Film Production

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INTRODUCTION

The origin of Film Industry


The history of the film industry in Nigeria could be traced to the pre-independence
era. The first film (not video film) was exhibited in August 1903 at the Clover
Memorial hall Lagos.
According to Alfred Opubor and Onoura Nwuneli (1979:2), “The medium of film
was itself new in those days, and still technically in its infancy. Content was
largely documentary. The first showings in Lagos, according to the Lagos
Standard, included scenes of a steamer moving through water, shown with the
vividness of life, and scenes of the coronation of King Edward VII in 1904. One of
these newsreels also presented a brief glimpse of the Alake of Abeokuta, a Yoruba
king of western Nigeria during a visit he made to England.
Hyginus Ekwuazi (2001: 4) records that, colonialism privileged the documentary
film, but in this case, the films were made from the political-economic imperative
of fostering cohesion and orientation within the colonial framework. He adds that
in the early films, the colonized i.e. the indigenes functioned in only minor roles
and that colonial cinema failed to achieve any meaningful transfer of technology.
Alfred
Opubor and Nwueli (1979) record that in 1947; a Federal Film Unit was
established by the colonial
Administration and most of the films coming in then were supplied by the central
office of information in London. They note that the unit produced only
documentary films and newsreel, and that though film production was not really
encouraged, the colonial office of information made sure the documentaries
produced by the Post Office unit in London were given sufficient distribution
through the British Council and such other bodies like the Church Missionary
Society (CMS) in Nigeria. They record that school premises, village halls, open
spaces, civic centers, proved to be adequate theatres for the screening of the films;
this was complimented with mobile film units - van, a 16mm projector, a reel of
16mm and a collapsible screen.

References
REFERENCE

Highet,Juliet.(2010).InsideNollywood.NewAfrican,494,pg18-19.

Http://www.tradingeconomics.com/nigeria/population

Moudio, Rebecca. (2013). Nigeria’s Film Industry: a Potential Gold Mine? From

http://www.un.org

Murphy, D. (2000). Africans filming Africa: questioning theories of an authentic

African cinema. Journal Of African Cultural Studies, 13(2), 239-249.

doi:10.1080/13696810050218604

Obayiuwana, Osasu. (2011). Nollywood pulls in the dollars. New African, 510, pg

80-82. Oguine, I. (2004).

Nollywood looks to the future. New Internationalist, (372), 5.


Reference
Asobele-Timothy S.J (2003) Yoruba Cinema of Nigeria. Lagos. Upper Standard
Publication.
Barber,Karin(2000) The Generation of plays: Yoruba Popular Life in Theatre
.
Bloomington. USA. Indiana
University Press.

Bepo, Ademiju (2007)' Fimiliar Flips, New Illusion and Creative Symbols:
The Playwright, Video Technology and the Generation Challenged', in Beyond the
screen, The Motion
Picture Industry. Jos, National Film Institute.
Ekwuazi, Hyginus (1987) Film in Nigeria, Jos .Moonlight Publishers.

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