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A DISSERTATION REPORT
Submitted by
MOHAMED SHAFIQ.J
REG.NO – 72461951023
in partial fulfillment for the award of the degree
of
BACHELOR OF ARCHITECTRE
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BONAFIDE CERTIFICATE
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ACKNOWLEDEMENT
Finally I thank my parents and god almighty for all the blessings.
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DECLARATION
MOHAMED SHAFIQ.J
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ABSTRACT
Indo-Saracenic (from Saracen, an archaic name for Muslims used by the British), also
known as Indo- Gothic was a style of Architecture used by British Architects in the late 19th
century in India. IndoSaracenic Architecture was an effort to merge British and Indian
aspirations after 1858 and to show that how despite being an Imperial power, the British in
India were part of the Indian milieu. It also aroused Indian’s interest in their own history.
The Indo-Saracenic movement began in the 1870’s. An attempt at creating authority through
classical prototypes and the latter phase moving towards the Colonial Architecture. It is
more classical than Gothic. The Indo-Saracenic is a mixture of Indian and Islamic
Architecture but remained British in spatial Organization and composition. Buildings built in
this style were usually grand public buildings such as clock towers, court houses, civic and
municipal buildings, Government colleges, Town halls, Railway stations, Museums and Art
galleries. Few Architects of this style were: Robert Fellowes Chisholm, Henry Irwin, Edwin
Lutyens and Charles Mant.
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