gtr. 3 ** pp p
divisi w/ clean tone
*
12 0
12 0 12
*Gtr. 2 to left of slash in tab. **Vol. swell
Gtr. 4 (acous.)
mp
P.M.
4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Asus2 B5
Picked me up late one night, out the win - dow. We were sev - en - teen and cra - zy, run - ning wild, wild.
12
P.M.
4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2
Asus2 B5
Can’t re - mem - ber what song it was play - ing when we walked in, the night we snuck
Riff B
End
Riff
B
Gtr. 5
mp
Harm.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Gtr. 6 (elec.)
mp
w/ slight dist.
let ring throughout
0 0 0 0 0 0
0 0 0 4 4 4
4 4
Gtr. 4
P.M.
4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtr. 5: w/ Riff B
Asus2 B5 μ
in - to a yacht club par - ty pre - tend - ing to be a duch - ess and a prince. And I said,
Gtr. 6
0 0 0
0 5 5 5 5 5 5 5 5 4 4 4 0
2 2 2 2 2 2 2 2 4 4 4 4
Gtr. 4
(cont. in slashes)
P.M.
4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
3
Chorus
1st time, Gtr. 6 tacet
2nd time, Gtrs. 6 & 7 tacet
*Asus2 Bsus4 E5 C#m7
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtr. 4
mf
“Oh my, what a mar - vel - ous tune.” It was the best night, nev - er would for - get how he moved. The
Riff C End Riff C
Gtr. 2
7 7 7 7
5 5 5 4 5 4 5 4
4 4
Gtr. 3
Rhy. Fig. 1 End Rhy. Fig. 1
f
2 4 4 4 9 6 6 6
0 2 2 2 7 4 4 4 0
0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Asus2 Bsus4 E5 C#m7
whole place was dressed to the nines and we were danc - ing, danc - ing like we’re made of
7 7 7
5 5 5 4 5 4 5 5
4 4
P.M.
2 4 4 4 9 6 6 6 6
0 2 2 2 7 4 4 4 4 4
0
4
Asus2 Bsus4 E5
Rhy. Fig. 2A
star - light, star - light. Like we’re made of star - light, star - light.
0 0 0 0 0 0 0 0 0 0 0 0
4 5 5 5 5 5 4 5 5 5 5 5 4 5 5 5 5 5
Rhy. Fig. 2
2 4
0 2 2
0
To Coda
C#m7 Asus2
End Rhy. Fig. 2A
(2nd time, cont. in notation)
0 0 0 0 0
4 5 5 4 4 2
End Rhy. Fig. 2
P.M.
6 6 6 2
4 4 4 4 0
5
Verse
Gtr. 2 tacet Gtr. 3 tacet
Asus2 B5
2. He’s said, “Look at you, wor - ry - ing too much a - bout things you can’t change.
Gtr. 4
P.M.
4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtr. 6
Rhy. Fig. 3 End Rhy. Fig. 3
w/ slight dist.
P.M.
2 2 4 6 6 6 4 2 4 4 2 4 4 4 6 6 6 4 6 4 4 6 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtr. 3
2
0
Gtr. 6: w/ Rhy. Fig. 3 (2 times)
Asus2 B5 Asus2
Gtr. 5
You’ll spend your whole life sing - in’ the blues if you keep think - ing that way.”
Gtr. 4
P.M.
0 0
0 0
4 4 4 4 2 2
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0
6
Bsus4
He was try’n’ to skip rocks on the o - cean, say - ing to me, “Don’t you see the
Gtr. 7 (elec.)
mp
w/ slight dist.
slight P.M.
4
4 4 4 4 4 4 4 4
6 6 4 6 6 4 4 6 6 4 6 6 4 6 4 4 6
7 7 7 7 7
Gtr. 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2
D.S. al Coda
Gtr. 5 tacet
Asus2 Bsus4
Gtr. 5
star - light, star - light? Don’t you dream im - pos - si - ble things?” Like
Gtr. 7
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
6 4 6 4 6 4 6 4 4 6 6 4 4 4 4 4 4 4 4 4 4 4
7
Gtr. 4
(cont. in slashes)
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
Gtr. 6
P.M. f
4 4 4 4 4
2 4 6 6 6 6 4 2 2 4 2 2 2 2 4 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2
7
Coda
Bridge
Gtr. 2 tacet Gtr. 3 tacet
Asus2 Bsus4 Asus2 C#m7 Badd4
Oo, oo, he’s talk - ing cra - zy. Oo, oo, danc - ing with me.
Gtr. 4
(cont. in slashes)
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 4 4 4 4 2 2 2 6 X 4 4 4 4
2 2 2 2 2 4 4 4 4 2 2 2 2 6 X 4 4 4 4
0 2 0 4 X 2
Gtr. 3
2
0
Asus2 Bsus4 Asus2 Bsus4
Gtr. 4
(cont. in notation)
*Voc. Fig. 1
Oo, oo, we could get mar - ried, have ten kids and teach ’em how to dream.
(Hoo, hoo, hoo.
Gtr. 8 (elec.)
f
w/ dist.
1/2
Gtr. 7
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
Gtr. 3
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
*Refers to bkgd. voc. only.
8
Guitar Solo
Asus2 Bsus4 E/G# C#m7 Bsus4
Hoo, hoo, hoo. Hoo, hoo, hoo.
Gtr. 8 8va
1/2
1/2
16
9 9 7 9 9 7 10 12 12 12 12
9 9 9
9 9 6 9
Gtr. 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 4 4 4
2 2 2 2 2 2 4 4 4 4 4 4 4 2 2 2 2 2 2 6 6 6 6 4 4 4
0 0 0 0 0 0 2 2 2 2 2 2 2 X X X X X X 4 4 4 4 2 2 2
4 4 4 4 4 4
Gtr. 7
2 4 4 4 4 4 4 6 6 6 6 4 4 4
0 2 2 2 2 2 2 4 4 4 4 2 2 2
4 4 4 4 4 4
Asus2 Bsus4 E5 C#m7
End Voc. Fig. 1
Hoo, hoo, hoo.)
8va
1/2 1 1 1
16 16 16 16 14 14 12 12 11 12 11 12 12 19 19 19 19
12 12 12 12 12 17 17 19 19 21 21
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 4 4 4 4 4 4 4 9 9 9 9 9 9 6 6 6 6 2 2
2 2 2 2 2 2 4 4 4 4 4 4 4 9 9 9 9 9 9 6 6 6 6 2 2
0 0 0 0 0 0 2 2 2 2 2 2 2 7 7 7 7 7 7 4 4 4 4 0 0
2 2 2 2 2 2 4 4 4 4 4 4 4 9 9 9 9 9 9 9 9 6 6 6 6
0 0 0 0 0 0 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 4 4 4 4
7 12
9
Chorus
Gtr. 2: w/ Riff C
Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A
Asus2 Bsus4 E5 C#m7
Oh my, what a mar - vel - ous tune. It was the best night, nev - er would for - get how he moved. The
8va
Gtr. 8
19 19
Asus2 Bsus4 E/G# C#m7
Gtr. 4
whole place was dressed to the nines and we were danc - ing, danc - ing like we’re made of
Gtr. 2
7 7 7 0 0 0 0 0
5 5 5 7 7 4 5 5 5 5 5
4
Gtr. 8 loco
mf
4 5 5 4
6 4 4
Gtr. 3
2 2 2 4 4 6 6 6 6 6 6
0 0 0 2 2 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
10
Gtr. 2 tacet
Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A
Asus2 Bsus4 E5 C#m7
star - light, star - light. Like we’re made of star - light, star - light. Like we’re made of
Gtr. 8
12 12 12 12 12 12 12
13 16
Bkgd. Voc.: w/ Voc. Fig. 1
Asus2 Bsus4 E/G# C#m7
Gtr. 4
star - light, star - light. Like we dream im - pos - si - ble dreams. Like
8va
Gtr. 8
12 14 14 12 12 12 14 14 19
12 12
14
Gtr. 3
2 4 4 4 4 6 6 6 6
0 2 2 2 2 4 4 4 4
4 4 4 4 4
11
Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A
Asus2 Bsus4 E5 C#m7
star - light, star - light. Like we dream im - pos - si - ble dreams. Don’t you see the
8va
Gtr. 8
19 19 19 19 19 19 19 19 19
Gtrs. 4 & 8 tacet Gtr. 3 tacet
Asus2 B E
Gtr. 4
rit.
star - light, star - light? Don’t you dream im - pos - si - ble things?
Gtr. 8 8va
rit.
19
Gtr. 3
rit.
2
0
12
from Taylor Swift - Red
State of Grace
Words and Music by Taylor Swift
Asus2 E
Intro 23 231
Moderately fast q = 130
μ *E5 E
(Drums) Gtr. 1 (dist.)
** mf
***fdbk.
X
0
*Chord symbols reflect overall harmony. ***Microphonic fdbk., not
**Vol. swell caused by string vibration.
A
X
E
Gtr. 2
(slight dist.)
mp
†w/ rotary wah-wah
9 9 9 9 9 10 9
11
†Set to produce eighth-note pulse.
Gtr. 1
let ring let ring
X X 12
12 12 9 9
9 9 9
11
Gtr. 3 (dist.)
†† mp
Harm.
let ring
12
0 0 0
††1/2 vol.
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
A
16
14
9 9
11 11 11
let ring
9 10 9 10 9 10 9 10 9
9 9 9 9 9 9 9 9
11 11 11 9
*fdbk.
let ring
0
*Microphonic fdbk., not caused by string vibration.
Verse
Gtr. 3 tacet
E
1. I’m walk - in’ fast through the traf - fic lights, bus - y streets and bus - y lives. And
Riff A
Gtr. 2
13 13 13 13
14 14 14 14
Gtr. 1
9
9
9
2
Gtr. 1 tacet
A
all we know is touch and go.
Gtr. 2 End Riff A
14 13
14 14 14
16 16 16
Gtr. 2: w/ Riff A
E
We are a - lone with our chang - ing minds. We fall in love till it hurts or bleeds or
Gtr. 1
let ring
12 12 12 12
9 10 10 9
A
fades in time. And I
let ring
10 9 9 10 9 12
9 9 9 9 9
11
3
Chorus
E
nev - er saw you com - in’.
(Nev - er.)
Gtr. 1
let ring
12 12 12 12
9 9 9 9 10 10 9 9 9 9 9 9 12 12 12 12 10 10 10 10 12 12 12 12 12
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9
Gtr. 3
let ring
0
0
Gtr. 2
13 13 13 13
14 14 14 14 14 14
14 14
A
And I’ll
let ring
10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 10 10 10 10 10 10 10 10 10 X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X
11 11 11 11 11 11 11 11 11 11 11 X X
8va
Harm.
5
Pitch: E
let ring
14 14 14 16 16 16 14 14 14 14
16 16 16 16 16 16 16 16 16
4
E
nev - er be the same.
(Nev - er.)
12 12 12 9 9 9 9 10 10 10 9 9 9 9 9 9 9 9 9 12 12 9 9 9 14 14 14 14 14 14 14 14
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
let ring
0
0
13 13 13 13
14 14 14 14 14
14
let ring
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
14 14 14 14 14 14 14 12 12 12 12 12 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9
loco
let ring
0
0
6
7
14 14 14 14 14 14
16 16 16 16 16 16
5
Interlude
E
Gtr. 1
let ring let ring
12 12 12 12
12 9 12 12 12 9 9
9 9 9
Gtr. 3
*fdbk.
X
0
*Microphonic fdbk., not caused by string vibration.
Gtr. 2
13 13 13 13 13 13 14 13
Gtr. 4 (clean)
mp
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 7 7 7
5 5
A
let ring
9 10 9 10 9 10 9 10 9
9 9 9 9 9 9 9 9
9 11 9
let ring
**fdbk.
X 0 0 0 X
0 0 0
2 2 2
**As before
13
14 14 14 14 14 14 14
16 16 16 16 16 16
P.M.
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6
Verse
Gtrs. 1 & 3 tacet
E
2. You come a - round and the ar - mor falls, pierce the room like a can - non - ball. Now
Gtr. 2
13 13 13 13 13 13 13 13
14 14 14 14 14 14 14 14
Gtr. 4
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
A
all we know is don’t let go.
Gtr. 2
14 13
14 14 14 14 14 14
16 16 16 16 16 16
Gtr. 3
*
7
*Vol. swell
Gtr. 4
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7
Gtrs. 2 & 4 tacet
E
We are a - lone just a, you and me, up in your room and our slates are clean. Just
Gtr. 1
*p
9 9
9 8
*1/4 vol.
Gtr. 3
7 9 11 6
A
twin fire signs, four blue eyes.
** mf
let ring
10 9
11
12
**Full vol.
steady gliss.
4 6 6 7 7 18
8
E Esus4 E Esus4 E
So you were nev - er a saint and I’ve loved in shades of wrong. We learn to live with the pain, mo - sa - ic bro - ken hearts.
7 7 7 7 7 7 7 7 7
9 10 10 10 10 9 10 9 9
9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0
let ring let ring
0 0 0 0
0 0 0 0
2 2 2 2 1
2 2
2 2
0 0
A Asus2
But this love is brave and wild.
And I
5 5 5 5 5 7 7 7 7 7 7
5 5 5 5 5 10 10 10 10 10 10
6 6 6 6 6 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 0 0 0 0 0 0 0 0
5 5 5 5 5
0
2
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9
Chorus
E Esus4 E
nev - er saw you com - ing.
(Nev - er.)
Voc. Fig. 1 End Voc. Fig. 1
(Oh, oh, oh, oh, oh. Oh, oh, oh, oh, oh.)
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0 0
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 10 10 10 10 9 9 9 0 0
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9 9 9
Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
A Asus4
And I’ll
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0
6 6 6 6 6 6 6 6 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
10
E Emaj7
nev - er be the same.
(Nev - er.)
7 7 7 7 7 7 7 7 7 7 7 7 7 7 X X 7 7 7 7 7 7 7 7 7 7 7 7 7 7 X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X 9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X 8 8 8 8 8 8 8 8 8 8 8 8 8 8 X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X 9 9 9 9 9 9 9 9 9 9 9 9 9 9 X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 X X 7 7 7 7 7 7 7 7 7 7 7 7 7 7 X X
0 0 0 0 0 0 0 0 0 0 0 0 0 0 X X 0 0 0 0 0 0 0 0 0 0 0 0 0 0 X X
9 9 9 9 9 9 9 9 9 9 9 9 9 11 11 11 11 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
A
This is a state of
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10 9 5 5 5 5 5 5 10 10 10 9 9 9 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 7
11
Bridge
E A
grace. This is the worth - while fight. Love is a ruth - less
0
0 2
1
4
9
X
7
F#m E A
game un - less you play it good and right. These are the hands of
2 4 6
4 6 6 7
let ring let ring
0
2 0
2
4 4 6 7
12
E A
fate, you’re my A - chil - les heel. This is the gold - en age
let ring let ring
0 0 0 0
0 0 0
2 2
2 2 4 4 4
0 0
let ring let ring
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 2 2 2 2 0
1 1 1 2 2 2 2
2
F#m E A
of some - thing good and right and real. And I
let ring let ring
2 0
2 0
2 1 2
let ring let ring
0 0
2 2 0 0
2 2
4 4 4 4 6 6 7 6
7
13
Chorus
Gtr. 1 tacet
E
nev - er saw you com - in’.
(Nev - er.)
11 11
7
Asus2
And I’ll
Gtr. 5 (dist.)
* f
let ring
5 5 5 5 5 5 5 5 0
2 2 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Vol. swell
Gtr. 3
8 6
7 6 4 2 2 16
7
Gtr. 1
0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
14
*E/G#
nev - er be the same.
9 9 9 9 9 9 9 9 9 11 11 11 11 9 9 9 9 9 9 11 11 11 9 9 9 11 11 11 9 9 11 11
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 11 11 11 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 9 9 9 7 7 7 7 7 7 7
0 0 0 0
0 0 0 0
1 1 1 1
2 2 2 2
2 2 2 2
0 0 0 0 0 2 4
*Bass plays G#.
Aadd9
I
0
10 10 10 10 10 10 10 10 10 12 12 12 12 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 0
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 9 9 X X X X X X X X X X X X X X X X X X X X X
X X X X X X X 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
15
Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)
E
nev - er saw you com - in’.
(Nev - er.)
Gtr. 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 16 16 16 14 14 14 12 12 12 12 12
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 13 13 13 11 11 11 9 9 9 9 9
*Gtrs. 1 & 5
0 0 0 0 0 0 0
0 0 0 0 0 0 0
1 1 1 1 1 1 1
2 2 2 2 2 2 2
2 2 2 2 2 2 2
0 0 0 0 0 0 0
*Composite arrangement
Asus2
And I’ll
0 0 0 0 0 0 0
12 10 10 10 10 10 10
X X X X X X X
9 7 7 7 7 7 7 7 6 7 6 7 6 7 7 5
let ring
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 1 2 1 2 2 2 0 0
2 2 2 2 2 2 0 0
0 0 0 0 0 0
16
E
nev - er be the same.
(So you were nev - er a saint, and I’ve loved in shades of wrong. We learn to live with the pain,
12 12 12 12 12 12 12 12 X X 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 X X 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
9 9 9 9 9 9 9 9 X X 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Asus2
mo - sa - ic bro - ken hearts. This love is brave and
12 12 12 12 12 12 12 12 12 X 12 X 12 X X 11 X 11 X 11 9 X 9 X
12 12 12 12 12 12 12 12 10 X 10 X 10 X X 10 X 10 X 10 10 X 10 X
9 9 9 9 9 9 9 9 9 X 9 X 9 X X 9 X 9 X 9 9 X 9 X
(Gtr. 1, cont. in slashes)
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
17
Outro
*Asus2 E
Gtr. 1
(cont. in notation)
This is a state of grace. This is the worth - while
wild.)
Gtr. 3
12 11 12 11 9 X X 12 X 12 X 12 12 12 12 12 12
10 10 10 10 10 X X 10 X 10 X 10 10 12 12 12 12
9 9 9 9 9 X X 9 X 9 X 9 9 9 9 9 9
9
X
0
Gtr. 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 4 4 4 2 2 2 0 0 0 0 0 0 0 0
2 2 1 1 1
2
2
0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Gtrs. 3 & 5 tacet
Asus2 F#m
fight. Love is a ruth - less game un - less
Gtr. 1
let ring
0
0
2 2 2
2 4
0
E C#m A
you play it good and right.
let ring
4 6 6
6 6 7
7
18
from Taylor Swift - Red
Stay Stay Stay
Words and Music by Taylor Swift
Intro
Very fast q = 200
C F Fmaj7 Am G
Riff A End Riff A
*Gtr. 2
13
mf
13 12
12
12 14
*Mandolin arr. for gtr.
**Gtr. 1
mf
8 8 8 8 X X 13 13 13 13 12 X 8 8 8 8 8 X 7 7 7 7 7 7 X
8 8 8 8 X X 10 10 10 10 10 X 10 10 10 10 10 X 8 8 8 8 8 8 X
9 9 9 9 X X 10 10 10 10 10 X 9 9 9 9 9 X 7 7 7 7 7 7 X
**Mandolin arr. for gtr.
Gtr. 2: w/ Riff A (2 times)
C F Fmaj7 Am G
***Gtr. 3
Riff B End Riff B
mf
5 5
5 5 5 7 5 5 5 7
***Mandolin arr. for gtr.
Rhy. Fig. 1
End Rhy. Fig. 1
Gtr. 1
8 8 8 8 X X 13 13 13 13 13 12 X 8 8 8 8 8 X 7 7 7 7 7 7 X
8 8 8 8 X X 10 10 10 10 10 10 X 10 10 10 10 10 X 8 8 8 8 8 8 X
9 9 9 9 X X 10 10 10 10 10 10 X 9 9 9 9 9 X 7 7 7 7 7 7 X
Gtr. 4 (clean)
mf
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7 X
8 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 8 8 8 8 8 X
9 9 9 9 9 9 10 10 10 10 10 10 9 9 9 9 7 7 7 7 7 X
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
Gtrs. 3 & 4 tacet
C F Fmaj7 Am G
1. I’m pret - ty sure we al - most broke up last night;
C F Fmaj7 Am G
I threw my phone a - cross the room at you.
C Fadd2 Fmaj9 Am G
I was ex - pect - ing some dra - mat - ic turn - a - way, but
Gtr. 4
let ring
8 8 8 7
8 8 10 8
9 10 9 9 7
C Fadd2 Fmaj9 Am G
you stayed.
Rhy. Fig. 2
End Rhy. Fig. 2
Gtr. 1
8 8 8 8 X X 13 13 13 13 13 12 X 8 8 8 8 8 X 7
8 8 8 8 X X 10 10 10 10 10 10 X 10 10 10 10 10 X 8
9 9 9 9 X X 10 10 10 10 10 10 X 9 9 9 9 9 X 7
Gtr. 4
let ring
8 8 8 7
8 8 10 8
9 10 9 9 7
2
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 4 tacet
C F Fmaj7 Am G
2. This morn - ing I said we should talk a - bout it, ’cause
C F Fmaj7 Am G
I read you should nev - er leave a fight un - re - solved.
Gtr. 1
8 8 8 8 X X 13 13 13 13 12 X 8 8 8 8 8 X 7 7 7 7 X X
8 8 8 8 X X 10 10 10 10 10 X 10 10 10 10 10 X 8 8 8 8 X X
9 9 9 9 X X 10 10 10 10 10 X 9 9 9 9 9 X 7 7 7 7 X X
Gtr. 4
let ring
8
10
C F Fmaj7 Am G
That’s when you came in wear - ing a foot - ball hel - met and said,
8 8 8 8 8 X X 13 13 13 13 13 12 X 8 8 8 8 8 X 7 7 7 7 7 7 X
8 8 8 8 8 X X 10 10 10 10 10 10 X 10 10 10 10 10 X 8 8 8 8 8 8 X
9 9 9 9 9 X X 10 10 10 10 10 10 X 9 9 9 9 9 X 7 7 7 7 7 7 X
let ring
9 7 10
3
Gtr. 1: w/ Rhy. Fig. 2
C F Fmaj7 Am G
“O - kay, let’s talk.” And I said,
Gtr. 4
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtr. 5 tacet
Gtr. 2: w/ Riff A (4 times)
Gtr. 3: w/ Riff B (4 times)
C Fadd2 Fmaj9 Am G
“Stay, stay, stay.” I’ve been lov - ing you for quite some
Gtr. 4
let ring
8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7
8 8 8 8 8 8 8 8 8 10 10 10 10 10 8 8 8 8 8
9 9 9 9 9 10 10 10 9 9 9 9 9 7 7 7 7 7
Gtr. 5 (clean)
Rhy. Fill 1 End Rhy. Fill 1
mf
0
1
0
2
3
C Fadd2 Fmaj9 Am G
time, time, time. You think that it’s fun - ny when I’m
Gtr. 4
let ring
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 8 8 8 8 8
9 9 9 9 9 10 10 10 10 10 9 9 9 9 9 7 7 7 7 7
4
C Fadd2 Fmaj9 Am G
mad, mad, mad. But I think that it’s best if we both
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 8 8 8 8 8 8
9 9 9 9 9 10 10 10 10 10 9 9 9 9 9 7 7 7 7 7 7
Gtr. 1: w/ Rhy. Fig. 2
C Fadd2 Fmaj9 Am G
stay.
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 8 8 8 8 8
9 9 9 9 9 10 10 10 10 10 9 9 9 9 9 7 7 7 7 7
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 4 tacet
C F Fmaj7 Am G
3. Be - fore you, I’d on - ly dat - ed self - in - dul - gent tak - ers who
C F Am G
took all of their prob - lems out on me. But
Gtr. 1
8 8 8 8 X X 13 13 13 13 X X 8 8 8 8 8 X 7 7 7 7 7 X
8 8 8 8 X X 10 10 10 10 X X 10 10 10 10 10 X 8 8 8 8 8 X
9 9 9 9 X X 10 10 10 10 X X 9 9 9 9 9 X 7 7 7 7 7 X
5
C Fadd2 Fmaj9 Am G
you car - ry my gro - cer - ies, and now I’m al - ways laugh - ing. I
Gtr. 1
8 8 8 8 8 X X 13 13 13 13 13 12 X 8 8 8 8 8 X 7 7 7 7 7 7 X
8 8 8 8 8 X X 10 10 10 10 10 10 X 10 10 10 10 10 X 8 8 8 8 8 8 X
9 9 9 9 9 X X 10 10 10 10 10 10 X 9 9 9 9 9 X 7 7 7 7 7 7 X
Gtr. 4
8 8 8 7
8 8 10 8
9 10 9 7
Gtr. 1: w/ Rhy. Fig. 2
C Fadd2 Fmaj9 Am G
love you be - cause you have giv - en me no choice but to
Gtr. 4
8 8 8
8 8 10
9 10 9
Chorus
1st time, Gtr. 1: w/ Rhy. Fig. 1 (3 times)
2nd time, Gtr. 1: w/ Rhy. Fig. 1 (4 times)
Gtr. 2: w/ Riff A (4 times)
Gtr. 3: w/ Riff B (4 times)
Gtr. 5: w/ Rhy. Fill 1
C Fadd2 Fmaj9 Am G
stay, stay, stay.
I’ve been lov - ing you for quite some
Stay, stay, stay.
Rhy. Fig. 3 End Rhy. Fig. 3
let ring
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 8 8 8 8 8
9 9 9 9 9 10 10 10 10 10 9 9 9 9 9 7 7 7 7 7
6
1st time, Gtr. 4: w/ Rhy. Fig. 3
2nd time, Gtr. 4: w/ Rhy. Fig. 3 (3 times)
C Fadd2 Fmaj9 Am G
time, time, time. You think that it’s fun - ny when I’m
To Coda
C Fadd2 Fmaj9 Am G
mad, mad, mad. But I think that it’s best if we both
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 4
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7 X
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 8 8 8 8 8 X
9 9 9 9 9 10 10 10 10 10 9 9 9 9 9 7 7 7 7 7 X
Gtr. 4: w/ Rhy. Fig. 3
C Fadd2 Fmaj9 Am G
stay, stay, stay, stay.
Gtr. 1
8 8 8 8 X X 13 13 13 13 13 12 X 8 8 8 8 8 X 7 7 7 7 7 7
8 8 8 8 X X 10 10 10 10 10 10 X 10 10 10 10 10 X 8 8 8 8 8 8
9 9 9 9 X X 10 10 10 10 10 10 X 9 9 9 9 9 X 7 7 7 7 7 7
Interlude
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtr. 2: w/ Riff A (2 times)
Gtr. 3: w/ Riff B (2 times)
C Fadd2 Fmaj7 Am G
Gtr. 6 (clean)
mf
w/ clean tone
8 8 8 8 7 7 7 7
X X X X X X X X
5 5 5 5 4 4 4 4
Gtr. 4
8 8 8 8 8 8 8 8 8 8 8 8 8 7
8 8 8 8 8 8 8 10 10 10 10 10 10 8
9 9 9 9 9 9 10 9 9 9 9 9 9 7
7
Gtr. 6 tacet
C Fadd2 Fmaj7 Am G
You
8 8 8 8
X X X X
5 5 5 5
8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7
8 8 8 8 8 8 8 10 10 10 10 10 10 8 8 8 8 8
9 9 9 9 9 9 10 9 9 9 9 9 9 7 7 7 7 7
Bridge
Am F
took the time to mem - o - rize me, my fears, my hopes and dreams; I just like hang - ing
Gtr. 1
8 13
10 10
9 10
Gtr. 4
0 1
1 1
2 2
2
0
8
C G Gsus4 G
out with you all the time.
8 8 8 8 8 8 8 8 8 X X 7 7 7 7 8 7 7 7 0 0
8 8 8 8 8 8 8 8 8 X X 8 8 8 8 8 8 8 8 0 0
9 9 9 9 9 9 9 9 9 X X 7 7 7 7 7 7 7 7 0 0
8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7
Am F
All those times that you did - n’t leave, it’s been oc - cur - ring to me I’d like to hang
8 13
10 10
9 10
8 8
10 10
9 10
9
C G
out with you for my whole life.
let ring
8 8 8 8 7
8 8 8 8 8 8
9 9 9 9 7
let ring
8
8 8
9 7
Chorus
Gtr. 2: w/ Riff A (3 3/4 times)
Gtr. 3: w/ Riff B (3 3/4 times)
C F Am G
Stay and I’ll be lov - ing you for quite some
8 8 8 8 X X 8 8 8 8 X X 8 8 8 8 8 X 7 7 7 7 7 7 X
8 8 8 8 X X 10 10 10 10 X X 10 10 10 10 10 X 8 8 8 8 8 8 X
9 9 9 9 X X 10 10 10 10 X X 9 9 9 9 9 X 7 7 7 7 7 7 X
let ring let ring
8 7
8
9 9
10
C F Am G
time. No one else is gon - na love me when I get
8 8 8 8 X X 13 13 13 13 13 X X 8 8 8 8 X X 7 7 7 7 7 7 7 X
8 8 8 8 X X 10 10 10 10 10 X X 10 10 10 10 X X 8 8 8 8 8 8 8 X
9 9 9 9 X X 10 10 10 10 10 X X 9 9 9 9 X X 7 7 7 7 7 7 7 X
let ring
8
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 4: w/ Rhy. Fig. 3
C Fadd2 Fmaj9 Am G
mad, mad, mad. So I think that it’s best if we both
D.S. al Coda
C Fadd2 Fmaj9 Am G μ
stay, stay, stay, stay, stay, stay.
Gtr. 1
8 8 8 8 X X 13 13 13 13 13 12 X 8 8 8 8 8 8 X X 7
8 8 8 8 X X 10 10 10 10 10 10 X 10 10 10 10 10 10 X X 8
9 9 9 9 X X 10 10 10 10 10 10 X 9 9 9 9 9 9 X X 7
Gtr. 4
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7
8 8 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 8
9 9 9 9 9 9 9 10 10 10 10 10 10 9 9 9 9 9 7
Coda
C Fadd2 Fmaj9 Am G
stay, stay, stay, stay, stay, stay.
11
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (2 3/4 times)
Gtr. 2: w/ Riff A (3 times)
Gtr. 3: w/ Riff B (3 times)
Gtr. 4: w/ Rhy. Fig. 4 (2 3/4 times)
C Fadd2 Fmaj9 Am G
Stay, stay, stay. I’ve been lov - ing you for quite some
(Stay, stay, stay. Stay, stay, stay.
(Stay, stay, stay.
(Stay, stay, stay.
C Fadd2 Fmaj9 Am G
time, time, time. You think that it’s fun - ny when I’m
(Stay, stay, stay. Stay, stay, stay.
Stay, stay, stay.
Stay, stay, stay.
C Fadd2 Fmaj9 Am
mad, mad, mad. Yeah, I think that it’s best
(Stay, stay, stay. Stay, stay,
Stay, stay, stay.)
Stay, stay, stay.)
Free time
G C
if we both stay. Laughing: That’s so fun!
stay.)
Gtr. 1
7 8
8 8
7 9
Gtr. 4
7 7 8
8 8 8
7 7 9
12
from Taylor Swift - Red
The Last Time
Words and Music by Taylor Swift, Garret Lee (Jacknife Lee) and Gary Lightbody
Intro
Moderately slow q = 96
G5 A5 Bm D5 D5/F#
*Gtr. 1
Rhy. Fig. 1
mp
let ring
**T
2
0 0
5 7 9
3 5 7 2
*Piano arr. for gtr. **T = Thumb on 6th string
G5 A5 Bm D5
Male: 1. I
End Rhy. Fig. 1
3
2
0 0
5 7 9
3 5 7
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
G5 A5 Bm
find my - self at your door, just like all those times be - fore. I’m not sure how I got there;
D5 D5/F# G5 A5
all roads, they lead me here. I i - mag - ine you at home in your room, all a - lone, and you o-
Bm D5 G5
***
- pen your eyes in - to mine, and ev - ’ry- thing feels bet - ter. And right be - fore
***Female harmony
Copyright © 2012 Sony/ATV Music Publishing LLC, Taylor Swift Music, Big Life Music Ltd. and Polar Songs Ltd.
All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of Big Life Music Ltd. Exclusively Administered by Songs Of Kobalt Music Publishing
International Copyright Secured All Rights Reserved 1
A5 Bm D5 D5/F#
your eyes, I’m break - in’. No
G5 A5 Bm D5
past, no rea - sons why, just, ah, you and me.
Asus4 Gsus2
Gtr. 2
Rhy. Fill 1 End Rhy. Fill 1
(elec.)
p
w/ clean tone
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0
0 0 0 0 0 0 0 0 X X X X
3 3 3 3 3 3 3 3
Gtr. 3
Rhy. Fill 1A End Rhy. Fill 1A
(elec.)
p
w/ clean tone
P.M. P.M. P.M. P.M.
3 3 3
2 2 2
2 0 0 0
0 0 0 0 0 0 0
3 3 3 3 3
Chorus
D5 Bm7 Asus4
This is the last time I’m ask - ing you this: Put my name at the top of your list.
Gtrs.
Rhy. Fig. 2
2&3
mp
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
2
Gsus2 D5 Bm7
This is the last time I’m ask - ing you why you break my
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3
Asus4 Gsus2
heart in the blink of an eye, eye, eye. Female: 2. You
End Rhy. Fig. 2
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtrs. 2 & 3 tacet
*Gmaj7 Asus4
find your - self at my door, just like all those times be - fore. You
Gtr. 4 (acous.)
mp
let ring let ring
3 3 3 3
2 2
4 4 4 2
Gtrs. 2 & 3
3
2
0
3
*Chord symbols reflect overall harmony.
3
Bm D5 Gmaj7
wear your best a - pol - o - gy, but I was there to watch you leave. And all the times. I let you in
Gtr. 4
let ring let ring let ring
2 2
3 3 3 3 3
4 4 2 2 2
4 4 4 4
Asus4 Bm D
*
just for you to go a - gain. Dis - ap - pear when you come back, ev -’ry - thing is bet - ter. And right
let ring let ring let ring
2
3 3 3 3 3 3
2 2 4 4 2 2
2 4
*Male harmony
Gmaj7 Asus4 Bm Dsus2
be - fore your eyes, I’m ach - ing. No
Gtr. 4
let ring let ring let ring let ring
5 5
3 3 3 3 3 3 3
2 2 4 4 2 2 2
4 4 4 2 4
Gtr. 5 (acous.)
p
let ring
0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3
0 0 2 2 4 4 2 2
4
Gmaj7 Asus4 Bm7 Dadd2
past, no - where to hide, just, ah, you and me.
let ring let ring let ring let ring
2
3 3 3 3 3 3 3 3
2 2 4 4 2 2
4 4 4 2 4
let ring
5 0 5 0
3 3 3 3 3 3 3 3 3 3 3 3
0 0 2 2 4 4 2 2
Gtrs. 2 & 3: w/ Rhy. Fills 1 & 1A
Asus4 Gsus2
Gtrs. 4 & 5
let ring let ring
3 3 3 3
2 2 2 2
2 2 0 0
0 0
3 3
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 7 meas.)
Gtrs. 4 & 5 tacet
D5 Bm7 Asus4
This is the last time I’m ask - ing you this: Put my name at the top of your list.
Gsus2 D5 Bm7
This is the last time I’m ask - ing you why you break my
5
Asus4 Gsus2
heart in the blink of an eye, eye, eye.
Gtr. 6 (elec.)
mf
*w/ dist. & octaver
5 5 5 0 5 5 5
*Octaver set for one octave above.
Gtrs. 2 & 3
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Interlude
Gtrs. 2, 3 & 6 tacet
D5 B5 A5
Gtr. 7 (elec.)
f
**w/ dist. & octaver
7 9 7 9 7 9 7 9 7 9 7 9 7 9 6
7 7 7 7 7 7
**Octaver set for one octave above.
Rhy. Fig. 3
Gtrs. 8 & 9 (elec.)
f
w/ dist.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
6
G5 D5 B5 A5
7 9 7 9 7 9 7 9 7 9 7 9 7 9 6
7 7 7 7 7 7 7
End Rhy. Fig. 3
7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3
Bridge
Gtrs. 8 & 9 tacet Gtr. 7 tacet
G5 A5 Bm D5/A
Female: This is the last time you tell me I’ve got it wrong.
Male: This is the last time I say, “It’s been you all a - long.”
Gtr. 7
Gtr. 10 (elec.)
mp
0 2 3 5 7 7
Gtr. 1
0 7
5 7 9 5
3 5 7 5
7
Gtr. 1 tacet
G5 A5 B5 D5/A
This is the last time I let you in my door.
This is the last time, I won’t hurt you an - y - more.
Gtr. 9
12
14
15
17
Gtrs. 2 & 3
P.M.
*
3 3
2 2 2 2 2
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 0 0 0 0 0
X X X X X X X X 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0
3 3 3 3 3 3 3 3
*Gradually lift P.M.
Gtrs. 2 & 3 tacet
A5 G5
Oh, oh, oh, oh.
Oh, oh, oh, oh. Oh, oh, oh, oh.
Gtr. 9
14 12 12 12 12
Gtr. 4
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X X X X X X X X
3 3 3 3 3 3 3 3
8
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Gtrs. 4, 5 & 10 tacet
Gtrs. 8 & 9: w/ Rhy. Fig. 3
D Bm7
*
This is the last time I’m ask - ing you this: Put my
Gtr. 11
(elec.)
f
w/ slight dist.
14 14 14
15 15 15
14 14 14
*Male lead voc., female harmony
Aadd4 Gadd9 D
name at the top of your list. This is the last time I’m ask - ing you why
Rhy. Fig. 4
12 10 14
14 12 15
14 12 14
Bm7 Aadd4 Gadd9
you break my heart in the blink of an eye. Female: This is the
End Rhy. Fig. 4
Gtr. 11
14 12 10
15 14 12
14 14 12
Gtrs. 8 & 9
4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3
9
Gtr. 11: w/ Rhy. Fig. 4 (4 times)
D Bm7 Aadd4 Gadd9
last time I’m ask - ing you this: Put my name at the top of your list. This is the
Male: This is the last time I’m ask - ing you this: Put my name at the top of your list.
*Gtrs.
8&9 Rhy. Fig. 5A End Rhy. Fig. 5A
7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3
*Composite arrangement
Gtrs.
Rhy. Fig. 5 End Rhy. Fig. 5
2&3
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 X X X X X X X X
3 3 3 3 3 3 3 3
Gtrs. 2 & 3: w/ Rhy. Fig. 5 (3 times)
Gtrs. 8 & 9: w/ Rhy. Fig. 5A (3 times)
D Bm7 Aadd4
last time I’m ask - ing you why you break my heart in the blink of an eye.
This is the last time I’m ask - ing you why you break my
Gadd9 D Bm7
**
heart. This is the last time I’m ask - ing you, last time I’m ask - ing you, last
**Female lead voc., male harmony
10
Aadd4 Gadd9 D
time I’m ask - ing you this. This is the last time I’m ask - ing you, last
Bm7 Aadd4 Gadd9
*
time I’m ask - ing you, last time I’m ask - ing you this. This is the
*Male lead voc.,
female harmony.
Outro
D5 Bm A G5
last time I’m ask - ing you, last time I’m ask - ing you, last time I’m ask - ing you this. This is the
Gtr. 1
0
3 3 2 3
2 4 2 0
0 4 2 0
2 0 X
3
D5 Bm A G5
last time I’m ask - ing you, last time I’m ask - ing you, last time I’m ask - ing you this.
0
3 3 2 3
2 4 2 0
0 4 2 0
2 0 X
3
11
from Taylor Swift - Red
The Lucky One
Words and Music by Taylor Swift
Intro
Moderately q = 118
E
*Gtr. 1 (acous.)
(Synth) 7 sec.
mf
P.M.
1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
*Two gtrs. arr. for one.
Verse
E C#m7
1. New to town with a made up name in the an - gel’s cit - y, chas - in’ for - tune and fame. And the
Rhy. Fig. 1
string
noise
P.M. P.M.
0 0 0
1 1 1 1 1 1 1 X 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X 6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X 4 4 4 4 4 4 4 4 4 4 4 4 4 0
Asus2 E
cam - ’ra flash - es make it look like a dream.
End Rhy. Fig. 1
P.M.
0
0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0
Copyright © 2012 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Gtr. 1: w/ Rhy. Fig. 1
C#m7
You had it fig - ured out since you were in school. Ev - ’ry - bod - y loves pret - ty, ev - ’ry -
Asus2
bod - y loves cool. So o - ver - night you look like a six - ties queen.
E B5
An - oth - er
Gtr. 1 Rhy. Fig. 2 End Rhy. Fig. 2
string noise
P.M. P.M.
0
1 1 1 1 X 4 4 4 4
2 2 2 2 2 2 2 X 4 4 4 4 4 4 4
2 2 2 2 2 2 2 X 2 2 2 2 2 2 2
Pre-Chorus
Asus2
name goes up in lights like dia - monds in the sky. And
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
2
Chorus
E B7add4 Aadd9
they’ll tell you now you’re the luck - y one. Yeah, they’ll tell you now you’re the
Rhy. Fig. 3
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 8 8 8 8 8 8 8 8 6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5
Gtr. 2 (elec.)
mp
w/ dist. & amp tremolo
7
7 5
E B7add4
luck - y one. But can you tell me now you’re the luck - y one? Oh,
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 1 1 1 1 1 1 1 8 8 8 8 8 8 8 8
7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 9 9 9 9 9 9 9 9
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7
5 5 0 7 7
3
Aadd9 E
oh, oh. 2. Now it’s
End Rhy. Fig. 3
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 1 1 1
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
2 7
5
Verse
Gtr. 1: w/ Rhy. Fig. 1
E C#m7
big black cars and Riv - i - er - a views, and your lov - er in the foy - er does - n’t e - ven know you. And your
Gtr. 2
*
fdbk. fdbk.
7 7
Pitch: G# G#
*Vol. swell
Gtr. 1: w/ Rhy. Fig. 2
E B5
se - crets end up splashed on the news front page. And they
mp
4
Gtr. 1: w/ Rhy. Fig. 1
E C#m7
tell you that you’re luck - y, but you’re so con - fused ’cause you don’t feel pret - ty, you just feel used. And
mf
4
0
Gtr. 1: w/ Rhy. Fig. 2
Asus2 E B5
all the young things line up to take your place. An - oth - er
7 7 2
5
Pre-Chorus
Gtr. 2 tacet Gtr. 3 tacet
Asus2
name goes up in lights. You won - der if you’ll make it out a - live. And
*Gtr. 3 (elec.)
mf
w/ clean tone
4
5
4
*Two gtrs. arr. for one.
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
Chorus
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
E B7add4 Aadd9
they’ll tell you now you’re the luck - y one. Yeah, they’ll tell you now you’re the luck - y one. Can
Voc. Fig. 1 End Voc. Fig. 1
(Oh.)
Gtr. 2
7
7 5
Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
E B7add4 Aadd9
you tell me now you’re the luck - y one? Oh, oh, oh,
Riff A End Riff A
2 2 9 7
E B7add4 Aadd9 E
oh. Oh.
Riff B
7
7 5 0
6
B7add4 Aadd9 E
3. It was a
Gtr. 1
0
0
1
2
2
0
Gtr. 2
End Riff B
7 5 0
Verse
Gtr. 1: w/ Rhy. Fig. 1
E C#m7
few years la - ter I showed up here and they still tell the leg - end of how you dis - ap - peared, how you
Riff
C
Gtr. 3
let ring let ring
7 7 4 4
9 9 6 6
9 9 6
Gtr. 2
7
Gtr. 2 tacet Gtr. 1: w/ Rhy. Fig. 2
Asus2 E B5
took the mon - ey and your dig - nit - y and got the hell out.
Gtr. 3
End Riff C
let ring let ring
5 4
0 0 5 5 5 4
2 2 4 4 4
4
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 3: w/ Riff C
E C#m7
They say you bought a bunch of land some - where, chose the rose gar - den o - ver Mad - i - son Square. And it
Gtr. 2
mf
7 6 4
Gtr. 1: w/ Rhy. Fig. 2
Asus2 E B5
took some time, but I un - der - stand it now. ’Cause now my
5 0 7
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 4
Asus2
name is up in lights, but I think you got it right. Let
fdbk.
5 5
Pitch: C#
8
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
Gtr. 2: w/ Riff B
E B7add4 Aadd9
me tell you now, you’re the luck - y one. Let me tell you now, you’re the luck - y one. Let
Gtr. 2: w/ Riff A
E B7add4 Aadd9
me tell you now, you’re the luck - y one. Oh, oh, oh. Yeah,
E B7add4 Aadd9
they’ll tell you now you’re the luck - y one. Yeah, they’ll tell you now you’re the luck - y one. Let
Gtr. 2
2 0 2
0
Gtr. 2 tacet
E B7add4 Aadd9
me tell you now you’re the luck - y one. Oh, oh, oh.
2 2 9 9 9 7
Outro
E B5 Asus2
rit.
Oh, oh, oh.
Gtr. 1
rit.
0 0
0 0 0
1 4 2
2 4 2
2 2 0
0
9
from Taylor Swift - Red
Treacherous
Words and Music by Taylor Swift and Dan Wilson
[G5] [Dsus4] [A7sus4] [Csus2] [Em7]
2 34 134 1134 2 34 12 34
Gtrs. 1 & 5: Capo VII
Intro
Moderately q = 106
D5 Asus4 E7sus4 Gsus2
*[G5] [Dsus4] [A7sus4] [Csus2]
**Gtr. 1
(acous.)
mp
let ring throughout
3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 2 2 2 0 0 0 0 0 0 0
0 0 0 0 2 2 0 0 0
X 0 3
3
**Two gtrs. arr. for one.
Gtr. 2
(acous.) Rhy. Fig. 1 End Rhy. Fig. 1
p
P.M.
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
*Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above represent actual sounding chords. Capoed fret is “0” in tab.
Verse
Gtr. 2: w/ Rhy. Fig. 1 (4 times)
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
1. Put your lips close to mine as long as they don’t touch.
Gtr. 1
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
0 2 2 0 0 0 0 0 0 0
0 0 0 2 2 X X X 0
X 0 3 3 3 0
3
Copyright © 2012 Sony/ATV Music Publishing LLC, Taylor Swift Music and Sugar Lake Music
All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of Sugar Lake Music Administered by Chrysalis Music Group, Inc., a BMG Chrysalis company
International Copyright Secured All Rights Reserved 1
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
Out of fo - cus, eye to eye till the grav - i - ty’s too much.
Rhy. Fig. 2 End Rhy. Fig. 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 2 2 2 0 0 0 0 0 0 0 0
0 0 2 2 2 X 0
X 0 3 3 0
3
Gtr. 1: w/ Rhy. Fig. 2
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
And I’ll do an - y - thing you say if you say it with your hands.
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
And I’d be smart to walk a - way but you’re quick - sand.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 2 2 2 0 0 0 0 0 0
0 0 2 2 0 X
X 0 3
3
Chorus
Gtr. 1: w/ Rhy. Fig. 2
*Gtrs. 2 & 3: w/ Rhy. Fig. 1
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
**
This slope is treach - er - ous, this path is reck - less.
*Gtr. 3 (acous.), played mf.
**Male harmony
2
Gtr. 1: w/ Rhy. Fig. 3
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
This slope is treach - er - ous, and I, I, I like it.
Gtrs. 2 & 3
P.M.
3
2
7 7 7 7 7 7 7 7 0
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2 X
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 3
Interlude
Gtr. 1: w/ Rhy. Fig. 2 (1st meas., 2 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st meas., 2 times)
Dsus2
[Gsus2]
Gtr. 4 (elec.)
mf
w/ slight dist.
0
3
2
0
Gtr. 5 (acous.)
mf
P.M.
0 0 0 0
0 0 0 0 0 0
3 3 3 3 3 3
Verse
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)
Gtr. 4 tacet
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
2. I can’t de - cide if it’s a choice, get - ting swept a - way.
Gtr. 5
Riff A End Riff A
P.M.
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 3 3 3
3 3 3
3
Gtr. 5: w/ Riff A (3 times)
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
I hear the sound of my own voice ask - ing you to stay.
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
And all we are is skin and bone trained to get a - long.
Gtr. 4
let ring let ring
10 10
10 10
7 9
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
For - ev - er go - ing with the flow, but you’re fric - tion.
Gtr. 4
let ring let ring
10 10
10 10
7 9
Gtrs. 2 & 3
P.M.
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 0
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 0
Chorus
*[G5] [Dsus4] [A7sus4] [Csus2]
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 1
This slope is treach - er - ous, this path is reck - less.
Gtrs.
Rhy. Fig. 4A End Rhy. Fig. 4A
2&3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 X X X X X X X X
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
4
Gtr. 1: w/ Rhy. Fig. 4
Gtrs. 2 & 3: w/ Rhy. Fig. 4A
D5 Asus4 E7sus4 Gsus2
[G5] [Dsus4] [A7sus4] [Csus2]
This slope is treach - er - ous, I, I, I like it.
Bridge
[Dsus4] [Em7] [Csus2]
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 1
Two head - lights shine through the sleep - less night and I will get you a, get you a - lone.
Voc. Fig. 1 End Voc. Fig. 1
(Ah.)
(Oh.)
Gtr. 7
(elec.)
Riff B End Riff B
mf
w/ slight dist.
5 4 5 4
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 5 5 5 5 5 5 5 5 5 5 5 7
Gtrs.
Rhy. Fig. 5A End Rhy. Fig. 5A
2&3
3 3 3 3 3 3 3 X 3 3 3 3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 X 2 2 2 2 2 2 2 X 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 X X X X X X X X X 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 X 2 2 2 2 2 2 2 X X X X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Gtr. 6 Rhy. Fig. 5B End Rhy. Fig. 5B
mf
w/ dist.
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Doubled throughout
5
Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
Gtr. 1: w/ Rhy. Fig. 5 (3 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 5A (3 times)
Gtr. 6: w/ Rhy. Fig. 5B (2 times)
Gtr. 7: w/ Riff B (2 times)
Asus4 Bm7 Gsus2
[Dsus4] [Em7] [Csus2]
Your name has ech - oed through my mind, and I just think you should, think you should know
Asus4 Bm7 Gsus2
[Dsus4] [Em7] [Csus2]
that noth - ing safe is worth the drive and I would fol - low you, fol - low you home.
Asus4 Bm7 Gsus2
[Dsus4] [Em7] [Csus2]
I’ll fol - low you, fol - low you home.
Gtr. 5
P.M.
3 3 3 3
0 0 0 0 0 0
4 4 4 4 4 4
Gtr. 7
5
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 5 7 7 5 7 7 5 7 5 7 7 5 7 7 5
Gtr. 6
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 5
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 5
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 3
6
Chorus
Gtrs. 5, 6 & 7 tacet
D5 Asus4 Bm7 Gsus2
[G5] [Dsus4] [Em7] [Csus2]
This hope is treach - er - ous, this day - dream is dan - ger - ous.
Gtr. 1
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 0 0 0 2 0
0 0 0 0 2 2
3
3 3
D5 Asus4 Bm7 Gsus2
[G5] [Dsus4] [Em7] [Csus2]
This hope is treach - er - ous. I, I, I... I, I, I... I, I, I...
Gtr. 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 2 2 0 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Gtrs. 2 & 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtr. 6
string
noise
P.M.
X 4 0 5 5 5 5 5 5 5 5 5 5 5 5 5
X 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
X 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7
Bridge
Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)
Gtr. 1: w/ Rhy. Fig. 5 (5 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 5A (5 times)
Gtr. 6: w/ Rhy. Fig. 5B (4 1/2 times)
Gtr. 7: w/ Riff B (4 1/2 times)
Asus4 Bm7 Gsus2
[Dsus4] [Em7] [Csus2]
Two head - lights shine through the sleep - less night and I will get you, I’ll get you a - lone.
Voc. Fig. 2 End Voc. Fig. 2
(Oh, oh, oh. oh, oh.)
Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)
Asus4 Bm7 Gsus2
[Dsus4] [Em7] [Csus2]
Your name has ech - oed through my mind, and I just think you should, think you should know
Asus4 Bm7 Gsus2
[Dsus4] [Em7] [Csus2]
that noth - ing safe is worth the drive and I would fol - low you, fol - low you home.
End Rhy.
Fig.
6
Rhy. Fig. 6
Gtr. 4
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Gtr. 4: w/ Rhy. Fig. 6 (1 1/2 times)
Asus4 Bm7 Gsus2
[Dsus4] [Em7] [Csus2]
I’ll fol - low you, fol - low you home. I’ll fol - low you, fol - low you home.
Asus4 Bm7
[Dsus4] [Em7]
I’ll fol - low you, fol - low you home.
Gtr. 5
3 3 3 3
0 0 0 0 0
4 4 4 4 4
8
Gtr. 5 tacet
Gsus2
[Csus2]
Gtr. 4
10
10
12
Gtr. 6
4 4
5 5
5 5
3 3
Gtr. 7
P.M.
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Outro
Gtrs. 6 & 7 tacet
D5 Asus4 Em11 Gsus2
[G5] [Dsus4] [Am11] [Csus2]
This slope is treach - er - ous I, I, I like it.
Gtr. 4
10 10
10 10
9 12
12
Gtr. 1
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 2 2 2 2 0
0 2 0
0 3
3
Gtrs. 2 & 3
3
3 3 3 3
2 2 0 2
0 2 2 0
0 2 X
0 3
9
from Taylor Swift - Red
We Are Never Ever Getting Back
Together
Words and Music by Taylor Swift, Shellback and Max Martin
Intro
Moderately q = 86
Csus2 G5 Dsus4 Em
Riff A End Riff A
Gtr. 1
(acous.)
mf
let ring let ring let ring let ring
*
3 3
3 3 3 3 0 0
0 0 0 0 2 0 0 0
X 0 0 0 2 2
3 0
3 0
*Knock on guitar body w/ right hand.
Verse
Gtr. 1: w/ Riff A (4 times)
Csus2 G5 Dsus4 Em
1. I re - mem - ber when we broke up the first time. Say - ing, “This is it. I’ve had e nough.” ’Cause like, we
Csus2 G5 Dsus4 Em
3
had - n’t seen each oth - er in a month when you said you need - ed space. Spoken: What?
Csus2 G5 Dsus4 Em
Then you come a - round a - gain and say, “Ba - by, I miss you and I swear I’m gon - na change.” Spoken: “Trust me.” Re -
Csus2 G5 Dsus4 Em
mem - ber how that last - ed for a day. I say, “I hate you.” We break up. You call me. Spoken: “I love you.”
Copyright © 2012 Sony/ATV Music Publishing LLC, Taylor Swift Music and MXM Music AB
All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music Administered by
Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of MXM Music AB Exclusively Administered by Kobalt Songs Music Publishing
International Copyright Secured All Rights Reserved 1
Pre-Chorus
Gtr. 1: w/ Riff A (2 times)
Csus2 G5 Dsus4 Em
Oo, oo, oo, we called it off a - gain last night. But
Csus2 G5 Dsus4 Em
oo, oo, oo, this time I’m tell - ing you, I’m tell - ing you
Chorus
Gtr. 1: w/ Riff A (3 times)
Csus2 G5 Dsus4 Em D5
*
we are nev - er, ev - er, ev - er get - ting back to - geth - er.
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
(acous.)
mf
3 3 3 3
3 3 3 3 3 3 3
0 0 0 0 2 2 2
X X 0 0 0 0 2 2 0
3 3 X X 0 0 2 2
3 3 0 0
*Gang vocals, next 7 1/2 meas.
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Csus2 G5 Dsus4 Em D5
We...
...are nev - er, ev - er, ev - er get - ting back to - geth - er.
Csus2 G5 Dsus4 Em D5
You go talk to your friends, talk to my friends, talk to me. But
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 3
(acous.)
mf
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 3 3 3
0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 2 2 2
X X X X X 0 0 0 0 0 0 0 0 0 2 2 2 2 0 0 0
3 3 3 3 3 X X X X X X 2 2 2
3 3 3 3 3 3 0 0 0
2
Gtr. 3 tacet
Csus2 G5 Dsus4 μ
we...
...are nev - er, ev - er, ev - er, ev - er get - ting back to -
Riff B End Riff B
Gtr. 1
let ring **
3 3 3 3 3
3 3 3 3 3 3
5 0 0 2 2 2 2
5 0 0 0 0 0
3 0 0 0 0
3
**Studio pitch shift.
Rhy. Fig. 3 End Rhy Fig. 3
Gtr. 2
***
3 3 3 3 3 3
3 3 3 3 3 3 3 3
5 5 0 0 2 2 2 2
5 5 0 0 0 0 0 0
3 3 X X 0 0 0 0
3 3
***Studio pitch shift.
Interlude
Gtr. 1: w/ Riff A
Csus2 G5 Dsus4 Em
3
geth - er. Spoken: Like, ev - er. 2. I’m
Verse
Gtr. 1: w/ Riff A (2 times)
Csus2 G5 Dsus4 Em
real - ly gon - na miss you pick - ing fights. And me, fall - ing for it, scream - ing that I’m right. And you would
Csus2 G5 Dsus4 Em
†
hide a - way and find your piece of mind with some Spoken: in - die rec - ord that’s much cool - er than mine.
†Spoken behind the beat.
3
Pre-Chorus
Gtr. 1: w/ Riff A (2 times)
Csus2 G5 Dsus4 Em
Oo, oo, oo, you called me up a - gain to - night. But
(Ah.
Csus2 G5 Dsus4 Em
oo, oo, oo, this time I’m tell - ing you, I’m tell - ing you
Ah.)
Chorus
Gtr. 1: w/ Riff A (3 times)
Gtr. 2: w/ Rhy. Fig. 1
Csus2 G5 Dsus4 Em D5
We.
*
we are nev - er, ev - er, ev - er get - ting back to - geth - er.
*Gang vocals (next 8 meas.).
Csus2 G5 Dsus4 Em D5
ev - er.
We...
We are nev - er, ev - er, ev - er get - ting back to - geth - er.
4
Gtr. 3: w/ Rhy. Fig. 2
Csus2 G5 Dsus4 Em D5
**
Talk to me.
You go talk to your friends, talk to my friends, talk to me. But
**Sung behind the beat.
Gtr. 1: w/ Riff B
Gtr. 2: w/ Rhy. Fig. 3
Csus2 G5 Dsus4 Em μ
...get - ting back to -
we...
...are nev -- er, ev - er, ev - er ev - er get - ting back to -
Interlude
Gtr. 1: w/ Riff A (4 times)
Gtr. 2: w/ Rhy. Fig. 1 (4 times)
Gtr. 3: w/ Rhy. Fig. 2 (4 times)
Csus2 G5 Dsus4 Em D5
geth - er. Yeah. Yeah.
Voc. Fig. 1 End Voc. Fig. 1
(Oo, oo, oo, Oo, oo, oo,
(Oo.)
Csus2 G5 Dsus4 Em D5
Yeah. oh, oh.
Oo, oo, oo.)
5
Bridge
*Gtr. 1: w/ Riff A (3 times)
Csus2 G5 Dsus4 Em
I used to think that we, uh, were for - ev - er, ev - er. And
*w/ studio tone filter.
Csus2 G5 Dsus4 Em
I used to say, “Nev - er say nev - er.”
Csus2 G5 Dsus4 Em
3 3
“(Sigh) So he calls me up, and he’s like ‘I still love you.’ And I’m like, I’m just, I mean
Csus2 G5 Dsus4 μ
No.
3
‘This is ex - haust - ing, you know. Like, we are nev - er get - ting back to - geth - er, like ev - er.’”
Gtr. 1
let ring let ring **
3 3
3 3 3 3
0 0 0 0 2
X 0 0 0
3 0
3
**Studio pitch shift.
6
Outro Chorus
Gtr. 1: w/ Riff A (7 times)
Gtr. 2: w/ Rhy. Fig. 1 (7 times)
Gtr. 3: w/ Rhy. Fig. 2 (7 times)
Csus2 G5 Dsus4 Em D5
3
...get - ting back to - geth - er.
**
We are nev - er, ev - er, ev - er get - ting back to - geth - er.
**Gang vocals.
Csus2 G5 Dsus4 Em D5
Uh, oo.
We...
...are nev - er, ev - er, ev - er get - ting back to - geth - er.
Csus2 G5 Dsus4 Em D5
You go talk to your friends, talk to my friends, ...to me.
You go talk to your friends, talk to my friends, talk to me. But
Csus2 G5 Dsus4 Em D5
...nev
nev -- er, ev - er, ev - er ev - er get - ting back to -
we...
...are nev -- er, ev - er, ev - er ev - er get - ting back to -
7
Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
Csus2 G5 Dsus4 Em D5
geth - er. No.
We... ...get - ting back to - geth - er.
Csus2 G5 Dsus4 Em D5
Oh, oh,
We... ...get - ting back to - geth - er.
Csus2 G5 Dsus4 Em D5
yeah. Talk to me.
You go talk to your friends, talk to my friends, talk to me. But
Gtr. 1: w/ Riff B
Gtr. 2: w/ Rhy. Fig. 3
Csus2 G5 Dsus4 μ
we...
...are nev - er, ev - er, ev - er, ev - er get - ting back to - geth - er.
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