PEERY LeftUnattended Score

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ca.

5’ – 7' page 1
G short, isolated, unpitched short groups of longer groups few eruptions of short,
E
percussive sounds percussive sounds pitched, sustained sounds
N
more sustained sounds
E
few short, sustained sounds
R
A short silences in each part,
L long silences in between shorter silences but together you make a mass mass grows more intense

M FIRST ONE TO PLAY accordion, slide nails on keys?


A drum w/ string, loose drum w/ string, tight
A
Y rub drumhead w/ stick white noise whistle
A
N single bell, damped replace w/ bell cluster, damped open & damped
ENTER AFTER A
Y vocal fry, mouth almost mouth open
I shut, percussive, no pitch gibberish eruptions,
F vowels, very short, high
A short, high
plosives & rrrrr,
T
SSSS short, high SSSS
ENTER AFTER M

A tongue taps in mute mute


D
I tongue taps in trumpet lip & tongue pops

whistles in trumpet kisses & inhales longer

crush bow, high strings spread, open sound


O ENTER AFTER Y low strings,
tight, short LH fingers on body fingernails
R trill & tremolo
R eruptions,
short, high
ca. 5’ – 7' page 2
G
eruptions dialogue eruptions
E
N slightly louder swells,
short, soft swells, louder swells,
E
R long gaps in bwn slightly shorter gaps wider spectrum
A much shorter gaps
L
intense mass less intense opening texture

M ≈UNISON w/ A SOMETIMES DON’T PLAY SWELLS


A swells (swells)
A
yarn mallet roll bwn swells go accordion, single
Y
A between 2 bowls back to mass note or cluster, low
N 2 players play short swell
JOIN M OR A IN SWELL and cut shortly after peak
Y
I eruptions swells
F dialogue w/ Y select sound bwn swells go
A that blends back to mass
T continue mass w/ M or A & eruptions 2 players play opening texture
and are left alone after cut
≈UNISON w/ M SOMETIMES DON’T PLAY SWELLS

A swells (swells)
D tpt–sax, plunger bwn swells go less plunger
I mute, dark back to mass repeat with different pairs of players

JOIN M OR A IN SWELL
in the last repetition: M + Y play swell,
O swells
select sound bwn swells go A + O play opening texture
R
R that blends back to mass
w/ M or A & eruptions
ca. 5’ – 7' page 3
G long swells long swells, all out of synch,
E
all in unison widest spectrum
N
E short swells short swells
louder al niente
R
A
L opening texture opening texture
≈UNI w/ O ALL TOGETHER OUT OF SYNCH
M
A long swells, long swells, wider spectrum,
A ≈UNI w/ Y bowls, acc lo & hi, bowls, acc lo & hi, more colors
Y tuning forks tuning forks
A 2-4 short louder al niente
N swells, no cut short swells
≈UNI w/ O ALL TOGETHER OUT OF SYNCH
Y
long swells, long swells, wider spectrum,
I
≈UNI w/ M vowel slide vowel slide, more colors
F
A anything that
2-4 short blends well louder al niente
T
swells, no cut short swells

ALL TOGETHER OUT OF SYNCH

A long swells, wider spectrum,


D tpt-sax, more colors
I some plunger,
opening opening
wider spectrum louder al niente
texture texture
ALL TOGETHER OUT OF SYNCH

long swells, long swells, wider spectrum,


O
tailpiece! tailpiece, more colors
R
R
superball on
opening opening body louder al niente
texture texture

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