Natashas Project Propsal Form
Natashas Project Propsal Form
Natashas Project Propsal Form
What materials, tools, techniques and processes have you used and how can you employ a broader
range of materials and techniques to explore your theme in Module 3?
So far, on this course I have had the opportunity to explore a wide range of materials, tools,
techniques and processes. Through these experiences, I have experimented with a variety of
mark-making techniques, including both traditional and non-traditional methods. 05/04/24
For instance, I have delved into the world of sound and music as a source of inspiration for my
creations. I have also explored the fun and random world of collaging, which enabled me to
combine various materials, textures, and colours to produce unique and expressive pieces of art.
I have worked with a variety of mediums, including fine-liner pens, ink, watercolour, and acrylic
paints. I have even tried printmaking, carving my own Lino motifs for a repeat print. As well as
exploring digital and graphic art, using Adobe software for film and photo editing.
In addition to two-dimensional art forms, I have delved into three-dimensional forms, like
woodwork, paper engineering, bookbinding, mod roc, polymer clay, and polymorph. This has
allowed me to add a new level of depth and meaning to my work as well as challenging myself to
push the boundaries of my own creativity. I am eager to continue honing these skills, potentially
even creating a sculpture of some kind. 05/04/24
The most memorable projects for me have definitely been those involving the craft of a three-
dimensional object. One project that stands out was when I collaborated with a group to craft a
costume entirely out of cardboard and scrap materials. This project helped me to develop my
collaboration skills, as well as my understanding of three dimensional shapes and forms. Another
project I enjoyed was making a "Enchanted Fairy Garden” inside a cardboard box using twigs and
other found materials and items. And I really took pleasure in applying some paper engineering
skills that we had been taught to create an intricately designed book.
I have developed an interest in exploring the human experience through my art, focusing on
childhood, nostalgia, growing up, and the concept of the inner child. I wish to continue creating
artwork that conveys these messages and themes, but using a three-dimensional form to add
depth and meaning to my work. 16/04/24
Question 2
Reflect upon the audience and method of dissemination for your work.
What does it communicate and who is it communicating to? What does it offer to the
viewer/customer/client and their lifestyle? Where will the work be situated? How can you market
your work?
I am looking to connect with people who are going through similar stages of life as myself - those
who are experiencing the significant changes of young adulthood or adolescence.
This is a confusing and dramatic time marked by physical and emotional growth as one tries to
understand themselves and navigate the world around them, and so I want to create some art
that relates to this audience and speaks out to them on a deeper level.
My artistic interests revolve around exploring themes that touch upon our shared human
experience, such as childhood, nostalgia, and the passage of time. Through my creative
endeavours, I aim to respond to these messages and themes, and I hope to continue doing so in
the future. My ultimate goal is to evoke an emotional response from my audience when they view
my art. 16/04/24
The piece I'm working on will be elevated on a plinth, positioned in a way that allows viewers to
appreciate it from all angles. Its physical form can be carefully touched and closely examined,
adding to the overall experience. It could be captured in photographs and shared digitally or even
featured in a publication.
I could also create custom dolls that are tailored to the client's traits, appearance, and interests to
expand my market. 25/04/24
Furthermore, I plan on printing and selling illustrations of the piece on a grand scale as a wall
display or in a smaller format as a print or poster. These could also be shared online or in a
publication. I believe that online sharing is crucial, especially in today's world, as it offers an
excellent opportunity to connect with my audience, who are very active online. 20/04/24
Question 3
We make, design, and produce work to be shared, and to elicit a reaction or provoke a response.
What response would you like to provoke in your Audience/Client/Viewer/User? Are you the kind of
designer/artist/producer who aims to disrupt - to entertain or to question? Is your work ironic,
playful, educational or political? Use this space to think about the response of your target audience
on viewing your work - how do you want them to react? What is an ideal response?
I aim to create artwork with a lasting impression that evokes an emotional response in the viewer,
allowing them to relate personally to it and reflect on their own childhood experiences. 16/04/24
My goal is to generate a sense of nostalgia and encourage the viewer to think deeply about my
work and how it relates to their own life.
My target audience is at an age where they are transitioning from dependence to independence,
and I hope my artwork can be a part of their reflective journey towards self-discovery and
personal growth. 20/04/24
Task 1 – Part 1
For this module, I am deeply interested in delving into the themes of Childhood, Nostalgia, and
the Passage of Time. As an artist, my passion has always been illustration and character creation,
with a particular focus on the human form, and I want to continue doing so for this module.
05/04/24
I have recently been interested in experimenting with three-dimensional forms, and I want to take
this further in this module to develop my illustrations and characters. I think this approach will
help me expand my creative skills and move beyond the traditional methods of drawing and
painting that I've relied on in the past. By exploring my themes and messages in three dimensions,
I hope to add a new level of depth and meaning to my work as well as challenge myself to push
the boundaries of my own creativity.
My goal for this module is to create a collection of work that reflects universal experiences of
childhood, nostalgia, and the passage of time while displaying my unique perspective and artistic
style. 16/04/24
What skills will you need to develop in order to complete the work?
What will you need to learn? What existing strengths do you have that can help you to succeed?
To achieve my goals, there are certain skills and procedures that I need to learn. These include
skills and understanding in doll making, sculpture, and working with air-drying clay, as well as how
to safely bend and mould wire. Additionally, I need to further develop my skills in mod roc and
woodwork. 17/04/2024
I also need to acquire skills in creating costumes, such as tailoring, sewing, and outfit construction,
but can definitely apply many already learnt skills from previous tasks. 03/05/24
What will you do to sustain your practice and to develop your motivation,
understanding and confidence?
This focus of this question is your research practice - what has already inspired, informed and
influenced you? How can you push yourself beyond your comfort zone here?
To sustain my art practice and develop my motivation, understanding, and confidence, I plan to
conduct plenty of research and potentially visit the UWE library. I will ensure I only explore art
that inspires and interests me, and respond to themes I am passionate about, with the aim to
deliver a message that I am proud of.
To push myself out of my comfort zone, I will not limit myself to creating canvas paintings alone,
or 2D images. Instead, I will utilise multiple skills to construct a three-dimensional piece, aiming to
research methods on how to sculpt and mould the human form, rather than just painting and
illustrating it. 17/04/2024
Task 1 – Part 2
This is a short module - and scheduling your activity and planning out your production arc will
help to ensure that you keep the project on track, with time to make a quality artefact for the
exhibition. The best project concept in the world will not lead to a successful outcome without
good, pragmatic planning. Remember, gathering or "procuring" materials will take time - and
supplier availability and high costs will slow you down and impact on your ability to make work.
You must factor this into your schedule. A prohibitively high cost on a particular material or item
may prompt you to investigate a more easily sourced and cheaper alternative, which can
improve your carbon footprint - and improve the "sustainability" of the project.
Resources, Services and Tools - What will I need and what steps
must be taken to ensure access and availability?
What do you think you will need to complete the project? How can you begin to negotiate access
and co-ordinate your making with availability?
Access to the UWE library Online or on campus. Determine relevant keywords, and how to
find relevant sources and information.
Knowing how to correctly reference- UWE
Harvard. 17/04/2024
Hot glue gun On campus or using my own. Be careful and precise. Ensure I unplug
and turn it off after use. Rest it on top of a
glue mat when in use, to prevent any
excess dripping.
Avoid any skin contact with the glue and
wear protection. 17/04/2024
Handheld saw On campus or using my own. Correct and precise back and fourth
motion, and don’t apply too much
pressure.
Clamp material for stability and to ensure
the cut is clean and will keep me safe.
Technical skills necessary for building and
construction, as well as creativity and
design skills. 17/04/2024
Sustainability
Use this page to identify aspects of your project relating to sustainability, unnecessary waste,
and environmental concerns. What might you do to manage this and reduce your impact? If you
can’t manage it directly, could you take action to offset your carbon footprint? How will you plan
for the end of life of your object/s, how will you remove it from the studio at the end of the
exhibition and how will you recycle and dispose of it? What is the recycling / disposal protocol for
the materials you are using? How is this affected once you combine materials together?
To ensure sustainability, I plan to use scrap and recycled materials for my project, especially for
the dress of my doll. I can source these materials from the 'Children's Scrapstore' in Bristol, my
studio space, on-campus resources, or from the materials I already have at home. Any excess
materials that I do not use, I will dispose of correctly by recycling them. I will also consider keeping
them for future projects or giving them to someone else who may need them.
17/04/2024
Task 1 – Part 2
Project Budget
Please list below any cost or expenditure associated with your project. The aim here is to identify
the actual cost of the work you have made, rather than the projected cost of a proposed
outcome. You do not need to list those materials that are freely available in the studios
(paper/pencils/acrylic paint etc) but do include more specific materials such as fabric, wood,
superglue, neoprene etc. You can add to this list as you progress through the project.
The Exhibition and planning for it is a key part of this module and must be considered alongside your
own emerging project. What are you going to exhibit? How should it be presented? How have other
creatives presented similar work? Research is key to help you to identify formats, conventions, and
approaches to sharing your outcome.
Yes
A 2D piece of work fixed to a flat wall.
What will need to be in place in order for you to complete your final
piece and to achieve your ambition and aims?
To accomplish my final artwork and achieve my goals, I need to establish deadlines and organise
my work by creating a timetable/schedule. I must also secure a table or plinth to properly
showcase my artwork and ensure that I have time and am able to print my illustration ready for
display. Additionally, I need access to the appropriate tools and machinery such as a hand-held
saw, sewing machine, and hot glue gun.
17/04/2024
Project Plan (What will you Project Resources (W Project Milestones (Targets
work on this week?) hat will you need to that you will need to hit to s
Prepare/Learn or co tay on track.)
mplete in order to ac
hieve each milestone
)
Week 1 Access to Uwe library, and Exhibition planning, figure out how I
w/c 18.3.24 other additional research may want my work to be displayed or
methods and resources. received. Reflect on the course so far
05/04/24 and what processes, skills and
Module Launch materials I have developed/ expanded
on. 25/03/24
Week 6 Access to Uwe library, and Finish illustrating doll and then sketch
w/c 22.4.24 other additional research up roughs and develop a plan to
methods and resources. follow during the making. Gather
Access to my iPad and materials and tools. Learn any skills
procreate. and techniques necessary.
Go to Bower Ashton Art 17/04/2024
Shop and Craft and More in
Bristol city centre.
17/04/2024
Week 8 All the necessary tools and Complete project proposal. Continue
w/c 06.5.24 equipment required to the making of my piece
make my doll. 17/04/2024 Keep wring case study. 17/04/2024
Final project proposal compl
ete 6th May latest
Week 9 All the necessary tools and Complete press pack Padlet. Continue
w/c 13.5.24 equipment required to the making of my piece.
make my doll. 17/04/2024 Finish case study.
17/04/2024
Exhibition press pack
padlets complete
Week 10 All the necessary tools and Finish the making of my piece.
w/c 20.5.24 equipment required to finish Print any necessary illustrations ready
the making of my doll. to be displayed.
Access to a printer or go to a 17/04/2024
Module Deadline: 24th May 2 print shop. 17/04/2024
pm
Week 11 Source a table or plinth to Exhibition and display planning,
w/c 27.5.24 display my work. Have all arrange how will I present my work.
my work ready to display 17/04/2024
17/04/2024
Exhibition Prep
Week 13 Have all my work setup. Attend exhibition, take photos, videos
w/c 10.6.24 17/04/2024 and record my experience. Finish any
written work 17/04/2024
Week 14 Correct means of removing Take my piece down. Upload all work.
w/c 17.6.24 work from studio- a box, or 17/04/2024
something that will protect
Pack down / all work the doll when transporting
removed from studio it. 17/04/2024
Please note that while some substances may not be toxic or harmful, they may still have an
adverse impact on your peers. You will need to discuss any materials not already in regular
use in the studio with your tutor.
List of possible What is the risk in the context of my What steps can I take to manage
risks. project? the risk and reduce the hazard?
Slips, Trips and Trip on wires connected to hot glue Be careful and concentrate, keep
Falls gun 17/04/2024 wire on table or out of way.
Remember to turn hot glue gun off
after use. 17/04/2024
Working at My piece being elevated and Make sure everything is safe and
height potentially collapsing or falling off. unable to harm a person or
25/04/2024 another person’s work. 25/04/2024
Working with Cutting or harming skin when using a Use a clamp, be careful and
Sharps saw or scissors. Be careful of needles concentrate. Keeps eye on what
in sewing machine, and sewing over you are doing. 17/04/2024
fingers. 17/04/2024
Using electrical Cutting or sewing over fingers when Set up and set down correctly. Pay
equipment using Sewing machine, burning self attention and be careful. Make
using hot glue gun. Not turning sure they have been approved and
equipment off correctly and checked for any faults or concerns
potentially starting a fire. 17/04/2024 of wattage and compatibility.
17/04/2024
Working with Irritating skin or harming eyes when Wear correct safety equipment and
Toxic, Harmful using certain glues or adhesives. protection. Be precise and careful
or impactful 17/04/2024 with application and don’t over do
materials it. Stick to correct drying times.
Wash hands thoroughly with hot
water and soap if comes into
contact with skin.
Working in the No risk, as I will not work in the dark. N/A. 25/04/2024
dark 25/04/2024
Working for Illustrating my doll for too long may Take plenty of breaks, looking
long periods at cause eye strain or a headache. away from the screen, blink often
a computer 25/04/2024 to keep eyes moist, keep room
more lit than screen. 25/04/2024
Handling and arranging the placement Be careful and take my time and
Handling heavy of the plinth when displaying my doll. consider having a person to help.
or unwieldy 03/04/2024 25/04/2024
items
Working with Potentially hurting self if using a Be careful, concentrate, and pay
Specialist tools sewing machine. 25/04/2024 full attention. Seek advice and help
or equipment. from a professional. 25/04/2024
The methods Table or plinth falling over, or not Ensure everything is carefully
by which I am being stable, potentially affecting the handled and fully checked and
presenting my work of my peers. 17/04/2024 approved. 17/04/2024
work during
the exhibition