Bells and Pomegranates
Bells and Pomegranates
Bells and Pomegranates
dramatic monologues, and shorter poems, published between 1841 and 1846. Here's why this
publication method was significant:
• Challenging the Book Market: By releasing his work in individual pamphlets, Browning
bypassed the traditional model of expensive, bound poetry books. This made his work
accessible to a wider audience.
• Freedom to Explore: The pamphlet format allowed him to experiment with shorter forms
and less conventional subjects without the pressure of filling an entire volume. It also meant
he could release works as they were ready, rather than waiting to create a whole collection.
• Bells: Suggest the act of calling attention, of announcing something new – perhaps reflecting
Browning's desire to break with poetic traditions.
• Pomegranates: In biblical tradition, pomegranates adorned the robes of priests. This could
symbolize the sacred, or at least elevated, role Browning viewed for the poet.
Each pamphlet contained a variety of works. Some of the most famous include:
• Pippa Passes: A verse drama about a young silk mill worker whose simple song inadvertently
influences the lives of others. (Pamphlet No. I)
• Dramatic Lyrics: A collection of shorter poems, including the iconic "My Last Duchess" and
"Porphyria's Lover". (Pamphlet No. III)
• Dramatic Romances and Lyrics: Contains works like “How They Brought the Good News
from Ghent to Aix” and "The Pied Piper of Hamelin". (Pamphlet No. VII )
• Luria and A Soul’s Tragedy: Two verse dramas exploring themes of cultural conflict and the
search for meaning. (Pamphlet No. VIII)
Critical Reception
The initial reception of Bells and Pomegranates was mixed. The pamphlets were innovative but, at
times, perplexing due to Browning's complex style. However, modern literary scholars recognize this
period as foundational for Browning, showcasing his mastery of the dramatic monologue and his
exploration of psychological themes.
Legacy
• Browning's Rise: Bells and Pomegranates laid the groundwork for Browning's growing
reputation as a unique poetic voice, even though true recognition took some time.