Arts 8 - Q1 - M2

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MAPEH 8

MUSIC • ARTS • PHYSICAL EDUCATION • HEALTH


MAPEH – Grade 8
Quarter 1 – Module 2: Fabric Design
First Edition, 2020

Republic Act 8293, Section 176 states that no copyright shall subsist in any
work of the Government of the Philippines. However, prior approval of the
government agency or office wherein the work is created shall be necessary for
exploitation of such work for profit. Such agency or office may, among other things,
impose as a condition the payment of royalties.

Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand


names, trademarks, etc.) included in this module are owned by their respective
copyright holders. Every effort has been exerted to locate and seek permission to use
these materials from their respective copyright owners. The publisher and authors
do not represent nor claim ownership over them.

Published by the Department of Education - Schools Division of Pasig City

Development Team of the Self-Learning Module


Writers: Joyce Fe L. Mendez, Eunice Riza P. Javinal
Editor: Dennis B. Torre
Nestor D. De Guzman
Reviewers: Cecille J. Delos Reyes (Content); Aillen G. Sumagaysay (Technical)
Illustrator: Edison P. Clet
Layout Artist: Giovanni M. Fernandez
Management Team: Ma. Evalou Concepcion A. Agustin
OIC-Schools Division Superintendent
Aurelio G. Alfonso EdD
OIC-Assistant Schools Division Superintendent
Victor M. Javeña EdD
Chief, School Governance and Operations Division
and OIC-Chief, Curriculum Implementation Division

Education Program Supervisors

Librada L. Agon EdD (EPP/TLE/TVL/TVE)


Liza A. Alvarez (Science/STEM/SSP)
Bernard R. Balitao (AP/HUMSS)
Joselito E. Calios (English/SPFL/GAS)
Norlyn D. Conde EdD (MAPEH/SPA/SPS/HOPE/A&D/Sports)
Wilma Q. Del Rosario (LRMS/ADM)
Ma. Teresita E. Herrera EdD (Filipino/GAS/Piling Larang)
Perlita M. Ignacio PhD (EsP)
Dulce O. Santos PhD (Kindergarten/MTB-MLE)
Teresita P. Tagulao EdD (Mathematics/ABM)

Printed in the Philippines by Department of Education – Schools Division of


Pasig City
MAPEH 8
MUSIC • ARTS • PHYSICAL EDUCATION • HEALTH

Quarter 1
Self-Learning Module 2
Fabric Design
Introductory Message

For the Facilitator:

Welcome to the Arts 8 Self-Learning Module 2 on Fabric Design!

This Self-Learning Module was collaboratively designed, developed and


reviewed by educators from the Schools Division Office of Pasig City headed by its
Officer-in-Charge Schools Division Superintendent, Ma. Evalou Concepcion A.
Agustin, in partnership with the City Government of Pasig through its mayor,
Honorable Victor Ma. Regis N. Sotto. The writers utilized the standards set by the K
to 12 Curriculum using the Most Essential Learning Competencies (MELC) in
developing this instructional resource.

This learning material hopes to engage the learners in guided and independent
learning activities at their own pace and time. Further, this also aims to help learners
acquire the needed 21st century skills especially the 5 Cs, namely: Communication,
Collaboration, Creativity, Critical Thinking, and Character while taking into
consideration their needs and circumstances.

In addition to the material in the main text, you will also see this box in the
body of the module:

Notes to the Teacher


This contains helpful tips or strategies that
will help you in guiding the learners.

As a facilitator you are expected to orient the learners on how to use this
module. You also need to keep track of the learners' progress while allowing them to
manage their own learning. Moreover, you are expected to encourage and assist the
learners as they do the tasks included in the module.
For the Learner:

Welcome to the Arts 8 Self-Learning Module 2 on Fabric Design!

This module was designed to provide you with fun and meaningful
opportunities for guided and independent learning at your own pace and time. You
will be enabled to process the contents of the learning material while being an active
learner.

This module has the following parts and corresponding icons:

Expectations - This points to the set of knowledge and skills


that you will learn after completing the module.

Pretest - This measures your prior knowledge about the lesson


at hand.

Recap - This part of the module provides a review of concepts


and skills that you already know about a previous lesson.

Lesson - This section discusses the topic in the module.

Activities - This is a set of activities that you need to perform.

Wrap-Up - This section summarizes the concepts and


application of the lesson.

Valuing - This part integrates a desirable moral value in the


lesson.

Posttest - This measures how much you have learned from the
entire module.
EXPECTATIONS

In this unit, you will learn the Fabric Designs of these selected Southeast Asian countries. (Thailand,
Cambodia, Indonesia, Malaysia and Singapore).
Most Essential Learning Competencies:

· reflect on and derives the mood, idea, or message from selected artifacts and art objects; and
A8PL-Ih-1
· appreciate the artifacts and art objects in terms of their utilization and their distinct use of art
elements and principles. A8PL-Ih-2
Objectives:
At the end of the lesson, the student should be able to:
1. appreciated the different fabric design of some countries in Southeast Asia;
2. created own even twill by following the instructional video for making even twill;
3. expressed appreciation of artifacts and art objects in terms of their utilization and their
distinct use of art elements and principles; and
4. followed the instructional video on chromatography.

PRETEST

Match the Fabric Design Terms with the given information.

_____1. Uneven twill a. produced from the cocoons of silkworms

_____2. Ikat Technique b. is done by welding together strips of metal


to form a metal block.

_____3. Hand-painted Batik c. type of batik where the artist uses canting,
a small copper container with one
or more different-sized pipes.

_____4. Block-printed d. to create patterns and weavers tie and dye


portions of weft yarn before weaving begins.

_____5. Thai silk e. It yields single or two-color fabrics, which


are produced by weaving three threads so that the
color of one thread dominates on one side of the
fabric.
RECAP
Let's find out what you've learned from the previous lessons!
Go ahead and define what is given. Goodluck!
1. Art - _________________________________________________________________________
2. Shape - _______________________________________________________________________
3. Movement - ___________________________________________________________________
4. Contrast - _____________________________________________________________________
5. Balance - _____________________________________________________________________

LESSON

Textile Design is the creative and technical process by which thread or yarn fibers are woven together
or interlaced to form a flexible, functional, and decorative cloth or fabric, which is subsequently printed
upon or otherwise adorned.

THAILAND
Thai silk is produced from the cocoons of
Thai silkworm. It is mainly produced in Khorat
which is the center of the silk industry in Thailand.
Thai weavers from this region raise the caterpillars on
a steady diet of mulberry leaves.

Today, Thai silk making is considered to be


one of the finest arts in the world, a product of a
unique manufacturing process and bearing unique
patterns and colors.

CAMBODIA
Silk weaving in Cambodia dates to as early as the first century since textiles were used for
trading.

There are two main types of Cambodian weaving:

1. Ikat Technique - to create patterns, weavers tie and dye portions of weft yarn and old
rubber bicycle tubes cut into strips before weaving begins. Patterns are diverse and vary
by region; common motifs include lattice, stars and spots.
2. Uneven Twill - it yields single or two-color fabrics, which are produced by weaving three
threads so that the color of one thread dominates on one side of the fabric, while the two
others determine the color on the reverse side.

Ikat Technique Uneven Twill

INDONESIA, MALAYSIA and SINGAPORE


The fabric most common to both countries is the batik. The term batik is an Indonesian-Malay
word, believed to be related to the Malay word titik, which means ‘point’, dot’, or ‘drop’.

There are two categories of batik designs:


1. Geometric motifs 2. Free form designs

Modern batik designs depend on the creativity of their designers. Naturalistic motifs like leaves,
flowers, and birds have been utilized to create elaborate and intricate designs.

In Malaysia, the states of Kelantan and Terengganu are considered the cradle where batik first
flourished, reaching even Singapore’s shores.

There are two main types of batik that are produced there:

1. Hand painted - the artist uses the canting, a small copper container with one or more different-
sized pipes.

2. Block printed – is done by welding together strips of metal to form a metal block. The metal
block is then dipped into molten wax and pressed against the fabric in order to make a pattern.
Hand painted Block printed

In Singapore, the existence and use of batik has been recorded since the 12th century but has
receded in popularity through the years. Nowadays, batik is featured in as the uniform of flight
attendants for the official flag carrier airlines of Singapore, Indonesia, and Malaysia.
ACTIVITY

ACTIVITY 1: LET’S WEAVE! MAKE YOUR OWN EVEN TWILL.

MATERIALS:
- Several pieces of cardstock
- (One sheet, multi-colored, 1/2in. strips)
- Tape
- Scissors

PROCEDURES:
Step 1: Choose your pattern.
Step 2: Align your warp strips along the paper and tape at the top to secure.
Step 3: Follow the pattern you chose, using as few or as many colors as you like.

For the video tutorial please check this link: https://www.youtube.com/watch?v=NjJlajT21bw

NOTE: Below is the basis in grading your activity.


Rubrics:
CATEGORY EXCELENT GOOD FAIR POOR
5PTS 4PTS 3PTS 2PTS
FOLLOWING Followed the Followed most of Followed some of Did not follow the
DIRECTIONS directions correctly the directions the directions directions
CREATIVITY Students’ output is Students’ output is Students’ output is Students’ output is
AND very creative and good and tidy fair and has few dull with lots of
WORKMANSHIP tidy errors errors
PATTERN Pattern of Southeast Pattern of Southeast Pattern of Southeast There is no visible
Asian culture is Asian culture is Asian culture is pattern of Southeast
well-defined and visible but not somewhat visible Asian culture
used from clearly defined but not continuous
beginning to end

Rating shall come from 2 sources:


NAME SCORE SIGNATURE
Teacher’s Name
Parent’s Name
WRAP-UP

Create an essay about the similarities and differences between the techniques used by the nations of
Southeast Asia on Fabric weaving.

______________________________________________________________________
_____________________________________________________________________________
_____________________________________________________________________________
_____________________________________________________________________________
_____________________________________________________________________________
______

____________________________________
Signature over Parent’s Name

VALUING

Answer the following questions below.

1. In your opinion, did


Fabric Design have an
impact on the betterment
of the lives of the people
in Southeast Asia?
Explain your answer.

2. As with Thailand and


Cambodia where fabric
weaving is an old
tradition, can you site a
place in the Philippines
where this same tradition
is still prevalent?
POSTTEST

Write True if the statement is correct, and False if the statement is incorrect
________ 1. Cambodian silk is produced from the cocoons of Thai silkworms.
________2. Ikat technique is to create patterns, weavers tie and dye portions of weft yarn before
weaving begins.

________3. Uneven twill yields single or two-color fabrics, which are produced by weaving one thread
so that the color of one thread dominates on one side of the fabric.

________4. Hand-painted batik is a type of batik where the artist uses a canting, a small copper
container with one or more different-sized pipes.

________5. Block-printed batik is done by welding together strips of metal to form a metal block.
KEY TO CORRECTION

References
1. Anido,Belinda R. et.al, 2013. Music and Arts of Asia, Teachers Guide. Book Media Press Inc.

2. https://www.depednegor.net/uploads/8/3/5/2/8352879/arts_learners_module.pdf

3. Klocek Ben.2006.Thai silk. https://www.flickr.com/photos/benklocek/563322132

4. 2013.File:Ikat technique in Cambodia.jpg.


https://en.m.wikipedia.org/wiki/File:Ikat_technique_in_Cambodia.jpg

5. Bullenwächter.2012.File:Woolen diamond twill.jpg.


https://commons.wikimedia.org/wiki/File:Woolen_diamond_twill.jpg

6. photo retrieved June 5,2020. batik, traditional heritage, indonesia, java art, ethnic, material, sheets,
painting, people, art. https://www.pxfuel.com/en/free-photo-owkqp

7. pisauikan.2017.Batik Traditional Heritage Indonesia Java Art. https://pixabay.com/photos/batik-


traditional-heritage-indonesia-2849687/

8. Newman Michelle.photo retrieved June 5,2020.Malaysia.


http://www.ttrn.com/dwvmichellenewmanbatik.htm

9. Harper Sarah.2008.Batik worker.Malaysia. https://www.flickr.com/photos/sarahharper/2854057151/

10. Asad Ali.2012.Twill Weave. http://smarti-weaving.blogspot.com/2012/06/twill-weave.html


11. Schaffer Carol.2004.Fabulous flight attendants.Singapore.
https://www.flickr.com/photos/praziquantel/30114194/

12. https://www.youtube.com/watch?v=NjJlajT21bw

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