20

21
BAND UNIT B PATRIOTIC SUITE
SLOW ANO EASY L "America the Beautiful"
(Warmup Chorale) Group 2
Group 2 Andante Samuel A. Ward
CD 7
1 o
•
-O-

o •
o_ o • o
o
o
•
&

dim
• -•[ -0- -ar ir*

•-•• •

El, Major Concert Scale

SCALE STUDY INM•11~•~0111

•
2 o 1 - 6
o

R-0

blewm,
o_
o
• • • •_
•
- "6-• -dr
-6-

o
~my

..••••
o

31 1119 -4' • • • o o o

RHYTHM STUDIES

3 - 4 --« o 1
o • •
a
Group 2 II. "Yankee Doodle Boy"
Lively George M. Cohan

11~1~•~ 1~ 11•1 *go°

8 #1)_
4 di •_
•
CD
o o -- de r o ir —o
Nos. 3 and 4 may be played together as a duet. o
FOUR SCALES - THE SAME KEY SIGNATURE • • o
Co •
RELATIVE MAJOR AND MINOR
El, Major (Concert) C Natural Minar (Concert)

o
labile~~ 1
y
-0- nes- o

- •-•••-

C Melodic Minor (Concert) C Harmonic Minar (Concert) cD,

6 •
22

BAND UNIT C • ENGLISH CHANNEL SUITE

WARMUP - TUNEUP From England: "Early One Morning"
Group 2
Moderato
1 7
• -•-
J._ •
• -O-
-41I-

o o o 6
11 CD
O

Ab Major Concert Scale

121..
SCALE STUDY CD
•
2 O
mf -é-
• •

lierami~~ 1

• o
11 111111~111
ti ti
o • ti _5
RHYTHM STUDIES - - -
-O- -0-
-11P-

o
3 D0 • • •
o 10~~n _

• 414
To France: "The Cancan"
Group 2
Allegro

8
10"
1_ -O-

O* 0 9 0_.• o •
• o •
ti 11111~~11111111101_

-0- -4IP- -O- -O- --4• - Or -1/r -c- -o- -o- -o- -o- -dr Ir
00,11~
1
1.105
40.0 ° _ -NOM
. 112.
•
loar_
• ay —di -1
0 O O
aill1110
O o _
IOMINMem
• -O- -O- -0- -o- -mi- -o' -o- -o- -o- -Or
Nos. 3 and 4 may be played as rounds.

TWO NEW FLATS

C6 - Same tone as B1O - Same tone as Etl
>- D.S. al {j} CODA
• >- >- >-
c. 6,6 o
-6-
-75 I _JIP-.0 o o
000
O
• IP

Mons.

ETUDE IN FLATS
6 tifo

Tar
•Wilmalf
ti
1
18
23
BAND UNIT A
TWO NEW SHARPS
Group 1 WARMUP BlISame tone as Cl EI Same tone as FI
7
4
marma~e:
a l 4I
1 1 o
logrow~ mwarormara »arruma. our~r a

Group 2 TUNING
2 O oO (.> ETUDE IN SHARPS
2 I I 43 41
1 8
Bt, Major Concert Scale SCALE STUDY 1--0- -6-

t, C) o 'Mar_

4 -7: - " • \_,d•

WILLIAM TELL - THE OPERA
Group 2 Gioachino Rossini (1792-1868)
Allegro IMIMmuuMalall~

9 -
-1-3"
a o

RHYTHM STUDIES

4 •
•1
mf -4P-

11~1MilaWalailaalla

• o 0
• 41, if •
1
--0- -0-

ramo

5 o 6
•

-2-----41-411-49- 0 •
• _ O
Nos. 4 and 5 may be played together as a duet. o
f
CHROMATIC SCALE

6 •

Try this chromatic fingering for DI (5).

Y
Scale exercises, in which articulations are not indicated, may be either tongued, slurred
or piayed with various articulations. A few suggestions are:
24 7

BAND UNIT D THE TREMOLO

CANTABILE The Tremolo is similar to the trill, but any size intervals can be used.
(In a singing style)
Group 1
Andante ti _
9•
9 • •
9' _
6
1 —n • •
4 beats 3 beats --
ntp
2 beats 1 beat

• O o
THE GLISSANDO
cresc. f rit. The Glissando is found quite often in band literature. It is meant lo be an "effect" and all
of the notes cannot always be played. The important thing is lo start on the first note of
glissando and end on the last note, on the beats indicated. It can be written in two different
SCALE STUDY ways, eíther writing out the notes or connecting the first and last notes of the glissando with
F Major Concert Scale IMMIMAIMMOMMIlm~y~
a line. The notes are usually scale tones of the key in which you are playing.
tl "
2 " o 91 • D. o 9
-4cr -4E> 4-3 "
G•
O • 0
1
J_ 4th beat
2nd beat

THREE NEW KEYS

O a • o 0 o- o Al, Major
O O_ -0- -AL -11L.

8 O

RHYTHM STUDIES
-9-
•_
O

3 9 O

DI, Major AL AV -41- AV

____
OMMum, o *_
. ••••••

o • o-dp. ya" I •
~o.

o• O
MI
9 O 9'

5 0 u • • O
-O- -0-
O
-O-
•

000 "Iumr—
G •
• IP AA- -0- G•
=O= lir
4 •
•_
• dp_O o B Major 9 -9- -11 -O-
o
0
10 ej

• • J •
-0-
Nos. 3 and 4 may be played together as a duet.

CHROMATIC SCALE
IN CONCLUSION
5
tt_ 41_
11
Play both octaves.
16
25
UNIT 9 ARPEGGIO ETUDE
EMBELLISHMENTS
GRACE NOTES 6
Grace Notes are short notes played as quickly as possible, just ahead of the beat. Single
and double grace notes are the most common, but larger groups are also used.

As written:
é •
-6-
1
_______,,,_,
-o-
1 As played: 3
w. prommarso
••••••• —u"
as ...~
« • ,,. ..iiit
... ik,___
O
BATTLE HYMN OF THE REPUBLIC
_a- -a -.. s. - 4.----41 •• t ... y ,,,_ -,• k

Group 1
* The 32nd note (19) gets one half the value of the 16th note. William Steffe
Majestically
7
THE TRILL
The Trill is played by rapidly alternating between a given tone and the scale tone aboye,
either a half step or a whole step. There is no exact amount of notes in the trill but it
should be played as rapidly as possible.
o O• O O
O•
momo mom.° mon~

• • • • • • O O
• 0• O di •
0~ 0
As written: Might be played as: or:
6

2 - 1P O 1 ormoo"
Sometimes the upper note of the trill is altered (usually lowered).

z• W••••••,.. ,
• •

3
F and GI, C and DI, E and FIl B and C11
O O
O
When moving to a higher note, a lurn" (indicated by grace notes) is sometimes added to O •
the end of the trill. o • •• 1
-•-•
As written: As played: mf
101~...114~ 11.101~1~~1111
11.1~.510.10..

• • 1
7
Some trills are difficult to play using the regular fingerings. For special trill fingerings, refer
to the trill chart on page 39.

• ' 91111111111ffilfillIffill~IMINIC
Or • • o o
THE "GRACE" AND "TRILL" OF IT —1> -•-• 49.
O •

------
-13

•
roo' •
rit,
26

BAND UNIT E REGAL MARCH

TUNING IN C MAJOR (CONCERT) by Richard Langen
Group 1
Allegretto CD
9—

mf
CD .•-•"""'
•
SCALE STUDY
C Majar Concert Scale
cresc.
2
o • •
4. 4. • •
. 0~~

'',
-o- -4P-- — 411Ly . _
~mema.
••••• • • _Y
a. • AV— • o •
4 • emim:

-I- 44 dim.

Group 1 RHYTHM STUDY

• 0'
3
INIr

U11111~Miums 00~
1~1111111~1 .1111~11111110•11

• • 42---•—• •
offoriaw000

CD •
• • • •_
• 4. •
MO.~
.00 _
CD D.C. al Fine
1.1.11~1111.11111_
~iNsamb~sta 0~ 0 mf
4.

AL_ • • ,,,,,
•
CD
4. . 4. • --dr --10 •
•

Ep

RELATIVE MAJOR AND MINOR Gzr •

•

B1, Majar (Concert)

••■•
G Natural Minar (Concert)
1~~~~101
mumems~
o ' • -o- -41P-
—

1
.4 • é -AL- •
-Y- -•- •__ O 41L...._
1~1~11~1111 ~1~i~
• , -
dir • • .7 41 1.*
• 4. 4.

• 4. • • • din •
• 4.
-- 10
•
• -o- ovo**_
»MEI -Y` 11~1~1110~I

Slowly
e7s
G Melodic Minar (Concert) G Harmonic Minar (Concert)
.011~~~1111V
Issa. • 19—
--• •_
5 • 11:171
Y-.
— ---ar -0- -ar • 4, lemomi~~1

* Refer ta Unit 9 for explanations of these embellishments.

• The piano accompaniment ta this solo can be found in the back of the Conductor's Manual.
14 27

UNIT 8
WHEN JOHNNY COMES MARCHING HOME
E MAJOR SCALE STUDY Group 2
Louis Lambert
Moderately - In two
1 6
-ir
•

--_1111111~

- 6 •

AUSTRIAN HYMN Haydn

2 •

• o'_

o
cresc. 1- a • • • • • •
f

1111111111111.11M

-o- -o- -o- -417-0 -o •

E _ 1
CHANGING BACH AND FORTH
Allegretto „....,.••••~"'"•••••••

MEADOWLANDS
—0 —• '
Group 1 Russian Folk Song
p -O- • _.
Allegretto
3 s,
mf IIN•r---••••••~11•1
Il•••••••~1~0

7
r
4>
7
—10-- •
O— .--.0 ff di • la
u
-M . .

D.C. al -e-
o o
1
_ 01• 01~1.•~1~ _
ff ff, • • E
• 6_
-11CA,1 ii—a• • • • • •
• 111,- • -I ,- rr • • • •

•_ • •0000 o
dr— E fi fi—
CODA
lhaug

Lr r dr—

D. S.1al * CODA

1
28 j

BAND UNIT F UNIT 7

Group 1 ARPEGGIOS AND LIP SLURS E6 MAJOR SCALE STUDY
3 3

1 1
did~0
O
O.
O • O
" .10•0••• 3

•,• •
roo • -4P-
r 3 -I
r 3 r 3 -1 .3
f— 3

1
dappda~
-`• liond000'
•
• • •_ d, • -ari,„ • • 6
d•—.0 • • • —O
74-r- -dr
Give ahl the quarter notes their full value, as marked in measures 1 - 3.

SCALE STUDY
G Major Concert Scale ••••••••■••
C MINOR JAZZ STUDY
Slowly = 60)
2 -44_I • O
• •
• _411_0__To
o—O
O 71 G. • O O _
6

o 0
dimododud •••••••••••~
•••~0~~» — 7~
1—
-O-

O
_J11_41_
.10M.pdpdd -o- -o- •_ O
iddo•

do/
O
O• •
-dld• O •
—41 4P- O
O
-410- •
..""•••••

HIGH CHROMATICS
RHYTHM STUDIES El, El F

1^
3 r1

• •_ 43

Allegretto
SAILOR'S HORNPIPE Traditional
edem,

• • • •
• • •
u. —O- —IP— —O— 7,-
addappd

3
3 dodol 11. 111~~11~11

4 • • • • • • 0-0—•_ • •
• • _o-
-"ar
3
3
110104/0
3
o 1111111~1111~1 ~I! Wall•~11.1101•10

(1) • • O_ deddis
O O • • • e O
L— 3 —J ~wad ~dm O o di O
3
r - 3

4=1'7'_ • -O-
- 0 • O
lood~_

O •- 111-1-0-111--
O O__
1 O
odador~deadddeld~ —111,

-O- O dd
111~1111111111~101.

o --dr
1
Nos. 3 ami 4 may be played together as a duet. ir -IP -dr -71--
12 29
HUNTING SONG
by Richard Langen
Allegro - in 2 MARCH ALONG WITH JOHN PHILIP SOUSA

Group 1
Moderate march tempo O "Manhattan Beach"
-4E) _
P cresc.

o •~11~0.
=• 1111~

41# •
11. 1. 111111~~1•111.011~.11
11111111.1.610kiáligal~.1.0
"••••••~-
•

mf
• • • • o•-•
-o- -o- O "Washington
4
Post March" CD
o
•
711f

011~1~1111.111.1.111
MIMO

a • .1
7 •/- 5
••••■••••••••••••••••~1

MOSIO 1111.10•111.10~ 1~ 1.•~1

• o
4"
-0-

•••••

lP I
—11P
O "Stars and Stripes Forever"
mp

4I -O-
-414
nl CD
CD
(1,_ •-•amor-- -
a •
nif
"s_-

• _
o
4—

O
r • •
•

J -él-- -ir -o- -o- -o- -o- —

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•_ =al
a • ›- >-

›-
30
11
BAND UNIT G
UNIT 6
SHENANDOAH
Slowly, with freedom CD A MAJOR SCALE STUDY
-•-•
1 • O
a •-•.0_
-40-*
a.

4 2
np 1 • •

-o"

1
••••11.1«
- 7,-41- 7/ • _O •

t?
•0 •
•
O Slower
-11P-•

1
(".•
o • a
-0- SKIP AND STEP ETUDE
mf dim.

2
SCALE STUDY
DI, Major Concert Scale
a
2 o U, • _OP • OF «

O ••••••••••••

• O 9
• IP.
• • _ • G•
mumenimm" ~ 0~

usooll Play ahl of the quarter notes as marked in the first measure.
,00.0
• 0 • • • •
•
3 FLATS IN 3 OCTAVES

RHYTHM STUDIES 3 _IP

I. o

•
••••• lbob.

1 BEAUTIFUL DREAMER Stephen Foster (1826 - 1864)

Andante - in 3 (2. ,
p. 4 MI; •
• -41 -é
-r -el:* -o-

IIIMMONOM

• • •
a • • o. •
• • dp----

1/111•11~11/11 mos/i
. 111
1 ~~1111.

JI
41111111~1111111L--
•_
-44 1.11.11~I •
•
1
0° . -O- -
-
Practice each section seperately, then play the entire exercise without stopping.
p
10 31
UNIT 5 SOUTHERN JUBILEE
D MAJOR SCALE STUDY Group 2

Brightly
offimmir 11•11/ _

1
-G-

"Camptown Races"

r
0/0 0

'Er —
-40- -o- — -o- -él-
**- -O- -dr I _
mf
Play the dotted eighth - sixteenth note rhythms as if they were marked

3
ETUDE ~MI

Not too fast —• a

2 0* * d.: •
40.
0 0/0
"ax, wasoura •_7
ai
.4. • /•___

••Ati,
.0 0 vem~
•
•~11.1
/1011~10~--

• 11•1111
-o- -é-
mf

lamiorwrou •Amir---
MIA.1

-or

1 "At a Georgia Camp Meeting"

wamwarommmr--1***/-- -

• a a a
711-
A NEW C#
CD
3 • I

AULD LANG SYNE miimmaimmir

1~11/2/1"1 ••.~
CD
A
Andante 4/ I
)
OIF •

711 crese.
MIMO
ea_
o• al • •
-__a o1•1•P VI,
•*/*
PO°

"••••••••••,
o _
•
• ,
o •
...„
O' - _5 TE2. 000.

dim. 711p

._ r 1.,_ ___. •, .__

__ .._ 4 J_
vioxio--""\\ ------- wri,"
.,-•' ."'-------..---
 9
32
BAND UNIT H TRANQUIL CANTABILE
LO HOW A ROSE E'ER BLOOMING By Richard Langen
Group 1
Andante - legato
2
1 roo

9
9 • • o
1
•
SCALE STUDY 3
-0-
D Major Concert Scale 3 urro

2 J_ mord
3

,-- 3
3 3

'- —"74‘17.7 171) r

L.
3 L 3 _1 mummord
di—_I
3
3
r 1r 3 2. 3
11.
3 3
'irorr r 3 r 3 —..".6 •
•
• • • 0 0
1 • o
•

L 3 J
ororus
* • 4IL

aro, -0-
MIMO
d.
mf •
•
MUMIIrro
, 3 ntp
RHYTHM STUDIES
11. omio~

1 1
~•~0.1~—~lOm

3 •
• • • •
--o -•

ormar1~.
mmommul~

• •
• o• ro' U -J)

•
0 _9 .
9
Practice each section seperately, then play the entire exercise without stopping.
iumm** L— 3 -01' -0" -0—
II. A CHALLENGE 3 3 ntp
r 3

4 CD
oro -O- o• di
3 J
3 111.1
19 -- 40- • ----e-- ifir¡ I '• o _ U. • E.
o \•••_ • • •

41_
r 3 n Bro o woom•
IllMm0000
~MI mf IlUrairro din,. IIMmrIMU

• •
• o • o 4,
o IMIMM
•
oro C) ~murmuro
sum
uso urup /7)

• . 991r.
2 •
• -o-• -0- poco rit.
•••

CD
a
,mouirMI
* Lower notes optional.
•
>
The piano accompaniment to this solo can be found in the back of the Conciuctor's Manual.
8 33

UNIT 4 Group 1 THE ALPHABET

Allegro - in two Mozart
G MAJOR SCALE STUDY 5 •_

9. p
a
cresc.
e
7-nf
f g j
11~

k I m
1.IMMOIMIL

n o,

I m o k m o u y

ETUDE o— • o
Moderately fast w•owaoi.wa~. • o a o --
II
MMIMMIIIMMUMEIUM

2 • •
»NOW
y and z a
p cre,sc.

o m n

• •
• • •
~Mi

k I m o p q r s t u y w x y and
ACCIDENTALS WILL HAPPEN
EII

3 o
WHERE THE RIVER SHANNON FLOWS
Group 2
James Russell

6
L R L LRL -o
or: R L R R L R
R L RL
R L R LR

BATTLE HYMN OF THE REPUBLIC •

• a -•-• -0-
William Steffe
Moderately mf
4
CD
"1 Y —e; —O—
a • - 7::)- 11, • •
• • a' • • o' • • • •

D.C. al CODA

«r-
s-- - _
dly _o:.
34 7
BAND UNIT I UNIT 3
Group 2
RHYTHMIC CHORALE
Moderately fast B6 MAJOR SCALE STUDY
2
1 j iu i61 1
f

o --- 01111/1111~ 1W1

eiros. • •
111111111~1~1
1
t.>

p cresc. ff -
DUPLE AND TRIPLE METER ETUDE
3 3
0 ~000
1.
•••• 112. Moderately
2 • • • • • •_° •
• dr-0
o 2 • •
• o'

11, CreSe.
Inp

3 Im_r~•~9 ,

o • • • • •
•
M1J o •
Nos. 2 and 3 are played and counted the same.
Fb

QUARTER NOTE TRIPLETS J_J 9

4 j1j1•1 r-r-r- 3
>-
• •
>-
r. Play the quarter notes as if they had tenuto marks ( J)JJJ) ), as in No. 1.
3

>-
• >-

1 The Same Tone CHROMATICS

Cb
3
3 _Ttb

RESTS AND MORE RESTS L R L LR L

Play both fingerings: R L R R L R

•
• o
• RAGTIME BLUES
>- >-
• 7O O•
o) r
Manows.

O •—• •
o >-

• •

Nos. 5 and 6 may be played together as a duet.

6 35
ANNIE LAURIE FORTE - PIANO

Arr. Richard Langen o o

Andante
f
017AL_ —
í i11_,•
- Attack these notes f and immediately drop top.
cresc. ......, _ ar_ _o
f di n,. P mf

memeammum
a j _em"
jv .~

1
•

25 --- P--------ii> »:---.---1

/t---41— . SONG FROM THE HILLS
P cresc,
f dim. Group 2
Allegretto r- 3 CD
---. 8
• o
cresc. _ — mf

'
19,
• .
,.....f
eres
il -4.- -Ir :1-
0--1 ---2; : -O- " IP-. .--
-1- :1 - 7111 1 .
1
h-. -
___.
r_-____,„, V mp
inJ
mf
r— 3 r- 3 O O o •
t __„4_e-
I. • -

'
• o-
•
cresc. -mf dim. mf 9
O,- _ pe 0_4, _ o 9_
o u • o o C1

7711) cresc.
7-
drj -dir

mf dim.
-o-
mf
O
fdim.
cresc.
--,-• • • o_____ -•-• AL_
ç ro* ,_____ • 9
I • ...- O o_AL_ 9

cresc. mf cresc. f -
...„ mf
../ 110~11

— -a-
0 e
41, -ao- ars-IP—Or. • -4a.
r ----
E-
s • ei ---ATi.-----,-
----
..--. 0 - 11 -
— o — o
(i° -,"
0
\,,,.__ _., O $1--11,t_j o____•
mf
cresc.

r-- 3 —1

• a O •
J - j
dim.

O -.

61
dim. CreSC,
36
LIKE A MARCH UNIT 2
Group 2
Moderate March tempo
F MAJOR SCÁLE STUDY
2
• o
1
mp 711F

o mf

4-1_ f
-•

ETUDE
Allegretto
rL
• • •
ISM

ir"
_

•
2
G. —
-0-

-40110. 1.
•
ro-'1 0-49 - 11 •
G• -o- •
o o •
mir
f

CD 9 -°- -O- •
•
dr E J_ >-
o
0~0000~0 _

dim. el%

o
1 3
HIGH D

Iré 9

o
O
— 111 9_

Ill~~111101•11~1
cresc.

1111111111•111
~N i
EARLY ONE MORNING
lE
English folk song
Moderato IIMOI~ M~ g~gmlailim Ilall~~ 111~ 111

MIMO 1111.1.1~,
a al •
• • 0
E • •
C) 2
4

o O o

.__.• .. _._, _ --r- ,

"-
• ,
O
0.00

..., . f, ........,.
---1, j_
T iirl__-____,.
__

..J
____

,...., IIIIIIIIMI III

-0- o
_
4 37
UNIT 1 -
c-1,11 orETC CHRISTMAS TIME AGAIN
C MAJOR SCALE STUDY Group 2

o_ .0 • .0 OIL O "Deck the Halls"

1 o
•
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- O- • -0 -10- • • o
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mp
ir, •
_ ff-6 • -o- —

Allegro
ETUDE "Hark the Herald Angels Sing"
1~1
h'Immeo-
2
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mp _ ▪- mf

o • )
o• IP I o • 0
-IV -0- -I- -IP- -O- -I- -I-
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6:

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a
4:71 o Moderately
slow

110 -11Ir O a
-0-
— -o- -6- -o- --ar
r jt.
o mp
000 "Silont Night"
Work for a contrast between slurred and tongued notes.
o o• a o_
TUNE THE G - A - lE16 j o-
These Ihroat" tones are usually sharp and of poor quality. Keeping the right hand down (U)
on these notes will help intonation. 0

3 o oo
•
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•
-6-*
to •

o bo• ré • Ii o o•
o
-6- -6- -6-*
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THE DEVIL'S DREAM American Fiddler Tune Brightly
( .:1 \D "We Wish You a Merry Christmas"
Allegro OINNINaa~OlOa.
I t.

4 • —

o -ar a
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cresc. mf
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1. 1! 2. o >- >-

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Merry Christmas!
* Acelerando - gracitially speecling up
38
3
D Major - C Major Concert
MAJOR SCALES,„ _
Clt DEP E G# Ab A

2
G Major - F Major Concert
•
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1_
#.4 LP

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511
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O
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o
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88 88 88 88 88 88
A Major - G Major Concert
dp2I0 -0- •
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258

3 •
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Db D D EÍ7 E
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749
7- -1° - IF

C Major - B6 Major Concert lux ce lee 174.-et

.11- 141- ±&.f. ® /7\
• • IP 0 •_
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-9
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E Major - D Major Concert t •e i• i• leo joo to• i •o to ¡o lo•
CD _ \ O • O
o • •
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or 54? or év O o
gp _ 65y irki' 511' (-5-V
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-o- -ar — 11- -o- —
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88 88 88 88 88 88 825 88 88 88

F Major - El Major Concert

O _ --, r;\ PIANO KEYBOARD
6
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ifi on_if
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1 HALF
STEP
WHOLE
STEP
WHOLE
STEP
HALF
STEP
WHOLE
STEP

B Major - A Major Concert I

-11,- .0 _ •
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Bl Major - Al Major Concert
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F# Major - E Major Concert
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= a ay -o- -10- 741: = -o- l•

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El Major - D Major Concert WHOLE STEP

/7\ WHOLE STEP
10 •
ay o

o -IP— O
9 9—
1 HALE STEP
The distance between any two adjoining notes
whether they are black or white keys.
Two hal f steps = one whole step.

Eh Major - B Major Concert

,111-
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o É:\
Examples: Examples:
oo LP

11 O • •
0— •_
o o • • O O
o
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J ILP

F- B- Bb E-F F- G Ab- Bb B17-C

Al Major - Gl Major Concert
® NOTES
12 IP • • 6
:47-- -11" 71- -PI- -6-
—
2 FINGERING CHART 39
CLARINET TRILL CHART
• When a number is given, refer to the picture of the Clarinet for additional Trill the keys indicated by the arrows. Use regular fingerings for trills not shown in this chart.
• - Indicates hole closed key to be pressed. (G6 - A6) (G# — Ml)
or keys to be pressed. • When two notes are given together (Fli and Gl7 as en example), they sound E — F E — FIl F — G1 FIl — GIl Gil— A — B1
the same pitch and played the same way.
o - Indicates hole open. • When there are two fingerings given for a note, use the first one unless the
alternate fingering is suggested.
o_ o O O
-40- Irer "

e: e: e:
•
visa or • •
Ir« or e
• si • `r • w
• • • •
S28 85d -4 118 R
E Gb

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1--> 6 5
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or •
(Gl
o
o o
o o
o

• e • • • • (G# —
• • • • • • F - G1 F — G FIl GIl — A A6 — BI A —
85W W8 88 88 158 88

o —E> t3 _13 al o 11 170

AL' A Att Bb C# 02 082

10

0 0 2
30 y O
VP SIO
ti
o o o o
o o o o

13,0 o • — B - C B — CIl
PA 1"5
ri
o
l •os l•
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• •
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e
ti
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or
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88
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88
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88
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88
o
88
o
88
o
o
oo i y'
•
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IV
•
•
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SI8
(Gl — Al)
D — E • - F F - FIl— — A

D# E F11 Gb.
•
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LP_ 423 o
7. o
' 47 °0

l•." le• leo o

loo A.o loo
o o3 o o 5o
AIl — B • — C B — CII C C — D
6o o. or o
- vp or -- o O
F—Right Hand

- rv wip 64y0r 6 51,

o o o o
845' luzt_
88
o
88
o
88
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88
o
o
88
o
o
82
o
o
88
O_
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• •
r-e 50 3
So
o
6o r + 50 50

G#
o
o
5 60
o
o
1.4 65
o
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o
1-3 65
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A A BL' (DI — El)
— D C$1 — DIl DIl— E El — F F — Gl F — G Fit — G
o .n Itix
1 C1F tik O tlt [re,-

Al
o
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• ,Or •
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914
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815 825 821 SE
 ,
• Bb Clarinet
40
NOTES BOOK THREE

1-1Mony -rn ro L) cong

_
*nYát

correlating Individual Instruction

with Group lnstruction
by Frank Erickson
in collaboration with:
Richard J. Langen
Carol Pelkner

l 1 LA II -72->04 pe- Featuring:

Two Methods in One - Part 1 for individual or like instrument
instruction and Part 2 for band class instruction.
Harmony from the Start - The band units of books 1, 2 and 3 are all
based on the band playing in harmony.
Scales and. Keys - In Book 3 the first eight units each focus on a
different major scale, with the remaining four major scales included
in the final unit. Three different forms of minor scales are also
presented.
Band Units - The band section of Book 3 is a combination technique
and program band book. Band numbers utilize concepts taught in
the correlated technical studies.

Instrumentation
Conductor F Horn
Flute Trombone
Oboe Baritone B.C.
Bassoon Baritone T.C.
B1, Clarinet BBL, Tuba
Bass Clarinet Timpani
El, Alto Saxophone Bells (Mallet Percussion)
B6, Tenor Saxophone Percussion (Snare Drum,
Baritone Saxophone Bass Drum and
BI, 1:rumpet Auxiliary Percussion)

Geyer Design/Photogranhy: Warren E. Conway

Illustrations: Ralee Clolleller
Copyright © 1989 by Belwin Milis Publishing Corp.
c/o CPP/Belwin, Inc., Miami, Florida
International Copyright Secured Made in U.S.A. Al! Rights Reserved