PT 9 Cpar
PT 9 Cpar
PT 9 Cpar
Art has historically piqued the public’s interest, and it’s clear that art is now
moving beyond the typical museum fare. No other period in Philippine art history has
had as much variety, both in terms of media and artists, as the examples that will be
featured today. Whether it’s visual art, video art, performance art, or any other type of
art, contemporary arts always make waves in the Philippines. To get you acquainted
with the country’s current art scene, here are some examples of Filipino contemporary
artworks:
First on the list are representations of the fascinating folklore and mythology of
the Philippines about its body of myths, tales, and belief systems that originated from
various Filipino cultures and traditions. It is Leeroy New’s ‘Balete’ installation (2010) at
the Ateneo Art Gallery. Inspired by Buddhist monks’ saffron robes and the native Filipino
Balete tree, New used flexible orange conduit casing accented by plastic cable ties to
create his unique perception of the Balete vine. These works were integrated into the art
gallery’s outside and interior architecture. The Ateneo Art Gallery kept Balete on display
until December of that year. Also, his other installation called ‘Psychopomp's Reef’ was
launched at the Bonifacio Global City Offsite Gallery in December 2011, where he
employed the same orange electrical conduits and cable ties as in Balete to create ‘a
space teeming with strange fauna’.
As the world advances and humans become more understanding of the world
that they are in, standing up against various social and political issues have been timely.
In fact, Nikki Luna, an artist and human rights activist, creates mixed-media sculptures
and installations to raise awareness of violent misogyny and worker exploitation. Her
honest works, which usually deal with contemporary issues in the Philippines, draw
attention to the injustices that Filipinos face both within and without the country’s
borders. Tiempos Muertos (2013), for example, is an artwork made out of
diamond-shaped sugar blocks that criticizes the sugarcane industry’s exploitation of
low-wage laborers.
Big Catch, a painting by Rodel Tapaya, depicts the stark contradiction and
flawless blending of science and mythology in a brilliant manner. Acts of dissection and
weighing of fish, either for consumption or just for fun, are at the heart of this scene. A
pair of pipes on the lower left emit industrial discharge. The rest of the picture appears
to be based on tribal legend, with ghosts believed to inhabit trees and water, and
narrative notions that may be used to transmit information about seasons, fertility,
ecosystems, or any other significant component of life or environment. For a brief
period, science and myth— different and independent— might appear competitive in the
artwork. This represents the superstitions and myths abound in Filipino culture which
are treated as conventional wisdom most of the time, and are passed on from
generation to generation regardless of veracity or credibility.
On a final note, it can be realized that arts hold a connection to the traditions and
cultural practices of a community. Arts can be a reflection of how people live their
lives—how their emotions, opinions, ideas, and beliefs affect the way they see the
environment. Similar to the examples mentioned, arts can serve as a representation of
human beliefs and understanding to which they can use to take part in making their
culture and living meaningful, and eventually make it known to the world.