Unit 1.1
Unit 1.1
Unit 1.1
ARCHITECTURAL CONSERVATION
PREPARED AND PRESENTED BY: AR. APURVA GOUR
Conservation
• It means all the processes of looking after a
place to retain its historical and/or architectural
and/or aesthetic and/or cultural significance
and includes maintenance, preservation,
restoration, reconstruction and adoption or a
combination of more than one of these.
Preservation
“Preservation” means and includes maintaining
the fabric of a place in its existing state and
retarding deterioration.
• Provision for its security, maintenance and future must be part of this aim. The
end use of the restored or conserved building is therefore of vital importance, as
any new use has to be compatible with the needs of the building.
2. Conservation process based on architectural
conservation
• It is important to know and understand the history of the building, and its current physical condition, prior to
the commencement of work.
• If this is not done, costly errors can be made and the completed project flawed.
3. Minimum physical intervention
• This means making the minimum change to an historic building or place, in order to retain wherever possible, the original fabric
and character.
• For example, repairing windows or shop fronts instead of replacing them.
• It means the careful striking of a balance between carrying out necessary repairs and eliminating problems, and preserving the
authentic sense of history that many buildings and places in Ireland still possess.
• Repair rather than replace, a logical outcome of the principle of minimum intervention is the concept of repair rather than
replace.
• The result is a more authentic building which preserves the feeling of age and history, and respects the fabric and original
craftsmanship.
• It must be emphasized that at first sight the appearances of decay and damage in a neglected building may be misleading to the
inexperienced eye.
• For instance, if parts of window joinery, or a cornice, are damaged beyond repair, and replacement is deemed necessary, then
the emphasis should be on accurate replacement. At this stage it is important
(1) to decide if the damaged or rotten portion is original,
(2) if so, a sample of any existing moulding should be kept and
(3) an exact copy should be made by a reputable craftsman.
It must be emphasized that very precise instructions, measurements and samples
need to be given to craftsmen or builders to ensure that what is meant to be an
exact copy does not turn out in the end to be a carelessly detailed imitation.
4. Maintenance of visual setting
• The setting of an historic building is integral with the whole and should be dealt with accordingly.
• This means that the lands of a country house, the original frame of a painting and the historic streetscape of a town are
all elements which should be conserved or restored where possible.
• In some instances maintenance of the setting may prove difficult in practical terms, but respect for the setting is of
paramount importance in conservation/restoration work.
REFERENCES:
• https://en.unesco.org/
• https://www.icomos.org/charters/venice_e.pdf
• http://whc.unesco.org/archive/2003/whc03-27com-20ae.rtf
• https://australia.icomos.org/publications/charters/
• https://www.dronah.org/
• http://www.aishwaryatipnisarchitects.com/
• http://www.understandingconservation.org/content/glossary-terms
• http://ip51.icomos.org/~fleblanc/documents/terminology/doc_terminology_e.html
• https://www.buildingconservation.com/articles/conservation/conservation.htm
• https://swayam.gov.in/nd1_noc20_ce14/preview
• http://www.understandingconservation.org/content/207-degrees-intervention
• https://www.nap.edu/read/514/chapter/5
•https://www.researchgate.net/publication/329510387_PRESERVATION_OF_THE_HERITAGE_VALUES_OF_IRAQI_TRA
DITIONAL_HOUSES#pf10