From

Encanto
We Don't Talk About Bruno Lin Manuel Miranda
Arr. Michael Sweeney

  
Clarinet in B♭  
                 
5

     


Alto Saxophone 
        
                

 
  
Horn in F                            
 
Trumpet in B♭  
 
                       


   
   
                    
  
 
Tuba

6
Cl. in B♭  
                      

A. Sax.
                       

 
Hn. in F                         

                    
   
Tpt. in B♭

                    
Tba.
     
 12    
2

Cl. in B♭        
     
13



    
       

       
A. Sax.
 

      
Hn. in F       
      
   
  
  
 
  


Tpt. in B♭

  
 
 
                 
 
Tba.

17  
Cl. in B♭       
                  

    
A. Sax.
               
       

     
Hn. in F                 
      
   
 
Tpt. in B♭        
                  

   
                      
Tba.
        
 22
3

Cl. in B♭  
          
23

               


                          

A. Sax.

  
Hn. in F                
            


 
 
 
 
 
 
 
 
 
 

     
Tpt. in B♭


  
                           

Tba.

28
Cl. in B♭         
29

              
 
 
                   
A. Sax.
   

    
Hn. in F              
      
  

       
               
 
Tpt. in B♭

 
                       
Tba.
    
 33
4

Cl. in B♭                   
33

      


                       

 
A. Sax.

             
Hn. in F           
 

                     
 


Tpt. in B♭

                          
 
 
Tba.

39
Cl. in B♭            
41 45

            

  
                  
    

A. Sax.

    
Hn. in F                     
   

           
Tpt. in B♭
           
   
                    
     

Tba.
 46 
5

Cl. in B♭              
             
 
    
                     

  
A. Sax.

  
Hn. in F                              
 
 
                
         
 
Tpt. in B♭


                           
 
  
Tba.

51 
Cl. in B♭       
  

  
    
 

A. Sax.

   
Hn. in F          


      
 

Tpt. in B♭

     
   
  

Tba.