Toibin Notes 2
Toibin Notes 2
Toibin Notes 2
Themes : you may need these themes to develop your oral portfolio
Identity
In this novel, identity is closely tied to environment. That is presumably why it is so
unbalancing for Eilis to move to America. The loss of her hometown uproots her sense of self,
and she must work to rebuild it by navigating her new community. One of the ways that Eilis
often does this is by emulating the person she most admires: her sister Rose. Eilis does
manage to grow her confidence and cultivate a new image of self-possession. But at the same
time, Eilis is a passive observer, content to let others make life-changing decisions for her.
What she seems to lack throughout the novel is a grounded sense of self that is not influenced
by her environment, that determines what she most values and makes her choices accordingly.
Like the question of home, Eilis's sense of identity is still very much unresolved by the end of
the novel.
Tradition vs. Assimilation
One of Eilis's primary conflicts in her time in America is whether to try to assimilate and
integrate herself into the community, or cling to her memories of Enniscorthy. This problem
recurs in many forms throughout the novel. The constant conflict between the American-born
Patty and Diana and the Irish-born Sheila and Miss McAdams embodies the very same
struggle. Eilis's indecision between the thoroughly Irish, thoroughly traditional Jim and the
open, hopeful, American-born Tony reincarnates this struggle once again. Eilis must
constantly choose between familiarity and change, or hope to find some balance between the
two.
Quotes with short analysis : here you find quotes extracted from Toibin’s Brooklyn
Novel .They may respond to your oral thesis .
Find the whole passage in the book. The page is provided for you at the bottom of each quote
p. 91-92
This passage describes the Christmas meal at the parish hall. As Eilis serves the men, she is
struck by their mannerisms, which remind her of her father and brothers. She almost mistakes
one man for her father, and is jarred by the realization that they really do not look so alike
after all. She thinks sometime later that the hall "could have been a parish hall anywhere in
Ireland.” She finds great comfort in these resemblances. This passage signifies that she is
finally beginning to adjust to life in Brooklyn, and building a home for herself there.
'I’m from Brooklyn,' he said, 'but my mom and dad are from Italy.'
'I know,' he interrupted. 'I heard about the Irish dance and I thought I’d go
and look at it and I liked it.'
'I could take you some night but you would have to be warned. They behave
like Italians all night.'
“In the morning it was hard not to think that she was Rose’s ghost, being
fed and spoken to in the same way at the same time by her mother, having
her clothes admired using the same words as were used with Rose, and then
setting out briskly for work. As she took the same route Eilis had to stop
herself walking with Rose’s elegant, determined walk, and move more
slowly.”
p. 227
Eilis takes over Rose's role not only at Davis's mill, but also in her own home. She has always
looked up to Rose, and modeled herself after her sister, so in some ways, this is all she ever
wanted. But after her life in America, and the grief of losing Rose, this also unsettles her. This
passage suggests that though a life in Enniscorthy is so comfortable and appealing, it also
feels slightly wrong, like she is not being true to herself. This passage, too, has much to do
with the themes of identity.
“Two years ago,” she said, “he wouldn’t even see me. I know that Rose
asked him if there was any possibility of a job for me and he just said no.
Just no.”
“And two years ago Jim Farrell seemed to think it was his duty to ignore
me in the Athenaeum even though George had practically asked him to
dance with me.”
“You have changed,” Nancy said. “You look different. Everything about
you is different, not for those who know you, but for people in the town who
only know you to see.”
“What’s changed?”
“You seem more grown up and serious. And in your American clothes you
look different. You have an air about you. Jim can’t stop trying to get us to
find more excuses to go out together.”