STORY & POETRY Eled 13
STORY & POETRY Eled 13
STORY & POETRY Eled 13
Example: “‘Twas the night before Christmas, when all Example: the first stanza from “Laughing Tomatoes” by
through the house” is the well-known first poetic line of Francisco X. Alarcón.
in our backyard 7. Consonance – the repetition of consonant sounds
within words in a line.
we plant
Example: A line showing consonance (underlined) from
tomatoes
“A Visit from Saint Nicholas” by Clement Clarke Moore:
SOUND
Not a creature was stirring, not even a mouse
1. Rhythm – the basic beat in a line of a poem.
8. Alliteration – the repetition of consonant sounds at
Example: “Whose woods these are, I think I know” is the beginning of words.
the first line from “Stopping by Woods on a Snowy
Evening” by Robert Frost. - Notice that the accented Example: Notice the alliteration (underlined) in “Sarah
words (underlined) give the line a distinctive beat. Cynthia Sylvia Stout Would Not Take the Garbage Out”
by Shel Silverstein.
2. Meter – a pattern of stressed and unstressed
(accented and unaccented) syllables (known as a foot) 9. Onomatopoeia – words that sound like their
in a line of poetry. meaning.
Example: In an iambic pentameter, the pattern is five Example: buzz, swish, hiss, gulp.
iambic (unaccented + accented) feet in each line.
The children were nestled all snug in their beds FIGURATIVE LANGUAGE
1.Simile – a comparison of two unlike things, using the TWENTY POETIC FORMS
words like or as.
1. Acrostic – a poem in which the first letter of
Example: “I read the shoreline like an open volume.” each word forms a word – usually a name – if
read downward. Example: “A Rock Acrostic” by
2. Metaphor – a comparison of two unlike things, not Avis Harley.
using the words like or as.
2. Couplet – two lines of poetry that rhyme and
usually form one complete idea. Example: The
Example: “Ribbons of sea foam / wrap the emerald
poem “Catch a Little Rhyme” by Eve Merriam is
island.”
written in couplets.
3. Personification – to ascribe human traits to non-
3. Haiku - a Japanese three-line poetic form –
human or non-living things.
usually about nature – with lines of three,
Example: “The unfurled sailboat glides on / urged by seven, and five syllables, respectively.
wind and will and brilliant bliss.”
Example: I call to my love
4. Symbolism – a person, place, thing, or action that
on mornings ripe with sunlight.
stands for something else.
The songbirds answer.
Example: In “From Mother to Son” by Langston Hughes,
a set of stairs symbolizes life. 4. Quatrain – a stanza made up of four lines, often
containing a rhyme scheme.
5. Hyperbole – the use of exaggeration to express
strong emotion or create a comical effect. Example: “The Toaster” by William Jay Smith.
Example: “I’m so hungry I could eat a hippo.” 5. Cinquain – a five-line untitled poem, where the
syllable pattern increases by two for each line, except
6. Verbal Irony or Sarcasm – when you mean the for the last line, which ends in two syllables (2,4,6,8.2).
opposite of what you say.
Example: The cinquain that begins with “Oh, cat” by
Example: “My darling brother is the sweetest boy on Paul B. Janeczko.
Earth,” she muttered sarcastically.
6. Limerick – a humorous rhyming poem written in five
7. Pun – a humorous phrase that plays with the double
lines and having a particular meter. It often begins with
meaning or the similar sounds of words.
“There once was a…”
Example: “Tomorrow you shall find me a grave man,”
Example: Limericks by Edward Lear.
said the duke on his deathbed. The cookbook Lunch on
the Run by Sam Witch is awesome. 7. Sonnet – a poem that is 14 lines long, generally
written in iambic pentameter. Example: “Sonnet 116”
8. Allusion- a reference to a familiar person, place, or by William Shakespeare.
event.
8. Free Verse – a poem that does not follow a
Example: The following two lines from the poem “My
predictable form or rhyme scheme or metric pattern.
Muse” contain an allusion to Pandora’s Box: hunched
Example: “Mother to Son” by Langston Hughes.
over from carrying that old familiar Box
14. Blues Poem – poems that – like blues songs – deal A poem lovely as a tree…-->
with personal or world issues. Example: “Evening Air poems are made by fools like me,-->
Blues” by Langston Hughes.
but only God can make a tree.--> (Joyce Kilmer, Trees)
15. Nonsense Poem – a fun, usually rhyming poem that
This is an excerpt from Joyce Kilmer’s famous short
makes no sense, focusing instead on the sounds and the
poem. The poem employs a fairly standard rhyme
rhythm of the poem.
scheme (AABB, lines 1 and 2 rhymes together and lines
Example: “The Jumblies” by Edward Lear. 3 and 4 rhymes together), and a meter called “iambic
tetrameter,” which is commonly employed in
children’s rhymes.
16. Concrete Poem – a poem that uses words to form
the shape of the subject of the poem (also known as a Example 2
“shape poem”). Example: “Concrete Cat” by Dorth
I saw the best minds of my generation destroyed by
Charles.
madness,
17. Narrative Poem – a poem that tells a story. starving hysterical naked,
Example: “The Sneetches” by Dr. Seuss (Theodor
dragging themselves through the negro streets at dawn
Geisel).
looking for an angry fix,
18. Ballad – a poem that tells a story, usually written in angel headed hipsters burning for the ancient heavenly
four-line stanzas. Example: “The Wreck of the connection to the starry dynamo
Hesperus” by Henry Wadsworth Longfellow.
in the machinery of night, who poverty and tatters and
hollow-eyed and high sat up smoking…
19. Epic Poem – a long and heroic narrative poem.
Example: “The Odyssey” by Homer. (Alan Ginsberg, Howl)
climax - the part of the story where the suspense Example #2:
reaches its highest part Oedipus Rex (By Sophocles) Tragedy: Sophocles’
falling action - the main conflict starts to resolve mythical and immortal drama Oedipus Rex is thought to
resolution – be his best classical tragedy. Aristotle has adjudged this
play as one of the greatest examples of tragic drama in
the conclusion of the story where questions are his book, Poetics, by giving the following reasons:
answered and loose ends are tied up A graph showing
how dramatic tension changes during a theatre 1. The play arouses emotions of pity and fear, and
performance, from the exposition through rising action, achieves the tragic Catharsis.
dramatic climax and falling action, ending in a
resolution. 2. It shows the downfall of an extraordinary man of high
rank, Oedipus.
Structures can also be non-linear, with the action of the
play moving forwards and back in time. This is done 3. The central character suffers due to his tragic error
through the use of flashbacks and flashforwards, to help called Hamartia; as he murders his real father, Laius,
make the play more exciting or to highlight points and then marries his real mother, Jocasta. Hubris is the
through contrast and juxtaposition. cause of Oedipus’ downfall.
FUNCTION OF DRAMA
DRAMATIC STRUCTURE
• Drama is one of the best literary forms through
• Alternatively, plays may follow a cyclical which dramatists can directly speak to their
structure, with the play ending at the same time readers, or the audience, and they can receive
as it began. This can be exciting for the instant feedback of audiences.
audience as they try to work out how the
character ended up in the position they see at • A few dramatists use their characters as a
the start of the play. vehicle to convey their thoughts and values,
such as poets do with personas, and novelists
• Traditionally, plays use acts and scenes to help do with narrators.
define particular moments in time, and a new
scene will show the audience that the action is • Since drama uses spoken words and dialogues,
taking place in a different location. thus language of characters plays a vital role, as
it may give clues to their feelings, personalities,
EXAMPLES OF DRAMA IN LITERATURE backgrounds, and change in feelings.
Example #1: • In dramas the characters live out a story
Much Ado About Nothing (By William Shakespeare) without any comments of the author, providing
Much Ado About Nothing is the most frequently the audience a direct presentation of
performed Shakespearian comedy in modern times. characters’ life experiences.
SOCIAL ISSUES IN CONTEMPORARY LITERATURE Chile- from where he was banished for his
views.
- Women in Literature
- Ethnic in Literature
RAIN by Don Patterson
- Racism in Literature
I love all films that start with rain: rain, braiding a
CHALLENGES TO CONTEMPORARY LITERATURE
windowpane or darkening a hung-out dress or
• Literature is language-based and national; streaming down her upturned face;
contemporary society is globalizing and
one big thundering downpour right through the empty
polyglot.
script and score before the act, before the blame, before
Vernacular means of everyday communication
the lens pulls through the frame
“cellphones, social networks, streaming video”
are moving into areas where printed text to where the woman sits alone beside a silent telephone
cannot follow. or the dress lies ruined on the grass or the girl walks off
Intellectual property systems failing. the overpass,
Means of book promotion, distribution and
and all things flow out from that source along their fatal
retail destabilized.
watercourse. However bad or overlong such a film can
Ink-on-paper manufacturing is an outmoded,
do no wrong,
toxic industry with steeply rising costs.
Core demographic for printed media is aging so when his native twang shows through or when the
faster than the general population. Failure of boom dips into view or when her speech starts to betray
print and newspapers is disenfranching young its adaptation from a play,
apprentice writers.
I think to when we opened cold on a starlit gutter,
Media conglomerates have poor business
running gold with the neon of a drugstore sign and I’d
model; economically rationalized "culture
read into its blazing line:
industry" is actively hostile to vital aspects of
humane culture. forget the ink, the milk, the blood – all was washed
Long tail Balkanizes audiences, disrupts means clean with the flood we rose up from the falling waters
of canon-building and fragments literary the fallen rain’s own sons and daughters
reputation.
and none of this, none of this matters.
Digital public-domain transforms traditional
literary heritage into a huge, cost-free, portable,
searchable database, radically transforming the
reader's relationship to belle-lettres.