Light Burst
Light Burst
Light Burst
Let's start from scratch by creating a new document for the effect. Go up to
the File menu in the Menu Bar along the top of the screen and choose New:
This opens the New Document dialog box where we can set various options for our new
document, including its dimensions. For this tutorial, I'll keep things simple by
selecting Web for the Preset option near the top of the dialog box, which automatically
sets the Width to 800 pixels and the Height to 600 pixels. It also sets
the Resolution value to 72 pixels per inch, but unless you're creating this effect for
print, you don't need to worry about the resolution. The Background Contents option
at the bottom should be set to White. Click OK when you're done to close out of the
dialog box and a new white-filled Photoshop document will open on your screen:
Press the letter D on your keyboard to quick reset your Foreground and Background
colors to their defaults, which will set your Foreground color to black (and your
Background color to white). Photoshop uses the current Foreground color as the text
color, which means your text color will now be black as well.
Next, choose your font up in the Options Bar along the top of the screen. This effect
will work best with thick letters, so I'll choose Impact, and I'll set the initial size of my
font to 72 pt. We'll see how to easily resize the text once we've added it. For more
details on working with type in Photoshop, be sure to check out our full Photoshop Type
Essentials tutorial:
With the Type Tool in hand, your font options set and black as your text color, click
inside the document and add your text. I'll type the words "LIGHT BURST":
Adding my text.
When you're done, click the checkmark in the Options Bar to accept it and exit out of
text editing mode:
If we take a quick look in the Layers panel, we see that the text appears on a Type
layer above the white-filled Background layer:
This places the Free Transform box and handles (the little squares) around the text. To
resize the text, click and drag any of the corner handles. Press and hold your Shift key
as you drag the handles to constrain the proportions of your text so you don't distort the
shape of the letters (make sure you release your mouse button first before releasing the
Shift key). You can also move the text into position by clicking anywhere inside the Free
Transform bounding box and dragging with your mouse. When you're done,
press Enter (Win) / Return (Mac) on your keyboard to accept it and exit out of Free
Transform mode:
Nothing will seem to have happened to the text, but if we look in the Layers panel, we
see that our Type layer has been converted into a standard pixel-based layer:
To save the selection, switch over to your Channels panel by clicking on its name tab.
You'll find the Channels panel grouped in beside the Layers panel:
Clicking the tab for the Channels panel.
Then, click on the Save Selection As Channel icon at the bottom of the Channels
panel (second icon from the left):
A new channel named Alpha 1 appears below the Red, Green and Blue channels. Our
selection is now saved:
With the white-filled Background layer hidden, we're seeing only the text layer in the
document. The gray and white checkerboard pattern surrounding the letters is
Photoshop's way of representing transparency, which means all the space around the
text on the layer is currently empty:
The area surrounding the text on the layer is transparent.
We need to fill the empty space with white without affecting our black text, and we can
do that using Photoshop's Fill command. Go up to the Edit menu at the top of the
screen and choose Fill:
This opens the Fill dialog box. Set the Use option at the top to White, then set
the Blending Mode option to Multiply:
Setting the Fill options.
Click OK to close out of the Fill dialog box, and Photoshop fills the transparent area
surrounding the letters with white. By setting the blend mode to Multiply, the black
letters were not affected:
Only the transparent area around the text was filled with white.
You can turn the Background layer back on at this point by clicking again on the
layer's visibility icon. We only turned if off temporarily so we could see what was
happening with the Fill command on the text layer:
Clicking again on the Background layer's visibility icon.
When the Gaussian Blur dialog box opens, drag the slider at the bottom to set
the Radius value to around 4 pixels:
Setting the Radius value to 4 pixels.
Click OK to close out of the dialog box. Here's my text with the blurring applied:
There's no dialog box for the Solarize filter. Photoshop simply applies it to the text layer,
and now the text appears as a light gray outline against a black background:
The text after applying the solarize filter.
With Auto Tone applied, the text now appears much brighter:
The text after applying the Auto Tone adjustment.
A copy of the text layer appears above the original in the Layers panel:
The Layers panel showing the copy of the text layer.
When the Polar Coordinates dialog box opens, select the Polar to Rectangular option
at the very bottom, then click OK to close out of the dialog box:
Selecting the Polar to Rectangular option.
When the Wind dialog box appears, set the Method option to Wind, then set
the Direction option to From the Right:
The Wind filter options.
Click OK to close out of the dialog box. Photoshop will apply the Wind filter to the
image. We actually need to apply the filter two more times, but rather than selecting it
again from the Filter menu, simply press Ctrl+F (Win) / Command+F (Mac) on your
keyboard. This is a handy shortcut for re-applying the last filter that was used (along
with the settings that were used). Press Ctrl+F (Win) / Command+F (Mac) again to re-
apply the Wind filter a second time (so it's now been applied a total of three times). Your
image should now look something like this:
The image after applying the Wind filter three times.
The text once again appears light gray against a black background:
The image after inverting it again.
Click OK to apply the Polar Coordinates filter and exit out of the dialog box. The light
burst effect is now starting to take shape:
The image after re-applying the Polar Coordinates filter.
With the blend mode set to Screen, the light beams now appear to shine through the
text:
The effect after changing the blend mode to Screen.
This opens the Gradient Fill dialog box. Click on the gradient preview bar at the top to
open the Gradient Editor:
When the Gradient Editor appears, select the Black, White preset gradient by clicking
on its thumbnail at the top of the dialog box (third thumbnail from the left, top row). This
will give us a starting base for the gradient and, most importantly, will make sure that
both colors are set to 100% opacity:
The bottom half of the Gradient Editor is where we can actually edit the
gradient. Double-click on the black-filled color stop below the left end of the large
gradient preview bar:
Double-clicking the black-filled color stop on the left.
This will open Photoshop's Color Picker where we can replace the black in the gradient
with whatever color we like. I'll choose a reddish orange color. Click OK once you've
chosen a new color to close out of the Color Picker:
Then, do the same thing with the other side of the gradient in the Gradient
Editor. Double-click on the white-filled color stop below the right side of the gradient
preview bar:
Double-clicking the white-filled color stop on the right.
Choose a new color for the right side of the gradient from the Color Picker. I'll choose
an orange-yellow. Click OK when you're done to again close out of the Color Picker:
Here's my edited gradient with its new custom colors. If you're happy with the colors you
chose, click OK to close out of the Gradient Editor, then click OK to close out of the
Gradient Fill dialog box:
The new custom gradient.
With the blend mode set to Color, the effect is now colorized by the gradient:
The effect after changing the blend mode to Color.
The filter we're going to use is Radial Blur, but the problem with Radial Blur is that it
doesn't give us a live preview of the results, which means we can't see the blur effect
until we've actually applied the filter, and that's a lousy way to work. Fortunately, there's
an easy way to solve the problem, and that's by first converting the layer into a Smart
Object. With the original text layer selected, click on the small menu icon in the top
right corner of the Layers panel:
Nothing will happen in the document window, but a small Smart Object icon appears in
the bottom right corner of the layer's preview thumbnail in the Layers panel, letting us
know the layer is now a Smart Object:
This opens the Radial Blur dialog box. Set the Blur Method to Zoom and
the Quality to Best, then set the Amount value at the top to around 65 by dragging the
slider. Don't worry about getting the Amount value exactly right because, since it's a
Smart Filter, we can always go back and change it later:
applied:
If you look at the text layer in the Layers panel, you'll see the Radial Blur Smart Filter
listed directly below it. If you want to try a different Amount value for the blur,
simply double-click on the filter's name to re-open the Radial Blur dialog box, then set
your new Amount value. Click OK to close out of the dialog box and Photoshop will
update the results in the document window. You can do this as many times as you like
without damaging the image:
Double-click on the Radial Blur Smart Filter to re-open its dialog box if needed.
Photoshop adds a new blank layer named Layer 1 between the two text layers:
This loads the selection, and the selection outline re-appears in the document:
In the Fill dialog box, set the Use option to Black and the Blending Mode to Normal:
Make sure the Blending Mode is set to Normal this time, not Multiply.
Click OK to close out of the Fill dialog box. Photoshop fills the selection with black. To
quickly remove the selection outline, just press Ctrl+D (Win) / Command+D (Mac) on
your keyboard. And with that, we're done! Here is my final effect: