Diamond
Diamond
Diamond
Diamond
Sutra
Introduction
The
Diamond
Sutra
(Sanskrit:
Vajracchedikā
Prajῆapāramitā
Sūtra;
more
fully
in
English
The
Diamond
that
Cuts
through
Illusion
or
Diamond
Cutter
of
Perfect
Wisdom;
also
known
as
the
Prajnaparamita
in
Three
Hundred
Verses)
is
a
short,
highly
regarded
Mahayana
sutra
that
may
date
to
an
early
phase
of
Perfection
of
Wisdom
(Prajnaparamita)
literary
activity.
Like
the
shorter
Heart
Sutra,
the
Diamond
Sutra
is
said
to
concisely
sum
up
the
Buddha’s
most
important
teachings,
at
least
from
a
Mahayana
perspective.
These
are
essential
teachings
in
Mahayana
Buddhism
for
three
reasons:
they
transform
how
we
perceive
reality;
they
relate
how
a
bodhisattva
who
understands
emptiness
can
awaken
the
un-‐
awakened;
and
they
present
the
path
to
true
buddhahood.
For
these
reasons,
the
Sutra
is
considered
‘the
most
important
Mahayana
wisdom
text
to
prefigure
the
Zen
tradition.’
Perhaps
because
it
is
short
(it
can
be
read
in
under
an
hour),
it
has
been
memorized
and
recited
in
Asia
for
over
1500
years
and
increasingly
during
the
last
century
around
the
world.
‘The
significance
of
the
word
‘diamond’
in
the
title
is
that
it
is
the
hardest
and
strongest
of
all
substances,
which
can
cut
through
any
other.
As
such
it
is
like
the
doctrine
of
emptiness,
which
cuts
through
all
substantial
concepts.’1
This
primer
provides
summaries
of
the
Sutra’s
origin
and
history,
of
why
it
is
situated
where
it
is
on
the
Path,
of
its
storyline,
and
of
the
ways
it
has
been
used
by
Buddhists
as
a
focus
of
practice.
Origin
and
Brief
History
Like
sutras
in
Buddhism
in
general
the
date
and
place
of
origin
of
the
Diamond
Sutra
remain
debated.
According
to
Edward
Conze,
a
specialist
in
Perfection
of
Wisdom
literature,
the
Sutra
dates
to
the
fourth
century
CE,
some
300
to
400
years
after
the
appearance
of
the
first
sutra
in
that
tradition.2
Other,
especially
Japanese,
scholars
believe
it
is
the
earliest
Perfection
of
Wisdom
sutra,
in
part
because
the
word
‘Mahayana’
is
not
found
in
the
sutra.
Regardless
of
its
exact
place
and
time
of
origin,
it
is
assumed
that
this
time
and
place
were
in
India,
and
that
it
spread
outward
from
there.
The
sutra
reached
(or
was
in)
China
by
the
fourth
century,
for
it
was
translated
into
Chinese
by
Kumarajive,
a
Central
Asian
translator,
in
401-‐402.
Interestingly,
this
translation
predates
the
earliest
Sanskrit
fragments
of
the
text
found
along
the
Silk
Road
(in
Gandhara
and
Khotan),
which
date
no
earlier
than
the
late
fifth
or
early
sixth
century.3
Kumarajive’s
translation
remains
highly
regarded,
for
it
stresses
the
meaning
being
expressed
rather
than
the
literal
meaning
of
the
words
themselves.4
The
sutra
was
eventually
translated
into
Tibetan
(in
the
late
eighth
or
early
ninth
century)
and
other
Asian
languages
before
the
modern
era.
More
broadly,
the
Diamond
Sutra
is
an
early
expression
of
Mahayana
Buddhism,
which
began
to
diverge
from
the
main
Abhidharma
tradition
by
the
first-‐century
BCE.5
In
contrast
to
the
supposedly
rigid
scholastic
system
of
Abhidharma
Buddhism,
Mahayana
Buddhism
stressed
emptiness
(shunyata:
the
empty
nature
of
all
dharmas),
suchness
(tathata:
the
notion
that
all
beings
inherently
possess
the
potential
to
become
a
Buddha),
and
compassion
(karuna:
the
desire
to
attain
nirvana
for
all
beings);
these
concepts
are
discussed
more
fully
in
the
following
section.
The
Perfection
of
Wisdom
sutras
are
thought
to
represent
the
emergent
phase
of
Mahayana
literature.
1
An
Overview
of
the
Message
of
the
Diamond
Sutra
A
straightforward
way
to
understand
the
message
of
the
Diamond
Sutra
is
to
understand
its
position
and
intent
on
the
Path
to
true
buddhahood,
at
least
from
a
Mahayana
perspective.6
From
this
perspective
the
Path
is
divided
into
three
sequential
phases.7
During
the
first
phase,
the
unenlightened
learn
to
see
the
emptiness
of
all
things.
Teachings
at
the
beginning
of
this
phase
include
the
Four
Noble
Truths,
the
Eightfold
Path,
and
the
Middle
Way.
A
teaching
near
the
end
of
this
phase
is
Nagarjuna’s
Mūlamadhyamakakārika
(literally
Fundamental
Verses
of
the
Middle
Way,
known
popularly
as
the
karika).
A
goal
of
this
latter
teaching
is
to
show
that
everything,
even
the
word
‘emptiness’
itself,
is
empty
of
inherent
existence
(svabhāva).
According
to
the
Buddha,
it
is
the
belief
in
the
inherent
existence
of
things
that
causes
suffering
(samsara)
in
human
beings.
The
second
phase
is
the
realm
of
emptiness
(sunyata).
A
key
distinction
stressed
by
Nagarjuna
is
between
conventional
(relative)
reality
and
ultimate
(abstract)
reality
(this
is
called
the
two
truths
or
two
realities
thesis).
The
conventional
world
is
the
taken-‐for-‐granted
world
around
us
that
is
created
through
our
use
of
language
and
its
concepts
(tree,
dog,
self,
you).
Ultimate
reality
is
the
non-‐dual,
non-‐
conceptual
world
of
emptiness.
Failure
to
see
this
difference
(to
live
unawares
in
the
conventional
world)
leads
to
the
root
delusion
of
self
and
things
that
lies
at
the
basis
of
all
human
suffering.
To
attain
this
second
phase
of
the
Path
is
nirvana
(enlightenment)
for
an
arhat.8
The
third
and
final
phase
of
the
Path
is,
according
to
the
Diamond
Sutra,
the
way
of
the
bodhisattva,
the
way
that
leads
to
true
buddhahood.
It
differs
in
nature
from
the
second
phase
in
two
fundamental
ways.
First,
unlike
the
focus
on
enlightenment
of
the
self
by
the
arhat,
its
focus
is
the
enlightenment
(the
end
of
suffering)
of
all
beings.
And
second,
rather
than
viewing
the
world
as
composed
of
two
realities,
the
conventional
and
the
ultimate,
it
understands
that
they
are
One
(perhaps
two
sides
of
a
coin).9
Thus,
the
famous
lines
in
the
Heart
Sutra,
“Form
does
not
differ
from
emptiness,
emptiness
does
not
differ
from
form.”
This
new
way
of
being
in
the
world
asks
us
to
think
of
‘reality’
not
in
terms
of
conventional
versus
ultimate
options,
or
some
combination
of
the
two,
but
more
pragmatically
as
skillful
ways
of
approaching
the
liberation
of
all
beings
in
a
world
whose
nature
we
do
not
truly
comprehend.
The
task
for
the
bodhisattva,
then,
is
to
save
beings
that
do
not
actually
exist,
using
teachings
that
are
empty
as
well
–
while
relying
themselves
on
the
six
paramitas
of
the
bodhisattva.10
This
scenario
provides
a
‘high
altitude’
overview
of
that
part
of
the
Path
in
which
the
storyline
of
the
Diamond
Sutra
plays
out.
The
following
section
fills
in
some
of
the
detail
involved
in
first
freeing
oneself
from
the
allure
of
the
realm
of
Emptiness
as
understood
by
an
arhat
and
then
understanding
how
one
applies
skillful
means
in
a
realm
that
may
be
nothing
but
a
dream
–
but
a
dream
nonetheless
in
which
suffering
feels
very
real
to
the
unenlightened.
The
Storyline
In
brief
introduction
in
the
sutra
the
Buddha
has
finished
his
daily
walk
with
fellow
monks
to
gather
offerings
of
food
and
sits
down
among
his
followers.
Elder
Subhuti,
an
accomplished
arhat,
approaches
the
Buddha
and
asks
what
a
person
on
the
path
like
himself
should
do
to
further
his
understanding
of
the
dharma.
The
sutra
is
an
answer
to
that
question
from
the
perspective
of
the
third
phase
of
the
Path.
2
There
are
32
sections
in
the
sutra
that
have
been
organized
in
a
variety
of
ways
by
commentators.11
Throughout
the
sutra
the
Buddha
repeatedly
returns
to
the
same
material
but
each
time
from
a
different
perspective
to
test
Subhuti’s
understanding
of
his
teachings.
Subhuti’s
answers
show
a
lack
of
understanding
at
first
because
of
his
attachment
to
an
arhat’s
understanding
of
emptiness,
but
his
answers
increase
in
comprehension
throughout
the
sutra.
An
important
point
in
comprehending
the
underlying
basis
of
the
argument
that
runs
through
the
sutra
is
that
the
intent
of
the
Buddha’s
teaching
was
to
alleviate
the
suffering
of
all
beings
rather
than
to
expound
an
ideology
(that
is,
the
force
of
the
sutra
is
pragmatic
rather
than
philosophical).12
Since
the
storyline
of
the
sutra
is
complex,
the
approach
adopted
in
this
primer
is
a
focus
on
five
core
themes
that
highlight
its
content.13
The
themes
are:
‘true’
emptiness,
the
path
of
a
bodhisattva,
great
merit,
the
5
eyes
and
the
3
bodies
of
the
Buddha,
and
the
attainment
of
a
bodhisattva.
‘True’
Emptiness.
Some
commentaries
on
the
Diamond
Sutra
maintain
that
the
sutra
is
mainly
about
the
absence
of
inherent
existence
(‘own-‐being’)
in
all
things,
that
is,
about
emptiness
as
understood
by
arhats
in
the
second
phase
of
the
Path.14
While
based
on
this
view,
the
understanding
of
emptiness
(‘true’
emptiness)
by
a
bodhisattva
is
somewhat
different.
The
bodhisattva
sees
these
two
views
of
reality
(the
conventional
and
the
ultimate)
as
non-‐dual
(the
classic
Zen
understanding
of
non-‐duality
is
‘reality
is
not
two’;
it
is
the
Buddha’s
Middle
Way,
relative
reality).
It
is
understanding
the
dynamic
relationship
between
‘not-‐two’
pairings
(here
these
two
views
of
reality)
that
the
Buddha
is
teaching
Subhuti
in
the
sutra.15
This
view
challenges
the
traveler
along
the
third
phase
of
the
Path
to
think
of
reality
differently,
for
now
‘form
does
not
differ
from
emptiness,
emptiness
does
not
differ
from
form.’16
It
is
this
non-‐dual,
dynamic
view
of
emptiness
that
bodhisattvas
use
like
a
hard
diamond
to
‘cut
away
all
unnecessary
conceptualization’
for
those
‘still
caught
in
the
delusion
of
the
phenomenal
world.’
The
Path
of
the
Bodhisattva.
In
contrast
to
arhats
who
are
intent
on
saving
themselves
from
suffering,
bodhisattvas
take
a
vow
to
save
all
sentient
beings
from
suffering.17
They
do
this
through
the
use
of
skillful
means
(upaya),
a
central
concept
in
the
Diamond
Sutra.
Since
everything
is
empty
of
‘own-‐
self,’
it
is
these
skillful
means
that
‘bridge
the
seeming
incompatibility
of
emptiness
and
compassion.’
Bodhisattvas
also
differ
from
arhats,
who
withdraw
from
the
world
(they
are
‘non-‐returners’),
in
their
commitment
to
remain
in
the
world
as
long
as
it
takes
to
liberate
all
beings.
It
is
this
vow
and
practice
that
bring
a
bodhisattva
to
true
enlightenment
(in
contrast
to
the
partial
enlightenment
of
an
arhat).
Great
Merit.
A
bodhisattva
attains
great
(or
‘vast’)
merit
by
understanding
and
making
the
teaching
of
the
third
phase
of
the
path
(the
‘mother
of
buddhas’)
known
to
others.
This
kind
of
merit
is
different
from
the
merit
earned
through
good
deeds
in
the
first
phase
of
the
path,
which
is
closely
related
to
karma
and
achievement
of
a
higher,
better
rebirth.
Since
great
merit
is
recognized
as
empty
(it
is
no
body
of
merit,
because
no
body
of
merit
exists),
it
is
unattached
to
karma
and
leads
directly
to
enlightenment
rather
than
to
a
better
life.
The
bodhisattva’s
body
of
merit,
which
is
not
limited
by
space
or
time,
is
offered
wherever
there
are
individuals
caught
in
the
delusion
of
conventional
reality.
A
bodhisattva
advances
along
the
path
by
gathering
a
body
of
merit
(a
body
of
merit
that
does
not
exist,
of
course).
The
5
eyes
and
the
3
bodies
of
the
Buddha.
A
reason
why
travelers
along
the
path
fail
to
comprehend
(or
even
recognize)
the
Buddha’s
advanced
teachings
is
that
they
have
not
learned
to
‘see’
those
teachings
properly.
This
notion
is
addressed
in
the
Diamond
Sutra
through
the
concept
of
the
5
eyes.
The
5
eyes
are
the
physical
eye
(that
sees
as
ordinary
people
do),
the
divine
eye
(that
sees
great
3
distances
and
microscopically),
the
prajna
eye
(that
sees
that
all
things
are
empty
in
a
second
phase
of
the
path,
arhat
sense),
the
dharma
eye
(that
sees
reality
as
a
bodhisattva
does),
and
the
buddha
eye
(that
is
no
different
than
the
spaceless,
timeless,
no
nothingless
universe).18
In
the
sutra
Subhuti
gradually
shifts
from
‘seeing’
with
the
prajna
eye
of
an
arhat
to
the
dharma
eye
of
a
bodhisattva.
This
is
an
important
concept
in
Mahayana
Buddhism,
for
practitioners
only
understand
(‘see’)
the
dharma
with
the
eye
they
‘see’
reality
with.
The
repeated
returning
to
the
same
material
in
the
sutra
is
associated
with
these
different
ways
of
‘seeing’
that
material.
The
concept
of
the
3
bodies
of
the
Buddha
is
similar
to
the
concept
of
the
5
eyes
in
that
the
conception
of
the
Buddha
by
a
traveler
along
the
path
shifts
from
first
seeing
him
as
a
materially
visible
body
(the
nirmanakaya
body),
to
seeing
him
as
a
manifestation
of
emptiness
as
understood
by
a
compassionate
bodhisattva
(the
samhbogakaya
body),
to
finally
seeing
him
with
the
buddha
eye
as
he
really
is
(the
dharma
body).19
In
many
ways
the
Diamond
Sutra
is
about
the
bodies
of
the
Buddha
and
these
different
ways
of
seeing
those
bodies,
for
the
Buddha
continually
asks
Subhuti
throughout
the
sutra,
“Can
you
see
my
body?”
For
Subhuti,
this
is
the
final
mystery,
for
he
must
experience
and
accept
the
selfless,
birthless
nature
of
all
dharmas
–
an
understanding
that
only
bodhisattvas
near
the
end
of
their
training
can
endure
(for
one
finally
comprehends
that
there
is
nothing
at
all
to
‘stand
on’).
The
Attainment
of
a
Bodhisattva.
As
should
be
apparent
by
now,
Subhuti
eventually
understands
that
there
is
nothing
to
be
realized
at
the
end
of
path,
for
enlightenment
turns
out
to
be
something
one
is
never
without
–
so
how
can
it
be
obtained?20
There
is
no
world
transformed,
no
truth
gained.
So
what
does
a
buddha
do:
he
or
she
gets
up
in
the
morning,
picks
up
the
begging
bowl
…
−
just
as
the
Buddha
does
at
the
beginning
of
the
sutra.
Practicing
with
the
Diamond
Sutra
The
use
of
the
Diamond
Sutra
in
practice
has
varied
somewhat
through
time.
With
the
appearance
of
written
texts,
the
sutra
became
one
of
the
most
important
texts
in
the
development
of
a
‘cult
of
the
book.’21
Since
a
sutra
was
considered
the
word
of
the
Buddha
himself,
a
reverence
for
the
written
word
grew
in
Mahayana
Buddhism
with
increasing
access
to
texts.
Merit
was
generated
by
copying
the
text,
hearing
the
sutra
recited,
augmenting
the
text
with
added
prayers
and
mantras,
and
memorizing
the
sutra.22
The
merit
generated
might
be
dedicated
to
the
emperor,
ones’
parents
or
family,
or
to
other
individuals.
Today,
the
sutra
is
mainly
chanted
in
ritual
contexts.
In
contemporary
practice
the
chanting
(intoning)
of
the
words
of
the
sutra
are
more
important
than
thinking
about
the
meaning
of
the
words
while
chanting.
In
this
practice
chanting
is
a
form
of
meditative
concentration
(and
in
this
way
the
meaning
of
the
sutra
is
absorbed).
In
the
West
the
sutra
is
increasingly
treated
as
an
essay
whose
study
deepens
one’s
understanding
of
the
Dharma.
Notes
th
1. Huineng,
the
7 -‐century
sixth
patriarch
of
Zen,
is
said
to
have
had
his
first
enlightenment
experience
on
hearing
a
stranger
recite
verses
from
this
‘diamond
cutter.’
For
commentaries
on
the
sutra,
see
the
‘further
reading
and
other
resources’
section
at
the
end
of
the
primer.
2. Conze
(1958)
2001.
In
Conze’s
reconstruction,
the
Perfection
of
Wisdom
sutra
in
eight
thousand
verses
appears
first
between
the
first
century
BCE
and
first
century
CE.
It
was
followed
during
the
next
two
centuries
4
by
versions
in
8,000,
25,000,
and
100,000
verses.
A
trend
toward
short
versions,
which
includes
the
Heart
and
Diamond
sutras,
occurs
in
the
fourth
century
CE.
3. As
an
aside,
a
copy
of
Kumarajiva’s
translation
that
dates
to
868
CE
was
among
the
Dunhuang
manuscripts
th
discovered
in
a
cave
in
the
early
20
century.
According
to
the
British
Library,
this
is
“the
earliest
complete
survival
of
a
dated
printed
book”
(note
that
this
is
587
years
before
the
Gutenberg
Bible
was
first
printed).
See
Wood
and
Barnard’s
(2010)
The
Diamond
Sutra:
the
Story
of
the
World’s
Earliest
Dated
Printed
Book.
4. Of
course,
this
has
resulted
in
some
difficulties
in
reconstructing
the
content
and
structure
of
the
earlier
fourth-‐century
Sanskrit
version.
5. In
quick
review,
in
the
200-‐year
period
after
the
death
of
the
Buddha
Buddhism
was
an
oral
culture
with
no
central
authority
located
primarily
in
monasteries.
This
period
is
called
Early
Buddhism
(as
well
as
Pali
Buddhism
and
Nikaya
Buddhism).
This
period
was
followed
by
what
may
be
called
Abhidharma
Buddhism,
which
focused
on
categorizing
the
teachings
of
the
Buddha.
A
number
of
Mahayana
schools
eventually
emerged,
including
the
Madhyamaka,
Yogacara,
Hua-‐yen,
Pure
Land,
and
Vajrayana.
6. However,
the
message
of
the
Sutra
is
often
obscured
by
the
way
the
Buddha
presents
his
teaching.
For
example,
the
Buddha
taught
beginners
that
because
nothing
exists
independently
of
other
things,
it
has
no
nature
of
its
own
and
is,
thus,
empty.
To
a
more
knowledgeable
crowd
he
taught
that
emptiness
itself
is
empty.
It
is
difficult,
then,
to
determine
what
is
a
‘true’
teaching
and
what
is
an
expedient
teaching,
even
in
the
Diamond
Sutra.
See
note
16
below.
7. These
three
phases
are
present
by
implication
in
a
well-‐known
comment
by
an
old
master
(Before
I
sought
enlightenment,
the
mountains
were
mountains
and
the
rivers
were
rivers.
While
I
sought
enlightenment,
the
mountains
were
not
mountains
and
the
rivers
were
not
rivers.
After
I
attained
enlightenment,
the
mountains
were
mountains
and
the
rivers
were
rivers)
and
in
the
ten
ox-‐herding
pictures
(phases
1-‐7
in
the
picture
are
equivalent
to
the
first
phase
used
in
the
text,
phase
8
to
the
second
phase,
and
phases
9-‐10
to
the
third
phase).
8. An
arhat
is
an
enlightened
one
in
the
Theravada
(Hinayana)
tradition.
Also,
of
the
three
phases,
the
second
phase
is
the
one
with
the
least
literature,
though
it
is
very
important
in
yoga.
9. More
fundamentally,
the
notion
of
these
realities
is
understood
in
the
end
as
only
skillful
means.
10. The
six
paramitas
are
generosity,
morality,
patience,
energy,
meditation,
and
wisdom.
An
important
point
here
is
that
the
Four
Noble
Truths
and
the
Eightfold
Path,
whose
goal
is
to
relieve
all
beings
of
suffering,
are
teachings
of
the
first
phase
of
the
Path;
according
to
this
scenario,
individuals
in
phase
two
and
three
are
free
of
suffering.
11. For
example,
Hahn
in
his
The
Diamond
That
Cuts
through
Illusion
(1992)
groups
the
first
5
sections
into
“the
Dialectics
of
Prajnaparamita”
(Part
1),
sections
6-‐8
into
“The
Language
of
Non-‐Attachment”
(Part
2),
sections
9-‐17
into
“The
Answer
is
in
the
Question”
(Part
3),
and
sections
18-‐32
into
“Mountains
and
Rivers
Are
Our
Own
Body”
(Part
4).
Many
commentators
consider
the
end
of
Chapter
16
the
end
of
the
body
of
teaching.
Conze
(2001
[1958]),
for
example,
considers
the
last
16
chapters
add-‐ons
about
a
mixture
of
topics
and
does
not
comment
on
them
in
his
review.
On
the
other
hand
the
notion
that
the
second
half
of
the
sutra
is
just
‘add-‐on’
may
reflect
our
own
lack
of
understanding
of
the
teaching,
which
becomes
more
subtle
throughout
the
sutra.
12. More
formally,
this
basis
is
about
the
ontological
commitments
the
Buddha
makes
about
concepts
like
emptiness,
compassion,
and
skillful
means.
Since
his
concern
is
pragmatic
(the
relief
of
suffering),
he
is
not
concerned
with
the
nature
of
these
commitments,
a
characteristic
of
his
teachings
in
general.
See
note
16
below.
13. These
themes
are
also
commonly
found
in
other
Perfection
of
Wisdom
sutras,
too.
14. In
this
understanding
of
emptiness
all
things
lack
inherent
existence
because
they
exist
only
on
the
basis
of
causes
and
conditions
(the
doctrine
of
dependent
origination).
Therefore,
the
naming
of
things
as
if
they
are
real
is
just
a
linguistic
convention
that
is
a
necessary
fiction
in
the
conventional
realm.
It
is
this
view
of
emptiness
that
Nagarjuna
is
intent
on
establishing
in
his
Mūlamadhyamakakārika.
15. It
is
the
bodhisattva’s
understanding
of
the
unity
of
all
things
(in
their
emptiness)
that
is
the
source
of
her
or
his
compassion
for
all
beings.
For
the
impact
of
this
non-‐dual
conception
of
reality
in
western
Zen
practice
situations,
see
Leesa
S.
Davis
(2009)
‘The
View
from
the
Cushion:
Zen
Challenges
to
Duality
in
the
Contemporary
Practice
Situation,’
Contemporary
Buddhism
10(2):260-‐272.
5
16. This
is
where
the
pragmatic
approach
of
the
Buddha
comes
into
play,
for
he
is
unconcerned
with
resulting
paradoxes,
such
as
‘saving
all
beings
knowing
full
well
that
there
is
no
one
to
save.’
In
the
sutra
the
Buddha
repeatedly
makes
contradictory
statements
located
in
this
paradox.
For
example,
while
celebrating
the
virtuous
path
of
bodhisattvas,
he
denies
at
the
same
time
that
they
exist.
In
commentaries
this
is
called
the
‘logic
of
not,’
a
logic
that
is
deliberately
used
as
a
teaching
method
in
Mahayana
Buddhism.
In
contrast
to
the
West,
which
embraces
Aristotelian
logic,
paradox
is
embraced
‘joyfully’
in
Asian
religious
traditions.
Underlying
this
paradox
is
the
understanding
in
Perfection
of
Wisdom
literature
that
concepts
like
emptiness,
non-‐duality,
practice,
compassion,
and
path
are
only
skillful
means
used
to
‘save
all
beings’;
these
terms
are
not
to
be
reified
or
objectified
(that
is,
made
real)
in
any
way.
Bodhisattvas
use
the
seventh
perfection,
the
perfection
of
skillful
means,
‘to
work
their
way
through
this
subtleness.’
It
should
be
noted
that
the
term
‘emptiness’
itself
is
not
used
in
the
sutra,
perhaps
because
its
meaning
here
may
be
confused
with
the
arhat’s
understanding
of
the
term.
17. Of
course,
nothing
is
as
simple
as
it
sounds
in
a
brief
review
like
this.
Since
arhats
believe
that
it
takes
many
lifetimes
of
karmic
existence
to
expect
buddhahood
(enlightenment),
they
aim
at
liberation
from
suffering
(which
makes
sense).
In
contrast
bodhisattvas
adopt
the
new
Mahayana
view
that
by
practicing
the
teaching
of
the
third
phase
of
the
Path
one
can
eliminate
those
lifetimes
of
karmic
existence.
Consequently,
they
aim
at
attaining
true
buddhahood
in
this
lifetime.
18. This
is
an
overly
simple
review
of
what
‘seeing’
through
each
of
these
eyes
means.
The
notion
of
‘seeing’
in
an
increasingly
insightful,
spiritual
manner
by
advanced
practitioners
is
a
feature
of
most
religious
traditions.
19. Again,
this
is
an
overly
simple
review
of
the
3
bodies
of
the
Buddha,
which
is
a
very
important
concept
in
Mahayana
Buddhism.
Unlike
Theravada
Buddhism,
which
considers
the
Buddha
an
ordinary
man,
Mahayana
Buddhism
gives
him
magical,
supernatural
powers.
20. The
gatha
that
closes
the
sutra
is
well
worth
memorizing:
As
a
lamp,
a
cataract,
a
star
in
space
an
illusion,
a
dewdrop,
a
bubble
a
dream,
a
cloud,
a
flash
of
lightening
view
all
created
things
like
this.
21. Gregory
Shopen
(2005),
Figments
and
Fragments
of
Mahāyāna
Buddhism
in
India
(University
of
Hawai’i
Press,
Honolulu).
The
Perfection
of
Wisdom
phase
in
the
Mahayana
tradition
was
devotional,
compared
to
later
more
philosophical
phases
(think
Nagarjuna).
22. The
presence
of
hundreds
of
copies
of
the
sutra
in
the
library
cave
in
Dunhuang
(mostly
in
Chinese)
attests
to
the
practice
of
generating
merit
by
copying
the
sutra.
The
868
CE
printed
copy
of
the
sutra
mentioned
in
note
3
begins
with
a
mantra
intended
to
purify
ones
mouth
before
recitation.
Hongren,
the
fifth
Chan
patriarch,
is
said
to
have
told
an
audience
of
monks
and
laypeople
that
by
memorizing
the
sutra
they
would
see
their
true
nature
and
become
a
buddha.
Further
Reading
and
Other
Resources
Anonymous.
Diamond
Sutra.
From
Wikipedia,
the
free
encyclopedia.
Retrieved
04/19/2012.
Cole,
Alan.
Text
as
Father:
Paternal
Seductions
in
Early
Mahayana
Buddhist
Literature.
University
of
California
Press,
Berkeley,
2005.
(see
Chapter
4,
“Be
All
You
Can’t
Be,
and
Other
Gainful
Losses
in
the
Diamond
Sutra”)
Conze,
Edward.
Buddhist
Wisdom:
Containing
the
Diamond
Sutra
and
the
Heart
Sutra.
Random
House
(Hi
Marketing),
New
York,
2001.
(A
reissue
of
the
1958
original)
Goddard,
Dwight,
and
H.
Kern.
Essential
Writings
of
Buddhism:
the
Diamond
Sutra
and
the
Lotus
Sutra.
Red
and
Black
Publishers,
St.
Petersburg,
Florida,
2010.
Huaijin,
Nan.
Diamond
Sutra
Explained.
Primordia,
Florham
Park,
NJ,
2004.
Nagatomo,
Shigenori.
The
Logic
of
the
Diamond
Sutra:
A
is
not
A,
therefore
it
is
A.
Asian
Philosophy
10(3):213-‐244.
2000.
Nhat
Hanh,
Thich.
The
Diamond
that
Cutes
through
Illusion:
Commentaries
on
the
Prajaparamita
Diamond
Sutra.
Parallax
Press,
Berkeley,
1992.
6
Pine,
Red.
The
Diamond
Sutra:
The
Perfection
of
Wisdom:
Textual
Commentaries
Translated
from
Sanskrit
and
Chinese.
Counterpoint,
Berkeley,
2001.
Shi,
Yongyou.
The
Diamond
Sutra
in
Chinese
Culture.
Buddha’s
Light
Publishing,
Los
Angeles,
2010.
Soeng,
Mu.
The
Diamond
Sutra:
Transforming
the
Way
We
Perceive
the
World.
Wisdom
Publications,
Boston,
2000.
van
Schaik,
Sam.
The
Diamond
Sutra:
History
and
Transmission.
IDP
(International
Dunhuang
Project)
News,
No.
38,
pp.
2-‐3,
Winter
2011-‐12.
Wood,
Frances,
and
Mark
Barnard.
The
Diamond
Sutra:
the
Story
of
the
World’s
Earliest
Dated
Printed
Book.
British
Library,
London,
2010.
Yun,
Master
Hsing,
and
Tom
Graham.
Describing
the
Indescribable:
a
Commentary
on
the
Diamond
Sutra.
Wisdom,
Boston,
2001.
GG,
last
updated
9/24/14
7