BES 144b3e
BES 144b3e
BES 144b3e
Pedagogy of English
Indira Gandhi
National Open University
School of Education
Block
3
READING COMPREHENSION
UNIT 11
Reading Comprehension-I 7
UNIT 12
Reading Comprehension-II 21
UNIT 13
Teaching Literary Texts-I 48
UNIT 14
Teaching Literary Texts-II 59
UNIT 15
Teaching Vocabulary 59
EXPERT COMMITTEE
Prof. I. K. Bansal (Chairperson) Prof. Anju Sehgal Gupta
Former Head, Department of Elementary School of Humanities,
Education, NCERT, New Delhi IGNOU, New Delhi
Prof. Shridhar Vashistha Prof. N. K. Dash (Director)
Former Vice-Chancellor School of Education
Lal Bahadur Shastri Sanskrit IGNOU, New Delhi
Vidhyapeeth, New Delhi
Prof. Parvin Sinclair Prof. M. C. Sharma
Former Director, NCERT (Programme Coordinator- B.Ed.)
School of Sciences, School of Education
IGNOU, New Delhi IGNOU, New Delhi
PRINT PRODUCTION
Prof. Saroj Pandey Mr. S.S. Venkatachalam
Director Assistant Registrar (Publication)
SOE, IGNOU, New Delhi SOE, IGNOU, New Delhi
April, 2017
Indira Gandhi National Open University, 2017
ISBN: 978-81-266-
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Further information on the Indira Gandhi National Open University courses may be obtained from
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BES-144 PEDAGOGY OF ENGLISH
Block 1 Instructional Planning in Teaching of English
Unit 1 Nature, Need and Objectives of English as a
Second Language
Unit 2 The Language Learner
Unit 3 Approaches, Methods and Techniques in
English Language Teaching
Unit 4 Daily Lesson Plans and Strategies for
Classroom Transaction
Unit 5 Monitoring Instruction - The Reflective Teacher
4
UNIT 11 READING COMPREHENSION-I
Structure
11.1 Objectives
11.2 Introduction
11.3 Reasons for Reading and Reading Styles
11.4 Reading Comprehension and Teaching Implications
11.7 Teaching Objectives for Reading
11.8 Principles Underlying Producing or Using Reading Comprehension
Exercises
11.9 Reading Comprehension in the Classroom
11.10 Let Us Sum Up
11.11 Answers
11.12 Suggested Reading
11.1 OBJECTIVES
After going through this unit, you should be able to:
relate the reasons for reading with the appropriate reading style;
aware of the teaching objectives and principles underlying reading
comprehension activities; and
describe the three phases of a reading lesson and identify the questions
belonging to each phase.
11.2 INTRODUCTION
A simple definition of reading is that it is a process whereby one looks at
and understands what has been written. The key word is ‘understands’ —
merely reading aloud does not count as reading. This definition does not
mean that the learner needs to understand everything in a text. Understanding
is not an `all or nothing’ process, and therefore reading too is not an ‘ail or
nothing process either’. It means that every reader will comprehend something
and perhaps some readers may not understand every word and nor is this
necessary.
Again, although reading has been defined as a process whereby one looks
at and understands what has been written, the reader does not necessarily
need to look at everything in a given piece of writing. The reader actively
works on the text and is able to arrive at understanding it without looking
at every letter and word.
scanning
skimming
intensive extensive
rapid
STYLES
reading
Post-reading Phase
The exercises/activities in this section do not directly refer to the text, but
grow out of it.
The aims of post-reading exercises are
1. to consolidate and reflect upon what has been read; and
2. to relate the text to the learner’s own knowledge, interests or views.
These exercises should contribute, in a coherent manner, to the writing,
speaking and listening skills.
Let us look at some post-reading questions given below.
1. Your class has been allowed to meet and interview Ms.Rita Panicker,
the Founder Director of Butterflies and Ms. Poonam Chandra, Co-
ordinator at Bal Sahyog. In groups of five, frame ten questions that you
would like to ask them about their organisation, the programmes they
run, the source of funds and the success of their efforts.
Compare your questions with other groups.
11
Reading Comprehension (Demands understanding of the programmes and activities of both the
organisations –Butterflies and Bal Sahyog. The lesson acts as a take-off
point to frame these extrapolatory questions.)
Imagine that you are Squire Gordon – Black Beauty’s master. Write a
letter to your friend in the town narrating your miraculous escape on
that stormy night. (Based on the events of the lesson and yet provides
a chance to students for creative thinking and writing.)
How is dinner time similar or different in your house from what has
been described in the poem?
(An attempt is made to relate the experience of the learners to what has
been described in the poem. Reading then becomes more meaningful
for the learners by giving them an opportunity to compare their own
experience in a similar situation.)
You may get ideas for post-reading work by asking yourself the following
questions:
Do the learners know of a similar situation to that presented in the text?
Does the text present a situation that invites completion?
Does the text present views that might need to be counter-balanced?
If the answer to any of these questions is ‘yes’ then there is an opportunity
for post-reading activities.
This three-phase approach is not to be carried out mechanically on every
occasion. Sometimes you may wish to cut out the pre-reading stage and get
the learners to work on the text directly. Sometimes post-reading work may
not be required.
However, the advantage of this three-phase approach is two-fold:
it respects and makes use of the learner’s knowledge of the language
and of the world and uses this as a basis for involvement, motivation
and progress.
it leads to the integration of the skills in a coherent manner, so that the
reading session is not isolated.
14
UNIT 12 READING COMPREHENSION-II
Structure
12.1 Objectives
12.2 Introduction
12.3 Reading Comprehension Questions
12.4 Skimming and Scanning
12.5 Devices Used for Textual Cohesion
12.6 Functions of a Text
12.7 Organisation of the Text
12.8 Let Us Sum Up
12.9 Key Words
12.10 Answers to Check Your Progress
12.11 Suggested Readings
12.1 OBJECTIVES
At the end of this unit, you should be able to:
understand the various skills of reading comprehension;
set questions and activities for different reading skills e.g. skimming
and scanning;
describe various functions of texts;
identify various devices used for textual cohesion and describe their
function; and
analyse a variety of text in terms of its organisation.
12.2 INTRODUCTION
This unit attempts to give examples of various types of reading comprehension
exercises. There are illustrations of different types of exercise. The level of
difficulty of the text is not important - the exercises/activities suggested can
be adapted for different levels.
Why was Nitin tired? Use ‘got back’ in a What does ‘this
sentence of your own. one’ refer to?
Nitin shook his head tiredly as he walked down the steps of the hotel
and got back into the car. “No. This one has no room either.”
Activity 2
Indicate the advertisement against the person stated below:
1. Flat for your uncle’s family
2. Job for his son
3. Job for his daughter
4. Part time job for your aunt
5. Job for your uncle
WANTED AN EXPERIENCED LADY COMPUTER OPERATOR-CUM-
GENERAL OFFICE ASSISTANT, PERSON MUST BE FLUENT IN
ENGLISH AND ABLE TO INITIATE WORK TO COMPUTERISE THE
COMPANIES ACCOUNTING SYSTEM. GOOD WORKING
ENVIRONMENT. APPLY IN CONFIDENCE.
GHAZIABAD TOOL PVT. LTD.
FLAT NO. 110 .ASHIRWAD COMPLEX
D-1 GREEN PARK
NEW DELHI-110 016 (AD 99246)
Wanted by a reputed Pvt. Company, an expert Computer Operator. Salary
according to merit and perks. Apply with full particulars to A & A Periodical
Subscription Agency Pvt. Ltd. 191, Deepali, Pitampura, Delhi-34, Phone
7278098.
(Home Tuitions) tutors/available all localities/classes/public/convent school/
English conversations/European languages (Also wanted more tutors). Ring
(P.T.B) Puri Tutors Bureau 693077/4624631. 17
Reading Comprehension First floor drawing dining three bedrooms, second floor three bedrooms
attached bath rooms big balconies. Company/Embassy lease. Contact
Telephone 6434856, 6460635 Office 6874689.
Industrial shed 50, 100 & 150 square metres with 20 H.P. 400 square metres
plot with 20 H.P. Contact Bhatia 5553346, 5592227. Kalkaji Alaknanda
Aravalli Apartments 3 bedroom flat duplex type large terrace. Company
lease/South Indian preferred. Contact 2201488.
Posh three bedroom three bathroom apartment available at N-15, Panchshila
Park, Company lease preferred. Phone 6440758. S-52 Greater Kailash-11,
spacious room covered verandah kitchen bath courtyard, suits small family.
Company lease preferred. Contact site or ring telephone 6440758.
Two bedroom drawing dining modern construction, single unit, Sukhdev
Vihar, Mathura Road, 2 years company lease, foreigners only Contact
2213664.
West Punjabi Bagh 4 bedrooms duplex apartment fully furnished. Company
lease only. Phone 7129635/644519 Nair.
St. Paul’s tutor’s Bureau provide excellent tutors for convent children. Call.
F, Bob 3715114 Tutors also welcome.
1. Feature editor/writer. 2. Editorial Production Assistants. 3. Illustration
Artists (full/part time) 3. Editorial Trainees for leading Magazines Group.
Apply Post Box 515, New Delhi.
Accountants wanted. A Public Limited Co. requires Accountants capable of
making vouchers/ trial balance/reconciling bank/stock/other accounts. B.Com.
Graduates minimum salary Rs. 3000. Apply to Mr. A. Goenka Kalinda
Woollen Mills Ltd. C-542, New Friends Colony, New Delhi - 6.
Required a retired experienced accountant well versed in accounts preferably
Gujrati & South Indian. Write P. Box. 85496, Times of India, New Delhi-
2.
A leading city magazine requires journalists/trainees possessing excellent
command over English. Apply immediately New India Publications, 13-16,
Krishna Market, Off. Punchkuian Road, New Delhi-55.
Wanted full-time competent Chartered Accountant to handle accounts audit/
tax matter of leading business house at New Delhi. Age around 35.
Remuneration according to capability. Write P. Box 85133. Times of India,
New Delhi-2.
Wanted experienced tutors for XI & XII for Physics, Chemistry, Maths &
Economics. Contact B-10/7474 Vasant Kunj, New Delhi (6 to 8 p.m.).
Activity 3
The following news item was printed in a newspaper about the longest
letter in the world, which might be included in the Guiness Book of
World Records. Fill in the form given below for the publishers to include
this information in the book.
KOTTAYAM, Oct. 30 - A 27 year-old man from this city may figure in the
Guiness Book as the author of the world’s longest letter, reports UNI. The
letter is 2.4 km long, contains 100 million words, weighs 100.5 kg and cost
the author, Reagan Jones, a freight charge of Rs. 2,058 to reach it to its
18 addressee - Pope John Paul II.
Advocating world peace, the letter, artistically written with tasteful Reading Comprehension-II
colourshades on 2,985 sheets of thick J.K. card paper of width two feet four
inches, was sent to the Pontiff on his birthday on May 18. The unemployed
Jones had worked on the gargantuan letter for four years at an average of ten
hours a day.
In a recent communication to Jones, the Guiness Book of World Records
deputy editor, Sheelagh Thomas, said the letter would be considered for
inclusion in the book at Guiness’s “annual, review cycle, next spring”.
Aim: To train the students to write in a sequence. Here are the steps for
a game called ‘Pattern Puzzle’. The steps are in jumbled order. Unscramble
them and list them in proper order.
a) There is a time limit, say five minutes.
b) Give each group a card with a letter pattern.
c) The letter pattern should be the same. 23
Reading Comprehension d) The group with most words is the winner.
e) No letter should be used more than once in any word.
f) The players each write down on paper all the words they can think of,
containing some or all of these letters.
g) The middle letter e.g. E must appear in each word.
(T) (I)
(E)
(S) (N)
26
UNIT 13 TEACHING LITERARY TEXTS-I
Structure
13.1 Objectives
13.2 Introduction
13.3 Literature and Language Acquisition
13.4 Teaching Prose
13.5 Teaching Fiction
13.6 Teaching Drama
13.7 Let Us Sum Up
13.8 References and Suggested Reading
13.9 Answers
13.1 OBJECTIVES
After going through this Unit, you should be able to:
understand and appreciate the role of literature in second language
acquisition;
appreciate the unique features of the different types of literary texts;
plan teaching-learning strategies keeping in mind the uniqueness of
each type of literary text; and
develop language skills in your learners through the teaching of literary
texts.
13.2 INTRODUCTION
Whenever a syllabus for teaching language is made, literary texts are generally
included in it. For many centuries, literature has been regarded as the best
or highest form of language, and has great prestige. For instance, in the
history of English language teaching in India, English literature was taken
as the very basis of education in English, and is still quite important. We
need to ask the question: Why is literature considered to be such an important
aspect of teaching and learning a language? Firstly, it provides interest and
motivation for learning. Telling a story, reading a story or poem which has
actions, characters and dialogues , is very interesting for learners and they
become involved in the process of learning a language without having to pay
constant attention to its rules, or doing dull grammar exercises. In this unit,
our aim is to understand how we may approach the teaching of literature, as
it is an important element in the teaching of language. We will consider the
different kinds of literary texts and see if we can adopt ways of teaching
them effectively. Prose, fiction and drama may require different approaches;
therefore our aim is to explore the means of reading and appreciating each
type of literary text.1 27
Reading Comprehension
13.3 LITERATURE AND LANGUAGE
ACQUISITION
Literature provides many examples of the use of language in different
situations. Indirectly, literary texts offer items of new vocabulary and new
structures of sentences and phrases which, as they are used in context, give
the learners valuable knowledge of the use of these words and sentences.
Further, literature provides a context for communicative activities like
discussion, speaking, role-playing and other types of interaction between
learners. The literary text becomes the basis for many such activities and
exercises. Most importantly, it is the practice of reading skill in the reading
of literature that leads to the achievement of better levels of reading
comprehension. This in turn enables learners to read many other kinds of
texts and acquire knowledge of other subjects. We know that reading a
literary text is also a cognitive challenge – a kind of problem solving activity.
The reader has to decode its layers of meaning, which involves thinking
critically. Moreover, if this is linked with practice in writing, it further
develops writing skills, as well as the skill of editing. Apart from all the
above purposes, literature is a part of our cultural awareness and develops
our aesthetic sense, our enjoyment of that which is beautiful, pleasing as
well as that which helps us to understand life, human beings and society. As
Collie and Slater (1987) put it: ‘Literature provides a rich context in which
individual lexical or syntactic forms are made more memorable. Reading a
contextualized body of text, students gain familiarity with many features of
written language – the formation and function of sentences, the variety of
possible structures, the different ways of connecting ideas – which broaden
and enrich their own writing skill. The extensive reading of a play or novel
develops the students’ ability to make inference from linguistic clues, and to
deduce meaning from context…a literary text can serve as an excellent
prompt for oral work…’
To sum up, the following are the benefits of teaching literature as part of
language teaching, as given by Collie and Slater (1987):
It provides valuable authentic material.
It contributes to language enrichment.
It contributes to cultural enrichment.
It fosters personal involvement and motivation in learning.
It is clear, therefore, that the teaching of literature is an essential component
of any syllabus and its purpose should be well understood by English teachers.
However, many of these objectives will not be fulfilled if the appropriate
teaching methodology is not used. Our methodology of teaching must include
ways of making the learners read the literature, talk about it and share their
ideas, write about it, and participate in the learning and enjoyment of it.
Literature is a form of communication, and also a part of our shared culture,
and this is why we study it in the curriculum. For example, if a teacher
spends most of the time explaining the text, then the time for the other
activities, such as discussion, reading independently and finding out the
meaning, etc., will be reduced and this would not serve the various purposes
28 we have in mind when we put literature in the curriculum.
In addition to adopting the kinds of methodologies which are best suited to Teaching Literary Texts-I
our purpose, we also need to take great care in the selection of the kind of
literature we choose to include in our curriculum. The level of the learners
in terms of the stage of language development that they are in, is the most
crucial consideration. If we try to teach a very complex literary text, and the
learners do not yet have the language ability to comprehend it, they will
neither enjoy it, nor will they find it interesting to explore it further or
discuss it. Therefore, the choice of the right kinds of literature is essential
for the teaching of literature. In making this choice, we have to consider
various kinds of difficulty: the language may be difficult, or the themes or
structures may be complex and learners may not be able to deal with them.
In this regard, we cannot say that ancient texts are necessarily difficult and
modern ones are easier, because there is often a lot of complexity in modern
writing. At the same time, literature from an older time has language which
is not used in the present day, and may be difficult for young learners to
understand. The length of a piece – whether a poem, short story or prose
writing – is another factor to be considered, as longer texts may become
tedious for young children and may not hold their attention. These points
emphasise the need to take great care of the choice of texts for children,
particularly at the primary school level. There is also a strong case for
introducing writing tasks as part of the reading of literature so that students
can learn to express their own responses, articulate their feelings and opinions
and share their perceptions, which is a crucial outcome of the study of
literature.
Types of texts: Prose, Fiction and Drama
Each type of text has its own unique features. The teacher needs to understand
the nature of each kind of text as a first step towards the construction of
certain useful activities and approaches to be used in the class. In this unit,
we will look at types of texts usually written in prose – for instance, essays,
stories and plays. In the case of prose (non-fiction), there are some facts,
ideas or information being presented. Stories have a structure of events and
characters. Drama has dialogues between characters and actions. Since
these are all different types of literature, they offer different kinds of challenge
and reading experience for the language learner, at linguistic, communicative,
and cognitive levels. The different genres can be taught separately, or mixed
up. It may be useful to organize literature according to themes, and present
a unit on each theme e.g. ‘Friendship’, ‘War’, ‘Journeys’ etc., and each unit
may include a poem, a story and a prose passage on that theme. This will
sensitise readers to reading different kinds of texts and how a particular
topic can be looked at – how a ‘poetical’ treatment is unique in its own way,
how a story reveals so many dimensions, and how, in prose, a writer tries
to explain or analyse the subject. All these perspectives are enriching for the
young learners.
Oral activities such as loud reading of extracts, with gestures, will be of use
in practice of spoken language at different levels: emphasis, tone and
pronunciation. Conversations can be developed from the play, as in the
extract above, the students can enact another imaginary conversation with
Scrooge. One student would speak as Scrooge, and another would persuade
him to donate something for poor people.
We can build on other kinds of opportunities that this extract provides.
Normally, we exchange greetings on meeting someone and say something
when we take leave at the end of a conversation. We also have ways of
greeting people on festive occasions. Students can make a list of different
kinds of greetings and leave-takings for different occasions, formal and
informal. They can also discuss whether this is a modern way of speaking,
and how our spoken interaction today can be very different.
It would be useful for students to enact a play, or prepare and present a play
in order to understand the kind of interaction which takes place in drama.
13.9 ANSWERS
Test your understanding-I
a. Read the relevant section (13.3) for answering this question.
b. Some suggestions for activities are:
You could start with a question about the length of the sentences. Students
can count the words in each sentence (they like to do that) and see how long
they are. Then we can discuss why a particular sentence is long – what bits
of information does it contain? Does it repeat something? Can we cut it
down to make it shorter? If we cut it, what important meaning will be lost?
Other activities can be thought of: on the images in which the river is
portrayed; or open-ended such as ‘the Ganga stands for__________’. Students
can be asked to describe some other place (river, mountain, sea, forest) with
the help of vocabulary from the passage. Feel free to make as many exercises
as you want.
Test your understanding-II
Some suggestions for activities are:
Key questions for the story can be asked, for example: Who is Murch?
How does he succeed in stealing the man’s car?
You can think about a prediction activity too: will the students be able to
predict what happens? Or is this is a case of reading backwards, in order to
comprehend.
The descriptions of the characters can also be the basis of activity e.g. Why
is the description of Murch’s jacket so important? Is he pretending to be
someone else? What do you infer by the appearance of the man who owns
the car?
This story builds on background knowledge (of big hotels, of the practice of
giving the keys of one’s car to an attendant for parking it, etc). You may
think of ways in which students can guess what happens in such situations.
You can also make exercises on some aspect of language, or suggest some
writing exercise e.g. describing the man’s reaction when he comes out and
finds his car has been stolen.
40
UNIT 14 TEACHING LITERARY TEXTS-II
Structure
14.1 Objectives
14.2 Introduction
14.8 Answers
14.1 INTRODUCTION
Teachers love to teach poetry. But we must reflect on what the teaching of
poetry actually means. Often, teachers feel they should make the idea in a
poem clear to the students, and so they adopt the method of explanation.
However, the basic question regarding poetry is the same as that of other
texts and that is: the development of the ability to read. Students will not
really comprehend the meaning of a poem until they read it themselves.
And indeed when they do read it, they will discover many meanings in it.
Therefore, in poetry, the reading of the text is even more crucial, because a
poetic text has many layers. It cannot be reduced to one idea only. The
teacher’s primary task is to help students to read, and further to discuss and
write about the poem. Simply trying to explain a poem will not enable a
student to read and appreciate it. The particular kind of challenge that a
poetic text offers to the readers, teachers and students, is not only of factual
reading, but that of making inferences, reading between the lines and
uncovering the implied meanings. In other words, reading poetry demands
more advanced reading skills. It is only when students read the poems
themselves that they can appreciate the particular quality of the poetic text.
If the teacher explains the meaning of a poem, it will be reduced to mere
paraphrase. The essence of the language will be lost, and this will amount
to destroying the delicate balance of words and feelings that a poem creates.
Instead of enjoying poetry, students will find it boring.
To this, we may add the aspect of speech or sounds. Poetry is meant to be
spoken and heard. In fact, for many centuries before poems were printed in
books, people recited and sang them, and thus remembered them. Speaking
and listening are important skill areas as much as reading and writing, as far
as poetry is concerned.
This brings us to consider the language of poetry which is of a particular
kind. It functions in ways that are different from an ordinary, everyday use
of language. The Czech linguist Roman Jacobson identified the various
functions of language, such as giving messages, expressing ideas etc. The 41
Reading Comprehension poetic function is a special function of language. It is not that of conveying
a message directly. Here the language functions to draw attention to itself.
This happens through the choice of words and sentences and the combination
of these in such a way that our attention is captured by the language itself.
Some particular features in a poem may jump out at us, and have an immediate
effect. Even if it is only a sound, if it is repeated in a pattern, we notice it.
If a word is repeated again and again, we recognize it as important. It stands
out against other sounds or words which are not so prominent. In other
words, one particular item of language – at any level, be it sounds, words
or sentences — may be foregrounded. The items that are foregrounded
stand out and are remembered.
Such repetitions create patterns of sounds and words, and create a unique
text. To this may be added some other unusual kind of sentence or the
coining of new words. This may be a deviation, and it may be so different
from our common everyday use of language that it may seem that the poet
is deliberately mocking the rules of grammar and word formation. Such
uses of language in poetry create such a unique text that any attempt to try
and reduce it to a paraphrase destroys its very basis. An oft-quoted example
of this deviant construction and use of vocabulary is ‘a grief ago’ (Dylan
Thomas).
Perhaps it is because of these special qualities of language in poetry, that the
question may arise as to whether reading poetry is a useful component in the
language teaching syllabus. Since we do not actually use poetic language
in day to day communication, many people believe that it is unnecessary to
teach poetry to develop communication skills in second language learning.
But as we have discussed in the previous unit, literature provides interesting
contexts and original material for the language learner, and to some extent,
this applies to poetry also. Teachers may question the need to go into the
language of poetry in much depth, as it may not be directly useful in the
classroom. Young children may not understand technical aspects of metre,
or other levels of linguistic analysis of a poem. But we must accept that this
knowledge will serve us well in many ways. Firstly, it will help teachers to
see which poems are most appropriate for different levels of students. As
it is with other forms of literature, the right selection of poems is important.
Different poems appeal to different age groups. A poem may appear to be
simple on the surface, but may be quite complex. It is only when the teacher
explores the nature of poetry that a judgement about the simplicity or
complexity of poems can be made. Secondly, the teacher will be able to
pick up those aspects of the poem which are most significant, and develop
some activities and exercises on these aspects. In other words, greater
familiarity with the language of the poem will make it easier for the teacher
to devise a wide range of exercises on the poem, which will develop the
students’ awareness and enjoyment of poetry. Once this is done, students
will be encouraged to read more, which will continue the process of their
language development and skills of comprehension.
14.2 OBJECTIVES
After going through this Unit, you should be able to:
42
appreciate the essential characteristics of a poetic text and understand Teaching Literary Texts-II
what makes such a text different from other forms of literature;
explore various approaches to teaching poetry, taking into account both
the aspect of language and the task of overall appreciation of poetry;
and
teach poetry in the classroom as part of teaching English as a second
language.
50
I come from haunt from coot and hern Teaching Literary Texts-II
14.8 ANSWERS
Check Your Progess 1
1. You may notice the repetition of sharp consonants – particularly /d/.
The rhythm may appear to be that of marching ‘right, left’ and the
parallelism may suggest the order of the marching army. Other things
to note may be: reversal of word order, rhyme, impact of words such
as ‘volleyed’, ‘thundered’ etc. Taking these together, you can form an
impression of the use of language in this extract from Tennyson’s
‘Charge of The Light Brigade’. You can read the full poem to see how
this language shapes the poem and the ideas in it.
2. When one particular item of language – be it sounds, words or sentences
– is repeated again and again so that it stands out against other sounds
or words is known as foregrounding of language in poetry.
Sometimes poets use words or sentences which are so different from
our common everyday use of language, it is called deviation of language
in poetry. e.g. ‘a grief ago’ (Dylan Thomas). 53
Reading Comprehension Check Your Progress 2
1. Some aspects of the poem that you can pick up can be:
Grammar: Adverbs ‘slowly, silently’ are in the beginning of the line.
Why? Rearrangement exercise: The sentence can be re-arranged. What
nouns and pronouns are used (e.g. ‘she’ for the moon)?
Vocabulary: Students can guess the meaning of ‘shoon’. They can be
asked to count the number of times the word ‘silver’ is mentioned.
Why? Can the poem be given the title ‘Silver’? Or can it be given the
title ‘The Moon’ or ‘The Silver Moon’ or ‘Silver Light’? It can be fun
to explore these alternatives and justify them. Then, there is a word
like ‘moveless’. Can ‘-less’ be added to ‘move’ in the same way as
‘timeless’, ‘baseless’ etc? The poet could have written ‘unmoving’
instead of ‘moveless’, but why is this unusual word brought in? Could
it be for preserving the metre (‘unmoving’ is three syllables, ‘moveless’
is two syllables)?
2. The sounds of ‘s’ and ‘sh’ can be practiced. Tongue twisters can also
be used for practice of these sounds. The rhyme scheme can also be
noticed (it is simple aa, bb, cc).
3. The structure of the first phrase is ‘the _______ of _________’. This
can be filled in. (example: the god of small things’ – Arundhati Roy)
The structure of the second phrase is ‘________ is_______’ , which
is a simple equation. (example:’ life is a walking shadow’ —
Shakespeare)
54
UNIT 15 VOCABULARY DEVELOPMENT
Structure
15.1 Objectives
15.2 Introduction
15.3 Active and Passive Vocabulary
15.4 Content Words and Function Words
15.5 Some Difficulties in Learning English Vocabulary
15.6 Techniques for Presenting Vocabulary
15.7 Word Building: Affixation and Compounding
15.8 Using a Dictionary and a Thesaurus
15.9 Vocabulary Games
15.10 Let Us Sum Up
15.11 References and Suggested Readings
15.12 Answers
15.1 OBJECTIVES
After you have read this lesson, you should be able to:
differentiate between active and passive vocabulary;
distinguish content and function words;
discuss with appropriate examples how homonyms, homophones,
homographs or idiomatic expressions make language learning difficult;
enumerate a few techniques for presenting vocabulary in a classroom
situation;
justify the use of dictionary and thesaurus to expand vocabulary; and
organize vocabulary games in your classroom.
15.2 INTRODUCTION
Like bricks when laid out properly, correctly and with some imagination can
build up simple walls or complex design for buildings and mansions, not to
talk of other structures, similarly a language user uses different words to
construct sentences – both single word sentences or longer ones. But just as
bricks alone are not adequate, and they need to be strengthened by use of
mortar/concrete mixture, similarly words alone may not be adequate. The
appropriacy of the word chosen, the word order in which it is placed, the
nuance of the meaning – everything play an important role. In this lesson,
we will read how words – oral or written – are gradually learnt and how a
learner, over the years, adds to the initial word base.
55
Reading Comprehension
15.3 ACTIVE AND PASSIVE VOCABULARY
Just think for a moment. Can you use all the words the moment you have
heard them or have read them once? Do you use all the unfamiliar words –
the meanings of which you have guessed while reading or listening – in your
speech or writing? Some words you may, some you might not. But you start
understanding those words if you hear or read them again and again. Our
listening and reading vocabulary is much more than our speaking or writing
vocabulary.
The words that you can use appropriately when you say or write something
form what is known as your active vocabulary and those that you have an
idea of or can guess the meaning of, but cannot use confidently form a part
of your passive vocabulary. Our active vocabulary is more limited (smaller)
than our passive vocabulary. As teachers we try our best to increase the
repertoire of both active and passive vocabulary of our students with continual
review, reuse and recycling of words as there is a transition period for words
to pass from passive to active vocabulary. All of us master those words first
that we need to use in our communication with others. And we add to our
word base over the years.
............................................................................................................. 59
Reading Comprehension Same Sound Different Form and meanings (Homophones)
Look at the following set of words.
A B
1 Great grate
2 flour flower
3 break brake
4 there their
5 stationary stationery
6 bow bough
What is common in the different set of words?
Yes. You have got it right. The pronunciation (sound) of both the words are
exactly the same but the written form (spelling) are different. The meanings
of the words are also different. Which spelling to use is decided by the
context in which the word is used. Such pair of words – with identical sound
but different spelling and different meanings – are known as homophones.
homo = same
phone = sound
60 .............................................................................................................
Same Form Different Sound and Meaning (Homographs) Teaching Vocabulary
a. You needn’t look at your watch again. I’ve understood what you
want me to do and I’ll go now.
.......................................................................................................
.......................................................................................................
.......................................................................................................
b. It is commonly said that every family has a secret or embarrassing
fact which no one likes to discuss.
.......................................................................................................
.......................................................................................................
c Don’t forget to write to us as soon as you arrive in Delhi.
.......................................................................................................
.......................................................................................................
3 Think of four idiomatic expressions in your mother tongue that use
different body parts e.g. to have a finger in every pie. Find out if
there are English equivalent to those expressions in your mother
tongue. Two examples in Hindi are given below:
oongli pe nachaana
Sar aankon pe bithaana
62
Formal-Informal Expressions / Approved – Disapproved Teaching Vocabulary
Levels of formality and the connotations of some words also pose practical
problems for learners of a second language. In learning a new language there
is a tendency to use the more formal language in normal conversational
situations or vice versa i.e. use a slang or colloquial expression inappropriately.
Similarly the positive or negative connotations of some words might create
difficulty to the learners. We all know how we applaud the firmness,
determination or resoluteness (words indicating approval) of people we
like whereas we deplore the stubbornness, obstinacy and pigheadedness
(terms indicating disapproval) of those whom we don’t like in exactly the
same situations. Similarly the same person can be fat or plump to different
persons. It takes a long time for the learners to catch such nuances of the
language.
63
Reading Comprehension b. What changes would you need to make to depict a typical (conservative)
rural Indian kitchen? List the changes.
Mime, action and gestures can explain actions (like walking, running) or
reactions (like fury, sorrow, surprise or joy).
Hyponyms (word categories)
Orange is a fruit and so is an apple, banana or a mango. The word fruit is
a superordinate while the name of other fruits given above are the hyponyms.
Similarly, learners are familiar with different items in the world around
them. Given below are some examples of this category of sense relationship.
Superordinate Hyponyms
Clothes shirt, trousers, frock, kurta…
Trees neem, banyan, gulmohar, acacia…
Different methods of cooking boil, simmer, bake, roast,
deep fry, stir fry, sauté…
Colours blue, red, white, crimson,
aquamarine, seagreen, ochre…
Countries
64
Teaching Vocabulary
2. We often use certain words in combination with others. An example
is given for you. Use a dictionary, if necessary.
Money make, …………..
Friend close, ……………
Antonyms (opposites)
The term antonym is used to refer to words which have an opposite meaning.
But there are pairs of words which contrast in terms of a scale, e.g. hot/cold;
tall/short; easy/difficult. These opposites are gradable. For example, if we
put hot/cold (water) at two ends of a continuum, we get something like this.
Colour Smell
Do you think these words and phrase can be used to develop a paragraph?
A scene at a railway station? Justify your answer.
...................................................................................................................
...................................................................................................................
Word Chart
Given below is a word chart on cricket in which you will find a number
of words (nearly 20) hidden. How many can you find? An example is given
for you. (some words are written from top to bottom, some left to right,
some right to left and some diagonally).
S W I N G B D U C K
K T O S S A Y R I P
I C U M P I R E A M
P R P M W I R K A W
P E I O P E N E R I
E A T A V O S N B D
R S C O G L O V E E
L E H B A I L N U R
1. Ask your learners to make a list of action words associated with cricket
(e.g. batting, fielding) and any other sports they like.
2. Prepare a word chart on any other sports, festivals or curricular topics
66 (geometry, plants, animals etc.)
Teaching Vocabulary
15.7 WORD BUILDING: AFFIXATION AND
COMPOUNDING
Affixation
We can build new words in English with the use of prefixes and suffixes to
the base word. For example, to the word mortal we can use the prefix im
to make a new word immortal and we can get the word immortalise by
adding the suffix- ise. Similarly, the word agree can take the prefix dis- to
make a new word disagree and another word disagreement with the suffix
– ment.
Use of prefixes like im-, dis- or multi- when added to the root
word gives it a different meaning. For example:
un - uncommon, unable
in - inconvenient, injustice
il - illegal, illegible
ir - irregular, irrelevant
im - impossible, impatient
fore - forenoon,
Compounding
Compounds are made up of two or more parts which can also occur
independently as words. These separate words are combined to form other
new words which are listed separately in the dictionary and have separate
meanings.
Blackboard
Flowerpot
Armchair
67
Reading Comprehension
Check Your Progress 10
1. Choose the correct prefix from the prefixes given in brackets to
express the kind of meaning indicated for each of the words given
below:
i. Contented (mal-, dis-, un-) negative ..............................
ii. Represent (non-, mal-, mis-) ‘wrongly’ ..............................
iii. Inform (mal-, mis-, dis-) ‘incorrectly’ ..............................
iv. Active (ultra-, in-, hyper-) ‘extremely ..............................
v. Comfortable (un-, dis-, non-) negative ..............................
2. Match the words in Column A with those in Column B to form
compounds
A B
brain pour
down felt
draw case
heart back
stairs torm
pin
‘ORIGIN’: From the legend in which King Gordius tied a very complicated knot
and said that who ever untied it would become the ruler of Asia. Alexander the
Great cut through the knot with his sword.
Make a semantic map for trains. Some hints are given here:
Parts Uses/things it does Kinds Workers
Engine Transports people Passenger Driver
Bogie/coach Transports goods Express Guard
Wagon Carries mail Tram Train Ticket
Examiner
Wheel Gives whistle Metro Hawker
Berth Freight/Goods
Buffet
Locomotive
Caboose
Sleeper
Communication cord
Compartment
The simple and compound Game: Choose a base word. Ask students to
produce as many words as they can which contain the base word e.g. if the
word chosen is self, then the words selfless, yourself, myself, self made, self
pity and many more.
In “Wordfinder” the students are given a word and they have to make as
many words as they can from the letters in it. How many words do you
think you can make from the word grandmother? You can also allow your
students to use their dictionaries to check possible answers.
In Word Search Game the students are given a scrambled word from which
they have to find the original word and make as many words as they can
from the letters in it. You can assign a score to each word. One who gets
the total score first wins the game. This game can be played at individual
or group level.
There are eight letters in the box. Rearrange the letters to find the
original word and make as many meaningful words as you can. A
word should have minimum three letters in it. While assigning score
to each word you can consider the number of letters in a word as the
criteria.
5 points for three letter words
10 points for four letter words
15 points for five/seven letter words
25 points for the original word
Total score = 65 points
Some of the words you can make from the letters in the box are:
AGE
DRAG
RAGE
GRADE
GARDEN
GARDENER
Unscramble the word is a game in which the learners are required to find
a word from a set of scrambled letters. The teacher can choose a theme and
make a series of related words in scrambled letter form. The theme works
as a hint for the learners. You can use themes from across the curriculum.
Two examples are done for you.
a) Unscramble the following words.
Hint: All the words are related to Mathematics.
IUDSAR RADIUS
RETMEAID DIAMETER
IMEREPTER PERIMETER
RAEA AREA
MULOEV VOLUME
NLAITREG TRIANGLE
EQRSAU SQUARE
TCNRLEGEA RECTANGLE
GANLE ANGLE 71
Reading Comprehension
b) Unscramble the following words.
Hint: All the words are related to PLANT.
WOLFRE FLOWER
OCTOOMN MONOCOT
GAMITS STIGMA
LLPNEO POLLEN
TMALIEFN FILAMENT
MAENTS STAMEN
EHTNAR ANTHER
VSLAEE LEAVES
These are a few examples. There are many more games that you can choose
from, depending on the level that you teach.
15.12 ANSWERS
Check Your Progress 1
1 Open ended and answers will vary.
2 We do not learn those words which we don’t use. Also to use a word
one must know the meaning, the pronunciation, the context in which
the word can be used, the other words that need to be used with that
particular word and also the grammar of the word.
Check Your Progress 2
1 Phishing, iPod, Blue tooth, Smart Card, Smiley
2 a) Phishing (noun) – The practice of trying to trick people into giving
secret financial information. (computing)
b) Handblend, Milkshake, Clone (n/v),
iPod, Flashmob, Bluetooth, smart card, smiley (noun)
cute (adjective)
3 Do it in yourself. 73
Reading Comprehension Check Your Progress 3
1 i located…….. River (context). Real Life Context – Location
ii Most of the …………. our area are closed (Context). Real Life
Context (Financial Institution)
iii aeroplane …….. before it landed (context). Real Life context –
Aircraft changing direction.
Students may be familiar with both (i) and (ii) in their real life. (iii) may
be difficult because many of them may not have travelled by air. Can
refer to pictures, movies, etc.
2 The Context is not clear. Which fan are we talking about? – The ceiling,
table or pedestal fans in a room or the ardent admirers (as in the fans
of Aamir Khan)
3 There was no light in the room.
I prefer light colour paint on walls.
I am very light sleeper.
Let have some light refreshment.
Check Your Progress 4
1 The correct word should have been brake. The person who has got it
written does not know the difference of meaning between break and
brake.
2 a) Explain that there refers to place/location whereas their refers to
people.
b) Practice the words in fill in the blanks separately to establish meaning
and then in both kinds of meanings.
3 Blue – blew; see – sea; sale – sail; son – sun; piece - peace.
Check Your Progress 5
1 a) Good leaders lead (v) from the front.
Use a lead (n) pencil to draw and sketch.
b) We live (v) in the capital city of India.
Be careful of live (adjective) wires. / A live (adjective) telecast of the
final tennis match.
2 Do it yourself.
Check Your Progress 6
1 a) If you play second fiddle to someone, your position is less important
although you work together; if you have had enough, you are
unhappy with a situation and want it to stop.
b) have no time.
c) If you have a head like a sieve you do tend to forget important
things.
2 a) get the message.
b) a skeleton in the cupboard.
c) drop a line.
74
Check Your Progress 7 Teaching Vocabulary
Laudatory – formal
Smart alec – informal, disapproval
Dirt cheap – informal
Dude – informal
Sissy – informal, disapproval
Felicitous – formal
Soporific – formal
Clobber – informal
Check Your Progress 8
Super ordinate Hyponyms
1 Dwellings (human) Villa, wigwam, apartment, mansion,
bungalow, igloo, tent
2 Countries Canada, Iceland, Norway, Scotland,
Denmark
3 Furniture Sofa, coffee table, chaise longue, chair
4 Animals (Extinct) Mammoth, dinosaurus, duckbilled platypus