Lexicography An Introduction
Lexicography An Introduction
Lexicography An Introduction
Howard Jackson
Preface vii
Dictionaries cited ix
1 Words 1
4 The beginnings 31
8 Meaning in dictionaries 86
References 184
Index 189
Preface
Much has happened, both in respect of the making of dictionaries and in respect
of their academic study, in the twelve or so years since my previous book
on dictionaries (Words and Their Meaning, Longman, 1988). Then, the ‘corpus
revolution’ (Rundell and Stock 1992) had only just begun – Words and Their
Meaning just managed to catch the first (1987) edition of the Collins COBUILD
English Dictionary. Now virtually all dictionaries published in the UK make
some claim to have used a computer corpus in their compilation. Not only have
learners’ dictionaries developed by leaps and bounds – the Oxford Advanced
Learner’s Dictionary was in its third edition then, now in its sixth, and the Cam-
bridge International Dictionary of English was still a long way off – but native
speaker dictionaries have also seen significant developments – the publication
of the New Oxford Dictionary of English in 1998, as well as three editions of the
Concise Oxford, not to mention the second edition of the great OED in 1989
and the beginning of the massive revision that will result in the third edition,
planned for 2010.
Dictionaries have also appeared during the period in electronic format, nota-
bly as CD-ROMs, opening up new possibilities, not only in how dictionaries
can be used and exploited, but also in how dictionary material can be organised
and presented. Dictionaries are also accessible online, through the internet,
including the OED, enabling subscribers to view the revisions that will consti-
tute the third edition, as they are posted quarterly.
The study of lexicography has also developed and flourished during the last
dozen years. They saw the launch of the highly successful International Journal of
Lexicography in 1988, for the first ten years under the editorship of Robert Ilson,
and latterly that of Tony Cowie. The mighty three-volume Encyclopedia of Lexico-
graphy (Hausmann et al. 1989–91) delineated the state of the art, and the Diction-
ary of Lexicography (Hartmann and James 1998) mapped the territory. More
recently, Reinhard Hartmann’s Teaching and Researching Lexicography (2001) has
set the agenda for the business of academic lexicography. And Sidney Landau
has updated his readable Dictionaries: The Art and Craft of Lexicography (second
edition, 2001) with its transatlantic perspective.
It is time for a new treatment of the subject in the UK. I am grateful to Louisa
Semlyen and to Routledge for taking this on. The book is dedicated to all the
viii Preface
final-year students who have enabled me to develop the material by taking
my ‘Lexicography’ module on the English degree at the University of Central
England in Birmingham over more years than I care to recall.
Howard Jackson
Birmingham
August 2001
Dictionaries cited
The following dictionaries are mentioned in the course of this book. (Note: a
superscript number, e.g. 19882, refers to the edition; in this case, the second
edition published in 1988.)
Thematic dictionaries
A Thesaurus of Old English (1995) compiled by Jane Roberts and Christian Kay,
with Lynne Grundy.
Longman Dictionary of Scientific Usage (1979) compiled by A. Godman and E.M.F.
Payne.
Longman Language Activator (1993) edited by Della Summers.
Longman Lexicon of Contemporary English (1981) compiled by Tom McArthur.
Roget’s Thesaurus of English Words and Phrases (1852), Longmans, Green and Co.
The Scots Thesaurus (1990), edited by Iseabail McLeod.
Abbreviations
In order to save space, dictionaries regularly cited will usually be referred to in
the course of the book by the following abbreviations:
1 Words
want, wanting, wanton, wapentake, wapiti, War., war, waratah, war baby,
warble1, warble2, warble fly, warbler, warby, war chest, war crime, war
cry, ward, -ward, war dance, warden, warder, ward heeler, ward of court,
wardrobe.
A number of items in this list do not quite match our usual concept of what
constitutes a word, which is – I suggest – ‘a sequence of letters bounded by
spaces’. Indeed, only 15 of the 25 items could be described in this way. Two
of the remaining items are less than a full word: the abbreviation War. (for
Warwickshire), and the suffix –ward (used to form words like backward, skyward –
see Chapter 2). The other eight items all consist of more than one ‘word’:
seven of them have just two words, and one has three (ward of court). You
will also have noticed that one word (warble) is entered twice. So, just what is
a ‘word’?
The word before want in the COD10 list is wannabe. Is that a word, or is it
three (want to be)? In our usual concept of a word, it is one, because it is a
sequence of letters bounded by spaces. This conception of words comes, of
course, from writing, the medium in which we are most conscious of words;
and dictionaries are based on the written form of the language. In speech, though,
words are composed of sounds and syllables, and they follow one another in the
flow of speech without spaces or pauses. We make no more pause in saying war
baby than we do with wardrobe, even though the first consists of two words in
writing and the second of only one.
2 Words
There is, clearly, a measure of confusion here that needs some sorting out in
a book about words and dictionaries. Let us make the following distinction of
terms:
A lexeme may, therefore, consist of more than one orthographic word, as warble
fly, war chest, ward of court. Even though they are listed as headwords, we should
exclude abbreviations and affixes (see 1.6 below) from the category of lexeme.
bow, curate, denier, irony, prayer, refuse, reserve, sow, supply, wind.
You will notice that most homophones arise because vowel sounds that used to
be pronounced differently, as represented by the spelling, have in the course of
historical sound changes come to be pronounced the same.
The verb talk represents the ‘regular’ paradigm, where the past tense and the
past participle have the same form, with the –(e)d suffix. The verb sing is one of
a number with ‘irregular’ inflections.
There is a sense in which sing, sings, sang, singing and sung are all the ‘same
word’; they are different manifestations of the same lexeme, variants chosen
4 Words
according to the grammatical context of the lexeme. For example, if the subject
of a sentence is a ‘third person singular’ (equivalent to he, she or it) and the
speaker/writer has chosen present tense, then the form of the verb will be sings
or talks, with the ‘s’ suffix marking the ‘third person singular present tense’ (e.g.
‘until the fat lady/she sings’) We need a further term to distinguish this type of
‘word’:
Note that the three inflected forms of girl (the ‘regular’ paradigm) have the same
pronunciation.
Some adjective lexemes in English have a ‘comparative’ and a ‘superlative’
form. The adjectives concerned are ‘gradable’ (e.g. long, quick, small), rather
than ‘ungradable’ (daily, mortal, sterile). Most gradable adjectives that are one-
syllable in length can have these forms, as may most two-syllable gradable adjec-
tives. The regular inflection for the comparative is –er, and for the superlative
–est (e.g. longer/longest, quicker/quickest, smaller/smallest). There is a very small
number of irregular forms: good, better, best; bad, worse, worst. An alternative way
of expressing comparison, applied to some two-syllable adjectives and to nearly
all gradable adjectives of three syllables or more, is with the adverbs more and
most (e.g. more/most skilful, more/most treacherous). Summarising, the word-forms
of (some) adjective lexemes are:
Words 5
base slow good
comparative slower better
superlative slowest best
age of consent, cash on delivery, chapel of rest, home from home, hostage
to fortune, man about town, meals on wheels, place in the sun, rite of
passage, skeleton in the cupboard.
athlete’s foot, banker’s card, collector’s item, fool’s paradise, hair’s breadth,
lady’s finger, ploughman’s lunch, potter’s wheel, saint’s day, smoker’s cough,
traveller’s cheque, writer’s block.
A third phrasal structure consists of two words of the same type (noun, verb,
adjective) joined by the conjunction and. These are sometimes called ‘binomials’.
Here are some examples:
bells and whistles, black and white, bow and scrape, down and out, fast and
furious, hammer and tongs, nip and tuck, pins and needles, rock and roll,
sweet and sour, ups and downs, you and yours.
6 Words
There are also a few cases of ‘trinomials’, e.g. hop, skip and jump; hook, line and
sinker. You will notice that a number of these items are used metaphorically:
hammer and tongs has nothing to do with the literal instruments used by the
blacksmith, but refers to the intensity or vigour with which something is done.
A fourth kind of phrasal lexeme consists of a verb + adverb (sometimes called
a ‘particle’), to form what are called ‘phrasal verbs’. Here are some examples:
break up, calm down, find out, give in, look over, pass out, show up, take
off, waste away, wear out.
Some of these phrasal verbs have a literal or near-literal meaning, others are
more-or-less figurative in meaning. In one of its meanings, take off is literal (e.g.
referring to aircraft leaving the runway), in another it is figurative (in the sense
of ‘imitate’).
A fifth kind of phrasal lexeme, if indeed we can count them as lexemes, are
typically metaphorical or figurative in meaning. They are idioms, which have
a range of structures from phrase up to whole sentence. An idiom has two
essential characteristics: its meaning is more than the meaning of the sum of its
parts, and usually figurative; and it has a relatively fixed structure. The idiom a
storm in a teacup (American English equivalent a tempest in a teapot) has the figurative
meaning of a ‘fuss about nothing’, and there is no possibility of substituting or
adding anything to its structure. In pull the wool over someone’s eyes, the meaning
is figurative (i.e. ‘deceive’), and the only substitution possibilities are appropri-
ate inflections for the verb pull and an appropriate possessive noun or pronoun
in the place of someone’s. Idioms are all pervasive in language and show a diver-
sity of form and meaning (see Fernando and Flavell (1981) for a fuller treat-
ment). Here are a few more examples from English:
know which side one’s bread is buttered, at the drop of a hat, go against the
grain, come to a pretty pass, take someone for a ride, spill the beans, throw
the baby out with the bathwater, walk on eggshells.
You will notice that in some cases (e.g. take someone for a ride) a literal interpre-
tation is also possible. Only the context will reveal whether the literal or the
metaphorical (idiomatic) meaning is the intended one.
• nouns are the largest class by far; they represent the animate and inanimate
objects that are the participants in sentences as subjects, objects, etc. (beauty,
cat, leaf, niece, nonsense, water)
• verbs represent the action, event or state that the sentence is about, and hold
the pivotal position in the sentence, determining which other elements
need to be present (break, decide, fall, have, keep, love)
• adjectives occur in front of nouns as descriptive words, as well as after verbs
like be with a similar function ( feeble, gigantic, lazy, new, rough, vain)
• adverbs are a diverse class, in part representing circumstantial information
such as time (again, always, sometimes, soon) and manner (clearly, efficiently,
quickly, tentatively), in part acting as modifiers of adjectives or other adverbs
(quite, somewhat, very), in part forming connections between sentences (how-
ever, moreover, therefore).
The four smaller word classes, whose major function is to link the members of
the larger classes together in sentence structure, are:
• pronouns stand for nouns and their accompanying words (noun phrases) to
avoid unnecessary repetition, including personal pronouns (I, you, he, she,
it, we, they), possessive pronouns (mine, yours, hers), reflexive pronouns (my-
self, yourself, themselves), relative pronouns (who, whose, which), indefinite
pronouns (someone, nobody, anything)
• determiners accompany nouns and are subdivided into ‘identifiers’ and ‘quan-
tifiers’; identifiers include the articles (a, the), demonstratives (this, that) and
possessives (my, your, her, our, their); quantifiers include the numerals (two,
five; second, fifth) and indefinite quantifiers ( few, many, several)
• prepositions combine with nouns or noun phrases primarily to form pre-
positional phrases (at, for, from, in, of, on, over, through, with)
• conjunctions are used to connect clauses or sentences, but also phrases and
words; they include the co-ordinating conjunctions (and, but, or) and a
larger number of subordinating conjunctions (although, because, if, until, when,
while).
You should consult a grammar book if you need a more extensive explanation
of the word classes.
bed, dream, go, in, over, please, shallow, treat, usual, vote, whole, yellow.
Each of these words has, as one of its morphemes, a ‘simple’ word from the
earlier list, which forms the ‘root’, or in the case of compounds like bedroom one
of the roots, of the word. The root morpheme is the kernel of the word, with
the main meaning, which is modified by other morphemes in various ways.
Compounds are composed of two or more root morphemes: bedroom, live-in,
overland, wholemeal. These compounds have a variety of structures in terms of
the word class membership of the roots: noun + noun, verb + preposition,
preposition + noun, adjective + noun. Many compounds are like bedroom, where
the first part modifies the second and the word class of the compound is that of
the second part, in this case a noun: a ‘bedroom’ is a kind of ‘room’. The other
three compounds are different: live-in, with a preposition as second part, is an
adjective (as in a live-in nanny); overland, with a noun as second part is either an
adjective (an overland journey) or an adverb (we’re travelling overland); and whole-
meal, again with a noun as second part, is an adjective (wholemeal bread).
The other words in the list are all composed of root + affix. ‘Affix’ is the
general term for morphemes that cannot be used by themselves as simple words;
they only occur ‘bound’ to another morpheme. If they occur before the root,
and so are bound to the right, they are called ‘prefixes’ (e.g. dis- in displease). If
they occur after the root, and so are bound to the left, they are ‘suffixes’ (e.g.
-ish in yellowish). Note that, when writing affixes, the convention is to put a
hyphen on the side where the affix is bound, i.e. to the right of prefixes and to
the left of suffixes.
Some of the suffixes mark ‘inflections’ (see 1.3 above): go-ing (present parti-
ciple), shallow-est (superlative), voter-s (plural). There are no inflectional prefixes
in English. The resulting words are ‘word-forms’ (inflectional variants) of the
root lexeme.
The other affixes represent ‘derivations’. The addition of the affix creates a
new, derived lexeme. We would expect it to be entered in a dictionary some-
where, though, as we shall see (Chapter 8), dictionaries vary in how they treat
derivations. The addition of a suffix usually changes the word class of the root,
though a prefix rarely does:
Note that an inflectional suffix, e.g. the plural ‘s’ on voters, is always the final
suffix in a word.
We might conclude from our discussion of morphemes so far that roots are
always ‘free’ (i.e. can occur as simple lexemes), and affixes are always ‘bound’
(i.e. they need a root to attach to). However, there is a certain set of words in
English, mostly compounds, that have bound roots. Here are some examples:
These lexemes are formed from (bound) roots that are taken from the classical
languages (Greek and Latin) and put together to form, for the most part, new
words that were unknown in classical Greek and Latin. They are known as
‘neo-classical compounds’, and their parts are called ‘combining forms’. Our
examples are formed as follows:
Some roots from the classical languages occur in derivations, when they are also
bound, e.g. chron-ic, graph-ical, naut-ical, neur-al, path-etic.
To summarise:
The dictionary
A good overview is Sidney Landau's Dictionaries: The Art and Craft of Lexicography (originally 1989, now in a second edition, 2001).
Also recommended is Henri Béjoint's (1994) Tradition and Innovation in Modern English Dictionaries, Clarendon Press Oxford,
republished in paperback, with only minor updating, in 2000 as Modern Lexicography: An Introduction, Oxford University Press.
The beginnings
The history of lexicography is entertainingly told in Jonathon Green's Chasing the Sun (1996).
Dictionaries before Cawdrey's are described in Gabriele Stein's The English Dictionary before Cawdrey (1985). Those from Cawdrey
up to (but not including) Johnson are treated in De Witt T. Starnes and Gertrude E. Noyes’ The English Dictionary from Cawdrey to
Johnson 1604–1755 (1946), republished in a version edited by Gabriele Stein (1991).
Johnson's story is told in Andrew Reddick's The Making of Johnson's Dictionary 1746–1773 (1990).
Up to the present
Chapters 10 and 11 of Jonathon Green's Chasing the Sun (1996) trace the history of lexicography in America. The controversy
surrounding W3 is told in Herbert C. Morton's The Story of Webster's Third (1994), and James Sledd and Wilma R. Ebbitt's
Dictionaries and THAT Dictionary (1962) contains a fascinating collection of contemporary reviews of W3.
Dictionary typology is discussed in Chapter 5 of Reinhard Hartmann's Teaching and Researching Lexicography (2001), and in Chapter
1 (pp. 32ff ) of Henri Béjoint's Modern Lexicography (2000).
Material on electronic dictionaries is still sparse. American English dictionaries on CD-ROM are reviewed by Creswell (1996); Nesi
(1999) looks at electronic dictionaries for language learners (more applicable to Chapter 11); and Pruvost (2000) reports on a
colloquium that discussed the transferring of print dictionaries to the electronic medium.
Beyond definition
For information on how an individual dictionary or edition deals with the topics discussed in this chapter the ‘Guide to the Dictionary’ is
the place to start.
Dick Hudson's article on ‘The linguistic foundations for lexical research and dictionary design’ in the International Journal of
Lexicography (1988) surveys the lexical information that dictionaries should take account of. Bo Svensén's Practical Lexicography
(1993) has chapters on most of the concerns of this chapter.
Sidney Landau has a chapter on usage (Chapter 5) in Dictionaries: the Art and Craft of Lexicography (1989, 2001). Juhani Norri has
two articles in IJL on labelling: ‘Regional labels in some British and American dictionaries’ (vol. 9, 1996), and ‘Labelling of derogatory
words in dictionaries’ (vol. 13, 2000).
Etymology
The ‘Guide to Using the Dictionary’ in a dictionary's front matter will contain brief information on how to interpret the etymology in the
work concerned. Donna Lee Berg's A Guide to the Oxford English Dictionary (1993) contains a section (pp. 22ff ) on the OED's
etymology.
Barbara Kipfer's Workbook on Lexicography (1984) contains a chapter (12) on etymology, as does David Crystal's The Cambridge
Encyclopedia of the English Language (1995), though much of it is about place and personal names. Landau (2001) offers a
perspective on etymology in dictionaries (pp. 127–34), as does Svensén (1993), Chapter 15.
A specialist etymological dictionary is a further source for following up on the topic of this chapter.
Compiling dictionaries
The best place to start is with Chapter 7, ‘Dictionary making’, of Dictionaries: The Art and Craft of Lexicography (2001) by Sidney
Landau, himself with experience of involvement in a number of dictionary projects. His Chapter 6, ‘The corpus in lexicography’, is also
of relevance to the discussion in this chapter (13.2).
Bo Svensén's Practical Lexicography: Principles and Methods of Dictionary Making (1993) and Ladislav Zgusta's Manual of
Lexicography (1971), though a little old now, both review some of the theoretical and practical decisions facing lexicographers in
compiling a dictionary. Samuel Johnson's Plan and Preface are still worth reading for their forward-looking insights (both reproduced in
Wilson 1957), and the original OED Preface and General Explanations in Volume 1 of OED1 merit study.
Some of the accounts of the making of individual dictionaries were mentioned earlier (13.1): Reddick (1990) on Johnson, Murray
(1977) on the OED, Morton (1994) on W3, and Sinclair (1987) on COBUILD.
Criticising dictionaries
There is no full-length treatment of dictionary criticism. The place to start is with Reinhard Hartmann's Teaching and Researching
Lexicography (2001), where he deals with the topic in Chapter 4, Sections 4.3 and 4.4, which also contain references to other relevant
articles and books.
From there it would be useful to read some of the reviews that have appeared, for example, in the International Journal of
Lexicography. The reviews, mentioned earlier, of COD8 by Higashi et al. (1992) and of LDEL2 by Masuda et al. (1994), are particularly
recommended; but most numbers of the journal contain dictionary reviews of varying extent and comprehensiveness. The other
journal in which dictionaries are regularly reviewed is English Today.
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