An Overview of Creative Placemaking As An Enabler
An Overview of Creative Placemaking As An Enabler
An Overview of Creative Placemaking As An Enabler
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AicQoL2020Malacca
ASLI (Annual Serial Landmark International) Conferences on QoL2020
https://www.amerabra.org; https://fspu.uitm.edu.my/cebs; https://www.emasemasresources.com/
8th AMER International Conference on Quality of Life
Mahkota Hotel Melaka, Malacca, Malaysia, 18-19 Mar 2020
(Due to the Covid-19 lockdown, paper virtually presented on 25 Mar 2020)
[email protected], [email protected]
Tel: 012-7134581
Abstract
As the rapid growth of cities continues to pose a significant threat to the well-being of people, its adverse effects have moved to the forefront of social
sustainability. Urban regeneration has become one of the adaptations in solving a social issue. Alongside these interventions, creative placemaking
emerges as an evolving field of practice driving a broader agenda for growth and transformation of cities. This paper reviews the concept of creative
placemaking as an approach to urban regeneration and theories extracted from planning and urban design literature. The findings provide an
understanding of the significant function of social attributes of place in crafting strategies in the creation of successful creative placemaking.
eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC
BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour
Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning &
Surveying, Universiti Teknologi MARA, Malaysia.
DOI: https://doi.org/10.21834/e-bpj.v5i13.2056
1.0 Introduction
The world is undergone an uncommon transition from rural to mainly urban living resulting in 55 percent of the world's population is now
living in urban areas (Rashid, 2018). This scenario is evident in major metropolitan cities where communities of different ethnicities
merging as the city grows and evolves. With extreme population growth and migration, it results in social issues such as alienation,
violence, and uncertainty, causing the concern of social sustainability in today’s urban areas (KARACOR, 2014). The failure to manage
social issues will erode community identity, social cohesion, and cultural values. In many cases, urban regeneration has been regarded
as the way to revitalize places while ensuring economic and social sustainability. Urban design these days has been challenged by the
contemporary ideas of regeneration proposing the creation of sustainable places, with a specific character, social cohesion, economic
prosperity as well as protection, and promotion of cultural values (Mrđenović, 2011). Urban regeneration also relates to the advancement
and change for the benefit of social, economic, and environmental aspects of the place (Ujang, Moulay, & Zakaria, 2018). Agreeing in
terms of the aspect of the place and looking at the fast urbanization and a constant increase in the urban population, the qualities of
urban spaces in cities also have become more crucial to be taken into consideration (Ibrahim, Omar, & Nik Mohamad, 2019).
Alongside urban regeneration, creative placemaking emerges as an evolving field of practice that intentionally leverages the power
of the arts, culture, and creativity to serve a community's interest while driving a broader agenda for change, growth, and transformation
of cities and places. The concept of creative placemaking supports the Sustainable Development Goals (SDG 11), which promote an
environment to be inclusive, safe, resilient, and sustainable (UNESCO 2015). Though an adequate amount of research on creative
placemaking has been carried out as shown in Table 1 below, as to date, only a few studies have attempted establishing indicators for
eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC
BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour
Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning &
Surveying, Universiti Teknologi MARA, Malaysia.
DOI: https://doi.org/10.21834/e-bpj.v5i13.2056
Ramli, N.A., & Ujang, N. / 8th AicQoL2020Malacca, Mahkota Hotel Melaka, Malacca, Malaysia, 18-19 Mar 2020 / E-BPJ, 5(13), Mar 2020 (pp.345-352)
a successful creative placemaking (Esarey, 2014). The knowledge about what works at various urban scales and unwillingness to
assess performance outcomes of creative placemaking is also lacking (Markusen & Gadwa, 2010). Besides, studies on urban design
attributes of places that may influence the success of creative placemaking, particularly in the social dimension have not been explored.
Thus, this paper aims to address this gap by illustrating a more comprehensive understanding of how creative placemaking has been
applied in urban development towards achieving sustainable urban regeneration. The objective of this paper is to review two major
concepts which are creative placemaking and urban design attributes of the place. The literature study was geared by the main research
question – what are the most significant urban design attributes of places that support creative placemaking?
(Arroyo, 2017) Creative placemaking as grounding practices expanding the application of creative practices to participatory
policymaking, where a comprehensive set of stakeholders can advance a more transformative model of equitable
development.
(Bennett, 2014) Identification of the benefits from the evaluation of the selected projects provided by ArtPlace America.
(Redaelli, 2018) Creative placemaking as a bottom-up cultural policy developed by the NEA, where it brings community
development and the arts together, demonstrating a convergence between government action and theories of art,
such as public art, community-based art, and social practice. Overall, this examination of the connections of urban
cultural policy with the art world and its theories created an understanding of how the two sectors already cooperate,
highlighting their common grounds.
(Morley & Winkler, 2014) Study on the livability indicator to reflect four key dimensions, which are resident attachment to the community,
quality of life, arts and cultural activity, and economic conditions in evaluating the impact of creative placemaking.
(Zitcer, 2018) Analyzing the emergence and ongoing contestation of this term, contrasting the way creative placemaking is
understood and enacted by actors in Philadelphia with definitions employed by national funders where he argues
that practitioner and community voices deserve amplification in the unfinished work of creative placemaking as
urban practice.
(Markusen & Gadwa Reflects on the origins of creative placemaking emphasizing three features (economic benefits, physical and social
Nicodemus, 2014) impacts, and the arts’ ability to inspire) as to evaluate how well the creative placemaking has been evolved in
practice over the last four years.
(Pak, 2018) Creative placemaking has been identified as having several opportunities for Singapore to gradually develop into
a more inclusive and genuinely participatory practice localizing social and spatial regeneration.
(Nicodemus, 2013) Creative placemaking has been introduced as a significant new U.S. cultural policy and funding trend; wherein
cross-sector partners strategically shape the social and physical characteristics of a place (ranging from
neighbourhoods to region) around arts and cultural assets.
(Forsyth, 2014) Identify that the emerging creative placemaking field has a different but complementary set of assets leads the
ability to address the intangibles that make a strong and vibrant community, mobilize social capital, bring
performance and participatory activities to public spaces and challenge preconceptions about what a city is
supposed to look like and how it works.
(Rembeza, 2016) Examine the role of creative placemaking in shaping an urban environment where the findings show the Mural
Arts in Philadelphia has significantly changed the appearance of the city and what is more crucial demonstrated
how participatory public art could empower individuals
(Newton, 2017) Creative placemaking activities are presented as pedagogical tools for connecting arts entrepreneurship and
community development goals where it was a desire to extend beyond the dominant paradigm of both arts
entrepreneurship and community development concerning the economic development of the individual and
collective.
(Source: Salzman & Yerace, 2018; Arroyo, 2017; Vazquez, 2014; Bennett, 2014; Radaelli, 2018; Morley & Winkler, 2014; Zitcer, 2018; Markusen
& Gadwa Nicodemus, 2014, Pak, 2018; Nicodemus, 2013; Rembeza,2016; Forsyth, 2014; Newton, 2017)
stage. Exclusion criteria included articles that focused on urban design attributes other than social and activity, which are meaning and
physical form as well as creative placemaking that is not focusing on the social dimension. Inclusion and exclusion criteria were
developed to determine relevant articles before the review (Moher et al., 2009).
This paper tries to connect the relationship between creative placemaking and social attributes of places in urban design based on
the selected publication. The data from these secondary sources were then analyzed to (1) capture and explore their concept and
importance in urban development as a tool for urban regeneration and (2) clarify their interrelated components in achieving social
sustainability. Of the usable 53 articles, 13% were found to cater social dimension in urban place and creative placemaking while the
rest were related to creative placemaking and attributes of urban place in general. A total of 14 articles were considered as the principal
references in constructing the four proposed adaptation strategies of creative placemaking for social sustainability (see Table 5), while
the remaining articles provided supporting references. The following section describes the concept of creative placemaking, its element,
benefits, and challenges in applying the concept in reality. It is crucial to address the outcomes of the reviews of the concept of creative
placemaking for further discussion in this study.
(Vazquez, 2014) Place-based orientation: Focus on connection, resulting in how people feel and respond to the elements in their
environment
Asset-based orientation: Focus on developing asset in terms of arts and cultural spaces, activating the creative
potential in communities
Cultural development: Focus on enhancing the environment for cultural which it works to build and sustain
environments which arts and creativity can flourishes
Community development: Focus on improving quality of life which it works to make places better meet the social
and human needs
Economic growth: Focus on enhancing and improving the standard of living for communities
(Zitcer, 2018) Arts and culture as tools for the creation of creative placemaking
(Source: Forsyth, 2014; Vazquez, 2014; Zitcer, 2018)
The substantial findings on the elements of creative placemaking listed in Table 2 shown above will result in the benefits and values
creative placemaking holds. Table 3 summarizes the findings related to the benefits of creative placemaking. It can be seen that creative
placemaking provides for the development of the social dimension in a place. Successful creative areas in cities are loci, where the
social plays a vital role in the city as an essential element of cultural creativity. Thus, further discussion in this paper is mainly dwelling
upon the social dimension.
(Forsyth, 2014) ability to address the intangibles that make a thriving and vibrant community; mobilize social capital;
(Vazquez, 2014) It can help community leaders better adapt to change, and make their communities more sustainable
The arts can provide the most significant returns on investment for the goals of both community and
economic development.
Creative placemaking enhances the creative economy, which provides more entryways to prosperity
for individuals and communities
(Source: Markusen & Gadwa, 2010; Forsyth, 2014; Vazquez, 2014)
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Prior to being receiving benefits of creative placemaking, there is also a challenge expressed by Zitcer (2018) where rapid adoption
of the term creative placemaking has driven to uncertainty and confusion over what activities need to be classified under that rubric and
how to measure their impact. This concern speaks to extensive pressures around the part of creative placemaking in advocating
gentrification. Gentrification may cause spatial changes, people displacement, and social changes (Sholihah & Heath, 2016). Thus, how
can creative placemaking solve the social issue towards achieving social sustainability and be an enabler for sustainable urban
regeneration? As briefly reported by Forsyth (2014), the thought of a poor community that cannot be a place of creative placemaking
has been disapproved. He further asserts, “People may not recognize it as culture, in the kind of high art elitist way in which numerous
individuals think of culture, but it is often there." An intervention might take part where the integration of arts, culture, and creativity can
act as a tool in the creation of creative placemaking (Forsyth, 2014). However, there has not yet been any documentation or framework
that can act as a point of reference to be adopted when engaging with urban place, creative spaces, and activity as in the process of
creative placemaking. Another issue of creative placemaking, specifically on social, are summarized in Table 4 below:
(Morley & Winkler, 2014) The need to have another dimension of indicator rather than just Livability Indicator
(Markusen & Gadwa, 2010) Lack of knowledge on what works at urban and regional scale resulting failure to specify goals,
reliance on fuzzy theories, underdeveloped of public participation and unwillingness to require
and evaluate the performance of creative placemaking
(Source: Zitcer, 2018; Frenette, 201; Morley & Winkler, 2014; Markusen & Gadwa, 2010)
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The relevancy of the findings in this study only focusing on the social dimension due to the expounded issues discussed before,
which the main problem is gentrification, causing people displacement, and social changes. Hence, the relevant solution to the
mentioned issues is the integration of social attributes of place, which are vitality, diversity, inclusiveness, and value acting as an indicator
providing an opportunity to people in the creation of successful creative placemaking.
6.0 Discussion
The social opportunity in this context is where people have a chance to take part in the creation of creative placemaking that is intertwined
with the social attributes of place in urban design. It is believed that by referring an urban design as a tool towards sustainable urban
development, it can make and sustain multi-dimensional placemaking in urban knowledge, and innovation spaces offer a diverse range
of social, cultural, and democratic needs (Pancholi, Guaralda, & Yigitcanlar, 2017). The social opportunity also depends on the provision
of social attributes of a place. If a place is provided in the right manner, it will help in making various communities by bringing people
closer, cultivating civic identity, and catalyzing economic improvement. The attributes of a place that have been chosen to be discussed
in this section, resulting in the frequency it was mentioned in urban design literature that also can fit in the context of creative
placemaking.
Notably, the leading significant attributes of place in creative placemaking are vitality, diversity, inclusiveness, and value. It is
advisable to provide these attributes in designing places for creative placemaking. A vital place should be designed for people promoting
multiple activities, creating a sense of enjoyment, and should be stimulating with the human's presence. Diversity implies making spaces
multifunctional, embracing a richness in use, character, and qualities (Government Architect NSW, 2017), offering uses and activity
attracting people to participate (Government Architect NSW, 2017). Inclusiveness, on the other hand, is crucial and must seek to address
growing economic and social disparity and inequity by providing a place that is welcome to all and embraces the community and
individuals who use that urban place (Dempsey, 2008). Finally, in creating successful creative placemaking, the place must generate
continuous value for people and the community. For instance, the users have the opportunity to create and add value in raising standards
and quality of their life, as well as adding return on investment for industry (Government Architect NSW, 2017). Good urban place permits
spaces for social and cultural transactions through friendship, occasions, and events (Ujang, 2016). The transaction here can also be
defined as value. As briefly discussed earlier, these social attributes of the place offer social sustainability in which, in the context of
creative placemaking, it generates social opportunity. These significant discoveries underpin creative placemaking as an enabler for
sustainable urban regeneration.
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Acknowledgement
The authors acknowledge the Universiti Putra Malaysia for funding and facilitating the research under the Putra Grant Scheme
(UPM/GP/2017/9577200)
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