অভিনেতা

OPENING SCENE(scene1)- It will be filmed in black and

white our main characters will be sitting in a bench
under the open sky, the feeling of losing someone,
regret, guilt anger will be visible in their eyes and faces.
Asutosh and Mrinal enters the frame and sits on the
bench
Mrinal- jayga ta te prothom shooting korechilam( in a
sad dreamy way) sighs looks at Asutosh
Asutosh- looking into a broken photo frame
quietly ........... gives a pause waits and then leaves the
frame walking out.
Mrinal- sighs... takes the photo frame rubs his hands
over it and slowly closes his eyes resting his head on the
bench ( in this shot as asutosh leaves the camera
focuses on mrinal and as he rests his head on the bench
closing his eyes the camera zooms in and then titls
upward capturing the sky for a duration of 3 sec and
then cuts).
 SCENE 2
(Asutosh,Anirban,mrinal,animesh)
The scene will from a 3 sec sky sequence then camera
ascending down focusing on 4 friends cycling all having
charm and happy faces cracking up among them this
whole sequence will be in a single shot then cut to 4 of
them sitting joking among them.. discussing about the
recent film they watched(the fabelmans).
ANIRBAN- je jai boluk bhai cameraman fabelmans er
extraordinary kaj diyeche protek ta scene camera
movement camera focus.
ANIMESH- movie ta kar autobiography dakh steven
spielberg bhai bhbte prchis oi choto boyeshe e akta film
kora
Asutosh-script thkle ameo krtam amon ar ki(in a
mocking way)
Animesh- jdi di tale krbi?
at this point everyone stares at Animesh in a fascinated
way
Animesh- onek din dhorei kaj krechi praye bochor
khanek akta story likhe tr script baneachi scene theke
suru kre frames sb e krechi kintu sahos hyni jinis ta niye
trpr egonor
Anirban- tui serious?? jinis ta niye egonoye jai camera
light mike sb e ache lagbe sudhu tr direction ar actors
Mrinal- ame achi asutosh ache krte osobidha kothye
amadder theater er aro kichu lok ache ......
now the scene slowly blurs out as the camera slowly
moves back the frames and shots will have a yellow,
green colour mix as yellow showing hope and
excitement, optimism while green showing happiness
and their bond.
SCENE 3
Its a long sequence 4 shot scene each with different
colour template showing different emotions of different
characters.

scene starts with Animesh the color template of the shot

will be grey depicting loneliness and blue depicting
sadness Animesh holds a old withered photograph of his
parents who passed away when he as 6 since then he
has been living with his grandparents. Tears falling
down from his eyes, the camera in the ending shot
focuses on a teardrop falling on the photograph and
then the scene shifts .
NEXT SCENE STARTS - an argument going on between
anirban's parents(they both are respected doctors and
wants Anirban to purse medical or engineering ,strongly
against photography and filmography)
Anirbans father- tomar jnno ei obosta aj cheletar ei
durgoti etu lokkho nei
Anirbans mother-ame chele sambhalbo ranna krbo
chamber e bosbo kot ki krbo cheLe ki amar akar tomar
ki kono responsibility nei..
Anirban enters-----
Anirbans father-kothaye chili sarakhon eta ki 45% tr
result ei niye tui future e ki krbi doctor engineer samano
teacher howar o joggota nei
Anirban-baba ame hote chaina oisb amr passion tai
camera gan eisb e ame chaina
Anirbans father-pet cholbe to eisb kre lokera ki blbe
amader dkh amader respected well educated family te
kina tui hbi cameraman
Aniban-ame khusi thkbo ota kre atleast tomader mtn
loker kotha bhbe bachbo na
gets slapped by his father (parents exit the room)
the light focuses on him rest of everything blurs
template will be red showing his frustration slowly the
colour turns into light blue showing his sadness and the
camera focuses on his teary eyes slowly zooming and
then cuts
next scene opens with a close eyeshot of mrinal the
camera zooming out and then focusing on the chaos
around him the sound slowly being normal from static
Mrinals mother- ki hbe eisb acting cinema ki ache
kotojn pare krte eisb babaa ke dakh porashona kre
sorkari chakri kre ksto kre tke manush krche ar tui kina
cinema kano eisb e jdi korar chilo lakh lakh porashona
te khorcha korali kano
Mrinal- ma ame porashona to charchi na seta krbo kintu
acting collage e chance peyo ki kre chari eta amar sopno
Mrinals mother- jekono akta kor nahye acting kor nahye
ei barie chere dur hye ja opodartho sontan er cheye
sontan hin thaka bhalo and walks out of room
Mrinal sitting in his study table stares at the letter from
acting academy inviting him to join as a student the
colour template will be white and blue the camera
zooms into the letter and then cuts

NEXT SCENE
opens with a letter from bank due to pending emi on
student loan with a notice period of 3 months.
Asutosh's mother- serving him just cooked roti on his
plate while he is sitting their staring at the letter
chinta krish na ei 2 mas er ta ame manage krechi
pending emi plus akta advance manage kra jbe
Asutosh- (looks at his mother with teary eyes) and says
babar tomake dewa sesh sriti chinnho sei sonar chain
ta tumi bikiri kre diyecho.
Asutosh leaves while the camera focuses on him
specially his teary eyes and that helplessness in him
while his mother calling him from behind.THUS ALL THIS
ALL 4 SHOTS WILL BE ONE SINGLE SCENE SHOWING THE
TROUBLED LIFES OF OUR CHRACTER FOR BETTER
UNDERSTANDING OF THEIR FUTURE ACTIONS
SCENE 4
shooting started animesh explaining asutosh and mrinal
their scene while anirban holds the camera is position to
began shooting
Animesh-script ta bhalo kore pore ne ar son etu time
diye dialogue throw krbi scene tye tr ekhane character
tar kintu sb e nijer apon jon ke hareache sei dukho jinis
ta bar kre blbi mrinal tuio expression ta on time dibi
Asutosh-ha bujhechi ame ready tui start kr
Animesh- camera rolling?
Anirban-rolling....
Animesh- BHORER TORI scene 4 take 1 on 3 , 2 , 1 and
action!!!
Asutosh-sriti jinis taye amon manush er por thakena...
Animesh-cut cut cut ki krchis dialogue ki ar tui ki blchis
dialogue e manush er por thakena nei ki blchis thik kre
por ar time de dialogue throw ta thik rkh eta sei kobita
hy jache
Asutosh- na mane matha guliye galo ar akbr de...
Animesh - ok tale camera rolling Bhorer tori scene 4
take 2 on 3,2,1 and action..
Asutosh-repeats the same mistake this time again
Animesh-cut cut ki krchiis bhai akta jinis ato bar ki kre
bhul hy time nosto hche sequence ta time e to nite hbe
alo akash ta erm thkte thkte
Asutosh- frustated but tries to control sorry thikache ne
ebr pakka hbe mrinal ready??
Animesh- BHORER TORI scene 4 take 3 on 3,2,1 action
Asutosh- sriti jinis ta amon manush na thkleo ...
Animesh- cuttt ki krchis bhul bhal dialogue blchis
Asutosh - frustated ame prbona tui kre ne arae ki krbo
jdina hy a fight starts between them.. asutosh leaves
the set animesh gets frustated throws his cap and sits
helplessly
 SCENE-5
THIS SCENE introduces the love interest of
Asutoshnamed jui she is a charismatic girl from a
wealthy background who is very focused and serious.
Asutosh- standing near a fence looking at the sky(the
camera here focuses half body of asutosh upper half
with the sky in the background the whole scenes colour
template will be greenish blue and violet depicting
peace and love focus on eyes and side face angles)
Jui- kotokhn darea acho ( keeping a hand on Asutosh's
shoulder )
Asutosh- turns back and with a smile replies ei kichukhn
holo( both of them stands for a while enjoying the
pleaseant atmosphere looking at the sky the camera
will focus on asustosh and jui face from jui's angle and
then Jui givingfare glances to him)
Jui- chholo etu bosi onekta hete aste holo restaurant e
krte prte kono
Asutosh-madam jdi restaurant e first date ta krtam tale
ki ei opurbo megher mayakhela apnar sthe dekhte
prtam ei poronto bikale (in a romantic flirty way)
Jui-smiles and fixes her hair properly a (3 sec pause to
express the shy and introvert nature )
Asutosh- tomar jnno akta jinis enechilam.. ( giving her a
bunch of fresh jasmine flower ) cinema golpo sbete
dekechi first date e phul dite bhblam ameo di kintu
golap phul ta boddo old fashioned ar dramatic hy
jachilo tai amar mayer bosano jui phul er gach theke..
gets interrupted...
Jui- sob e bujhlam mr kintu eigulo je ame chul e badhte
prbo na setao boddo dramatic hy jbe in mocking flirty
wayy..
a 5 sec pause and both laughing then the scene focuses
on them with the dusky sky behind them both staring at
each other and the camera slowly ascending
upward ..scene ends
scene-6
starts with a faded music starting the scene starts with
a sky shot for sake of continuation this whole sequence
will be a long almost a 1 min music sequence in a 2x
speed with each shot showing the different angles of
story it starts with the song slowly starting the first shot
will be how the film making is going on focusing on how
they are getting wrong scenes then correcting it then
camera takes a single shot of each character colour
template on basis of the characters say mrinals shot on
how he is managing his academic as well as film career
asutosh on how he is tensed about his future skeptical
about his relationship but also pretending to be happy
while with jui Anirban on how he gets taunted by his
parents but still never gives up while Animesh directing
his dream while also lonely seeing everyone around him
happy the scene ends with jui noticing how arrogant
Asutosh is his nacissistic personality how he pretend to
be happy all the time with her it ends with a single shot
of every character merged in a collage video format
with the music slowly fading and the screen black outs .
SCENE-7
Scene starts with the last shooting sequences of
BHORER TORI where Asutosh is repeatedly making
mistake in delivering the dialogues..
Animesh-aha etu time niye throw krna ato frustated
kno drkr hy etu por shoot krbo
Anirban-ha tui throw ta camera te dekhe dena bhai krn
khub artifical jache tr dialogue bola aj
Animesh-etu time ne niye bol chol everyone akta shot ni
amra Camera rolling? BHORER TORI scene 12 take
3 ,3,2,1 and action
Asutosh-stares at the camera for some second then says
hbena amake time de etu and leaves without waiting
for reply( in background Animesh,mrinal,jui,anirban are
shocked and a bit disappointed by his behaviour)
jui- ki holo ato rege jacho kano etu aste dialogue ta
bollei to hy
Asutosh-bursting out in anger amar jibon ta to tomar
mtn an cinema chara o amake bhbte hy nijer future ki
kre pet chalabo sb tomar mtn babar taka te restaurant
ghure barano jibon na ama... gets slapped by Jui
Jui-mukh sambhlao in angry rude way tomar onekjinis
amr bhalolagena tmr eiram attitude ta bole ki kichu bli
how dare u speak like that about my father
Asutosh stares at jui on a teary angry way and then
leaves the set everyone is shocked the colour template
will start from a normal orange colour to blood red
while Asutosh leaves focusing on his eye expression and
scene cuts with showing jui standing while rest of the
crew standing shocked and asutosh leaving.
SCENE -8
the scene starts with a text on screen after a week
now here the film is completed Asutosh and jui's
relation has ended Animesh has sent the film for a
review in censor board and waiting for reply this scene 8
shot will be a short one aprrox 10-15 sec showing how
everyone is feeling about the film how they are excited
as well as tensed they all will be celebreating their
success in Anirbans house where as a memory Animesh
gives a photo frame to them where they four are
standing in their set some improvised dialogues will be
there nothing much the scene will be in a dim greenish
grayish template showing hope and thrill with mix
neutral feelings there will be significance of the photo
frame given by animesh as in later scene it will show
how the bond and friendship broke between them
SCENE-9
Scene will start with the bengal censor board reviewing
a film their reaction's while watching the film with will
be captured for brief 4 sec in a blackish white template
with the tv s light reflecting on their faces while
capturing small glimpse of films through their eyes
everything will be a bit hazy in this shot
a person in censor board calling some unknown
stranger ...
person-sir namaste ek film aya hai kuch 20-24 ke ladka
log ka banay.. sir ye masterpiece ache humko lagta hai
apko ekbr dekhna chaiye ..
producer(his face will not be shown only his voice
holding a telephone along under black shadow)- in deep
voice hmm kal sham 5 baje office mae milo
scene cuts
and in same sequnece shifts into the office of the
producer with the person
producer- ladka log ka background pata kiya?
person-ha ye asutosh wale ka bap nhii hai jo direct or
script wala hai wo bhi orphan hai camera wala bada
ghar ka ladka hai .. sir ye director nhi chahta film
bechna ..
producer-arae ruk sun ye lead actor asutosh ko bula
meeting rkh ek inke sthe ( with a wicked smile on face)
CAMERA HERE SLOWLY ZOOMS IN TO HIS FACE AND
THAT SMILE APPEARS WITH THE TENSED BACKGROUND
MUSIC AN THEN SCENE ENDS.
SCENE-10
In a room sitting producer and asutosh facing each
other the scene will be reddish yellowish template the
scene will not introduce any speech or prior introduction
in will be like as if the camera has started recording
from the middle
Asutosh- very tensed sweating staring at the table as if
lost in deep thoughts..
producer-kya huwa asutosh babu ato sochne wala to
kichu nahi isme paisa shourat sb milaga sirf chaiye
tomar sign on this paper(points and taps on the paper
while looking at asutosh)
Asutosh-its not about that srinivas ji ame razi thkleo
bakider kikre blbo bishesh kre animesh se to kokhonoye
mnbe na
producer-manate hobbe tumko asutosh babu taka pabe
nam pabe bndhu ra to seta tumko debena and bursts
out laughing wickedly.
here now the camera will rotate around asutosh and
producer with the last dialogue producer will start
laughing his voice will continue to echo( poisa nam sb
pabe synced with the laugh) and money and news
papers encircling asutosh having a facial expression of
tensed shocked and feared expression before doing
something daring looking around him with the voice
slowly fading out the camera zooms at asutosh's face
and then scene cuts
SCENE-11
starts with a fight between anirban and asutosh colour
template of this scene will be yellow depicting betrayl
with touch of red
anirban- iyrki peyechis amader ato din er sopno mehnat
tui samanno kichu takar jnno bili krbi animesh er ki se
to puro jinis ta krechi tr nm tai kete jbe
asutosh-aha taka pachis to r future o to lgbe akta ki krbi
etr por khabo ki kamabo ki kono kichu bhaba ache
obosso tr to ma babar taka ache (in a mocking way)
animesh-asutosh limit thake sber amader film ta tui
onno kauke diye dichis arae ete lav to tui nijer dekvhis
posto bojha jache
asutosh-laverr ki ache re tder taka dichi na??? ar baba
ame to achi next film ta produce krara taka babosta kre
debo tr
animesh ekhane next kichu nei r tui ke je amake
produce krar taka dibi tr bhikkha chaina amr kache
talent ache toke to banalam ame ki prtish acting er
asutosh-ki prtam mane ame ki prtam ame chara film ta
banatish ki kre
anirban-kire mrinal tui kichu bol tuii.. a pause looks at
mrinal
animesh-hmh sb hath mileachis bloody traitors
mrinal-kano krchis niye ne na taka ta bhai amra aksthe
to achi
animesh- chup kr chaina tder blood money amar ene
tder amr script chaito ne ei pendrive e sb ache diye dis
tder producer ke r hy jas famous
asutosh- hardly slaps the table the photograph of the
four friends kept in the table falls and breaks
scene slowly fades out with a trembling music and
zooming out from the broken photograph frame
SCENE 12
now from here story will be in a fast forwarded way
with a music in the background focusing the main
characters ( just like in the starting) except now the
whole thing will be a little black in white no fully
depicting the end is near.the sequence will be asutosh
and mrinal signing the papers giving the pen drive then
celebrating with the producer getting recognition with
names and pictures on newspapers being invited for
interviews also it will show how animesh and anirban
are slowly loosing it becoming frustated seeing their
friends get fame on their money and the scene will end
with two betrayed friends standing over a building with
a newspaper with a headline famous film star asutosh
nominated for award and screen blackouts with many
people panicking siren of ambulance and heart
wrenching cries of family members
SCENE-13(PRESENT)
IN THE SAME BENCH OF THE STARTING SCENE IN BLACK
AND WHITE TWO PEOPLE CHATTING AND ARGUING IF A
FAMOUS YOUNG ACTOR COMMITTED SUICIDE OR WAS
MURDERED IN HIS APARTMENT ( AND THEN SLOWLY
LEAVES THE BENCH ON LEFT IS A NEWSPAPER WITH A
HEADLINE FAMOUS ACTOR ASUTOSH CHATTERJEE OF
BHORER TORI FOUND DEAD IN HIS APARTMENT POLICE
PRIMARILY SUSPECTS ITS A SUICIDE)
AND SCENE CUTS.

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