Danilpopov, 4 (2023) - 11
Danilpopov, 4 (2023) - 11
Danilpopov, 4 (2023) - 11
4
ФИЛОСОФИЯ И КОНФЛИКТОЛОГИЯ
КУЛЬТУРОЛОГИЯ
UDC 004.8:1
For citation: Bylieva D. S., Nordmann A. AI and the Metaphor of the Divine. Vestnik of Saint Petersburg
University. Philosophy and Conflict Studies, 2023, vol. 39, issue 4, pp. 737–749.
https://doi.org/10.21638/spbu17.2023.411
The idea of God is one of the most pervasive in human culture. It used to be considered
mostly in metaphysical and ethical discussions, it has become a part of the discourse in the
philosophy of technology. The metaphor of God is used by some authors to represent the role
of artificial intelligence in the modern world. This paper explores four aspects of the metaphor:
creation, omniscience, mystery, theodicy. The creative act shows the resemblance of humans
to God, also in the sense that technology created by humans can get out of the control of
the creator. The ability of AI to use data flows for analytics and prediction is considered as
“omniscience” which looks mysterious due to the inability of people to intellectually grasp the
work of AI. The discussion about building ethics into AI technology shows a desire to add one
more feature to “omniscient and omnipotent,” namely “benevolent.” The metaphor of God as
applied to AI reveals human fears and aspirations both in rational-pragmatic and symbolic
terms. The metaphor of God exposes notions of transcendence in modern perceptions of
technology. Also it continues the discussion about what should be the technological design
of AI. Whether as co-worker or as communicator it is already putting us on a path towards
thinking of a subject that is constituted in a superior way.
Keywords: AI, ethics, technology, metaphor, God.
Introduction
The active development and implementation of AI make it a very popular topic of
scientific discussions. AI is used in different spheres of human life, interacting with per-
sons, processing data, making predictions and decisions. Modern AI technologies are self-
learning, based on large databases, they are able to classify independently and to draw
https://doi.org/10.21638/spbu17.2023.411 737
conclusions without direct human training. Moreover, reinforcement learning allows an
AI system to evaluate its behaviour and improve in order to achieve goals. For quite a
long time there have been discussions about the possibility of the emergence of so-called
artificial general intelligence which is an as-of-yet hypothetical form of AI that is able
to perform all the same intellectual feats as humans do and surpass them. It is a super-
intelligent machine which a person can understand no more than a pet understands a hu-
man being [1, p. 1]. Moreover, optimism about the technological progress of humankind
is accompanied by fears that technology may get out of control, and AI will become the
“last invention” [2; 3].
The idea of speaking about AI in terms of God is popular today in science fic-
tion (starting with GOD — General Operational Device from Lem’s Fiasco (1986)),
scientific literature [4–6] and even in technical terminology (God’s Eye for detecting,
recognizing, tracking and locating the person or an object whose image is given as
query). This metaphor (or even more than metaphor) is meaningful. It not only el-
evates technology to unprecedented heights, but also reveals the modern trends in
transcendent understanding of technology. David F. Noble writes that in the Western
world modern technology and religion have evolved together and technology remains
suffused with religious beliefs [7].
The words and metaphors used to refer to technologies affect how they are perceived
and how they function. As Mark Coeckelbergh points out, “Use of language does not only
construct the representation of relationships but also transforms them” [8, p. 151]. In phi-
losophy of language John Austin claims that a speech act doesn’t only say something about
the world, but also “does” something [9]. Moreover, Julian Jaynes says a learned behavior
arises from language, and specifically from metaphor [10]. According to Lakoff & John-
son, metaphor is an active agent in human cognition, it influences everyday experience
by establishing an epistemological referent for all forms of communication and cogni-
tion itself [11]. Pavel Baryshnikov argues that metaphorised archaic images create modern
secularized myths that perform regulatory and coding functions [12, p. 134].
The concept of God is one of the most important for human culture. Clearly, even if
we discuss only the Judeo-Christian concept of God, it cannot be fully disclosed from a
theological or philosophical point of view. However, this does not prevent it from being
widely used and considered as generally understood. As Peter Vardy remarks, “we know
that we are fairly ignorant about black holes, but we feel fairly confident about using the
word God” [13, p. 37]. Usually the word “God” refers to a “being which is omnipotent,
benevolent, omniscient” [14, p. 230]. For a long time, the moral aspect of the human-
God relationship seemed to be the most important in culture. In relation to the human,
God appears as the Creator, the Highest Good and the Judge of one‘s deeds. For Kant it is
through morality and the highest good that we “produced a concept of the divine being
that we now hold to be correct” [15, p. 818]. The idea of God as the basis of morality made
it in demand in ethical and existential philosophical discourse. “Dostoevsky once wrote:
‘If God did not exist, everything would be permitted’; and that, for existentialism, is the
starting point” [16, p. 28].
In the course of the secularization of society, the word God moved from a sacred
sphere — with the prohibition of its pronunciation “in vain” (for Christians) or under
any circumstances (for Jews) — into the space of mass culture. The recent introduction of
the concept of God into the technological dimension of culture is far from the traditional
Creation
Creative acts are considered to be a point of similarity between humans and God. The
Greek word techne means activity that brings things into being. In techne we can see the
ability to reorganize the world, to create a new order or logos. The philosophy of techno
logy after Ernst Kapp represented human activity as a sphere for the generation of the
new, providing for human needs and desires, forcing the creation of engineering ontolo-
gies that take into account “being” in terms of laws of nature, and regarding the “new” as
a technically successful and progressive application of these laws [17, p. 23]. According
to Heidegger the origin of modern, Cartesian metaphysics coincides with a technological
way of grasping the world in terms of forces. In this way of picturing the world, every-
thing becomes an object of human will and, implicitly, there is no space for a special di-
vine power that is distinct from human calculation and control. Thus, Heidegger contrasts
contemplative thought that seeks an understanding of Being and “calculating” thought
that transforms everything into a resource for technical control [18]. Here Yuk Hui sees
exemplified Heidegger’s point that the earth is being transformed into a giant cybernetic
machine, “that is arriving now with the advancement of artificial intelligence, which can
be read in daily outcries in the newspaper” [19, p. 92].
God appears as the creator of existence, of life and of humanity, and as the promise
to fill a void of inexplicable existence. A feature of humans that distinguishes them from
other creations of God is free will that gives them possibility to rebel. And the human-
creator wants to be self-sufficient, rebelling against existence as something merely given,
“a free gift from nowhere (secularly speaking), which he wishes to exchange, as it were,
for something he has made himself ” [20, p. 2–3]. In self-dissatisfaction, there is both,
Jean-Paul Sartre’s nausea of those who are thrown into the world without any reason, and
Günther Anders’ Promethean shame with the recognition of oneself as crude and clumsy
in contrast to precisely reliable as well as durable technical equipment [21]. In the car
you can see perfection and purposefulness, inaccessible to mere mortal people. Friedrich
Georg Jünger quotes the architect and designer Henry van de Velde: “Machines on their
concrete bases act like serenely meditating Buddhas, squatting on their timeless lotus”
[22]). As Günther Anders writes, “Human beings are ashamed to have been born instead
of made” [23, p. 35].
The resemblance between God’s and human creation becomes complete only when
the humanly manufactured artifacts become self-sufficient and rebellious. The desire to
imitate God in creating something that is similar to oneself has come a long way from the
alchemical Frankensteins to modern artificial intelligence. The creation of a fairly inde-
pendent creature was originally conceived in analogy to the creation of a human, finding
Omniscience
Among the characteristics usually attributed to God “omniscient” retains its promi-
nence also in an informational era. Especially today, the power of intelligence would be
considered most likely to serve as supreme power. The phrase “knowledge is power”
(scientia potestas est) — attributed to Francis Bacon and rephrased in a wide variety of
contexts from Thomas Hobbes to Michel Foucault — takes on a special meaning and thus
becames a popular slogan today. Foucault wrote that “power and knowledge directly im-
ply one another… there is no power relation without the correlative constitution of a field
of knowledge, nor any knowledge that does not presuppose and constitute at the same
time power relations” [24, p. 27]. Knowledge is included in power systems, and creates
some form of power itself. However, the meaning of the concept of knowledge has been
changing. It shifted from signifying an insight into the nature of things and scientific un-
derstanding of causal structure, to successful prediction of ongoing processes. In order to
draw a parallel between machine learning and human experience one implicitly refers to
“knowledge” as a result of processing experimental data — an idea of knowledge that can
be found in various philosophical concepts, from classical empiricism to contemporary
concepts such as neuroplasticity.
The possession of information and the ability to use it increasingly appears as the
most valuable asset of the so-called knowledge society. In recent decades, digitalization
stands for a world that is becoming transparent and managerial in all aspects of life. Hu-
mans and things are almost all the time related to digital space. The flow of data transmits
an increasing number of parameters of human and physical world.
Gilles Deleuze wrote that, before the advent of material technology, there was a cer-
tain human social technology [25]. Foucault’s used the concept of “panoptisme”1 to de-
scribe the technology of monitoring and permanent surveillance in schools, barracks and
hospitals, etc. In a 1973 presentation, he said: “The Panopticon is the utopian vision of
a society and a kind of power which is, fundamentally, the society which we know to-
day, a vision which has been effectively realized. This type of power can perfectly well be
called panopticism. We live in a society where panopticism rules” [26, p. 594]. And Madan
1 Foucault borrowed the term “Panoptisme” from Jeremy Bentham, who proposed at the end of the 18th
century the architectural design of the Panopticon prison, where form a central tower constant surveillance
is carried out of the prison cells arranged in a circle. Under these conditions, none of the prisoners could
ever be sure that they were not being watched.
Mystery
Although “surveillance is all about power” [38, p. 157] and it is very impressive in
term of all-seeing or omniscience, creativity, knowledge and power is not all there is when
speaking about divinity. Another dimension of the metaphor of the divine is mystery and
uncertainty. It is in contingency and the accidental that a person sees the providence of
God or the hand of destiny. Especially in light of the unexpected, omniscience may be per-
ceived as a wonder. Unexpectedly great knowledge about a person, the ability to predict
people‘s tastes and choices look mysterious. Even when advertising evokes indefinite plans
and intentions, ordinary people may see fate if they do not realize that modern technolo-
gies can “eavesdrop” on their conversations and thus offer relevant goods.
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Aut h or s’ i n for m at i on :
Для цитирования: Bylieva D. S., Nordmann A. AI and the Metaphor of the Divine // Вестник Санкт-
Петербургского университета. Философия и конфликтология. 2023. Т. 39. Вып. 4. С. 737–749.
https://doi.org/10.21638/spbu17.2023.411
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