Vernant (1990) The Society of The Gods
Vernant (1990) The Society of The Gods
Vernant (1990) The Society of The Gods
101
;." .
M YTH A N D S O C I ETY
102 ·
T H E S O C I ET Y O F T H E G O D S
shining sky, Poseidon with water, Hephaestos with fire, Hera with
air, Hennes with wind, Dionysos with vines, Demeter with wheat,
and so on. Such an interpretation assumes that the universe in our
modern conception can be compared tenn for term with the l
Greeks' image of it; expressed through their religion. This would
be to suggest that their religious thought had the same structure
and same type of organization, and used the same conceptual cate
gories as our own scientific thought, the only difference being
that in Greek religion natural forces are animated and personified.
______________________ T
""-"'
h�e stu
� dy-.Of religions today: is sufficiently: advanced for no sE""
e-
________
every level o f reality, not just in one o f the domains we have men
tioned, making interventions within man himself as well as in soci
ety, in nature, and in the Beyond.
Thus their religion and their pantheon can be seen to be a sys
tem of classification, a particular way of ordering and conceptu
ahzing the universe, distinguishing between multiple types of force
< and power operating within it. So in this sense I would suggest that
1 04 .
T H E S O C I ET Y O F T H E G O D S
for a certain fonn of power, the luminous sky is simply a way both
. of being visible and concealing itself. What kind of a power is
it? In the case of Zeus, perhaps the least incorrect definition would
be to say that what is concerned is the power of sovereignty. One
of Zeus' essential features is that, both for the gods and for men,
he is enthroned at the summit of the hierarchy, he hold � the
supreme command and possesses a superior strength that (i'llows
him absolute dominion over all others.
Those who are submitted to this sovereign power of Zeus feel
the effects of its double and contradictory character. On the one
hand this power embodied by the sky, with its regular movements
and the periodic cycle of days and seasons, represents a j!l.st and
ordered sovereignty. At the same time, it also comp�ses an ele
ment of opaqueness and unpredictability. The Greeks make a dis
tinction in the sky between what they call aither, the sky that is
constantly luminous, the brilliance of an incorruptible zone, and
what they call aer, that is to say the zone o f atmospheric phe
nomena whose unpredictable violence is of the first importance
in the life of men since it is the source of the winds, clouds, and
beneficial rain, and also of destructive stonns. Zeus' power is a
compound of regularity and constancy and, at the same time,
unpredictability; it combines aspects of beneficence and of ter
ror. Seen as the sky, then, Zeus already appears in a complex and ·
ambiguous f0n.!l; he belongs both to the day and to the night and
is both auspicious and at the same time inauspicious. But in a way
Zeus is also presen� in . everything that evokes sovereign domin
ion_.�He js p.r�sent:on-the mountain tops - on Mount Pelion where
he was worshipped under the name of Zeus akraios, at the summit
of Olympos, the mountain that is so high that it links heaven and
earth together, and whose rugged peak calls to mind the fortress
at Mycenae from which King Agamemnon would survey the flat
countryside over which he reigned. Zeus is present in certain
treeS that are� taller' than - the :rest; · reaching up through-theaer-as
far as the aither: This is Zeus Endendros. He is present in the light
ning as Zeus Bronte)], Keraun.ios o� _Kataibates; iIi the rain as .
MYTH A N D S O C I ETY
J06
T H E S O C I ET Y O F T H E G O D S
107
MYTH AND SOCIETY
restoring the balance between cosmic forces that have been upset.
The two interpretations - the one referring to the vengeance of
Zeus and the other to the fatality of destiny (Nemesis or Moira)
are not contradietory, for there is a Zeus known as Moiragetes.
In this way the power of Zeus establishes the connections
between various types of human activities, social relations, and
natural phenomena. It links them together but does not confuse
them. The Greeks knew perfectly well that a king was not a force
of nature and that a force of nature was not the same as a deity.
Nevertheless, they saw them as linked, interdependent, as differ
ent aspects of a single divine power.
The expression "divine power" is designed to emphasize the
point that the Greek gods are not individuals each with a particu
lar single characteristic form and spiritual life. The Greek gods ar�
powers, not persons. It has been correctly noted that, when refer
rfng to the gods, the Greeks make no clear distinction between
the use of the singular and that of the pluraL The same divine
power is sometimes conceived in the singular, for example charis,
and sometimes in the plural, the charites. In the words of Rohde:
"The Greek is incapable of imagining a god as a singl e deity but
rather envisages a divine power which can be apprehended now
in its unity and now in its diversi ty."
The representations of gods in myth and literary works par
ticularly emphasize their uni ty. Homer presents us with a Zeus
who, as a 'figure, possesses a relative unity. When a god is wor
shipped, however, it is rather the aspect of plurality that is stressed.
The living religion of the Greeks knows Zeus not in one single
form but rather as many different Zeuses, each with its own epi
thet peculiar to the cult that links it with its own particular area
of activity. In worship, the important thing is to address oneself
to the Zeus that is suitable in a particular situation. Thus even
while he is protected by Zeus Soter and Zeus Basileus, Xenophon
is dogged by the anger of Zeus Meilichios to whom he omi tted
to offer a sacrifice on the occasion of the festival of the Diasia.
And he sees nothing strange in being favored by two Zeuses while
,108
T H E SOCIETY OF T H E GODS
at, loggerheads with a third. Zeus' unity is not that o f a single and
unique person but of a power whose various aspects may be mani
fested in different ways.
If these remarks are correct they must lead us to eliminate
another method of arialyzing the religious data. Any study that
attempted to define the Greek gods independently fro m one
another, as if they were separate and isolated figures, would be
in danger of missing an essential point about them. Much erudi
tion has been b�ought to studies of this kind and they provide us
with much highly valued information. However, it is no longer
-�-------------�----p-o-ssiDle toaay to. De satisfieawitn sucn an approaclLTne worK-----�---
of a historian of religion such as Georges Dumezil has clearly shown ,. ' .
that, as with a linguistic system, it is impossible to understand a
religious system without making a study of how the various gods
relate to each other:
Instead of simply drawing up a list of the different deitie�,��
must analyze the structure of the pantheon and show how the vari
ous po�ers are grouped, associated together, and opposed to and
di�tinguished from each other. Only in this way can the pertinent
features of each god or each group of gods emerge .:.. that is to
say, those that are significant from the point of view of religious
thought; The study .of a god such as �ermes, who is a very com
plex figure,' must first define his relation to Zeus in order to pick
out what in particular it is that Herri:tes contributes to the wielding
of sovereign power, and then 'compare him with Apollo, Hestia,
Dionysus, and Aphrodite. Hermes has affinities �ith all of the�e
.gods but is distinguished from each of ' them by certain modes of
action that are peculiar to him.
In the third place, it would be. equally mistaken to study the
r
( r�ligi�l1s data as if it :constitut�d an independent world, quite sep"
,_
\,
araie trom the material and soc�al life of the Greeks. I believe that,
to understand a religion, it is necessary to connect it with the
men who lived by it, to seek to understand how these men related
to nature through the intermediary of their tools, and to each other
th�ough the intermediary of their institutions. For a historian of
�
109
M YT H A N D SOCIETY
religion it is the men who explain the gods, not the reverse. Mean- .
while, it must be pointed out that hitherto the history of Greek
religion has been concerned to study religious representations and
rituals more than to discover the sociology o f religious man, the
sociology of the believer and of the various types of believer. I t
i s a difficult task that scholars have already undertaken where the
great contemporary religions are concerned, but that still remains
to be attempted for the religions of the past. Clearly, the task is
made the more problematic by the need to consult documentary
evidence and the impossibility of pursuing any direct inquiry. But
apart from this there is also a preliminary obstacle to be cleared
away, namely the existence of certain preconcep.t ions.
The fact is that we approach the study of religions burdened
with all the experience contemporary man has inevitably acquired,
and with firmly entrenched ideas about the place of religion in
man's life and its role in society. Now it is impossible tei know
Q priori whether the role played by Greek religion in relation to
the men and so ciety of antiquity was the same as that played by
contemporary religions in relation to the men and societies o f
today. We may well wonder whether the function of religion can
have been the same in archaic societies, where it dominated social
life as a whole, as in modem societies in which the life 'ofthe
community has been almost completely secularized. Is it not to
be expected that, like other important factors in civilization, the
religious phenomena too should have their own history reflect
ing the transformations and changes in meaning that took place?
We must therefore ask ourselves to 'what extent our own religious
categories of thought, our own �onception of the divine and its
relation to men and our concepts of what is sacred and supernat
ural are applicable to the Greek reali ty.
For us, the divine is basically external to the world . God
transcends the world, as the theologians and philosophers put it.
This transcendent deity is the creator of the world and of man
kind. It is related to the universe as a craftsman is related to his
own creation. The creation does, in a way, bear the imprint of
1 10
THE SOCIETY OF THE GODS
III
M YTH A N D SOCI ETY
the scepter and is master and king o f the universe, but h e did not
secure this position without difficulty or without a fight. Zeus
is aware of what he owes to the allies who supported him, and
what he has to fear ' from the enemies whom he has put into chains
but who are not all totally disarmed; he knows which are the
powers that he must treat with circumspection and the preroga
tives that he is obliged to respect. Homer shows us Zeus backing
down before the ancient Nux, N ight , seized with reverential
'
and religious awe.
So the gods are not eternal , merely immortal. Their immor
'
tality defines them in contrast to the poor life of men, the ''ephem
eral" beings who appear only to disappear, l'ike shadows or wisps
of smoke. The gods are much more consistent. Their aion, or inex
haustible vitality, will endure, permanently youthful, throughout
time. Meanwhile, there are certain intermediate levels be�ween
gods and men. First, in between the immortals and the mortals,
there are the makrobioi or makraiones whose existence covers many
myriads of years, such as the Numphai whose destiny is linked with
the cycle of life of the trees in which these deities dwell. Then,
certain gods may experience a waning of their power and vitality,
as did Ares, who was on the point of perishing in the jar in which
two of his brothers had managed to confine him. And finally,
certain men, in particular conditions, may accede to the status
of the gods, and in their company live a blessed existence until
the end of time.
The gods are no more all-powerful or omniscient than they
are eternal. When Hades carries off her daughter into the Under
world, even as great a goddess as Demeter has to wander the world
over, searching for her, begging to be told where her child has
been hidden. In the end Helios, the sun, does so. It is not, strictly
speaking, that Helios is omniscient, but his round eye, which is
always open up there In the sky, makes him an infallible witness;
his gaze of light misses nothing whatever that takes place on the
surface of the earth or waters. On the other hand, Helios knows
nothing of what the darkness of the future holds. Only deities of
1 12
T H E S O C I ET Y O F T H E G O D S
another type, the oracular gods such as Apollo, can know the
future. The power of Helios, like his knowledge, is related to the
type of activity peculiar to this star. The function of the god sets
a limit upon it. When he is angered all Helios can do is threaten
to stop illuminating the world. Ifhe attempted to aiter the route
taken by his chariot, the Erinyes would waste no time in bring
ing him back to the correct path.
What we find then is neit�.�� omniscience nor omnipotence
but specific forms of knowledge and power between which cer
tai;oppositions rna}' arise. The divine Eowers have natures suffi-
--------�--� ����.
------------------------�
ciently dissimilar for rivalry and conflict to exist between them.
�
1 13
MYTH A N D SOCI ETY
in the world, and they intervene'in human affairs. The Greek feels
their presence within him in the form of sudden impulses, in the
plans and ideas that come into, his head, in the panic or frenzy
_.that grips the warrior, in a surge of love or a feeling of shame.
This presence of the gods in the entire universe, in social life and
even in men's psychological life, does not mean that there are no
barriers between the divine and the mortal creatures; indeed, the
barriers not only exist but are, in a sense, insurmountable. The
gods are a part of the same universe as men, but it is a universe
\ with a hierarchy, a world of different levels where it is impossi
ble to pass from one t� anothe o this extent the society formed
�
by the powers of the Beyond is an extension of the hierarchical
organization of human society as it appears in Homer. The g6ds
are as close to and as separate from men as the king is in relation
to his subjects. Perhaps the comparison between the society o f
the gods and that of men can be taken even further. When the
king is the mouthpiece of justice he is not obliged to obey a writ
ten law fixed in advance. Justice is actually established by his word
and action and executed through his tbemis. Does this mean that
the sovereign may do as he pleases? Not at all. His royal power
\ rests on respect for the timai, the prerogatives, ranks, and tradi
tional honors that make up the hierarchical order that is insepa
rable from his sovereignty. Of course, the king can ignore the time
of others, ride roughshod over the rights of the next man, over
reach his moira, exceeding the ' rol e that is properly his. But if
he does so he unl eashes forces that, by upsetting the order,
recoil against him and threaten his sovereignty. He calls forth a
dangerous curse from the man whose time he has not respected,
a curse that will eventually bear poisonous fruit. In the council
and among the people he arouses hostility, slander, and deri
sion - in sum, popular "jealousy" that eventually destroys royal
power just as the praise and admiration of his subj ects reinforce
its prestige and authqrity. The fact is that words of blame, defi
ance, and scornful mockery have the effect of diminishing the king,
cutting him down to size, just as glorification by his people
1 14
THE SOCIETY O F T H E GOOS
and by the poets increases the luster o f his name and person.
One can see that faults on the part of the king bring into being
powers that are, at one and the same time, religious, social, and
psychological forces. Zeus' situation is very much the same as that
of the king. Greek scholars have often pondered the problem of
Zeus' relation to destiny as portrayed by Homer. At times Zeus
appears to control destiny and it is he who decides it; at others
he seems quite powerless before it and has no choice but to sub
mit to it. This ha's been seen as a contradiction. But perhaps the
problem has not been PQsed in the correct terms. The fact is that
----H ---'-
--------
omer Cloes not conceive Clestiny as fixeCl once and for all, qui'-te
separate from and above Zeus and the gods as a whole; on the
other hand, no more does he imagine that the gods are aU-power-
ful, free always and everywhere to act as they please. Zeus' power
is exercised subject to the same conditions as that of a king whose
status is higher than that of his peers but whose rule is insepara-
ble from a whole complex of prerogatives and honors. Thus, in
the Iliad (XVI, 433 ff.), Zeus would like to save his son Sarpedon,
who is destined, like all mortal men, to die, and is about to fall
under the onslaught of the enemy. He is hesitating as to whether
to intervene and alter the course of events when Hera gives him
a warning. She tells him he may do as he pleases but she and the
rest of the gods will not agree to support him . . . . If he carries
Sarpedon off alive in defiance of the moira of human beings he
should beware lest another god, in his tum, take it upon himself
to do the same fOLhis own childre�. Zeus heeds the waliling and
__ __ ��<::t�t�_ to sub!l}it'rather than to spark a conflict of forces that
would eventually threaten to topple not only the order of the uni- '
verse but also his own supremacy.
Other expressions of this truth are extremely illuminating. In
th,e Iliad (XVI, 849 ff.), a warrior on the point of giving up the
ghost pronounces the following words, indicating where lies the
" responsibility for his death: "It is sinister destiny [poip' 6ilonlthat
has overcome me; itis the son of Leto [Le., Apollo]; and, among
men, itis Euphorbos."To our way of thinking th�s may seem like
1 15
MYTH A N D SOCIETY
1 16
T H E SOCIETY O F T H E GODS
self': These are the maxims that express Greek wisdom, And yet,
in certain circles - religious sects or schools of philosophy - we
can detect a very different line of thought. Here, man is advised
to develop the part of himself that is divine, to make himself as
much like the gods as possible, to attempt, through purification,
to accede to the immortality of the blessed, to become a god.
Two trends are also apparent in the kinds of classification of
the powers of the Beyond, in the hierarchy of the society of the
gods. The official religion makes clear distinctions between the
----v rious�categories�of-supematuraLpowers ..-Eirst,_ther_e_ar-.e�tbe theoi,
----a _________
the gods in the strictest sense of the term, with whom the daimones
may be grouped and who occupy the dominant position in the
divine world. Second, and below these, come beings who are con-
nected with different rituals; they are known as � and are
conceived as men who lived in former times on earth but who
are now worshipped by the whole city. Finally there are thos'e who
are sometimes called the "blessed" or the "strong," that is to say
the ordinary dea�..i. they are anonymous powers who are the object
of family piety in every home. Thus between the theoi at the top of
the hierarchy and living men at the bottom of the scale there are
the successive grades of the heroes and the dead. The grades remain
quite separate, however; there is no communication between
them. It is normally impossible for men to escape from their mor-
tal condition. Among the philosophers, however, we find a dif-
ferent system of classification. For one thing the distance between
men and gods is increased. The philosophers rej ect any anthro-
pomorphic image of the divine;-They have a purer and more rig-
orous conception of the divine essence. To this extent, with the
philosophers the world of the gods is set further apart from men.
But at the same time the daimones and the heroes, who have drawn
closer together, constitute a class of intermediary beings whose
function is precisely to mediate between the theoi and men, and
to make ,it possible' f�r the mortals to span the increased distance
that separates them from the gods, allowing them to accede, step
by �tep, �t'o the status of hero, then of daimon, and then of god.
1 17
MYTH A N D S O C I ETY
1 18
T H E S O C I ETY O F THE GODS
that lie outside the family, tribal, and civk organization . . Thus,
through a kind of paradox, the powers of tht; Beyond that men
created in particular social circumstances in turn have an effect
on those very social conditions and cause new types of groups and
new in�titutions to develop.
How should we conclude an inquiry that is both so long and
at the same time so summary? I hope that, in conclusion, I may
simply be allowed to stress once more the complexity of a reli
gion such as that of the Greeks. The system itself is complex, as
are the relations between it and social life; and at the very heart
of the ·religious experience there is a polarity and tension, an aware
ness of the contradictions that exist in man, in the universe, and
in the divine world. There i� no doubt that this religious con
cept of a world that is at once harmonious and rent by conflict _
should be 'connected with the fact that it is the Greeks who are
the inventors of tragedy.
Their's is a tragic vision because the divine is ambiguous and
opaque, yet at the same time it is optimistic, for man has his own
tasks that he can accomplish. I believe that today we are witness
ing a kind of rebirth of this sense of the tragic in life; each of us
is aware of the ambiguity of the human condition. Perhaps that
is why these Greek gods who, as I earlier suggested, seem to form
a kind of language, continue, when we listen to them, to mean
something to us: .
1 19