Scribd Logo
Upload

Welcome to Scribd!

  • 32 views

    Specimen Copperplate New

    Uploaded by

    qeyskhalafnejhad
    Spencerian book

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Specimen Copperplate New

    Uploaded by

    qeyskhalafnejhad
    32 views14 pages
    Spencerian book

    Original Title

    specimen_copperplate_new

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Spencerian book

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    32 views14 pages

    Specimen Copperplate New

    Uploaded by

    qeyskhalafnejhad
    Spencerian book

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 14

    Copperplate New

    Copperplate New Specimen of typeface  Caron Twice Fonts


    Copperplate New Caron Twice Fonts
    Copperplate New – Styles Caron Twice Fonts
    Moonshine.
    Air 20°C
    19.30–20.45
    Copperplate New – Regular Semi Condensed, Inline A Medium, Hair Condensed Caron Twice Fonts
    A B C D E F G H IJ K LM N A B C D E F G H IJ K L M N
    OPQRSTUVWXYZ O P Q R STUVW XYZ

    a b c d e f g h ij k lm n o a b c d e f g h ij k lm n o
    pqrstuvwxyz pqrstuvwxyz

    #0123456789@ #0123456789@

    Copperplate New – Hair Condensed Copperplate New – Black Condensed Caron Twice Fonts
    ABCDEFG ABCDEFG
    HIJKLMN HIJKLMN
    OPQRSTU OPQRSTU
    VWXYZ VWXYZ

    #012345 #012345
    6789@ 6789@

    Copperplate New – Hair Wide Copperplate New – Black Wide Caron Twice Fonts
    DUE TO ITS USE IN WRITING GERMANIC, ROMANCE AND OTHER LANGUAGES DUE TO ITS USE IN WRITING GERMANIC, ROMANCE AND OTHER
    FIRST IN EUROPE AND THEN IN OTHER PARTS OF THE WORLD AND DUE TO ITS LANGUAGES FIRST IN EUROPE AND THEN IN OTHER PARTS OF THE
    USE IN ROMANIZING WRITING OF OTHER LANGUAGES, IT HAS BECOME WIDE- WORLD AND DUE TO ITS USE IN ROMANIZING WRITING OF OTHER
    SPREAD (SEE LATIN SCRIPT). IT IS ALSO USED OFFICIALLY IN ASIAN COUNTRIES LANGUAGES, IT HAS BECOME WIDESPREAD (SEE LATIN SCRIPT).
    SUCH AS CHINA (SEPARATE FROM ITS IDEOGRAPHIC WRITING), MALAYSIA, IT IS ALSO USED OFFICIALLY IN ASIAN COUNTRIES SUCH AS CHINA
    (SEPARATE FROM ITS IDEOGRAPHIC WRITING), MALAYSIA,
    INDONESIA, AND VIETNAM, AND HAS BEEN ADOPTED BY BAL-
    TIC AND SOME SLAVIC STATES. THE LATIN ALPHABET EVOLVED INDONESIA, AND VIETNAM, AND HAS BEEN ADOPTED BY
    FROM THE VISUALLY SIMILAR ETRUSCAN ALPHABET, WHICH BALTIC AND SOME SLAVIC STATES. THE LATIN ALPHABET
    EVOLVED FROM THE CUMAEAN GREEK VERSION OF THE GREEK EVOLVED FROM THE VISUALLY SIMILAR ETRUSCAN ALPHABET,
    ALPHABET, WHICH WAS ITSELF DESCENDED FROM THE WHICH EVOLVED FROM THE CUMAEAN GREEK VERSION OF THE
    GREEK ALPHABET, WHICH WAS ITSELF DESCENDED FROM THE
    PHOENICIAN ALPHABET, WHICH IN TURN DERIVED
    FROM EGYPTIAN HIEROGLYPHICS. THE ETRUSCANS PHOENICIAN ALPHABET, WHICH IN TURN DERIVED
    RULED EARLY ROME; THEIR ALPHABET EVOLVED IN FROM EGYPTIAN HIEROGLYPHICS. THE ETRUSCANS
    ROME OVER SUCCESSIVE CENTURIES TO PRODUCE RULED EARLY ROME; THEIR ALPHABET EVOLVED IN
    THE LATIN ALPHABET. DURING THE MIDDLE AGES, ROME OVER SUCCESSIVE CENTURIES TO PRODUCE
    THE LATIN ALPHABET. DURING THE MIDDLE AGES,
    THE LATIN ALPHABET WAS USED (SOMETIMES
    WITH MODIFICATIONS) FOR WRITING ROMANCE THE LATIN ALPHABET WAS USED (SOMETIMES
    LANGUAGES, WHICH ARE DIRECT DESCENDANTS WITH MODIFICATIONS) FOR WRITING ROMANCE
    OF LATIN, AS WELL AS CELTIC, GERMANIC, BAL- LANGUAGES, WHICH ARE DIRECT DESCENDANTS
    TIC AND SOME SLAVIC LANGUAGES. WITH THE OF LATIN, AS WELL AS CELTIC, GERMANIC, BAL-
    TIC AND SOME SLAVIC LANGUAGES. WITH THE
    AGE OF COLONIALISM AND CHRIS-
    TIAN EVANGELISM, THE LATIN SCRIPT AGE OF COLONIALISM AND CHRISTIAN
    SPREAD BEYOND EUROPE, COMING INTO EVANGELISM, THE LATIN SCRIPT SPREAD
    USE FOR WRITING INDIGENOUS BEYOND EUROPE, COMING INTO USE FOR
    AMERICAN, AUSTRALIAN, WRITING INDIGENOUS AMERICAN,
    AUSTRALIAN,

    Text reading Copperplate New Caron Twice Fonts


    A B C D E F G H I J K L M N O P Q R S T U V W ! ¡ ? ¿ . , : ; … ( ) [ ] { } / | ¦ \ “ ” ‘ ’ · „ ‚ _ - – — « » ‹ › •
    X Y Z a b c d e f g h i j k l m n o p q r s t u v w * † ‡ @ & & % ‰ ª º
    x y z
    ¡ ¿ @ - – — « » ‹ ›
    0 0 1 2 3 4 5 6 7 8 9
    < > ≠ = ≤ ≥ ≈ ~ ÷ ± × − + ¬ ⁄ ∞ # ∫ ∂ µ ∆ ∏ ∑ √
    Á Ă Â Ä À Ā Ą Å Ã Æ Ǽ Ć Č Ç Ĉ Ċ Ð Ď Đ É Ĕ Ě Ê
    Ë Ė È Ē Ę Ğ Ĝ Ģ Ġ Ħ Ĥ IJ Í Ĭ Î Ï İ Ì Ī Į Ĩ Ĵ Ķ Ĺ Ľ Ļ Ŀ Ł © ℗ ® ™ ° " ' § № ¶ ℓ ◊ ^ ℮
    Ń Ň Ņ Ŋ Ñ Ó Ŏ Ô Ö Ò Ő Ō Ø Õ Œ Ŕ Ř Ŗ Ś Š Ş Ŝ Ș
    ẞ Ŧ Ť Ţ Ț Ú Ŭ Û Ü Ù Ű Ū Ų Ů Ũ Ẃ Ŵ Ẅ Ẁ Ý Ŷ Ÿ Ỳ $ ¢ £ ¥ € ƒ ¤
    Ź Ž Ż Þ
    H 1 2 3
    á ă â ä à ā ą å ã æ ǽ ć č ç ĉ ċ ď đ é ĕ ě ê ë ė è ē
    ę ğ ĝ ģ ġ ħ ĥ ı í ĭ î ï ì ij ī į ĩ ȷ ĵ ķ ĺ ľ ļ ŀ ł ń ň ņ ŋ ñ ¼ ½ ¾
    ó ŏ ô ö ò ő ō ø õ œ ŕ ř ŗ ś š ş ŝ ș ß ŧ ť ţ ț ú ŭ û
    ü ù ű ū ų ů ũ ẃ ŵ ẅ ẁ ý ŷ ÿ ỳ ź ž ż N ← → ↑ ↓ ↘ ↙ ↗ ↖

    Copperplate Gothic – When Frederick William Goudy created his


    legendary typeface in 1901, it went on to literally become the symbol
    of early 20th century America. Tiny serifs, characteristically broad
    letterforms, and particularly bold titles decorated calling cards
    at 6-point size, enormous bronze-cast logos, news headlines, restaurant
    menus and more.
    Copperplate New – has been created to revive the faded glory
    of the original design. Formally, the new typeface expands the existing
    weight and proportional extremes. The slight serifs are reduced even
    Afrikans, Albanian, Basque, Bosnian, Breton, Catalan Chamorro, further, making the typeface sans-like at smaller point sizes and
    Chichewa, Cornish, Croatian, Czech, Danish Deutch, Esperanto, Estonian, improving readability. In contrast, at large point sizes it retains all of
    Faroese, Finnish, French, Frisian, Galician, German, Hawaiian, Hungarian, its original character. Decorative inline styles have been added in all
    Icelandic, Indonesian, Italian, Kashubian, Kurdish (Latin), Latvian, five proportions, making it easy to adapt the typesetting to the format
    Lithuanian, Luxemburgish, Maltese, Mãori, Norwegian (Bokmål), Occitan, you need. Despite these changes and innovations, Copperplate New
    Polish, Portugese, Romanian, Serbian (Latin), Slovak, Slovene, Spanish, remains true to Goudy’s original design and represents a snazzy way
    Swedish, Tswana, Turkish, Turkmen, Welsh, Wolof to evoke a golden era in American culture.

    Communication 49 languages 412 glyphs Copperplate New Caron Twice Fonts


    Copperplate New – Inline, Shadow Caron Twice Fonts
    Hair Condensed Inline A Condensed
    Slim Condensed Inline A SemiCondensed
    Light Condensed Inline A Medium
    Regular Condensed Inline A Extended
    Bold Condensed Inline A Wide
    Black Condensed
    Inline B Condensed
    Hair SemiCondensed Inline B SemiCondensed
    Slim SemiCondensed Inline B Medium
    Light SemiCondensed Inline B Extended
    Regular SemiCondensed Inline B Wide
    Bold SemiCondensed
    Black SemiCondensed Shadow Condensed
    Shadow SemiCondensed
    Hair Medium Shadow Medium
    Slim Medium Shadow Extended
    Light Medium Shadow Wide
    Regular Medium
    Bold Medium
    Black Medium

    Hair Extended
    Slim Extended
    Light Extended
    Regular Extended
    Bold Extended
    Black Extended

    Hair Wide
    Slim Wide
    Light Wide
    Regular Wide
    Bold Wide
    Black Wide

    Copperplate New – 45 styles Caron Twice Fonts


    Copperplate New – Examples of possible use Caron Twice Fonts
    Copperplate New – Examples of possible use Caron Twice Fonts
    Original design with Copperplate New Caron Twice Fonts
     Caron Twice Fonts

    You might also like