VERDE ALMA

(Solo guitar)

Music by Maximo Diego Pujol

Elab. Mysescore 3 - Gianfranco Atzei

2
VERDE ALMA
Autore: Maximo Diego Pujol

    2 3 4       
 = 70

1
   2 4  1   1    4
Andantino espressivo 0 4

 
0

       
   
1 4
3


    3  4  1   1   
4

      
 5

        
4 poco rall .................. a tempo

  
 
0 2 4

 
4
4 1 2


      4     
  4  3   1    4  1  2  4   3   4 
5 3 2

   
7
II

  
2
3

 
 4    4  2 1     4     4   4  
V  poco rall ...

    
2

    
2


0

 
10


II

 
3

     
 
              
a tempo


   
13 poco rall .......... a tempo

          
0

 
       
             
    
        


      
17

   
   
   
                       
         2
0


21

   
  


 2     4  2  2   4   1 1
4  1
VII

    
VII

    
2 2 XII 1

  
XII 3

 3     1
II

  
25 II 3
1

     
2 1

6
3 3 1 1 3
4
  1 4

Elab. Mysescore 3 - Gianfranco Atzei

 
   
   43   11  43  2  1  2    1   4  3  2   2         VII 
3

     1 1 
II

  3 2   
28

   4   
3 3 3


 3 
  4 3   4   4    1    3  4  4 


 23   
movendo

  1 3 
VII III

  
      1 4       
XII


31 2

 1  
XII

  4  
1

 I 4 4  IV 4 2  
4

  3    4   4      
   3
  4 
 
 3   
  3 3
 1   1     1 1 
34 1

0
3 2
0

   


        3 
    
  3  1  
37

 2 6

   
 subito

                     
   3   3 
39

 
4

   
4   
  3  
         
    
41 2

   

2
 subito

     ten.
6

      
   
  1
43 accelerando ...............................

  2   1 0

 
2 0
3

  


   1           
............................ molto

   0 2  1
45 a tempo
4 4

 
1
4

  2   4   4    
    4  1  1    
2   
   4       2 
 1 2  1
48
4

  
1 2 3

Elab. Mysescore 3 - Gianfranco Atzei

  2          
 3 1    3  3   4          
  4 
4

3 3 1
 
II

 
V


0

1 
51
4 4 4

 
4 2 1 4


3

0
 


 1 II   4  
           
3 4 1
       3 
VII

  3
2


II 0


54

  2
1


4

 
        4 4 
    3  4       1 
1   
VII 2
VII

 1  1 1 
57 3

 4 3  


    3    4    1    4     1    VII
      4 4 
X

  2 3
4 2 2 2
2

   
  

60
1 4


3
1

3 


 
  
    11   3       43  43   2   4    4   4  
VII

3  3 3 
VII

  
II


3

1
63

 
4

 
3 3

  0    1 1       
   1 3
     1 2
4 1  
66

 2   
3 4

    
   1  3  4  4 1  20
 4
 2
rall ....

 0
2


4

1 
69 IX 1 3
2 2

  
2 1 1
4

 

Elab. Mysescore 3 - Gianfranco Atzei