Dhanurveda - The Ancient Art of Archery

This Electronic Document is dedicated to the Great Hindu Warrior Shri.
Surinder Paul Atriji
DHANURVEDA
(A Veda relating to the Art / Science of Archery)
DHANURVEDA from the BRHAT SARNGADHARA PADDHATI, a 15th
Century treatease in Sanskrit on 'The Science of the Horn Bow' by
Sarngadhara. Translated from the Sanskrit edition by Peter Peterson,
Bombay, 1888.
This document is made by Cyberhinwa for the good of the Hindu race ….comments should be sent to
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DHANURVEDA
(A Veda relating to the Art / Science of Archery)
DHANURVEDA from the BRHAT SARNGADHARA PADDHATI, a 15th
Century treatease in Sanskrit on 'The Science of the Horn Bow' by
Sarngadhara. Translated from the Sanskrit edition by Peter Peterson,
Bombay, 1888.
The paragraph numbers commencing '1714' in the text correspond to those in the
Sanskrit text.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The First Instructor
1714 : I have composed this work in brief by extracting the excellent

utterances of God (Lord Siva) found in his Dhanurveda (the Veda
relating to the science of Archery and wise instructions of (Sage)
Vyasa.
1715 : Nobody but Sarngadhara is considered to be an expert in the

knowledge of the Dhanurveda, because he got his skill (in holding,
aiming and shooting etc.) and judgment (for wind velocity and speed
of the moving target etc.) in a dream at night from the Lord Siva
Himself.
1716 : So, one should not harbour any doubt about this book (because
it has been revealed in a dream) just because some of its contents
appear elsewhere in other works by other, more clever archers like
Cintamani (viz. Vira-Cintamani).
1717 : Archers (and warriors) should practise and sharpen their skill
(weapon training) in such a way that they are able to perform their
duties and conquer the enemy.
1718 : If just one famous archer stays in a city, then the enemies will
remain at a distance just as animals stay far away from the den of a
lion.
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1719 : Now, the principles of selection of the trainees for weapon
training will be discussed. After examining the Trainee (disciple)
thoroughly, the preceptor will give a bow to a Brahmin disciple, who is
not greedy, cunning, ungrateful or foolish.
1720 : He will give a ‘dhanu’ (meaning a bow) to a Brahmin disciple, a

khadga (meaning a sword) to a Ksatriya, a ‘Kunta’ (meaning a lance)
to a Vaisya and a ‘Gada’ (meaning a mace) to a Sudra.
1721 : Fighting with hands (Bahuyuddha) has its seven divisions.

These are carried out with a bow (dhanu) or a circular missile (cakra)
or a lance (kunta) or a sword (khadga) or a knife (churika) and mace
(gada) and lastly by fighting with the bare hands only.
1722: A preceptor is known by the name ‘saptayuddha’ if he is well-

versed in seven forms of fighting; a preceptor is a ‘Bhargava’ by name
when he is well-versed in four types of fighting. An expert in two forms
of fighting is known as ‘yodha’ and if one is versed in only one type of
fighting, one is known as ‘Ganaka’.
1723 : People born when the Moon is in the Constellation of Hasta,

Punarvasu, Pusya, Rohini, Uttara (in three positions), Anuradha,
Asvini, Revati and also on the tenth days of the Moon Dasami are fit
for Archery Training.
1724 :People born in the third, sixth, seventh, tenth or eleventh day of
the lunar fortnight are supposed to be fit for conducting all types of
work.
1725 :The third, fifth, seventh, tenth, twelfth and thirteenth day of
the lunar fortnight are accepted to be auspicious.
1726: Sundays, Fridays and Thursdays are taken to be very suitable

for starting any work relating to weapons (i.e. weapon training).
1727
On these days the preceptor, following the rules of the Vedas, will
arrange offering of oblations and conduct sacrifices and offerings to
Deities and Heroes, and gifts to the learned and the poor. Thereafter
he offers weapons to his disciples.
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1728
A feast should be arranged for the Brahmanas as well as for the

maidens. The ascetics and other devotees of Lord Siva are to be
worshipped, with sincere devotion.
1729
A trainee of Archery is to worship his trainer (preceptor) offering him

food, drinks, dress and ornaments along with scented things flowers
and garlands.
1730
The trainee will observe a fast and wearing only a deerskin, will pray
for the bow from his preceptor folding his hands.
1731
Then following the utterances of Siva, the preceptor should sanctify

the limbs of his disciple, putting his hands on them, by uttering
appropriate mantras and should perform other rituals for removing the
obstacles and sins of his disciple.
1732
The Lord (Siva) will be ritually imagined to have been placed upon the
top-knot of the disciple’s hair at the crown, Lord Kesava will be so
placed on the joint of the two arms, Brahma in the navel and Ganesa
on his thighs.
1733
By uttering the mantra ‘Om’ ‘Hom’ Lord Sankara will be worshipped on

the top-knot at the crown. On the arms Kesava will be invoked, with
the similar mantra and Brahma will be prayed to in the navel, and on
the two thighs the protection of Lord Ganesa will be invoked, chanting
the following words at each place respectively:
Om Hom Sikha Sthane Sankaraya namah,

Om Hom Vahvoh Kesavaya namah,
Om Hom Nabhimadhye Brahmane namah,
Om Hom Janghayor Ganapataye namah
1734
Such placement (of the guardian deities) on the limbs should be done
in order to derive welfare and well-being of the disciple and to prevent
anyone from doing harm (to him) by chanting inauspicious mantras.
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1735
The preceptor should offer a bow and arrows to the disciple which are
fit to be used by a human being and the arrows should be sanctified
with mantras and the teacher would pass the mantra from one arrow
to the other according to the rules of Vedas.
The targets during the training (from easier to more difficult ones)
1736
First of all an archer should learn how to pierce a flower with a leaf but
without any fruit, and then he will pierce a leaf with a fruit, and then a
fish.
1737
Then the preceptor will make his disciple pierce an animal

(mansavedha). These are the three types of piercing. By practising
shooting of arrows gradually at targets in such manner the hero will
achieve the skill to pierce his targets more effectively and efficiently.
1738
The archer will be happy by taking his position ahead of a running

animal, at the same time aiming to pierce the animal. He is at ease in
such a position and he achieves success.
1739
If the arrow is cast in the southern direction, there will be great

quarrel and the archer will go to a foreign land. If it is cast in the
western direction, the archer will get wealth and cereals. If the arrow
is cast to the northern direction the hero will get good results.
1740
If the arrow is cast to the northeastern quarter (lsan), the downfall of

the enemy will ensue. If it is cast in the opposite direction, different
types of auspicious happenings may take place. In such activities with
weapons, a hero will achieve happiness, nourishment and success in
weapon training.
1741
The three types of piercing should be done accompanied by the sound

of a conch-shell and drum, and then the hero should entrust his bow
and arrow to his preceptor by bowing down to him and offering his
obeisance.
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The Measurement of Bow
1742
The first form of bow is a serviceable or proper type. The second one is
a bow which is used in fighting (battle). A bow which is less powerful
in weight and length than the arms of the hero is regarded as an
auspicious one.
1743
The life of an archer is more precious than that of a bow. An archer,

who is overburdened by his bow, never hits the target.
1744
A bow which can be drawn by an archer with ease (by his own
strength) is considered to be auspicious. The bows of the Gods are
heavier and superior to those of the human beings.
1745
A bow measuring five cubits and a half is considered to be the best

one and that type is called a ‘divine one’, and that was held by
Sankara in ancient days.
1746
Then the bow was taken by Parasurama and from him it came to
Drona and then it was received by Partha from Drona, and thereafter it
was taken by Satyaki.
1747
During golden age (satyayuga) that divine bow was held by Mahadeva.
In the silver age (treta yuga) it was held by Raghava. During the
bronze age (dvapara yuga) it was taken by Drona, who was a
Brahmana by caste.
1748
The length of a hand is equal to the length of twenty-four fingers of

the hand and a bow measures four such hand lengths (caturhasta) and
this type is known to be the bow of a human being with all good signs.
1749
A bow may have three, five or seven joints. A bow having nine joints is
renowned by the name ‘kodanda,’ which truly is an auspicious one.
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1750
A bow having four, six or even eight joints should be discarded. But
there are some bows which are more extended in size and are made
by a new technique.
1751
A bow should not be used if it is extremely old, or made of unripe

materials, or used by one’s kinsmen, or burnt, torn or spoiled inside or
outside.
1752
A bow without a string, or a bow in which the string is not suitably

fitted, or an arrow with a fault or an arrow in which there are joints on
the upper or middle or lower portion should not be used.
1753
A bow made of unripe materials may break up. A bow in a very

dilapidated condition loses its smoothness. A bow already used by
one’s kinsmen may always be an object of anxiety or dispute among
friends and relatives.
1754
A burnt bow causes a house to burn, and a bow having holes always
brings defeat and destruction in war. Such a bow does not reach the
target, external or internal.
1755
If an inferior type of arrow is fitted to a bow, it may bring defeat in

war. Moreover, if such an archer is being attacked, he cannot shoot
back effectively.
1756
A joint on the upper portion of a bow or even one on its lower side,
causes destruction and loss of wealth. Bows without such defects are
considered to be very effective for all types of activities.
1757
The bow of Vishnu is named ‘Sarngadhanu’ and it is considered to be

the best weapon. It was a bow, the measurement of which was seven
times greater than an ordinary bow which is made by Viswakarma.
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1758
That bow remained untouched by anybody in Heaven, in the Nether

Region or on Earth. It could only be used by the one (Divine
Emancipated Being) who is the Lord of Lords.
1760
Gradually, over many years, He created and extended the bow which
is fit to be used by human beings It measures six and a half vitasti
(i.e. the span of the thumb and the middle finger when stretched fully,
roughly measuring half a cubit) i.e. total three-and-a-half cubits in
length. The bow serves all purposes.
1580
A Sarnga-bow is successfully used by the soldiers on elephant back

and the cavalry. For charioteers and foot soldiers, however, a bow
made of Bamboo is more useful.
The characteristics of a bow string
1761
I shall narrate the characteristics of the bow string, and these are to
be applied while making a string. Very light silken threads should be
used.
1762
The strings should be made of three round threads which are free from
any joinst, pure, fine, very soft and polished so that these threads can
with stand attack in a war.
1763
For want of silk thread, string can be made with intestines of a deer or
with the intestines of a she-buffalo or a cow.
1764
Fine strings are to be made with skin of a goat or gokarna (another

variety of animal) which has just been slaughtered. The hair on the
skin should be removed thoroughly.
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1765
Sometimes strings are prepared with the bark (outer skin) of mature
bamboos (plants) and those strings are tied with silken threads for
making strings that withstand stand adverse situations in war.
1766
At the advent of the month of Bhadra (September) the bark of the

Arka tree becomes commendable for making strings and hence hard
and sacred strings should be made with it.
1767
The threads which are obtained from the barks of the Arka tree are
eighteen cubits in length and these should be made in triple-ply to
make a proper string (for the bow).
The characteristics of arrows
1768
I shall narrate the auspicious characteristics of Arrows.
Arrows should neither be very heavy nor very fine. They should not be
made of unripe materials which are grown on barren land. An arrow
with small joints or having splits should be avoided.
1769
The arrow should have matured joints, it should be made with fully
ripe materials, the colour of the arrow is to be brownish and gathered
at the right time. The material should be hard and round. The tree
from which the arrow is to be made should grow on fertile land. [Such
an arrow is commendable for the use of a king in battle.]
1770
The size of the arrow should be two cubits less one fist in length and
its breadth will be like the little finger. This is the measurement of an
arrow which is to be placed on the bow for drawing and discharging
towards the target.
1771
The end of an arrow may be fletched with the feathers of crane

(kanka), swan (Hamsa), sasada (A variety of bird), fisher bird
(matsyada), heron (kraunca), cataka (kinkini), vulture (grdhra) and
hen (kukkuta).
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1772
Four feathers are to be attached to each arrow. The gap between two
feathers should be six fingers.
1773
In the bow (Dhanu) named Sarnga, the gap between two feathers is to
be of ten fingers and the four feathers should be firmly tied with hard
threads made from intestines.
1774
There are three types of arrows – masculine, feminine, and neuter.

Arrows which are flat and heavy in front are designated as ‘feminine, If
flat and heavy in its lower portion it is termed as ‘masculine’.
1775
If the top portion and the lowest portion of the arrow is of the same
size, it is known as ‘neuter’. Such an arrow is fit for practising (by
trainees etc.) The female arrow hits a target at a distance while a male
arrow can firmly pierce tough targets.
The characteristics of the tip or arrowhead
1776
The arrowhead should be made of pure iron. It should be sharp and

pointed and without any sort of disorder. The head of the arrow should
be painted with a coating of ‘diamond’ protective paste according to
the proportion of the feathers (vajra means hard as diamond).
1777
The head or tip portion of an arrow may be made of brass and its
shape will be like that of a horse-shoe; or it may be like the tail of a
cow or it may of the shape of a half-moon. An arrow is called ‘Bhalla’
(i.e. a missile) when its head is as sharp as the tip of a needle, and
again it is known as ‘Dvibhallakam’ (.i.e., double missile) when there
are two tips like the teeth of a heifer.
1778
The arrowhead may be shaped in different forms according to the

existing system of a country, such as ‘Karnikam’ or kakatundam’ etc..
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1779
By the arrows (made of brass or purified iron) skin should be pierce;

by razorblade arrows, the enemy’s arrows (and his hands) may be
severed, and by needle pointed arrows a shield or armour may be
pierced, and an arrowhead shaped like half a moon should be used to
sever the head of the enemy.
1780
A spear-headed arrow may pierce the chest of the enemy, while a

double speared arrow may pierce the string of his bow and counter his
(enemy’s) arrows. Arrows made of iron may be countered by the
arrows known as ‘Karnika’, and other targets may be pierced by
arrows in the shape of the beak of a crow. The type of arrow named
‘Gopuccha’ is used for aiming at (and tearing off) the enemy flag.
1781
If an arrow is made of pure wood it is known by the name ‘gopuccha’

(meaning the tail of a cow). The tip of such an arrow is made of
pointed iron measuring three fingers.
The methods of annealing arrowheads
1782
I shall narrate the process of annealing arrowheads. The following

divine medicine is to be spread onto the head of the arrow so that it
can pierce an unbreakable armour just like a leaf of a tree.
1783
Long pepper (pippali) and sulpher (kustha) and rock-salt (saindhava)

should be ground by mixing urine of a cow while pounding, to prepare
a paste. That paste should be rubbed on the weapon and then it
should be heated on fire.
1784
The paste for annealing should not be very cold. If the arrow fails to
pierce anything (i.e. hit the target) or if the arrowhead is one from
which the yellow colour has faded, the paste should be applied to the
tip and heated thereafter, and then the head of the arrow-head should
be dipped in oil to remove the heat to make it especially effective.
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1785
Five types of salt should be ground together and that compound is to

be soaked in honey and paste of white corn (sveta sasya). The
arrowhead is to be covered with such a paste and then heated over a
fire.
1786
The arrowhead is to be annealed, and after heating, its colour will be

like that of the neck of a peacock, i.e. a yellow colour when hot. Then
it should be dipped into clear water for its permanent protection and
strength.
Now the two types of rounds viz. Naracas i.e. all iron rounds and
Nalika, known as ‘rounds shot from the gun’ (are being described)
1787
Naraca is a round totally made of iron. In some naracas, there are five
broad wings and such rounds are always effective (in hitting the
targets).
1788
Nalika is a form of round, shot from a weapon like the gun fitted with
tube or barrel; it is used while a target is to be hit at a great distance,
or in a war taking place in a high fort.
Hand position for drawing an arrow and position for releasing

an arrow.
1789
‘Sthana’ (the posture to be taken by a warrior while shooting), has

eight forms, for performing different types of shooting and the holding
and operation of the trigger or arrows by ‘musti’ meaning ‘grip’ has
five forms, while the scoring areas of a target or ‘vyaya’s are also of
five types.
The Position (Sthanas):
1790
If the left leg of an archer is stretched in front and the right leg is
contracted at the knee and their distance measures two hand lengths
(cubits), such posture of the archer is known by the term ‘Alidham’.
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1791
By stretching the right leg forward and contracting the left leg, the
arrow goes far on release. This foot position of the archer is thought to
be very special (or praiseworthy) and is known as ‘Pratyalidham’.
1792
If the archer extends his legs equally and their distance is one cubit
apart, he assumes the position known as ‘visakhasthana’, a position
for shooting a difficult target.
1793
If the place on which the archer stands is not too uneven, his legs are
to be placed at equal distance (for keeping balance) without making
any movement, and fixing them in an uniform position. The body
should be made bent to the left at least one cubit down.
1794
If the archer kneels down and his thighs are contracted, his position is
known by the name ‘Dardur akramam’, meaning ‘the movement of the
frog’. This is a position by which an archer is sure to hit a difficult
target.
1795
The stance or movement of an archer is compared to that of Garuda.

When he moves forward by touching his left knee on the ground and
then he contracts his right knee, and this is called the ‘Garuda Kraman’
position.
1796
A well-known position of sitting (cross-legged), known as ‘padmasana,’

is very auspicious for an archer.
Release and shooting of arrows by a warrior.
1797
There are various forms of ‘release’, made by the archer by folding his
fingers to secure his arrow and shoot from the bowstring such as
‘pataka’, ‘vajramusti’, ‘Simhakarna’, ‘Matsari’ and ‘Kakatundi’ etc.
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1798
If the forefinger is extended and brought under the root of the thumb,
the position of the grip is known by the name ‘pataka’. This form of
the grip is then applied by a shooter for shooting (rounds) at a distant
target.
1799
If the thumb enters the gap between the middle finger and the
forefinger then such a release is called ‘vajramusti’. Such release is
used when a thick arrow and all iron rounds known as ‘naraca’s are
shot towards the target.
1800
If the tip of the forefinger is placed squarely on the nail of the thumb
finger, then such a release is known by the name ‘matsari’. Such a
release is used to pierce a fine or thin target known as ‘citra’.
1801
A release is known by the name ‘kakatundi’ (the face or the mouth of

a crow) if the top portion of the thumb is placed on the tip of the
forefinger. Such a release is to be used when an archer shoots his
arrow into a thick target.
Methods of holding the bow an aiming the arrow
1802
There are three methods of holding a bow and aiming an arrow,

namely (i) downwards; (ii) upwards and (iii) straight. Among these
three methods, the archer adopts the particular one which is suitable
to serve his purpose.
1803
The arrow aimed downwards can easily hit a target at a far distance. If
the aim is straight, it will certainly pierce the target and if the aim is
upwards, then by applying greater strength, the archer will invariably
pierce his target.
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Description of the ‘Vyayah’ (type of scores on hitting the
target)
1804
If an arrow hits on the root of a target (i.e. outer ends), the score is
known by the name ‘kaisika’. If it hits the horn of the target (i.e.
magpie) it is known by the name ‘sattvikah’. If it hits the ear of the
target (i.e. inner portion) it is known by the name ‘vatsakarna’ and if it
hits the neck of the target (i.e. bull’s-eye) it is known by the name
‘Bharata’.
1805
If an arrow hits the shoulder of the target (at a great distance), the
score for shooting of such an arrow is known by the name ‘skandha’.
Vyayas are of five varieties. In case of a mixed warfare (citra yuddha),
arrows (shot being quick and many) hit the outer end of the target
(i.e. ‘kaisika’) mostly, while the arrows hit the horn when aimed
downwards to hit the target.
1806
If the target is pierced on the ear (inner part of the target), the score
is known as, ‘vatsakarna’. If it pierces the target deeply and firmly, it
is known as ‘Bharata’ (bull’s eye) and if it is pierces the target at a
great distance deeply and firmly the process is known by the name
‘skandha’.
Targets and their varieties:
1807
Targets can be of four varieties – (1) Sthir i.e. fixed or stationery
target (2) Cala i.e. moving target (3) A moving archer shooting at a
stationary target (4) Dvayacala – where the archer as well as the
target both are moving.
1808
The archer who aims at the target by making his mind motionless and
steady and pierces the three types of targets is known by the term
‘sthiravedhi’ meaning ‘an archer whose aim never fails’.
1809
If an archer, while motionless himself, successfully pierces a moving
target the preceptor as well as the wise call (such person ‘calavedhi’)
and the target by the name ‘calalaksya’ meaning ‘a moving target’.
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1810
If an archer is on the move but fixes his mind on a steady target then
the target will be known by the name ‘calacala’ meaning ‘moving yet
steady’. This is a process of shooting which is blameless and beyond
ordinary measure.
1811
When an archer is on the move himself and also aims at a moving
target, then the target (and situation) is known by the name
‘dvayacala’ meaning ‘two moving elements (the archer as well as the
target)’. To pierce such targets one has to practise very hard.
1812
If an archer practises archery hard, he can unfailingly hit a distant
target with his arrow, and with one arrow he can pierce many targets.
Through hard practice an archer achieves firm grip and ability to aim
and shoot arrows quickly.
1813
Undergoing hard labour, an archer realises the art and techniques of
different types of warfare, and through it he achieves victory. Hence,
an archer should always practise shooting in front of his teacher.
1814
An archer, who begins to practise the shooting of arrow with his left
hand, will become successful in the art of shooting in no time.
1815
When success comes with the left hand, the trial with the right hand
should start. In the course of time, the archer should practise shooting
arrows as well as rounds with both the hands.
1816
When proficiency (in shooting) is achieved with the right hand, then
again exercise should be started with the left hand. An archer should
practise in the standing position (keeping the feet parallel and one
cubit apart from each other) named Visakha and aiming at the root of
the target i.e. ‘kaisika vyaya’.
1817
At sunrise, the target should be shot in the western direction. In the
afternoon the target should be shot in the eastern direction so as to
achieve a better aim at the target.
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1818
Arrows should be shot towards the north, but they should not shot for
the purpose of destroying life. Arrows should not be discharged
southwards except in times of war.
1819
A target set at a distance of sixty bow-lengths is regarded as the best
one. If the same is set at a distance of forty bow-lengths, it is
regarded as a medium one, whereas a target at a distance of twenty
bow-lengths is regarded as the lowest type.
A discussion on aiming and shooting of projectiles:
1820
This is a description of rounds or projectiles named ‘naraca’. The
‘naracas’ are shot in numbers of forty, thirty or sixteen at a time, to
pierce the target.
1821
One who shoots four hundred shots named ‘kanda’ between the period
of sunrise and the sunse, is considered as the best among archers.
1822
If the number of rounds (the ‘naracas’) shot during this time-period is
three hundred, the shooter is known as ‘mediocre’; but if there are
just two hundred, then the shooter of the rounds is known to be
‘kanisthaka; i.e. of the lowest category or standard. Archers’ targets
should be of a man length (three-and-a-half cubits or 6 feet) and fitted
with signs of a crescent moon.
1823
One who shoots the top portion of such a target is known to be a
superior shot, while one who pierces the belly of the target is known
as a mediocre one, whereas one who hits the feet of the target is
known as an inferior shot.
Intermissions (anadhyaya) in learning shooting
1824
As all activities are prohibited on the eighth and the fourteenth day of
the lunar half month and also on the day of the new-moon and on the
day of the full moon, shooting practice is also prohibited on those
days.
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1825
Practice shooting should be stopped if there is an untimely roaring of
clouds, or there is stormy weather or if the target is broken or
destroyed by arrows or rounds shot earlier.
1826
The practise of shooting should be abandoned if an arrow is broken at
the very start of practicing, or if a serpent is seen at the place where
practice is taking place.
1827
If the bow string snaps at the very start of shooting an arrow from the
bow, then the practice should be abandoned, while taking note of the
(inauspicious) obstacle.
1828
I am going to narrate a tough exercise in shooting practice which the
pure-hearted archer should perform; and only by knowing this can
archers become successful, and not otherwise.
1829
When taking up the bow, an archer should tie his top-knot and, taking
up a firm stance, he should place his hand on the arrow.
1830
The bow should be picked up in the left hand (assessing its weight and
balance) and the arrow should be nocked onto it thereafter by picking
up the arrow with the right hand.
1831
The archer should draw the bow and with one attempt pierce the earth
and then bow down to Lord Siva and Ganesa, the guardian deity of
obstacles.
Yoga-Breath control in shooting
1832
At the time of drawing the bow, the consent of the preceptor should be
prayed for. At the time of drawing the bow, life-giving breath also
should be inhaled (to fill up the lungs) carefully.
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1833
Breath should be conserved by closing the eyes and nose (kumbhaka),
and the breath should be released with the sound ‘hum’. An archer
who desires success in his art should practise such breathing exercises
(Pranayama).
1834
The technique of the grip can be successfully achieved through
exercise within six months, and the technique of successful aiming
takes one year. The learning of the shooting projectiles, ‘naraca’, is
achieved by an archer only through the grace of Lord Maheshwara.
1835
In order to become successful in archery, one must hold (and handle)
his arrows very gently and carefully, like a flower, and press the bow
like killing a serpent. The archer’s attention to piercing the target
should be as (undivided and undistracted) as in earning money.
1836
A preceptor expects that his disciple’s shooting will be effective and
efficient. The descendants of the Bhrgu clan (like Parasurama) desire
that the arrow of the disciple should hit the target at a great distance.
A king desires a spectacular display of hitting targets (by his guards
and soldiers), while the common people just want targets to be
pierced well.
1837
If the shooting of an arrow is conducted for entertainment (as a game
of archery) or welfare of the people, then even if the target is pierced
just marginally, it will be a praiseworthy action.
1838
The archer should take the position known as ‘visakha’ (standing with
the feet apart) while nocking his arrow named ‘gopuccha’ onto the
bowstring with a grip like the ear of a Lion (simhakarna).
1839
While performing ‘kaisika vyaya’ the top-knot of an archer should not
move, and he should shoot the arrow. keeping both his right and left
shoulders motionless.
[email protected]
1840
At the time of shooting an arrow, the eyes of the archer should not
move: his aim should be attentively fixed on the target. The view of
the target should be covered by the fist and his eyes should gaze
ahead of the arrow.
1841
Realising that the mind follows the line of the gaze, the arrow (‘kanda’)
should be shot to the target upon which the gaze is fixed. An archer
who undertakes regular and hard practice never misses his target.
1842
An archer who can bring his arrow from the quiver, nock it to the
bowstring, draw back the string, aim, and shoot it (the arrow) very
quickly becomes a "quick shooter" on account of his constant practice.
1843
When an archer has to shot his arrow at a distant target
(durapatanam), he should assume the position of ‘pratyalidha’ and aim
a feminine type of arrow downwards, drawing it with the grip known as
‘patakamusti’.
1844
If arrows have to be shot upwards (urdhapatanam), the archer should
take the pose of a frog and from the stance of ‘askandhavyaha’, he
should fix a male arrow, holding it in a tight grip i.e. ‘vajramusti’. If
one practises this regularly, he increases the strength of his arms and
will become successful in piercing tough targets.
1845
Wise men ennumerate three types of proper motions of the arrows,
viz. (i) ‘suchimukha’ (meaning flying straight like the tip of the needle)
(ii) ‘minapuccha’ (fish-tailing) and (iii) ‘bhramari’ (moving all over the
place like a bumblebee).
1846
The trajectory of an arrow is called ‘sucimukha’ when it is unfletched of
has very little fletching.
1847
If the bow is hard, then the grip of the archer is not very tight, and the
arrow may follow a trajectory known as ‘matsyapuccha’ (fish-tailing).
[email protected]
1848
If the arrow when aimed at the target does not travel in a straight line,
but approaches it in a to-and-fro’ or semi circular manner, such
movement is called ‘Bhramari’ by the learned. [If an arrow, aimed at
the target does not travel straight but reaches it in a curve such a
trajectory is called Bhramari.]
Deflection of arrows
1849
There are four different causes which deflect a moving arrow from its
trajectory before reaching the target. These are (i) ‘vamaga’
(deflection to the left) (ii) ‘daksaga’ (deflection to the right) (iii)
‘urdhaga’ (overshooting the target) and (iv) ‘adhaga’ (falling short).
1850
If the rear of the arrows vibrates against the inside of the grip
(gunamusti) and the bow is held in a level grip (dhanumusti), the front
of the arrow will veer to the left. [Hence the grip of the arrow should
be firm so that the arrow may not tremble and deflect from the
target.]
1851
If an archer does not hold the arrow properly and aim it straight, his
arrow will undoubtedly go either to one side or short of the target.
1852
If the archer’s grip on the bow is above the line to target and the
arrow is nocked below the line to the target, the arrow will go
upwards. An arrow released from such a position will undoubtedly veer
far away from the target.
1853
While shooting an arrow, the grip on the bow (‘capamusthi’) should be

below-centre and the arrow should be nocked (gunamusthi) above-
centre, pointing slightly downwards.
[email protected]
1854
The right time to release an arrow is when the target, the tip of the
arrow and the gaze of the archer are in line. In such a situation the
archer never becomes unsuccessful in hitting the target; that is, the
archer should cover the target with correct Dhanumusti and
Gunamusti (his grip of bow and arrow) in order to pierce it.
The correct trajectory of arrows
1855
If the target and tip at the arrow are aligned, and the eye aim without
any wavering, an arrow shot from such a triple alignment cannot miss
the target. [This calls for archer’s calmness of mind and strong
determination.]
1856
An arrow which is sharpened well at the tip and is fitted with feathers
of a bird and discharged from a firm grip with force, cannot remain in
the body of a human being or an elephant or a horse. [It pierces but
does not remain in their bodies because it passes right through.]
Attitudes of an archer
1857
An archer, who thinks his arrows are (light) like grass, his bows
(consuming) like burning fuel and the bow-string (attractive) like his
life, is considered to be a best archer.
Description of the four tough targets
1858
If an archer can penetrate the following four types of (tough) targets,
namely, those made of earthen pot or a lump of earth, his arrows
cannot be (countered) destroyed even by a thunderbolt.
1859
Iron plates measuring the thickness of one-and-a-half fingers should
be prepared (as targets for exercise). An archer who pierces such
plates with a single arrow is known by the designation of Drdhghati – a
tough marksman (marksman of tough targets).
[email protected]
1860
An archer who can penetrate twenty-four layers of leather with a
single arrow can pierce even the skin of a powerful elephant.
1861
An archer, who can hit an earthen jar in whirling water or a lump of
earth through a circulating wheel (placed below it) he is known by the
name ‘drdhavedhi’ meaning ‘a tough marksman’.
1862
A target made of iron can be pierced by arrows named ‘kakatunda’
(beak of the crow) and targets of leather (like shields or armour) can
be pierced by arrows named ‘aramukha’ (a lump of earth). An earthen
jar or a lump of earth may be hit through a moving (disc) wheel by an
arrow named ‘suchimukha’.
1863
One who knows how to counter and cut an arrow, and one who knows
how to pierce a piece of wood, or one who knows how to score points
in a shooting range (Vinduka i.e. Chandmari) and one who can pierce
two round balls (golakayuga) at a time, always becomes victorious.
1864
When a target (animal) charges towards an archer, he should aim to
split the arrow which has already pierced the front of the animal
(target). He should hold some arrows curved in his grip. He should
sever the head of the animal (or enemy) with an arrow with a semi-
circular tip or an arrow having two tips.
1865
If an arrow coming straight forward obliquely cuts another arrow in the
sky, then the archer displaying such a skill is known as ‘Vanacchedi’
meaning ‘one who cuts an arrow in the air’.
After describing the cutting of arrows, the cutting of wood is

discussed:
1866
If an archer fixes horse-hair to a piece of wood and also he binds a
cowry shell there (as a target) while spinning the wood, if he hits this
target, he is known as Dhanurdhara, meaning ‘a real archer’.
[email protected]
1867
An archer is known by the name ‘Kasthacetta’ meaning ‘a piece of
wood’ if he can pierce a piece of wet wood placed in the position of a
tail of a cow by an arrow known by the name ‘ksurapra’ meaning an
arrow with a sharp horse-shoe shaped head.
1868
If a white point is placed on the target by attaching a white ‘vandhuka’
flower, an archer who is able to hit that point is called a ‘citrayodhi’.
Aiming at moving targets:
1869
If two wooden balls are thrown from in front upwards to a great
distance, they cannot be penetrated by an arrow which follows from
behind; but if the arrow sticks into the ball behind like a tail, or it hits
but does not get attached there, the archer is called a marksman (of
moving targets).
* The following verse relates to the earlier verse 1869
1870*
An archer who can attach two arrows at a time and pierces his target
(the two wooden balls) is considered as the best of all archers and is
worshipped, (i.e. honoured) by the kings.
1871
Irrespective of whether an archer rides on an elephant, or a horse or
moves on foot, if he practises while moving, is sure to succeed in
piercing his target.
Shooting the target from its/sound/resonance
1872
Pots made of bell-metal should be kept at a distance of two cubits
from the target. Another person should produce sounds by hitting pot
with pebbles (sarkara).
1873
An archer should assess the distance of the source from which the
sound is coming by concentrating attentively and by using his ears,
and should locate the target and penetrate it.
[email protected]
Repeated exercise for marksmanship
1874
An archer should again cause the sound to be produced from pots by
hitting them again with pebbles and should again locate and aim to
pierce the target near the origin of that sound.
1875
The archer may increase his distance from the target gradually from
10 cubits to 20 cubits and then to 100 cubits and should practise in
darkness piercing the target from the sound emitted by it.
1876
An extremely intelligent archer with earnest attention can pierce a
target with his arrow. Such a difficult task is performed by an archer
on account of his good luck.
Exercise with weapons
1877
As long as an archer fails to achieve success, he should practice hard.
When an archer’s labour makes him a marksman, he needs not take
his bow in hand during rainy days.
1878
An archer should always practise with his weapons for two months in
the autumn so that he may not forget the art of weapons he acquired
earlier. [The months of August and September comprise the season of
Autumn in India.]
1879
In the month of Asvin (when the horses are yoked to the carriage) and
during the divine ninth lunar day of the fortnight, Lord Siva, Goddess
Chandi Chamunda, the Preceptor, weapons and horses should be
worshipped.
1880
Daksina (offerings of money) should be given to the Brahmin’s and the
maidens should be given good feasts. Animals should be sacrificed
along with the sound of auspicious instrument (like conch, gong and
cymbals) and chant of music in honour of Goddess Durga (and thus
the archer himself should pray for victory to the Goddess of War).
[email protected]
1881
Then the archer (after performing rituals as above) should practise
recitals of Vedic hymns according to the rules of the Vedas as well as
Agama (vedoktan agamoditan). For success in the art of shooting his
weapons and arrows, an archer should intone ‘japas’ and perform
sacrifices (homas) according to te scriptural laws (vidhanatah).
Devastating weapons from elements (like water and air)
1882
An archer should strive for weapons named ‘Narayana’, ‘Saiva’,
‘Aindra’, ‘vayavya’, varuna and the ‘agneya’ (producing great fire)
which the preceptors give out at their discretion.
1883
An archer who is pure in heart masters his weapons by applying his
mind (to understand the principles of grip, aim and release), word
(enquiry from his preceptor) and active hands (for practice). He can
kill with his weapons a man who is unworthy and unable (to live) and
who is evil.
1884
A man who knows how and when to apply (use or withhold) his
weapons is known as an archer or a musketeer. A wise archer or
musketeer does not use his arms in an everyday situation.
1885
An archer, who takes the stem langali (jalapippali) plant when the
moon is in the Hasta constellation and use its sap on his weapons
easily removes the pride of any great hero in the battle.
1886
By taking the root of an ‘apamarga’ (apang) plant at sunrise when
there is ‘yoganaksatra’ (in the sky) and by anointing its juice on hand
and weapons, a hero gains the power to ward off his enemies’ arrows .
[email protected]
1887 & 1888
By tattooing on the hand (as a talisman) or by applying the sap of the
following plants onto his arms, a hero can ward off pain from enemy
weapons: adhapuspi, samkhapuspi, lajjalu, ‘girikarnika’, ‘nalini’,
‘sahadeva’, ‘putramarjarika’, ‘visnukranta’ and ‘aparajita’ and other
plants with matted fibre. This matted fibre should be taken on a
Sunday in a clean and pure state as instructed by the preceptor.
Medicinal plants, mystic chants and precious crystals and stones are
for the use of man and the reason of their potency and their origin is
beyond doubt .
1889
A hero does not have anything to fear snakes, tigers and similar
apparently dangerous creatures, because his body is blessed by the
eight Goddesses (The Goddesses are the presiding deities of various
elements of nature, viz. Brahmi, Mahesvari, Indrani, Varahi, Vaisnavi,
Kaumari, Camunda and Candika.).
1890
By the influence of the powder obtained from ‘chuchundari’ plant
during the rise of ‘Hastanaksatra’ on a Sunday, even an elephant does
not dare to come in front of the warrior.
1891
If the ‘chuchundari’ plant and powder extracted from the blossom of
the ‘vilva’ tree are anointed on the body of a warrior, then even a mad
elephant sheds its wanton strength and a lion gives up its fierceness,
just seeing him from a distance.
1892
The root of the white karnika tree (svetadrikarika) can remove dust on
his hands and similarly the root of the white kantarika
(svetakantarika) removes a hero’s fear of tigers etc.
1893
The root of the Patali and Pusparka plants should be dug up, and if
kept in the mouth of the warrior along with betel-nut powder, his body
cannot be pierced by sharp arrows in the battlefield.
[email protected]
1894
If the end of the root of the ‘gandha’ (campaka) tree is collected on a
Sunday according to scriptural rules, when the moon is in the Pusya
constellation, and put inside his mouth, the warrior gets immunity
from weapons of the enemy which cannot enter his body or sever it.
1895
By fasting on a Sunday when the moon is in the Pusya constellation, if
the warrior collects the matted part of ‘subhra’ ‘sarapumkha’ or
‘jatanili’ and places these on his breast, head or inside the mouth,
these remove or ward off in-coming arrows or weapons of the enemy.
Kings, when they become very much afraid of thieves etc. in order to
ward off their fear, obtain the help of such plants collected on such a
Sunday (‘pusyabhaskara’).
‘Do’s and Don’ts during the operation of war
1896
An archer should first take a bath and then dress in white. He should
worship the ‘Deities’ and the ‘Brahmanas’ while chanting auspicious
mantras and music.
1897
An archer must give offerings in the name of King and to the presiding
deities of the ten quarters. He is to worship all his weapons and intone
mantras for his protection as follows –
1898
"Om; O, Goddess, kindly protect us with Your spear; O Mother
Ambika, kindly protect us by Your sword, protect us by the ringing of
Your bell and by the sound of the bow-string from other dangers and
difficulties.
1899
"O Candika – O Goddess, kindly protect us on the east, west, south
and north as well by brandishing Your sword.
1900
"Kindly protect us by Your calm and pleasant looks, which pervade
throughout the three worlds, and also by Your most fearful form.
Kindly protect us and the world at large.
[email protected]
1901
"O, Ambika with the help of Your weapons – sword, spear and mace –
which are in your hand: kindly protect us all in every way."
1902
The warrior should anoint his body with divine ointments and
medicines and protect his body by wearing different talismans. After
taking a little ‘bhattvaka’ drink, the archer should start practising for
battle.
1903
A warrior should please his Generals and the superior fighters on
elephants and other chiefs of his army with gifts of precious items and
clothes.
1904
After placing an effective charioteer on the chariot, the warrior himself
should get into it (the chariot) and he should yoke only those horses to
the chariot which are healthy, well-nourished and capable of doing
hard maneuvers.
1905
A warrior should keep four bows in the chariot as a precaution against
all misfortunes, and he should keep four hundred arrows in his quiver.
1906
He should also place in the chariot a sword (khadga), shield (carma),
mace (gada), spear (sakti), parigha (a type of weapon), hammer
(mudgara), projectiles (naraca), axes (parasu), lance (kunta), pattisa
(a type of weapon) and ardi (a type of weapon) etc..
1907
One who does not have a chariot or elephant, will ride on horseback,
fixing a quiver on his vest belt and taking a sword, sakti (spear) and
bow in hand.
1908
After keeping Lord Visnu in mind, the name of Arjuna should be
intoned by the warrior. Thereafter, he should establish his position
along with his four types of troops (namely the elephant-riders, the
cavalry, the charioteers and the infantry).
[email protected]
1909
The warriors in whose heart Lord Janardana, whose colour is blue like
the blue lotus, resides, become successful and victorious everywhere
and they never fear defeat.
1910
These are the names of Arjuna, which the warrior should intone:.
Arjuna, Phalguni, Partha, Kiriti, Vivatsu, Vijayi, Krsna, Savyasaci and
Dhananjaya.
How to calculate the number of different arms in a formation is

called Akshouhini
1911
The charioteers wearing shields should number 21,870 (by computing
the legends) sky (0), Tunes (svara)(7), Vasu (8), Indu (moon) (1),
and netra (eyes) (2). [The digits in Sanskrit are counted from right to
left hence 21,870]. According to scholars who are well-versed in
Mathematics, the number of chariots and charioteers putting an
armour in an ‘aksauhini’ amount to Twenty-one thousand eight
hundred; the kings are seventy in number added to this make the
figure (21800 + 70 = 21870).
1912
The number of warriors on elephant has also been determined to be
the same – that is (21870) twenty-one thousand eight hundred
seventy in an ‘aksauhini’. This has been specially directed.
1913
The number of infantry soldiers is one Lakh (ten thousand) nine
thousand three hundred and fifty (19,350) in an ‘aksauhini’ (all of
them are equipped with weapons).
1914
The number of cavalry soldiers remains fifty-six thousand six hundred
and ten (56,610) as stated by scholars who are very effective in
counting.
1915
The mathematicians decided the number of soldiers in a troop called
‘mahaksauhini’ as two sky (2), flourish (sagaras) (4), four vedas (4),
one moon, (1) two eyes (2) one fire, one moon, 1, i.e. 244,121
(Twenty-four lacs, forty one thousand two hundred and one.
[email protected]
1916
In ‘mahaksauhinika’ the number of soldiers are thirteen crores twenty-
one lacs, twenty-four thousands and nine hundred. 132,124,900.
1917
The numbers of chariots in a ‘mahaksauhinika’ is one crore which is
stated by scholars. But some scholars who differ in opinion state that
the number will be thirty-seven lacs. (3,700,000).
1918
In such a troop the number of elephants should be twelve thousand
four hundred ninety. (12,490).
1919
In such a troop the number of horses (cavalry) should be four crores,
eleven lacs, seventy three thousand and four hundred (41,173,400).
1920
The number infantry soldiers (patya) in mahaakshauhini will be
(68,000,075) six crores, eighty lacs and seventy-five.
1921
Sixty-two thousand four hundred and fifty is the number of the
formation known by the scholars as ‘mahaksauhinika’.
1922
The technique of making a formation (vyuha) in a battle is as follows –
the charioteers should be placed in front, behind them the elephants,
the infantry at its back and the cavalry should be placed to each side.
1923
The formation of the soldiers may be planned in the shape of a half
moon, or as a circle or a carriage, a fish, a lotus, or simply by making
rows or in the shape of a bush.
1924
The King should keep around him for his protection those princes who
have received the status of feudal lords or subordinate Kings and also
all other attendants who are loyal and have aptitude to serve the King.
[email protected]
1925
The main or most important person of a family must be protected at
all costs. When the chief of a family perishes, as a result of the loss of
the root of the dynasty, all the soldiers loose their strength and
determination to fight.
1926
The quality of men behind the weapons determines the battle more
than their number. Even a small number of persons imbued with the
traits of heroism, trained in arms and loyal to the king, will serve (the
King and the country) better than a large assembly of people (without
loyalty, courage and determination to win the war) who will be
ineffective (mundamandali).
1927
Even five hundred heroes can defeat a large army. Sometimes even if
five, six of seven such heroes fight bravely, they may defeat the
enemy.
1928
War veterans who have with them their holy bows, which had been
their means for livelihood, can bring victory even if the forward line of
the king with their horses is not very strong.
1929
Archers who are close comrades and know battle-craft may beat
enemies fighting them on horseback.
1930
But a single cowardly archer who breaks ranks can destroy the power
of a large number. Even the most heroic and greatest fighters will
suffer a breakdown of morale (they will desert with such a coward in
their midst and face defeat).
1931
A strong and insuperable battalion may run away and court defeat,
just like animals who are afraid of surging floodwater (if a coward
breaks ranks.)
1932
A hero who can regroup fleeing soldiers, return to combat and rout the
enemy will receive the eternal fruit of the sacrifice of Asvamedha at
every step.
[email protected]
1933
In this world there are two types of human beings who can ascend to
Heaven (penetrating the orb of the Sun): one is the ascetic who has
extirpated his sense and knowledge through performing Yoga and
profound meditation. The other is a hero who dies in hand-to-hand
combat.
1934
If a hero dies surrounded by his enemies, without uttering a word in
fear, it is sure that he will reach that eternal sphere (Heaven).
1935
(Enemy) heroes who faint, or are wounded, or whose weapons are
broken, or who are fighting with another warrior, or who are asking for
asylum or refuge, should not be killed.
1936
A mighty warrior should not chase a weak fighter who is running away,
because a warrior who apprehends death may suddenly become
aggressive and brave.
1937
An emperor should organize his army comprising four arms
(‘caturanga’, i.e. the charioteers, soldiers mounted on elephant,
cavalry and infantry) into a formation (vyuha) to encircle the enemy
and deploy valiant heroes in front of it if he wants to become
victorious in war.
1938
The happiness and morale of the troops are the factors which
contribute to the victory, irrespective of the size of the army, small or
large.
1939
A hero who proceeds with the wind, by leaving the Sun behind as well
as the birds and the floating clouds, surely becomes victorious.
1940
One should not die prematurely; nor should one live after one’s time is
up. Hence one should exercise patience and kill the enemies (of the
king and the country).
[email protected]
1941
In war, if one achieves victory, one gains wealt, If one dies, one gets a
place in Heaven and earns fame in this world. Hence one should
exercise patience and kill one’s enemies..
This is the teaching of Lord Vyasa who has revealed the

Sivadhanurveda.
Digital format by [email protected] ,
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This Electronic Document is dedicated to the Great Hindu Warrior Shri.

Surinder Paul Atriji

The First Instructor

1714 : I have composed this work in brief by extracting the excellent

1715 : Nobody but Sarngadhara is considered to be an expert in the

1720 : He will give a ‘dhanu’ (meaning a bow) to a Brahmin disciple, a

1721 : Fighting with hands (Bahuyuddha) has its seven divisions.

1722: A preceptor is known by the name ‘saptayuddha’ if he is well-

1723 : People born when the Moon is in the Constellation of Hasta,

1726: Sundays, Fridays and Thursdays are taken to be very suitable

A feast should be arranged for the Brahmanas as well as for the

A trainee of Archery is to worship his trainer (preceptor) offering him

Then following the utterances of Siva, the preceptor should sanctify

By uttering the mantra ‘Om’ ‘Hom’ Lord Sankara will be worshipped on

Om Hom Sikha Sthane Sankaraya namah,

Then the preceptor will make his disciple pierce an animal

The archer will be happy by taking his position ahead of a running

If the arrow is cast in the southern direction, there will be great

If the arrow is cast to the northeastern quarter (lsan), the downfall of

The three types of piercing should be done accompanied by the sound

The life of an archer is more precious than that of a bow. An archer,

A bow measuring five cubits and a half is considered to be the best

The length of a hand is equal to the length of twenty-four fingers of

A bow should not be used if it is extremely old, or made of unripe

A bow without a string, or a bow in which the string is not suitably

A bow made of unripe materials may break up. A bow in a very

If an inferior type of arrow is fitted to a bow, it may bring defeat in

The bow of Vishnu is named ‘Sarngadhanu’ and it is considered to be

That bow remained untouched by anybody in Heaven, in the Nether

A Sarnga-bow is successfully used by the soldiers on elephant back

The characteristics of a bow string

Fine strings are to be made with skin of a goat or gokarna (another

At the advent of the month of Bhadra (September) the bark of the

The characteristics of arrows

The end of an arrow may be fletched with the feathers of crane

There are three types of arrows – masculine, feminine, and neuter.

The characteristics of the tip or arrowhead

The arrowhead should be made of pure iron. It should be sharp and

The arrowhead may be shaped in different forms according to the

By the arrows (made of brass or purified iron) skin should be pierce;

A spear-headed arrow may pierce the chest of the enemy, while a

If an arrow is made of pure wood it is known by the name ‘gopuccha’

The methods of annealing arrowheads

I shall narrate the process of annealing arrowheads. The following

Long pepper (pippali) and sulpher (kustha) and rock-salt (saindhava)

Five types of salt should be ground together and that compound is to

The arrowhead is to be annealed, and after heating, its colour will be

Hand position for drawing an arrow and position for releasing

‘Sthana’ (the posture to be taken by a warrior while shooting), has

The Position (Sthanas):

The stance or movement of an archer is compared to that of Garuda.

A well-known position of sitting (cross-legged), known as ‘padmasana,’

A release is known by the name ‘kakatundi’ (the face or the mouth of

Methods of holding the bow an aiming the arrow

There are three methods of holding a bow and aiming an arrow,

Targets and their varieties:

A discussion on aiming and shooting of projectiles:

Intermissions (anadhyaya) in learning shooting

Yoga-Breath control in shooting

While shooting an arrow, the grip on the bow (‘capamusthi’) should be