Salman Rushdie A Postmodern A
Salman Rushdie A Postmodern A
Salman Rushdie A Postmodern A
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S A L M A N R USHDIE: A POSTMODERN APPROACH
A Dissertation
P r e s e n t e d to
the G r a d u a t e F a c u l t y of the D e p a r t m e n t o f E n g l i s h
U n i v e r s i t y of H o u s t o n
In P a r t i a l F u l f i l l m e n t
D o c t o r of P h i l o s o p h y
by
Sabrina Hassumani
D e c e m b e r 1997
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UMI Number: 9815414
Copyright 1997 by
Hassumani, Sabrina
A ll rights reserved.
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C o p y r i g h t by
S a b r i n a Hassu m a n i
1997
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S A L M A N RUSHDIE: A POSTMODERN APPROACH
by
Sabrina Hassumani
Approved
Chair
Se Reaaer
Third Reader
F o u r t h Rea<
Fifth R e a d e r
<L
Dean, C o l ^ g e of H u m a n i t i e s , Fine
A r t s and C o m m u n i c a t i o n
iii
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FOREWORD
I w i s h to a c k n o w l e d g e m y dire c t o r , P r o f e s s o r W. L a w r e n c e
d i s s e r t a t i o n w o u l d n e v e r h a v e mat e r i a l i z e d . In s p i t e of an
N i c o l e H a s s u m a n i - C a r t e r , m y b i g g e s t supporter, w h o u n d e r s t o o d
the need for a quiet house and was always willing to play
elsewhere.
iv
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S A L M A N RUSH D I E : A POSTMODERN A P P R O A C H
A n A b s t r a c t of a D i s s e r t a t i o n
P r e s e n t e d to
the G r a d u a t e F a c u l t y of the D e p a r t m e n t o f E n g l i s h
U n i v e r s i t y of H o u s t o n
In P a r t i a l F ulfillment
D o c t o r of P h i l o s o p h y
by
S a b r i n a H assumani
D e c e m b e r 1997
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After reading Rushdie's m a j o r works, it may be s tated
t h i r d p r i n c i p l e , " w h e r e as A l b e r t M e m m i s t a t e s o n e c a n b e g i n
a c o n s t r u c t c o n n e c t s h i m to p o s t s t r u c t u r a l i s t a n d p o s t m o d e r n
P o s t - C o l o n i a l C r i t i c , the n o t i o n of t e x t u a l i t y is r e l a t e d to
a l t e r n a t i v e v e r s i o n o f history. In d o i n g so he d e m o n s t r a t e s
that h i s t o r y is p r o d u c e d in language.
vi
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but in this novel the b i n a r y is m e r e l y flipped rather than
h i s t o r y in t h e N i e t z s c h i a n s e n s e
c o m p a r t m e n t a l i z e d i n t e r p r e t a t i o n s of "real i t y " w h i c h in t u r n
l e a d to violence.
In T h e S a t a n i c V e r s e s , the c o l o n i z e r / c o l o n i z e d b i n a r y is
t h e B a r t h i a n sense, to e x p o s e o t h e r n a t u r a l i z e d m yths s u c h as
"Islam" a n d the d o m i n a n t B r i t i s h d i s c o u r s e .
H a r o u n a n d the S e a of Stories is a f a i r y - t a l e r e n d i t i o n
p u b l i c a t i o n of SV. T h i s n o v e l e xposes t h e b i n a r y s y s t e m to be
a c u l t u r a l c o n s t r u c t w h i c h i n e v i t a b l y l e a d s to violence. The
D e r r i d i a n sense of t he w o r d combine to f o r m e v e r - n e w v e r s i o n s
of stories.
vii
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pr o t a g o n i s t , is c o l o n i z e d b y e v e r y o n e a r o u n d h i m a n d rem a i n s
a v i c t i m to the end.
n a r r a t i v e he pr o d u c e s , a n d to b o r r o w a p h r a s e f r o m Spivak, for
c r e a t i n g a f i c t i o n t h a t r e c o g n i z e s t h e l i m i t a t i o n s of a b i n a r y
system, a n d w h i c h a t t e m p t s a g e s t u r e of d e c o n s t r u c t i o n .
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CONTENTS
Page
F O R E W O R D ........................................................iv
I. I N T R O D U C T I O N ......................................... 1
III. S H A M E ................................................ 75
V. H A R O U N A N D T H E S E A OF S T O R I E S .................. 160
VII. C O N C L U S I O N .........................................230
W O R K S C I T E D ................................................... 236
W O R K S C O N S U L T E D .............................................. 240
ix
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I. INTRODUCTION
p o l i t i c a l / s o c i a l c o nsequences o f the f a t w a . a n a p p r o p r i a t i o n
c e l e b r a t i n g w h a t t h e y p e r c e i v e o f as R u s h d i e ' s "reason" v e r s u s
the f a n a t i c i s m of Islam.
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f a t w a experience, d e m o n s t r a t e s p o s t m o d e r n t e n d e n c i e s as well.
p o s t m o d e r n space, he d o e s s u c c e e d in p o s i t i n g a n a l t e r n a t i v e
"religion."
d i f f e r e n t people, it is n e c e s s a r y to d e l i n e a t e m y p a r t i c u l a r
Derrida, a n d Lyotard.
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pr o j e c t a n d a p r o j e c t is n o t h i n g u n t i l it is realized" (x) .
the foll o w i n g s t r u c t u r e :
p r e f a c e /text = a b s t r a c t g e n e r a l i t y / s e l f - m o t i v a t i n g a c t i v i t y o r
successful p r e f a c e is a u f a e h o b e n i n t o the t e x t it p r e c e d e s ,
D e r r i d a m a k e s r o o m f o r the p r e f a t o r y g e s t u r e i n quite a n o t h e r
way:
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false. . . . Humankind's common desire is for a
so v e r e i g n s u b j e c t is t h e o r i g i n of t h e b o o k ? . . .
di f f e r e n c e f r o m all o t h e r p h o n e m e s . So do t h e two
d i f f e r e n c e in i d e n t i t y b y i n s e r t i n g i t s e l f b e t w e e n
.1
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gestures (x i i i ) .
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A s S p i v a k explains, D e r r i d a s h o w s n o n o s t a l g i a f o r a lost
insight is p o w e r f u l e n o u g h to d e c o n s t r u c t the t r a n s c e n d e n t a l
is a s t r u c t u r e of difference. W h a t o p e n s the p o s s i b i l i t y of
same time.
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discourses of formal logic, and the pure sciences, one
playfully, as s i g n i f i e r a n d s i g n i f i e d in turn. T h e n o t i o n of
"freeplay" (xix).
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s c i e n t i f i c m e t h o d of inve s t i g a t i o n , l ow on the e v o l u t i o n a r y
scale (xx).
to t h e p o s s i b i l i t y of a g e n e r a l law. T h e law of d i f f e r a n c e is
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is th e r e f o r e actually a simulacrum of t h e object,
r e l a t i o n s h i p to s t r u c t u r a l i s m is there f o r e i n t i m a t e . Derr i d a
t r a n s c e n d e n t a l s i g n i f i e d - - p o i n t e d a wa y out of t h e m e t a p h y s i c s
is q u e s t i o n e d by g r a m m a t o l o g y . D i f f e r a n c e i n v i t e s u s to undo
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s t r u c t u r e t h a t w o u l d d e c o n s t r u c t s t r u c t u r a l i s m - - a s i n d e e d it
p r o b l e m is n o t m e r e l y to s a y "I s h a l l no t objectify."
It is r a t h e r to r e c o g n i z e at o n c e that the r e is no
t h a t a n y d i s t i n c t i o n b e t w e e n 'subject if ication' a n d
speech" (lxii) . S a u s s u r e p r e s c r i b e d l i n g u i s t i c s to b e a s t u d y
s p e e c h - - i n effect, a s c a p e g o a t - - i s a s y m p t o m of a m u c h b r o a d e r
i n f i n i t e l y c r e a t i v e subjectivity, a n d . . . the s e l f - p r e s e n c e
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voice, the p h o n e .
s i g n s s u ggests t hat t h i s p h o n o c e n t r i s m - l o g o c e n t r i s m r e l a t e s to
n o t i o n of the s i g n . . . r e m a i n s w i t h i n t h e h e r i t a g e o f that
T h e o p p o s i t i o n s b e t w e e n i n t e l l i g i b l e a n d sensible,
of W e s t e r n p h i l o s o p h y , ' b e q u e a t h i n g t h e i r b u r d e n to
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d e c o n s t r u c t i o n in a n u t s h e l l :
To l o c a t e the p r o m i s i n g m a r g i n a l text, to d i s c l o s e
dismantle in o r d e r to r e c o n s t i t u t e w h a t is alw a y s
a l r e a d y inscribed, (lxxvii)
W h y s h o u l d w e u n d o a n d redo a text at a l l ? B e c a u s e we
l a n g u a g e a n d t h e r e b y c r e a t e a myth. A n d m y t h is n o t innocent.
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a n d to focus o n h ow t h e y f u n c t i o n as "signs." In a p r e f a c e to
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r e f l e c t i o n s was u s u a l l y
g i v e n of o u r c o n t e m p o r a r y circumstances, I resented
s ee i n g N a t u r e a n d H i s t o r y c o n f u s e d at e v e r y turn,
d i s p l a y of w h a t -goes -w i t h o u t - s a v i n g . the i d e o l o g i c a l
d i s c o u r s e ." A c c o r d i n g to B a r t h e s ,
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s h o r t w i t h a type of s ocial u s a g e w h i c h is a d d e d t o
p u r e matter. (109)
s i g n i f i c a n t u n i t o r synthesis, w h e t h e r v e r b a l or v i s u a l . " A
p h o t o g r a p h w i l l b e a k i n d of s p e e c h f o r us i n the same w a y as
arbitrary:
. . . t h e r e is no m y t h w i t h o u t m o t i v a t e d form. (126)
A c c o r d i n g t o Barthes, m o t i v a t i o n is u n a v o i d a b l e , ". . . it is
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w h i c h c a n s e r v e to d e m y s t i f y the e a r l i e r m y t h (135) .
F r e d e r i c J a m e s o n s t a t e s that p o s t m o d e r n i s m , as it is g e n e r a l l y
understood, i n v o l v e s a radi c a l b r e a k w i t h a d o m i n a n t c u l t u r e
m o m e n t w h i c h h a s b e e n c a l l e d m e d i a society, the s o c i e t y o f th e
production, t h e r e b y c a u s i n g t h e m to b e c o m e d e v o i d of l o y a l t y
to n a t i o n s of origin. Lyotard, in T h e P o s t m o d e r n C o n d i t i o n ,
a t t r i b u t e s t h e e m e r g e n c e of p o s t m o d e r n i s m to the b r e a k u p of
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he p r o d u c e s are not in p r i n c i p l e g o v e r n e d b y p r e e s t a b l i s h e d
rules, an d t h e y cannot be j u d g e d a c c o r d i n g to a d e t e r m i n i n g
judgement, b y a p p l y i n g f a m i l i a r c a t e g o r i e s to the t e x t o r to
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q u i e t e n t h e i r vo i c e s (17-18). A p o s t m o d e r n r e s p o n s e to this
n a m e l y imperialism, is w e l l taken.
S p i v a k makes a s i m i l a r p o i n t in h e r c r i t i q u e of F o u c a u l t
interests. He r c r i t i q u e o f F o u c a u l t a nd D e l e u z e is t h a t their
t h e o r i e s of p l u r a l i z e d "subject-effects" g i v e a n i l l u s i o n of
u n d e r m i n i n g subject s o v e r e i g n t y w h i l e o f t e n p r o v i d i n g a c o v e r
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Spivak, t h e m u c h - p u b l i c i z e d c r i t i q u e of t h e s o v e r e i g n s u b j e c t
a c t u a l l y i n a u g u r a t e s a S u b j e c t (M a r x i s m a n d the I n t e r p r e t a t i o n
o f C u l t u r e . 271-280).
a p p r o a c h i n g p o s t m o d e r n fiction. Poststructuralist/postmodern
t h e o r y is a g o o d e n t r e e into the r e a l m o f p o s t m o d e r n f i c t i o n
p r o d u c e it, b u t t h e o r y does p r o v i d e a n i n t e r e s t i n g s p r i n g b o a r d
w i t h w h i c h to b e g i n a d i s c u s s i o n o f p o s t m o d e r n fiction.
U n l i k e m a n y m o d e r n narratives, a p o s t m o d e r n text r e j e c t s
as a n i m p o s s i b i l i t y as p o s t m o d e r n f i c t i o n c o n s c i o u s l y e x p o s e s
t h e p r o c e s s w h i c h l e a d s to a m e t a n a r r a t i v e . Th e n o t i o n of t h e
i n d i v i d u a l as a c e n t e r e d subject, a n "I," is d e c o n s t r u c t e d a n d
w e e n d up i n s t e a d w i t h a d e - c e n t e r e d subject, o r a s u b j e c t w h o
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a p o s t m o d e r n sub j e c t w h o is a s e r i e s of subjec t iv e p o s i t i o n s .
w e e n d u p w i t h r e l a t i v e "truths."
And so we r e t u r n to D e r r i d a , B a r t h e s , R u s h d i e , e t al:
n o t h i n g o t h e r t h a n l a n g u a g e i n the s e n s e that it is o u r o n l y
u n d e r s t a n d s th e artif i c i a l n a t u r e o f r e a l i t y is m o r e o r less
follows: p o s t m o d e r n f i c t i o n is a l w a y s a ware of i t s e l f as a n
Dellilo, fo r example, r e p r e s e n t s a v e r s i o n w h i c h is n o s t a l g i c
b e c a u s e she p o s i t s f e m i n i s m as a n a l t e r n a t i v e w i t h o u t l o o k i n g
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patriarchy.
s u b c o n t i n e n t context as well.
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a larger p i c t u r e of the p r e - B r i t i s h s u b c o n t i n e n t as w e l l .
a synopsis:
t h e Indus c i v i l i z a t i o n m a y be g l e a n e d f r o m t h e p h y s i c a l la y o u t
e c o n o m i c focus o f the r e g i m e .
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d e v e l o p e d a n e m p i r e simi l a r to t h a t o f th e M u s l i m Mu g h a l s w h o
mo s t e x t e n s i v e p o l i t i c a l e x p e r i m e n t o f t h e t y p e p r i o r to t h e
destroyed, a g r i c u l t u r e an d c o m m e r c e f l o u r i s h e d a m o n g t h e m f o r
many centuries.
artisans, a n d c u l t i v a t o r s a p p e a r i n t h i s society.
O v e r s e v e r a l centuries, the A r y a n s c r e a t e d a n e w k i n d o f
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of t h e p o l i c i e s a n d p e r s o n a l i t y of A s h o k a than of a n y o t h e r
o n t o t h e g r e a t r o c k s a n d p o l i s h e d p i l l a r s of sands t o n e t h a t he
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was invaded once again, this time from the West, by the
a n d it w a s th e p l u n d e r i n g of a r i c h l y l a d e n A r a b ship as it
force q u i c k l y c a p t u r e d Brahmanabad.
M o r e s e r i o u s a n d far r eaching M u s l i m i n v a s i o n s b e g a n w i t h
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s h a t t e r a u t o n o m o u s H i n d u power. B y 1519, the f o u n d e r o f the
C h a g a t a i T u r k w h o c l a i m e d des c e n t f r o m G e n g h i s K h a n a n d T i m u r
D e l h i b y d e f e a t i n g a n A f g h a n a r m y a n d t h e n p a s s e d o n to Agra,
T h e R a j p u t p r i n c e s w h o h a d b e e n t he m o s t f o r m i d a b l e e n e m i e s of
A f t e r J e h a n g i r ' s d e a t h S h a h J a h a n p r o c l a i m e d h i m s e l f e mperor.
e n t a i l e d b y the s p l e n d i d a r c h i t e c t u r a l m o n u m e n t s p u t u p b y the
to an end.
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India- P o r t u g a l an d H o l l a n d at first, f o l l o w e d b y B r i t a i n an d
N o r t h Am e r i c a . Ironically, m o r e o v e r , the I n d i a t h a t w a s l a t e r
B r i t i s h n e e d to sec u r e t h e i r t r a d i n g rights in a p o l i t i c a l l y
u n s t a b l e I n d i a l e d to the o n l y i n v a s i o n in I n d i a n h i s t o r y fro m
v i c t o r y a g a i n s t the F r e n c h a n d l a u n c h e d hi s m e t e o r i c m i l i t a r y
t r e a t i e s w i t h in d e p e n d e n t states. B y the m i d - 1 9 4 0 s t w o w o r l d
v i c t o r y of t h e L a b o u r p a r t y i n the 1944 e l e c t i o n a l s o w e n t a
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i m p o s s i b l e to st a y o n i n India, n a t i v e r e b e l l i o n s h a d b e g u n as
1905 g a v e rise to a v i o l e n t o p p o s i t i o n w h i c h s p r e a d l a t e r to
t h e U n i t e d Prov i n c e s a n d th e Punjab.
T h e n a t i o n a l i s t r e v o l u t i o n in India w a s l e d a m o n g others,
s u b c o n t i n e n t d i d n o t r e f l e c t the r e l i g i o u s a f f i l i a t i o n s of its
t h e w o r s t holocaust of t h e s u b c o n t i n e n t , e v e n g i v e n its b l o o d
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recorded, history.
A s J a l a l describes, the r e h a v e b e e n v a r i o u s t h e o r i e s to
e x p l a i n t h e s e c a t a c l y s m i c events. Th e mo s t c o m m o n a r g u m e n t is
that I n d i a n M u s l i m s w e r e a l w a y s a s e p a r a t e c o m m u n i t y a n d n e v e r
raise m o r e q u e s t i o n s t h a n t h e y a n s w e r (Jalal, S p o k e s m a n 1) .
In d i s c u s s i n g the i d e o l o g i c a l d i m e n s i o n of the c o l o n i a l
c o l o n i a l i s m i n the s u b c o n t i n e n t c a n b e m e a n i n g f u l l y a s s e s s e d "
f o r m u l a t e d as a r e s p o n s e to c o l o n i a l i s m in a b i d to w i n the
f r e q u e n t l y o v e r w r o u g h t w i t h e v o c a t i o n s of H i n d u symbolism, the
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31
L e a g u e ' s c o m m u n a l i s m was s h o t t h r o u g h w i t h c o n c e r n s t h a t we r e
A u t h o r i t a r i a n i s m 27) .
s o v e r e i g n t y as u n d e r w r i t t e n b y a c e n t r a l i z e d s t a t e s t r u c t u r e
s u r v i v e d t h e p o l i t i c a l d i v i s i o n of the s u b c o n t i n e n t a n d was
has h a d a p o w e r f u l b e a r i n g o n th e c e n t e r - r e g i o n d i a l e c t i c a n d
p r o v i d e s a c r i t i c a l i n g r e d i e n t to a c o m p a r a t i v e s t u d y of the
r e l a t i o n s h i p b e t w e e n sta t e s t r u c t u r e s a n d p o l i t i c a l p r o c e s s e s
in p o s t - i n d e p e n d e n c e India a n d Pakistan.
h i s t o r y of t h e s u b c o n t i n e n t f r o m a p o s t m o d e r n p e r s p e c t i v e in
p o i n t h e a l w a y s seems to b e m a k i n g is that t h e s u b c o n t i n e n t a l
i n d i v i d u a l e m e r g e s f r o m a h o t c h - p o t c h of relig i o n s , cultures,
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32
to q u e s t i o n the i n c l u s i o n a r y a n d e x c l u s i o n a r y c l a i m s of b o t h
sovereignty as to obscure a fi v e - m i l l e n n i a - o l d
fusion s v i e d w i t h a n d f r e q u e n t l y o v e r l a i d t h o s e of
1- 2)
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33
r e s p o n d to the p o s t c o l o n i a l m o m e n t o n the s u b c o n t i n e n t : R. K.
c o n t a i n m e n t ."
consciously) a t t e m p t i n g to v a l i d a t e h i m s e l f a n d his
to c o n t a i n the c o l o n i z e d o t h e r in their n a r r a t i v e s in o r d e r to
a c c e p t this c o n t a i n e d i m a g e a n d answ e r b y p r o d u c i n g l i t e r a t u r e
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
t
t
i
j
34
(5) .
Fo r Afzal-Khan, a p o s t c o l o n i a l w r i t e r s u c h as N a i p a u l ' s
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N u r ' s p o e t r y a n d Urdu l i t e r a t u r e in g e n e r a l w h i c h r e p r e s e n t s
t h e p a s t a n d b o t h are in d a n g e r o f b e i n g f o r g o t t e n o r w i p e d
A n i t a D e s a i is cle a r l y o n the s i d e o f r e a l i s m a n d s u b o r d i n a t e s
perspective (96).
f o r a w h o l e n e s s b o r n of a c o m m i n g l i n g of g e n r e s as it is "to
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36
in g e n e r a l .
A c c o r d i n g to m y r e a d i n g of Rushdie, A f z a l - K h a n is right
p o s t c o l o n i a l societies, s i n c e there is no i d e o l o g y u n t a i n t e d
q u i t e f u l l y r e h a b i l i t a t e t h e g e n r e of m y t h i n a f a s h i o n that
c o l o n i a l impasse" (175). A f z a l - K h a n c o n c l u d e s h e r c h a p t e r on
b e a b l e to b e a r a n d e x p r e s s t h e b u r d e n of a "new" h i s t o r y . In
m y opinion, Rush d i e e x p l o d e s t h e b i n a r y c a t e g o r i e s o f c u l t u r a l
M a r g i n / C e n t e r b y s u c c e s s f u l l y d e p l o y i n g p o s t m o d e r n strategies,
of all the genres he uses to tell his tale not only draws
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37
gained. T o b e a n I n d i a n w r i t e r in w e s t e r n s o c i e t y is to face
e v e r y day, p r o b l e m s o f definition.
c a n c u l t u r e b e p r e s e r v e d w i t h o u t b e c o m i n g ossi f i e d ?
o u r s e l v e s a n d o u r c o m m u n i t y w i t h o u t s e e m i n g to p l a y
into t h e h a n d s of o u r ra c i a l e n e m i e s ? W h a t a r e the
r e f u s i n g to m a k e a n y c o n c e s s i o n s to W e s t e r n ideas
(Rushdie, IH 17-18)
p a r t s of th e d e f i n i t i o n of w h a t it is to b e a h u m a n being.
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4
1
*
j
38
a c onstruct. As K w a m e A n t h o n y A p p i a h states i n r e f e r e n c e to
House,
A f r i c a n roots) . A n d t h e r e is a c l e a r s e n s e i n some
to b e c u ltural c o n s t r u c t s .
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his p o s t m o d e r n ang l e of vision. Included in my discussion
n e v e r questioned, in t h i s b o o k w h e r e so m u c h is c a l l e d into
h o n o r a b l e f a i l u r e , " b u t it is a fail u r e n o n e t h e l e s s .
the e n a b l i n g p o w e r of h y b r i d i t y . T he m a n n e r i n w h i c h we get
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j
40
act o f recalling, a n d h e n c e of h i s t o r i c i z i n g , it b e c o m e s c l e a r
e a r l y on, is n o t a n e x a c t science; r a t h e r it is o n l y t h r o u g h
t h e v e r s i o n s a r e c onstructs.
R ush d i e ' s t r e a t m e n t o f h i s t o r y m a y b e u s e f u l l y d i s c u s s e d
R u s h d i e makes the s a m e d i s t i n c t i o n in M C i n h i s p o r t r a y a l of
stereoscopic, i n s i d e / o u t s i d e v i s i o n w h i c h a l l o w s t h e m to w o r k
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41
h i s p l a y b o y s k i n like a cobra. B i l q u i s c o m e s to P a k i s t a n a n d
a g o l d e n angel. T h e p r o b l e m w i t h a l l t h e s e t r a n s f o r m a t i o n s is
p o s i t i v e n e s s of t h e i r translation. "Men w h o d e n y t h e i r p a s t s
P a k i s t a n i t s e l f suffers from a s i m i l a r p r o b l e m b e c a u s e a
n a r r a t i v e o n t o a n exis t i n g on e a n d t h e r e b y a t t e m p t e d to b l o t
w a s n ' t m a d e w i t h e n o u g h imagination.
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42
of t h e v e r y la c k of f l e x i b i l i t y f o r w h i c h he faults Paki s t a n .
r e p r e s s i o n as r e p r e s e n t e d b y h e r p a r e n t s an d h e r husb a n d .
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philosophy which addresses the notion of reality as an
r e a l i t y do y o u choose t o create?" In t h i s c h a p t e r I di s c u s s
m u c h m o r e f l u i d c h a r a c t e r w h o survives d u e to his a b i l i t y to
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44
C h a p t e r V I d i s c u s s e s The M o o r ' s L a s t S i g h . In h i s m o s t
politics.
In a c o n c l u d i n g note I consolidate t he m a j o r a r g u m e n t s
bent. U n l i k e o t h e r c o n t e m p o r a r y s u b c o n t i n e n t aut h o r s w r i t i n g
v i o l e n t h i e r a r c h i e s intact. Hi s i m p u l s e is to d e c o n s t r u c t t h e
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45
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
II. MIDNIGHT'S CHILDREN
f a m i l y a n d in so d o i n g p rovides an i n d i v i d u a l i z e d h i s t o r y o f
46
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47
While at the factory, Saleem writes out his life story and
S a l e e m has b e e n r e c a l l i n g a n d r e -telling.
i m p o r t a n t b e c a u s e one dies w i t h o u t n e w n e s s . Th e i m p l i c a t i o n
i n v e n t i n g / r e - c r e a t i n g the w o r l d ("reality") as we r e m e m b e r it
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48
e a r l y i n t h e t e x t that he w i l l p r o v i d e us w i t h t h e "unhalal",
C h i l d r e n p r e s e n t s us w i t h a h y b r i d v e r s i o n of h i s t o r y i n wh i c h
it is c l e a r l y i m p o s s i b l e to l a b e l "totality" s i n c e h i s t o r y can
o n l y be a c c e s s e d imperfectly, t h r o u g h a n u n r e l i a b l e me m o r y , in
i n s e p a r a b l e a n d e x c l u s i v e c o n n e c t i o n to the past, a n d c o n c l u d e
h ope in t h i s t e x t .
In o r d e r to f u l l y a p p r e c i a t e R u s h d i e ' s c o n c e p t o f h o w we
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49
the " n aturalize d " myth which precedes it. Even so, the
m y t h o l o g i s t , a c c o r d i n g to Barthes, is f o r b i d d e n f r o m i m a g i n i n g
n o t h i n g b u t the m o s t p r o f o u n d a p o c a l y p s e of t h e p r e s e n t (157) .
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50
(his p a s t ) h i t t i n g h i m in the h e a d w h i c h ca u s e s h i m to b e c o m e
b e c o m i n g a c i t i z e n of P a k i s t a n (419). It is o n l y a f t e r S a l e e m
t r u t h is what it is i n s t r u c t e d to be, r e a l i t y q u i t e l i t e r a l l y
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51
r e a l i z e s that l u s t i n g a f t e r M e a n i n g is as b a d as l o s i n g o n e ' s
p o s s i b i l i t y of a n e w c o u n t e r - m y t h is f i r m l y e s t a b l i s h e d i n the
all m y t h - m a k e r s b e c a u s e i n t e r p r e t i n g o u r h i s t o r y is t h e o n l y
demystifying earlier m y t h s .
As s t a t e d earlier, a g r e a t d e a l is m a d e of the m a n n e r in
I
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52
in l o v e , b i t b y b i t , w i t h N a s e e m t h r o u g h the p e r f o r a t e d s h e e t .
is r e p e a t e d w h e n A m i n a f o c u s e s o n p a r t s of A h m e d ' s b o d y a n d
reality in p i e c e s .
Memory, too, is a v a i l a b l e o n l y in d i s t o r t e d f r a g m e n t s a nd
R a d i o as e a r l y as 1946, it w a s J a g j i t S i n g h A r o r a r a t h e r than
G e n e r a l S a m M a n e k s h a w wh o a c c e p t e d T i g e r N i a z i ' s d e f e a t at the
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53
fifty white troops who entered Jallianwala Bagh and fired upon
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R e a d e r R e s p o n s i b i l i t y , " this n o v e l is
r e l a t i o n s h i p of a w r i t e r w i t h a re a d e r w h o is h u n g r y
f o r linearity, a n d t he i m p o s s i b i l i t y of r e n d e r i n g a
m e t a p h o r for the d e c e i v i n g c l a r i t i e s of r e a l i s t a r t .
(30)
O r d i n a r y Life of a P i c k l e F a c t o r y ' , w h i c h p r e s a g e s
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55
that S a l e e m e v e n t u a l l y w o r k s u p as r e p r e s e n t a t i o n of
p o l i t i c a l / p e r s o n a l s t a k e in it. S a l e e m h a s a v e s t e d inte r e s t
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56
w i l l i n g to p r o v i d e us with, his o w n i m a g i n e d v e r s i o n of w h a t
"Does one error invalidate the entire fabr i c ? " (198) . The
demonstrates, is a l w a y s a n i n t e r p r e t a t i o n w h i c h d e p e n d s o n t h e
p o l i t i c a l d e m o n s t r a t i o n in J a l l i a n w a l a B a g h a n d t h o u s a n d s of
m a s s a c r e of i n n o c e n t victims. As A a d a m A z i z w i t n e s s e s w h a t h e
cons i d e r s to b e th e u n p r o v o k e d k i l l i n g o f "one t h o u s a n d a n d
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to k e e p K a s h m i r "pure" of a n y f o r e i g n i n f l u e n c e s (British or
e t h n i c i t y as it is d e f i n e d b y language. T h e n a r r a t o r t e l l s us
B u t t h e b o u n d a r i e s of t h e s e s t a t e s w e r e no t f o r m e d
s p e a k e r s of M a l a y a l a m . . . , in Karnataka y o u were
s u p p o s e d to spe a k K ana r e s e ; a n d t h e a m p u t a t e d s t a t e
of M a d r a s - - k n o w n t o d a y as T a m i l N a d u - - e n c l o s e d the
a f i c i o n a d o s of Tamil. (225)
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58
for the Hindus, and the other for the Muslims. Clearly,
l i v e d in a c o u n t r y w h o s e p o p u l a t i o n of d e i t i e s
u n c o n s c i o u s revolt a g a i n s t the c l a u s t r o p h o b i c t h r o n g
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59
is a n act of i d e n t i t y p o l i t i c s w h i c h o n l y l e a d s to separatism,
a n d eventually, c o m m u n a l violence.
Yet, S a l e e m h i m s e l f is a v i c t i m of a v e r s i o n of i d e n t i t y
the p a l a c e s of W i l l i a m M e t h w o l d s t o o d w r e a t h e d in
b o u g a i n v i l l a e a a n d stared p r o u d l y o u t to s e a . . .
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childh o o d . . . . (539)
with his life. Earlier, Durga tells him that he will die
u n l e s s he is a b l e to b e c o m e i n t e r e s t e d i n n e w things, ideas,
S a l e e m l i t e r a l l y d e v e l o p s fissures in h i s b o d y w h i c h c r a c k h i m
Earlier, his m a t e r n a l g r a n d f a t h e r A a d a m A z i z s u f f e r e d f r o m a
sk i n h a d b e g u n to split a n d f l a k e a n d peel . . . .
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b u f f e t e d b y a p a s t to the e x c l u s i o n of the c o n t e m p o r a r y m o m e n t
i n d i v i d u a l c a p a b l e of i n c o r p o r a t i n g the p a s t int o t h e p r e s e n t .
F o r S a leem, w h a t b e g i n s as a n i n i t i a t i o n ri t e i n t o a d u l t h o o d
transparent in the r a i n f o r e s t b e c a u s e t h e y h a v e b e e n t r i c k e d
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62
v e r s i o n of h i s t o r y th a t p r i v i l e g e s c o m p l e x i t y a n d ambiguity.
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d u a l i t y of m a s s e s - a n d - c l a s s e s , c a p i t a l - a n d - l a b o u r ,
o u r birth! (3 0 6)
Shiva, o n t h e o t h e r hand, b e l i e v e s o n l y i n b i n a r i e s a n d c l a i m s
"i m p u r e " c o n s t r u c t .
A h m e d as w e l l . S c h a a p s t e k e r als o b e c o m e s a l i f e - g i v e r w h e n he
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G4
systems. H e is a f f e c t e d b y e v e r y o n e a r o u n d h i m a n d u l t i m a t e l y
b e y o n d w h a t L i n d a H u t c h e o n h a s c a t e g o r i z e d as "Eas t e r n " v e r s u s
c u l t u r a l p o l i t i c s that e x p l o r e s the r e t r o s p e c t i v e f a b r i c a t i o n
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65
invents” (153).
S a l e e m ' s i d e n t i t y is i n fact r e v e a l e d to b e a c o n s t r u c t
is d e e m e d o f n o i m p o r t a n c e b y h i s f a m i l y w h o c o n t i n u e to love
birth. T h e narrator, in a n a t t e m p t to w a r n t he y o u n g S a l e e m
of w h a t is to come, states:
e v e r y w h i c h t h i n g a r e j u m b l e d up i n s i d e him, a n d he is
r a t h e r t h a n a r i g i d entity, a n d it is m a d e u p of f r a g m e n t s of
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66
r e a l i z e s that the o n l y m e a n i n g a v a i l a b l e to h i m is t h a t w h i c h
p r o c e s s of r e m e m b e r i n g o r p i c k l i n g is o p e n to d i s t o r t i o n s . In
b e c a u s e h e remains c o m m i t t e d to h i s b o y h o o d m e m o r y o f B o m b a y
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67
o r fut u r e in a n e x c l u s i o n a r y m a n n e r is m o r e f u l l y d e v e l o p e d in
b e c o m e t h e i r plaything" (535) .
Th e o t h e r i mportant s u r v i v o r is of c o u r s e A a d a m Sinai.
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68
t o l d he r e p r e s e n t s the s e c o n d g e n e r a t i o n of m a g i c a l c h i l d r e n
S a l e e m a n d he d o e s no t s u r r e n d e r to d r e a m s (507).
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69
s u f f u s e d w i t h too m u c h h i s t o r y is n o w e x h a u s t e d a n d r e a d y to
m a n loses i ntere s t in n e w m a t t e r s , h e is o p e n i n g t h e d o o r f o r
c l e a n l i n e s s a n d t h e r e b y t h r a s h e s p o w e r o u t of the w e l l - t o - d o
d i f f i c u l t i e s of his c h i l d h o o d w o r l d . It is b e c a u s e D u r g a h as
n o o s t e n s i b l e ties to the p a s t t h a t s h e m a k e s S a l e e m e x t r e m e l y
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70
a d v e n t of n e w s t o r i e s e v e n t s c o m p l e x i t i e s " (532), b u t S a l e e m
of t a k i n g her on.
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going to g o after M e a n i n g i n the s ame w a y that Saleem did.
ha s l o n g e d for centrality. H e h a s w a n t e d to be a p r o t a g o n i s t
E a r l i e r c r o s s - cu l t u r a l t e n d e n c i e s w h i c h left a h o l e i n A a d a m
R u s h d i e 's c o n c l u d i n g words a r e i n e s c a p a b l e :
midni g h t ' s c h i l d r e n to b e b o t h m a s t e r s a n d v i c t i m s
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72
the hope this reader experiences springs from the form the
n o v e l takes. R u s h d i e i n t r o d u c e s m a n y d i f f e r e n t g e n r e s in this
B y no t p r i v i l e g i n g a n y o n e g e n r e (tragic/comic/epic/etc.) o v e r
I n d o - E n a l i s h N o v e l . F a w z i a A f z a l - K h a n reads M C as "a m i s h m a s h
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73
e a c h g e n r e d e f u s e s th e other, and
the m y t h i c / r o m a n c e m o d e d e f u s e s o r d e b u n k s itself.
W e s t e r n h e g e m o n i c s t r a t e g i e s o f c o n t a i n m e n t at t h e
petrification. (159-60)
t h e d i s i n t e g r a t i n g e f f e c t s of drainage, o r w i t h questions, or
e n d i n g s w h i c h ar e in f a c t c o n s c i o u s c h o i c e s m a d e m y the a u t h o r
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74
t h e y w i l l t r a m p l e m e underfoot, a n d t h e y w i l l trample m y s o n
(551-52).
h i g h l i g h t s the i d e a of hybridity: b y n o t g i v i n g us a d e f i n i t e
alternatives. A n d just as he r e f u s e s to e s s e n t i a l i z e a n y o n e
t h e r e a r e as m a n y v e r s i o n s of India as t h e r e ar e I n d i a n s . Th e
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III. SHAME
75
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76
T h e r e p r e s s i o n in S h a m e arises f r o m a l o n g i n g f o r purity,
b o t h S V a n d Shame is t h a t the pu r i t y - d r e a m is a n i m p o s s i b i l i t y
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77
of t h e i r o n e - s i d e d i n t e r p r e t a t i o n of h i s t o r y . I will c o n c l u d e
b i n a r y t h r o u g h a n g e r a n d violence, t h e b i n a r y itself r e m a i n s
i n t a c t a n d is n o t d e c o n s t r u c t e d to m a k e r o o m f o r a n e w space.
o f E n g l i s h I n d i a . S a r a Suleri d e v o t e s a c h a p t e r to R u s h d i e a n d
p l o t o f all, w h i c h a r e the f l a b b e r g a s t i n g i n c o n g r u i t i e s t h a t
t h a t R u s h d i e ign o r e s t h e nuances in t h e B h u t t o p l o t as w e l l as
the o b v i o u s question: w h y d i d t wo s u c h p o w e r f u l l y
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78
(175)
I s k y / R a z a d i c h o t o m y to the e x c l u s i o n of other, m o r e i n c l u s i v e
g e n e s i s o f P a k i s t a n h a d l i t t l e to do w i t h relig i o u s f e r v o r a n d
e v e r y t h i n g to do w i t h b u i l d i n g a s e n s e of n a t i o n h o o d f o r the
Days, S u l e r i qu o t e s J i n n a h as he s p o k e to cr o w d s of h u n d r e d s
stated:
M u s s a l m a n s are a minority, a n d we h a v e g o t u s e d to
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79
a n a t i o n b y a n y definition. (114)
o p p o r t u n i t y to w o r k t h r o u g h the a n g e r a n d h o s t i l i t y he feels
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a b i l i t y to e x p o s e the m e c h a n i c s of o p p r e s s i o n a n d r e p r e s s i o n ,
e v e n as it is itself g u i l t y of a l a c k of h e t e r o g e n e i t y i n its
p o i n t o f view.
T h e m e c h a n i c s of o p p r e s s i o n a n d r e p r e s s i o n that R u s h d i e
w h o is e a g e r to b e g i n a n e w life, b e l i e v e s she c a n do so o n l y
a p p r o a c h that is able to c o m b i n e p a s t a n d p re s e n t in a m a n n e r
that R a n i H a r r a p p a atte m p t s b y e m b r o i d e r i n g he r m e m o r i e s of
Isky o n t o h e r e i g h t e e n s h a w l s .
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81
not to d e s t r o y history, b ut to l e a r n w h e n on e is j u s t i f i e d in
f o r g e t t i n g it (348) . A c c o r d i n g to Nietzsche, r e m e m b e r i n g is
d e t e r m i n e s w h e t h e r one's a t t i t u d e to o n e s e l f is d e s t r u c t i v e o r
a c c o r d i n g to Nietzsche,
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82
not an e s c a p e f r o m t h e past, f or t h e p a s t c a n n o t be
escaped. (351)
A s H a y d e n W h i t e states, "his n o t i o n of h i s t o r y as a f o r m of
conceived in the M e t a p h o r i c a l m o d e is r e a l l y w h a t is b e h i n d
d r a w i n g a l i m i t e d h o r i z o n a r o u n d oneself" (355) .
c h a r a c t e r s e i t h e r b e l i e v e t h e y c a n era s e t h e i r p a s t o r their
novel, t h e o n l y g l i m m e r of a m i d d l e g r o u n d e x i s t s in Rani's
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83
about wom e n .
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84
well. Co n t r a r i w i s e : dictators ar e a l w a y s - - o r at
In S h a m e . r e p r e s s i o n b r e e d s r e p r e s s i o n so that w o m e n w h o are
a n d so on. A w o m a n c a n be a v i c t i m a n d a v i c t i m i z e r at the
v i c t i m i z e r / v i c t i m b i n a r y do n o t e n d up in a n e w space. Their
acts of o p p r e s s i o n a n d r e p r e s s i o n s i m p l y c o n t i n u e the c y c l e of
o t h e r R u s h d i e novels, this c i n e m a t h e a t e r r e p r e s e n t s a f l u i d
K h a n s i - k i - R a n i - - q u e e n of coughs, "that is to s a y of e x p e l l e d
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85
t h e r e f o r e c h e e r f u l l y t o l e r a t e s h i s n o i s y c u s t o m e r s a n d war n s
a n d b o o k s a d o u b l e bill, R a n d o l p h Scott a n d G a i - W a l l a h , a n g r y
crowds t o r c h hi s theater. M a h m o u d is k i l l e d a n d B i l q u i s is
m i g r a t i o n s i n S h a m e . hers is a n e g a t i v e o n e b e c a u s e s he pushes
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86
f o r low-brow, f i l m y types.
f r i g h t e n s h e r t e r r i b l y b e c a u s e for h e r it r e p r e s e n t s f l u i d i t y
This n e e d f o r f i x i t y is al s o r e v e a l e d as a trait of h e r
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87
Z i n o b i a is s p u r n e d at b i r t h b e c a u s e of h e r gender, bu t later
by her d a ughter because she does not fit into her ima g e of
perfection.
w h i c h m a t c h e s h e r husband's n o t i o n of m u s l i m h o o d a n d purity,
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88
d e m a n d s that R a z a t a k e h e r a w a y f r o m t h i s j o i n t - f a m i l y set-up,
b e c a u s e it c o n n o t e s b e i n g b o r n e across, tr a n s l a t i o n , impurity.
indige n o u s to t h e a r e a y i e l d s a g r e a t d e a l of cult u r a l ca p i t a l
w h i c h Bilquis o b v i o u s l y l a c k s .
sh e is inca p a b l e of f o r g i v i n g h e r d a u g h t e r f o r b e i n g b o r n the
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89
r e p r e s e n t a t i o n o f P a k i s t a n i w o m e n a n d s t a t e s that h i s v e r s i o n
the n a r r a t i v e r e v e a l s
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th a t the w r i t e r has p o w e r s a n d abilities that the
w o m e n do no t p o s s e s s . T h e r e is s h o w n to b e a g r e a t
d i f f e r e n c e in the s p e a k i n g o u t of the n o v e l i s t a n d
c h a r a c t e r s m a n a g e to do so. (29)
T r a n s l a t i o n a n d S a l m a n R u s h d i e ' s T h e S a t a n i c V e r s e s ." H a r v e e n
S a c h d e v a M a n n n o t e s that S V m a y m a r k a n a d v a n c e (particularly
Z e e n y V a k i l a n d M i s h a l Sufiyan; yet, w o m e n r e m a i n s e c o n d a r y to
a n d literally. (296)
beings a n d therefore
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t h e o r t h o d o x I s l a m i c c o n c e r n w i t h f e m a l e chastity,
ca s t i n g his f e m a l e c h a r a c t e r s as e r o t i c i z e d b o d i e s
discourses, c o n f e r r i n g u p o n t h e m a p e r i p h e r a l role
s e n s e t h a t M a i n d u c k is in t h e l a t e r M o o r . F o r example, while
is a l s o c a p a b l e of l o v i n g a n d s u p p o r t i n g h e r o t h e r daughter,
p o s s e s s e s e n o u g h in d e p e n d e n c e o f spirit to h ave a n a f f a i r w i t h
S i n d b a d w e l l into h e r m a r r i a g e w i t h Raza. It is e v e n h i n t e d
J u s t as Bilquis' n o t i o n of p e r f e c t i o n p r e v e n t s h e r f r o m
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m a i n t a i n e d a n d c o n t a i n e d in a c o m a - - n e i t h e r alive n o r dead.
l i k e l i h o o d o f s u c h b e i n g s exis t e n c e w o u l d u t t e r l y s u b v e r t the
impurities s u c h as m e n t a l r e t a r d a t i o n o r b e a s t l i n e s s . For a
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93
L i k e Bilqui s , O m a r K h a y y a m S h a k i l is a m i g r a n t as well.
N i s h a p u r m i n g l e s w i t h his i n s o m n i a c n i g h t s a n d as a r e s u l t he
h i s t o r y i n c l u d e s the f e e l i n g of v e r t i g o he e x p e r i e n c e s b e i n g
On c e again, R u s h d i e ' s p o i n t is t h a t t h e r e is n o s u c h t h i n g as
c h a r a c t e r s e x p e r i e n c e is shot t h r o u g h w i t h i n c r e d i b l e d e t a i l s
b e c a u s e i n t h e R u s h d i e l e x i c o n "life" o r "history" is n a r r a t e d
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94
reject s u c h i n t e r m i n g l i n g as a p o s i t i v e o p t i o n a n d s p e n d all
t h e i r t i m e r e i n f o r c i n g t h e i r p u r i t y myth, o r t h e y p r e t e n d that
of h e r as a d i s e a s e to b e cured. He is a m e d i c a l d o c t o r and
S u f i y a Z i n o b i a is a c h a l l e n g i n g c a s e study. B y administering
t h e r i g h t m e d i c a t i o n a n d c o n d u c t i n g hypn o s i s a p p r o p r i a t e l y , he
b e l i e v e s he c a n save her. T h u s S u f i y a Z i n o b i a is o t h e r i z e d b y
i n t h e z e n a n a w i n g of N i s h a p u r d u r i n g t h e i r f a t h e r ' s lifetime,
a n d t h e Angrez, and w h o t u r n e d i n w a r d a n d l i v e d h i d d e n a w a y in
p a s t s u r r o u n d e d b y o l d a n d m o l d e r i n g objects w h i c h t h e i r sons
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95
p r e s e n t e d in t h e l i g h t h e a r t e d m a n n e r of N o r a a n d D o r a c h a n g i n g
p e r s o n a l i t i e s s i m p l y b y e x c h a n g i n g p e r f u m e s i n A n g e l a Carter's
i n d i s t i n g u i s h a b i l i t y is d e s c r i b e d as a h y b r i d monstrosity:
In t h e c h a o s of their r e g e n e r a t i o n t h e w r o n g heads
p s y c h o l o g i c a l centaurs, f i s h - w o m e n , hybrids; a n d of
only be c o m p r e h e n d e d if y o u t o o k t h e m as a whole.
(36)
of ideas a n d p h i l o s o p h i e s . U n l i k e B i l q u i s w h o e r a s e s h e r past
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96
the sa m e as B a b a r ' s a t t e m p t to b u r n u p w h a t he c o n s i d e r s is
s e p a r a t i s t guer r i l l a b e c a u s e he b e l i e v e s he is g o o d e n o u g h to
m a n n e r in w h i c h its m a j o r c h a r a c t e r s p e r c e i v e an d m a n i p u l a t e
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97
pr e s e n t , a n d future.
t h e y c h o o s e to ignore it o r a t t e m p t to "purify" it d o e s n o t
t h r e e i m p o r t a n t sites of h o t c h - p o t c h the o n e - s i d e d c h a r a c t e r s
a t t e m p t to p u r i f y in this n o v e l .
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98
C h r i s t i a n c a l e n d a r c o - e x i s t as t i m e i tself is r e p r e s e n t e d as
i n t e r m i n g l e d in a h o t c h - p o t c h v e r s i o n of t h e e t e r n a l pre s e n t .
It is not, c o n t r a r y to t h e b e l i e f of the l i k e s o f t he S h a k i l
future:
s h i f t i n g t h e i r g round, d e c i d i n g the A r m y h a d b e c o m e
I
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99
(306)
c y c l e of r e p r e s s i o n b e g u n in t he past. It is i n t e r e s t i n g to
d r e a m t u r n s out to be a n a c c u r a t e p r e d i c t i o n o f wha t a c t u a l l y
t r a n s p i r e d in Pa k i s t a n som e y e a r s later.
A l o n g w i t h time, R u s h d i e p r e s e n t s t h e i s s u e of i d e n t i t y
f a c t t h a t the S h a k i l s i s t e r s r a i s e t h e i r s o n as an outsider,
a p e r i p h e r a l m a n is an i n t e r e s t i n g det a i l as w e l l . F o r all of
t h e i r d e s i r e to e x i s t in a n u n c h a n g i n g past, t h e i r d e c i s i o n to
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100
d e n y i n g h i m the m o s t b a s i c of r e l i g i o u s r i t e s th a t w o u l d b e g i n
h i s li f e as a "Muslim, " t h e y d e n y h i m y e t a n o t h e r o p p o r t u n i t y
for rootedness.
a r r a n g e m e n t s at B a r i a m m a ' s r e p r e s e n t m o r e f a m i l y hotch-potch.
I n the darkness,
. . . w h o w o u l d k n o w if h e r r e a l h u s b a n d h a d come
i n t o h i s c o b r a - l i k e t r a n s f o r m a t i o n f r o m f l a m b o y a n t p l a y b o y to
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101
t h o s e days, I r e m e m b e r R a z a H y d e r w h e n he w a s n o t a
he b e c a m e a saint.' (115)
in h e r a b i l i t y to see t h r o u g h the n e g a t i v e m i g r a t i o n s o f b o t h
e i g h t e e n sha w l s s a y u n s p e a k a b l e t h i n g s w h i c h n o b o d y w a n t s to
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102
M o r a e s Z o g o i b y in The M o o r ' s L a s t S i g h w h o e x p e r i e n c e s l i f e at
a f u r i o u s l y a c c e l e r a t e d pace, S u f i y a Z i n o b i a ' s m i n d s l o w s d o w n
a d m i n i s t e r e d b y her mother.
r e a r r a n g e s tables, chairs, l a m p s w h e n e v e r no o n e is w a t c h i n g .
c h i l d r e n b i r t h e d b y N a v e e d w h o a r e i g n o r e d b y e v e r y o n e else.
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103
b l u s h e s u n c o n t r o l l a b l y w h e n e v e r h e r p r e s e n c e in the w o r l d is
b r a i n - f e v e r that m a d e S u f i y a Zinobia p r e t e r n a t u r a l l y r e c e p t i v e
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104
b y t e a r i n g off t h e i r heads a n d t h e n r e a c h i n g d o w n i n t o t h e i r
S u f i y a Zinobia's p o w e r f u l act p r e f i g u r e s h e r l a t e r a t t a c k
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105
c o n t i n u o u s l y i m p r e g n a t i n g h e r w i t h m u l t i p l e children. Naveed
u l t i m a t e l y b e c o m e s t e r r i f i e d of t h e e v e r - p r o g r e s s i n g n u m b e r of
s u c c e e d in c o m m i t t i n g a ser i e s of m u r d e r s b e g i n n i n g w i t h the
g i v e n h e r b o d y to O m a r K h a y y a m S h a k i l so he will n o t m o l e s t
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106
murders, "what S h a h b a n o u t o o k u p o n h e r s e l f is f i n a l l y d o n e to
w i t h o u t a t t e m p t i n g to a p p o r t i o n blame.
S hakil, all of w h o m a r e v i c t i m s of o p p r e s s i o n a t s o m e p o i n t in
t h e i r lives, Su f i y a Z i n o b i a e x t e r n a l i z e s h e r a n g e r a n d s h a m e
a t b e i n g v i c t i m i z e d a n d e v e n t u a l l y goes a f t e r h e r o p p r e s s o r s .
H e r h u s b a n d believes h e c a n co n t r o l h e r v i o l e n t o u t b u r s t s b y
years.
v i olen c e w h i c h h a d b e e n b o m o f shame, b u t w h i c h b y
slowly t h r o u g h h e r b o d y u n t i l it h a d o c c u p i e d e v e r y
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107
than b r e a k i n g t h e c y c l e of v i o l e n c e b e g u n b y h e r oppressors,
she b e c o m e s t h e v i c t i m i z e r i nstead a n d e n d s u p k i l l i n g O m a r
Khayyam S h a k i l .
w i t h e a c h s u b s e q u e n t attack, h e r m o n s t e r i m a g e is e n h a n c e d b y
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108
c h a r g e d m o m e n t a n d w h e t h e r the c r o w d w i l l a l l o w h e r t h r o u g h to
m o t h e r e s c a p e to Q.
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109
S u f i y a Z i n o b i a w h o has b e e n v i c t i m i z e d b y h e r f a m i l y a n d h e r
r a g e w i t h i n h e r to b u i l d up u n t i l she is f i n a l l y a b l e to w i l l
a n n i h i l a t i n g w h i r l p o o l e n d i n g i n the s t r e n g t h o f its v i o l e n c e .
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110
and shame; the colonizer/colonized binary is not
deconstructed, r a t h e r it is m e r e l y flipped.
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IV. THE S A T A N I C V E R S E S
minded, r a m r o d - b a c k e d type of d a m n f o o l n o t i o n t h a t
(335)
c h a r a c t e r to b e c o n s t r u c t e d b y the d o m i n a n t B r i t i s h culture,
111
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112
his will and anger that allow him to break out of the
r e m a i n a v i c t i m a n d is ab l e t o "humanize" h i m s e l f t h r o u g h his
w i l l of h i s o w n a n d r ema i n s a t the m e r c y of o t h e r s t h r o u g h o u t
a n d a t t e m p t to d e m o n s t r a t e t h e m a n n e r in w h i c h R u s h d i e e x p o s e s
"Islam" as a m a l e - c o n s t r u c t e d m y t h w h i c h u l t i m a t e l y t r a n s f o r m s
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c o n s t r u c t s as a c o u n t e r m y t h in t h e B a r t h i a n sense, to e x p o s e
SV, the binaries break out into good versus evil, reality
s e e k s to d i s rupt the b i n a r y a n d o f f e r an a l t e r n a t i v e s p a c e of
hybridity.
n a t u r e of r e a l i t y is m o r e o r less o b l i g e d to e n t e r t h e p r o c e s s
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114
d i s r u p t i o n of r e a l i t y ( r o o t s / l a n g u a g e / s o c i a l norms) a n d that
or fi g u r a t i v e . Finally, to s e e t h i n g s clearly, y o u h a v e to
r o l e in r e a l i t y - m a k i n g s e r v e a s a u s e f u l e n t r e i n t o S V .
to t e r m s w i t h t h e "unreality" o f i t . W h e n he r e a l i z e s he will
c o n s t r u c t i o n . T h e o t h e r m a j o r p r o b l e m w i t h his t r a n s f o r m a t i o n
t h e r e f o r e t h e "reality" that is c r e a t e d as a re s u l t is e q u a l l y
c o n s t r i c t i v e m y t h a n d a l l o w s it to d e f i n e his i d e n t i t y w h i c h
p r e v e n t s h i s a b i l i t y to survive. B e c a u s e G i b r e e l ' s v e r s i o n of
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115
a t t e m p t s to d i v i d e r e a l i t y into airtight c o m p a r t m e n t s s u c h as
g o o d v e r s u s bad, a n d r e a l i t y v e r s u s fantasy, a n y b l u r r i n g of
s u c h c a t e g o r i e s in o r d e r t h a t t h e i r " e s s e n c e ” m a y b e r e t a i n e d
intact. W h e n h e is no l o n g e r able to m a i n t a i n a d i s t i n c t i o n
o r i g i n s a n d im p l i c a t i o n s o f I s l a m a n d since t h e y p r o g r e s s i v e l y
p r o b l e m a t i z e d a n d M a h o u n d is r e v e a l e d to be the a c t u a l a u t h o r
c a t e g o r i e s o f g o o d v e r s u s e v i l are not as a i r t i g h t as G i b r e e l
w o u l d p r e f e r t h e m to be. T h i s e x p o s e of "Islam" o c c u r s p a r t l y
v e r s u s evil, r i g i d i t y v e r s u s flexibility, a n d r e a l i t y ve r s u s
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116
fantasy.
m i d d l e of a d r e a m a n d is a l a r m e d at the p r o s p e c t of h a v i n g to
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117
M a h o u n d is blurred, the c a t e g o r i e s of r e a l i t y a n d f a n t a s y ar e
m u d d i e d e v e n further, u n t i l it b e c o m e s i n c r e a s i n g l y d i f f i c u l t
to d e c i p h e r w h o o r what is a c t u a l l y in control. A c c o r d i n g to
u n w i l l i n g to c o m p r o m i s e o r m a k e a n y d e a l s .
There is a m o m e n t i n the te x t w h i c h is p r e s e n t e d as an
o p p o r t u n i t y f o r M a h o u n d to b e f l e x i b l e a b o u t the n e w r e l i g i o n
f o r e g r o u n d e d m u l t i p l e gods, the i d e a of O n e G o d is d i f f i c u l t
offers M a h o u n d t h e o p p o r t u n i t y to a l l o w t h r e e female g o d d e s s e s
he w r e s t l e s w i t h G i b r e e l a n d u l t i m a t e l y throws t he f i g h t :
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118
both times, baba, me first and second also me” (123) . For
o r i g i n a l , i n f l e x i b l e p o s t u r e a n d s i m p l y m a n d a t e s that e v e r y o n e
m u s t n o w b e l i e v e in o n e God.
e a r l i e r c o m p r o m i s e a n d h e e m e r g e s as a rigid, single-minded,
m i g r a t e s to a n o a s i s c i t y a n d r e t u r n s t w e n t y - f i v e y e a r s later
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119
p r o v i s i o n a l q u a l i t y of a m i r a g e . . . and become a
a n d caravans. (359-60)
s e x u a l practices, to f o o d preparation, to h o w p r o p e r t y s h o u l d
death. B y m a k i n g M a h o u n d a c k n o w l e d g e h e r p r e s e n c e d u r i n g h is
o n e G o d is a c o n s t r u c t e d fiction.
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120
r e p r e s s i v e r e l i g i o n w i t h a r u l e f or everything. A l t h o u g h the
lead exists in a p r e f e r r e d s p a c e w h i c h t o l e r a t e s a m b i v a l e n c e
c e l e b r a t e s t h e p a t r i a r c h Ib r a h i m ' s v i s i t to th e v a l l e y , rath e r
c e l e b r a t e n o t h e r memory, r a t h e r th e h o n o r d o n e t h e i r v a l l e y
d a ncers a n d p r o s t i t u t e s . T he s o c i e t y is h i e r a r c h i c a l as is
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to trade silver and gold, linen f rom Egypt, and silk from
q u e s t i o n w h i c h he p u t s to h i m s e l f : "W h a t k i n d o f i d e a a m I?
poets, and ban whorehouses. When Baal the poet who once
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122
e s t a b l i s h e s a c l e a r d i c h o t o m y b e t w e e n the p r e - I s l a m i c m o m e n t
go d d e s s e s ; a n d the p o s t - I s l a m i c m o m e n t w h i c h is p r e s e n t e d as
God.
t o l d of a n o ther m i g r a t i o n w h i c h is o c c u r r i n g w i t h i n G i b r e e l :
t h a t his v e r s i o n of f u n d a m e n t a l i s t I s l a m is t h e t h i n g itself,
i m a ges" (206) a n d t h e o n l y p h o t o g r a p h s p e r m i t t e d in h i s h o u s e
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123
he e l s of C h a m c h a 's d e v i l - m e t a m o r p h o s i s this is a c o m m e n t o n
t h a n a r e p r e s e n t a t i o n of i t . W h a t he r e f u s e s to a c k n o w l e d g e
Ayesha).
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124
of Hi s t o r y :
(210)
s i t u a t i o n is further c o m p l i c a t e d b y o u r k n o w l e d g e t h a t it is
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125
a r c h a n g e l prev a i l s . A l - L a t is k i l l e d a n d t h e I m a m g r o w s to a
p a l a c e gates.
A f t e r the I m a m section, we go b a c k i n t i m e to J a h i l i a a n d
nothing. G i b r e e l is inert, u s u a l l y a s l e e p in th e d r e a m as he
I
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126
(234).
B e l i e v e r a n d h e r Faith in G o d s t e e l s h e r a g a i n s t m e r e e a r t h l y
a n x i e t i e s s u c h as w a l k i n g t h r o u g h t h e A r a b i a n Sea. Osman-the-
(483) . A l i t t l e later, M i r z a S a e e d l o s e s a ll h o p e o f r e a c h i n g
. where only the pure can be with the pure' " (496) .
M i s h a l r e j e c t s h e r h usband's l o v e b e c a u s e he is a n u n b e l i e v e r
death.
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127
pilgramage, M i r z a S a e e d o f f e r s A y e s h a a c o m p r o m i s e : he o f f e r s
v e r s i o n of Islam d o e s n o t p e r m i t d e a l - m a k i n g o r compromises.
T h e me s s a g e here s e e m s t o be that f l e x i b i l i t y a n d c o m p r o m i s e
th a t o n c e w e c o n s t r u c t o u r v e r s i o n of "reality, " w e s h o u l d be
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128
c o n s t r u c t e d b y t h e i r m a j o r players. E a c h d r e a m ends in d e a t h
c o n s t r u c t e d myth.
b e y o n d b e i n g c o n t r o l l e d b y others.
Gibreel's t r a n s f o r m a t i o n is r e m i n i s c e n t of the n e g a t i v e
ea r l i e r L u c r e t i u s v e r s u s O v i d speech. This is a L u c r e t i u s -
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129
s u c c e s s f u l c r o s s i n g of b o u n d a r i e s i n t o a n e w self. Gibreel
..." (320) .
W i t h t h i s n e w self comes a b e l i e f in O ne G o d a n d t h e e x
him about how his newfound good versus evil binary is too
fabrication:
Jahweh, q u o t e d b y D e u t e r o - I s a i a h two h u n d r e d y e a r s
a t t r i b u t e of God. (323)
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13 0
a f t e r Clarity. He is n o t e v e n w i l l i n g to i m a g i n e S h a i t a n as
a f a l l e n a n g e l a n d r e m i n d s h i m s e l f of the p a s s a g e i n t h e Q u r a n
b y t h i s less complicated, m o r e s t r a i g h t f o r w a r d v e r s i o n w h i c h
o f f e r s G i b r e e l a compromise: "If o n l y he w o u l d s a y h e l o v e d
hi s m a d n e s s a n d even p r o m i s e s to a l l o w G i b r e e l to live w i t h
b a c k b u t he u l t i m a t e l y r e j e c t s h e r as a temptation, a trick,
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131
f a n t a s t i c n o t i o n of i d e n t i t y a n d therefore u l t i m a t e l y resists
is u n a b l e to r e g a i n h i s w i l l (except for b r i e f m o m e n t s w h e n he
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132
to s u c c e s s f u l l y d e c o n s t r u c t the c o l o n i z e r / c o l o n i z e d b i n a r y a n d
c i r c u l a t e d to m a i n t a i n the p o w e r - b a s e a n d economic i n t e r e s t s
c o l o n i z e d b y t h e c o l o n i z e r is d o n e w i t h t he intent of l o c k i n g
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133
human.
a c c e p t e d a n d l i v e d w i t h to a c e r t a i n e x t e n t b y the
from his own past, relegates his folk her o e s and popular
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134
class c o l o n i z e d a v o i d s his o w n p a s t a n d t h e m e m o r y w h i c h is
r e s e m b l e h i m to t h e p o i n t of d i s a p p e a r i n g i n him" (12 0) .
G i b r e e l a n d w h o a l s o b e g i n s his j o u r n e y b y r e j e c t i n g a v e r s i o n
b e h i n d is his s u b c o n t i n e n t p a s t w h i c h i n c l u d e s a d o m i n e e r i n g
f r o m S a l a h u d d i n C h a m c h a w a l l a into S a l a d i n C h a m c h a b e g i n s in
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135
b e ma i n t a i n e d . (37)
d r e s s i n g a n d a c t i n g lik e a n E n g l i s h gentleman, he w i l l s u c c e e d
c o m p o s e d of
s p i t e of al l of he r a t t e m p t s to r e d u c e its volume
b r e a d r o l l s in a club. (180)
i d e n t i c a l to t h e s h o r t c o m i n g in G i b r e e l ' s t r a n s f o r m a t i o n : it
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136
cannot t o l e r a t e a n y i n t e r m i n g l i n g of r e a l i t y a n d fantasy, g o o d
p e r s p e c t i v e is that it offers o v e r - s i m p l i f i e d i n t e r p r e t a t i o n s
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137
however, is to s u p p r e s s s u c h reminders. O n h i s fl i g h t b a c k to
wa s p o s s e s s e d b y the n i g h t m a r e - f e a r of cracking, of
H i s e a r l i e r n i g h t m a r e v i s i o n of a m a n b e i n g t r a p p e d w i t h i n a n
t o w a r d England. C h a m c h a is l i t e r a l l y t r a p p e d in h is colored,
a n d l o n g - b u r i e d h a b i t s s u c h as p u t t i n g c o c o n u t - o i l in his h a i r
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138
b e f o r e he c a n t a k e a s t e p (132). T h e q u e s t i o n this p r e m i s e
raises, of course, is w h a t k i n d of c o n s t r u c t i o n w i l l C h a m c h a
attempt?
an d t h e r e f o r e m a y e n t e r t a i n b y u s i n g h is voice, but he m u s t
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139
c h i l d h o o d h u r t s an d get o n w i t h hi s life:
Y o u m u s t stop c a r r y i n g m e a r o u n d like a p a r r o t on
e x p l a i n y o u a n y more.' (69)
A n d C h a n g e z does not e x p l a i n C h a m c h a a n y m o r e b e c a u s e C h a m c h a
is n o w a n a d u l t w h o m u s t c o n s t r u c t hi s o w n s e n s e of identity.
the B r i t i s h i d e n t i t y he h a s f o r g e d is e q u a l l y as o n e - s i d e d a n d
b e f o r e h i s father, b l a z i n g w i t h r i g h t e o u s ra g e a n d f l i n g s out
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140
r e - m a r r y i n g a n d b y p l a y i n g out a N a s r e e n - f a n t a s y w i t h t he help
C h a m c h a w h i c h allows f o r a b l u r r i n g b e t w e e n c a t e g o r i e s s u c h as
v i c t i m i z e r a n d victim, a n d w h i c h makes r o o m f o r s t r e n g t h an d
K a s t u r b a is c l e a r l y i n d i c a t i v e of his n e e d f o r a s s i s t a n c e in
coping with his grief for his first wife. Changez is not
h a s a g r e a t deal of t r o u b l e a d j u s t i n g to.
F o r Zeeny, the p i c t u r e s p r o v i d e e l o q u e n t p r o o f r e g a r d i n g
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141
artistic tradition:
Th e M u g h a l s h a d b r o u g h t a r t i s t s f r o m e v e r y p a r t of
w a s s u b m e r g e d to cr e a t e a m any-headed, m a n y - b r u s h e d
w o u l d b e s h o w n like a movie: h e l d up w h i l e s o m e o n e
c o u l d s e e the P e r s i a n m i n i a t u r e f u s i n g w i t h
K a n n a d a a n d K e r a l a n p a i n t i n g styles, y o u c o u l d see
c h a r a c t e r i s t i c a l l y l a t e - M u g h a l synthesis. (70)
to replace b y a n e t h i c of " h i s t o r i c a l l y v a l i d a t e d e c l e c t i c i s m ,
British, t a k e - t h e - b e s t - a n d - l e a v e - t h e - r e s t ? 11 (52) . B u t C h a m c h a
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142
b i n a r y a n d is t h e r e f o r e u n a b l e t o g l e a n a n y t h i n g of v a l u e f r o m
d r e a m of childhood. G r o w i n g up o n S c a n d a l P o i n t is
local t r a i n i n s t e a d of a c a r w i t h a d r i v e r ? That
H e r a d v i c e to h i m is to c u l t i v a t e a n adult r e l a t i o n s h i p w i t h
e x c l u d e d h i m f r o m the B o m b a y w h i c h Z e e n y n o w r e p r e s e n t s : a
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143
diverse.
Z e e n y takes C h a m c h a to a c r o w d e d b a r w h e r e t h e y m eet h e r
i n d i v i d u a l c o u n t e r - a r g u e s t h a t cas h m a t t e r s d o n o t e x p l a i n w h y
s h e tells C h a m c h a t h a t sh e w a s p r o u d of B h u p e n . "'In h o w m a n y
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p o l i t i c a l a n d e c o n o m i c spect r u m c a n s p e a k o u t f r e e l y in p u b l i c
deceptive, T r o j a n Horses, or to g r a p p l e w i t h t he n o t i o n of h o w
e x t r e m e p o v e r t y a f f e c t s a populace, o r to f a c t o r v i o l e n c e int o
his reality.
f l e x i b i l i t y of B o m b a y ver s u s the c o l o n i a l r i g i d i t y of C h a m c h a
has to do w i t h a n I n d i a n d r a m a t i z a t i o n of a s t o r y b y S a r t r e o n
p r e t e n d s to l e a v e o n a business trip b u t r e t u r n s s e c r e t l y to
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145
f r o z e n m o m e n t o f shame w i t h t h e w i f e a n d h u s b a n d o n a n u n e q u a l
c o n s i d e r s t o b e Changez's a d u l t e r o u s a r r a n g e m e n t w i t h K a s t u r b a
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146
p e r s p e c t i v e b l i n d s h i m to a n y lessons he m a y l e a r n f r o m India
o r Bombay.
Th e i m p l i c a t i o n is t h a t s o m e t h i n g "new" is a b o u t to h a p p e n to
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147
m o n s t r o u s a p p e a r a n c e c o m p l e t e l y for g r a n t e d a n d t h e y m i s t r e a t
violent, a n d otherizing, in a d d i t i o n to w h a t e v e r e l s e it m a y
be. A n d t h e d o m i n a n t E n g l i s h cult u r e o p e r a t e s f r o m a p o s i t i o n
of g r e a t p o w e r w h i c h has th e a b i l i t y to t r a n s f o r m i n d i v i d u a l s
s u c c u m b to t h e p i c t u r e s t h e y construct'" (168) .
T h e E n g l a n d that C h a m c h a - t h e - d e v i l e n c o u n t e r s is w o r l d s
a p a r t f r o m his p o l i t e c o u n t r y - c l u b , Y o r k s h i r e p u d d i n g image of
I
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148
come
. . . to tire of t h e e x o r b i t a n t p r i c e w h i c h he m u s t
p a y a n d w h i c h he n e v e r f inishes owing. . . . It is
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149
t h a t in o r d e r to s u r v i v e h i s d e v i l - m e t a m o r p h o s i s , h e m u s t stop
t h i n k i n g of him s e l f as a d e v i l . H e notices t h a t M i s h a l a n d
A n a h i t a wh o have n e v e r b e l o n g e d to the d o m i n a n t d i s c o u r s e do
th e s i g n of "devil" a n d a c c o r d i n g to their r e - i n t e r p r e t a t i o n
c o l o n i z e r / c o l o n i z e d b i n a r y m u s t b e d e c o n s t r u c t e d in o r d e r for
a n e w space to em e r g e in w h i c h C h a m c h a can b e g i n to c o n c e i v e
o f h i m s e l f as s o m e t h i n g o t h e r t h a n a devil. A t t h i s s t a g e of
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150
"self-discovery" (128) .
p o t e n t i a l c h a n g e a n d thus m akes it a n i m p o r t a n t s t e p p i n g - s t o n e
Gibreel, C h a m c h a p o s s e s s e s a will w h i c h u l t i m a t e l y a l l o w s h i m
to r e - c o n s t r u c t h i s i d e n t i t y a n d e s c a p e f r o m w i t h i n the b o u n d s
Like S u f i y a Z i n o b i a in S h a m e . C h a m c h a is h i d d e n a w a y in
g r e a t hit. T h e A s i a n a n d the w h i t e c o m m u n i t y b e g i n to d r e a m
a b o u t him, a l b e i t f r o m different p e r s p e c t i v e s :
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151
T h e n a r r a t o r tells us t h a t at f i r s t t h e s e dr e a m s w e r e p r i v a t e
c a u s e s a m e l t d o w n of all t h e w a x im a g e s at the H o t w a x C l u b a n d
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152
h u m a n i z e d --is t h e r e a n y o p t i o n b u t to c o n c l u d e ? - -by
But since Saladin has chosen Ovid over Lucretius, his new
e a r l i e r selves a n d w h i c h is inclusive of b o t h g o o d a n d e v i l .
humanized.
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153
m a k e s y o u b o t h n o s t a l g i c a n d sick. D r a w it close.
T h e a c t u a l l y e x i s t i n g place.' (541)
re p r e s e n t e d b y h e r s e l f and her f r i e n d s . Z e e n y is a p h y s i c i a n
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154
l i v i n g w i t h t h a t relationship. ... to f i n d a n e w
o r d e r of t h i n g s w i t h E u r o p e m e a n s p u t t i n g n e w o r d e r
i n oneself. (147)
father, c o m i n g to t e r m s w i t h a n "adult" B o m b a y o f t h e p r e s e n t
S a l a h u d d i n C h a m c h a w a l l a to d e v e l o p a n a dult a c q u a i n t a n c e w i t h
L o n d o n as w e l l - - t h e L o n d o n w h i c h b e l o n g s not o n l y to t h e likes
of P a m e l a Lovelace, b u t to s e c o n d g e n e r a t i o n i m m i g r a n t s such
as M i s h a l a n d H a n i f as w e l l .
s p a c e is m e a n t to be f l u i d a n d h e t e r o g e n e o u s . Y e t , t h i s s pace
u p p e r - m i d d l e class, c o l l e g e - e d u c a t e d , "worldly" i n t e l l e c t . As
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155
does not make any attempt to inc l u d e the homeless into his
a c t i v e in c o m m u n i t y p o l i t i c s , b u t R u s h d i e d o e s not i n t r o d u c e
p o l i t i c s r e m a i n c o n f i n e d to t h e m i d d l e class, o r to o r g a n i z e d
e q u a t i o n as a s u b j e c t i v e v e r s i o n of t h e c o n t e m p o r a r y moment;
o n t h e contrary, R u s h d i e p o s i t s Z e e n y / B o m b a y as an i d e a l space
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156
a r e o n g o i n g a l t e r n a t i v e narratives w h i c h c o n t e s t or u p e n d the
q u e s t i o n i n g / c o u n t e r p a r t voices to go u n c h a l l e n g e d as we l l a n d
v e n g e f u l g h o s t w h o d e s t r o y s G i b r e e l ' s l i f e as a p u n i s h m e n t for
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157
f r e e d o m f r o m Clarity.
A z r a e e l a r e u p e n d e d b y H a n i f w h o d o e s not a l l o w M i s h a l S u f y a n
r e f u s e d at the i n t e r t e x t u a l l e v e l .
T h e "reality" Gi b r e e l is a f t e r is u l t i m a t e l y a v a i l a b l e to
S a l a h u d d i n b e c a u s e he a c c e p t s his "unreal" t r a n s f o r m a t i o n a n d
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158
b a c k to A y e s h a a n d h e r p i l g r i m s :
o l d a n d s e n t i m e n t a l echo. (547)
p o l i t i c s a n d a r o o t e d n e s s in the c i t y of Bombay.
In the end, e v e n t h o u g h R u s h d i e is g u i l t y of p r e s e n t i n g
us w i t h a n e s s e n t i a l i z e d v e r s i o n of " B o m b a y , " it is i m p o r t a n t
as s i s t a n c e . A n d thus w e r e t u r n to the q u e s t i o n p o s e d in S V ;
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159
p u t s h i m s q u a r e l y in the c a t e g o r y o f a n i d e a that c o m p r o m i s e s ,
niche, a n d who u l t i m a t e l y s u r v i v e s .
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V. H A R O U N A N D T HE S E A OF S T O R I E S
A 11 o u r d r e a m - w o r l d s m a y come true.
F ai r y lan d s a r e f e a r s o m e too.
R ead, a n d b r i n g m e h o m e to you.
v a l u a b l e editori a l a d v i c e to his f a t h e r w h o s h a r e d a d r a f t of
Haroun with him by stating that th e book was too slow and
n e e d e d to b e sp e e d e d u p s i g n i f i c a n t l y , if it w a s to r e t a i n a
r e a d e r ' s attention. R u s h d i e m a d e th e a p p r o p r i a t e a d j u s t m e n t s
p o s t - f a t w a novel, w h i c h h e c o n s i d e r s to be b r o a d e r i n scope.
160
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161
In m y opinion, H a r o u n r e p r e s e n t s a c o m i n g t o g e t h e r of all
w h i c h r e s ults in v i o l e n c e (S h a m e ) , r e a l i t y is a construct, a n d
t h o s e w h o survive it w e l l do so b e c a u s e o f t h e i r a b i l i t y to
h y b r i d i t y a n d in t e r m i n g l i n g (T h e S at a n i c V e r s e s ) . In a d d i t i o n
In r e sponse to the p u b l i c a t i o n of T h e S a t a n i c V e r s e s . on
p r o n o u n c e d a fatwa on S a l m a n R u s h d i e a n d h i s p u b l i s h e r s w h i c h
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was b r o a d c a s t o n T e h r a n radio:
heaven.' (Appignanesi, Th e R u s h d i e L e t t e r s 13 0)
d o ubts a b o u t w h e t h e r th i s holiest of h o l y b o o k s wa s w r i t t e n b y
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163
A c c o r d i n g to Khomeni, the p u n i s h m e n t f o r s u c h a n o f f e n c e is a m
v e r y noti o n s t h a t K h o m e n i found b l a s p h e m o u s a n d i n s u l t i n g w e r e
c o n c r e t e end-res u l t .
a r e l i g i o u s statement, n o t m e a n t as a g e s t u r e ag a i n s t B r i t a i n "
m u s c l e a n d a n n o u n c i n g itself to the W e s t in p a r t i c u l a r a s a
r e c e n t l y u n d e r g o n e g r e a t p o l i t i c a l u p h e a v a l a n d its p e o p l e h a d
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164
v i o l e n t a c t s f o l l o w e d a r o u n d th e w o r l d r a n g i n g f r o m o r g a n i z e d
book burnings, to f i r e - b o m b i n g s of b o o k s t o r e s a n d p u b l i s h i n g
the p a s t . O n e n a r r a t i v e that h a s e m e r g e d is o b s e r v e d in T o m
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165
West, "the e i g h t e e n t h - c e n t u r y E n l i g h t e n m e n t m a d e t h e d i s c o v e r y
p u r i t y of the Q u r a n e n c o u r a g e s h i m to o t h e r i z e R u s h d i e as a n
a n y o n e w i t h w h o m one m a y negotiate.
T his p r o b l e m of o t h e r i z i n g individuals a n d / o r c o m m u n i t i e s
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166
a p p r o p r i a t e hierarchy, b ut a h i e r a r c h y a l w a y s r e m a i n s as long
as the system o f b i n a r i e s c o n t i n u e s . S i n c e b i n a r i e s r e p r e s e n t
o v e r the other, v i o l e n c e is an i n e v i t a b l e e n d - r e s u l t ; no t o n l y
t w o - t e r m s y s t e m w h e r e o n e is always c a t e g o r i z e d as e i t h e r the
s u c h a system, n e w c o m b i n a t i o n s w h i c h d o a r i s e a r e s u p p r e s s e d
a n d r e p r e s s e d b e c a u s e t h e y mess w i t h the p u r i t y / i n t e g r i t y of
T h u s a c o m m i n g l i n g of t he sacr e d a n d th e p r o f a n e is i m m e n s e l y
t h r e a t e n i n g to a K h o m e n i b e c a u s e a c c o r d i n g to hi s narrative,
p u r i t y must be m a i n t a i n e d in o r d e r fo r hi s r e l i g i o u s powe r -
W e s t e r n powers to j u s t i f y the i r c o n s i d e r a b l e e c o n o m i c s t a k e in
Iran.
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167
it as a s y s t e m of bina r i e s are a c t i v e l y c r e a t i n g a m y t h a n d
a n d t hat
a n d s e t s a b o u t d i s t o r t i n g it, a l t e r i n g t h e p a s t to
p o l i t i c i a n s a r e natural r i v a l s . B o t h g r o u p s t r y to
(I m a g i n a r y H o m e l a n d s 13-14).
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p r e s e r v e a culture, o r a religion, o r a l i f e s t y l e is to k e e p
s t r u c t u r e / i n t e l l i g e n t s i a w h o R u s h d i e h as c r i t i q u e d s h a r p l y in
h i s w o r k s h a v e t u r n e d t o h i m (post-fatwa) as a s ymbol of t h e i r
E n l i g h t e n m e n t n a r r a t i v e a n d h old h i m up as a n e x a m p l e of an
e d u c a t e d , n o n - t h r e a t e n i n g "Easterner" b e c a u s e he is s e c u l a r in
i n t e r m i n g l i n g an d h y b r i d i t y is a f a m i l i a r o n e a n d the novel
t u r n s ou t to be a c o m p a c t ca p s u l e of all o f h is m a j o r ideas.
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169
politicians a n d n o t e v e r b e w i l l i n g to a c c e p t a n y o n e e l s e ' s
experience, he m u s t continue to p r o d u c e f i c t i o n as t h a t is hi s
the S e a of S t o r i e s itself is in g r a v e d a n g e r of b e c o m i n g a
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170
p o i n t i n H a r o u n is that this s y s t e m of b i n a r i e s is a c o n s t r u c t
intermingling, everyone w h o b u y s i n t o t h e i r n e e d is c o m p l i c i t
in the i n e v i t a b l y r e s u l t i n g v i o l e n c e .
T h e d u a l i s t i c p e r s p e c t i v e o f th e resid e n t s of K a h a n i is
b i n a r i e s s e p a r a t e d so as to m a i n t a i n th e i n t e g r i t y o f e i t h e r
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171
e m e r g e d as a p o w e r f u l r u l e r i n Chup:
we a b a n d o n e d them, l o n g be f o r e this p o i s o n i n g . We
Spoilt!' (14S)
past, o r t h e i r "roots." A n d as in e v e r y o t h e r R u s h d i e n o v e l
thus far, s u c h o n e - s i d e d n e s s is r e p r e s e n t e d as b e i n g n e g a t i v e
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172
G u p p e e s a r e c o m p l i c i t in th e p o i s o n i n g o f th e o c e a n o n several
d u a l i s m t h a t e m p o w e r s Khattam-Shud, t h e y a l s o d i v i d e stor i e s
latt e r to a s e c o n d a r y status.
H a r o u n f i r s t c a t c h e s s i g h t of it as he z o o m s t o w a r d K a h a n i on
a n d s e e m i n g l y i n f i n i t e e x p a n s e of water. . . . A n d wh a t w a t e r
it is
. . . m a d e u p o f a thousand, thous a n d , t h o u s a n d an d
l i q u i d t a p e s t r y of b r e a t h t a k i n g c o m p l ex i t y ; a n d Iff
c o n t a i n e d d i f f e r e n t sorts o f s t o r i e s . . . . And
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t h e y r e t a i n e d the a b i l i t y to change, to b e c o m e n e w
v e r s i o n s of themselves, to j o i n up to o t h e r sto r i e s
t h e y s w a l l o w s t o r i e s through t h e i r m u l t i p l e mouths,
b e c a u s e it is o n l y th r o u g h such a h y b r i d i z e d c o m i n g t o g e t h e r
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174
t r a n s l a t i o n / t r a n s f o r m a t i o n as d e s c r i b e d b y J a c q u e s D e r r i d a in
d i f f e r e n c e b e t w e e n s i g n i f i e d a n d signi f i e r . B u t if
transformation: a r e g u l a t e d t r a n s f o r m a t i o n of one
z o o m i n g a l o n g the O c e a n a n d s p r a y i n g S t o r y S t r e a m s in e v e r y
o n l y ar e t h e stories f o r m e d as a result of c o n n e c t i o n s w i t h
"impurity" of v a r i o u s s t o r i e s c o m i n g toge t h e r is c h e r i s h e d in
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"impurity" in H a r o u n is his d e f e n s e / r e s p o n s e to K h o m e n i - l i k e
c o m p o s e d of t h o u s a n d s of s t o r y - s t r e a m s w h i c h h a v e e m e r g e d as
a r e s u l t of c o n j o i n i n g s w i t h o t h e r s tories. T h e "transformed"
in a B a l l o o n , " he s t a t e s that
mu s t b e l o n g e q u a l l y to everyone. That e v e n if m y
not h a v e p o w e r o v e r the s t o r y t h a t d o m i n a t e s t h e i r
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T h e O c e a n i n H a r o u n w h i c h is e v e r - c h a n g i n g , ever-renewing, is
A l t h o u g h the O c e a n is r e p r e s e n t e d as the p r i m a r y s i t e of
p o s i t i v e n a t u r e of h e t e r o g e n e i t y is p r e s e n t e d in the d e b a t e s
c r i t i c a l to save, m a n y d i s c u s s i o n s e n s u e n o t o n l y a m o n g t h e i r
P l e n t i m e w F i s h e s w h o al w a y s s p e a k i n rhyme:
H a r o u n is s h o c k e d to h e a r what he a s s u m e s will be i n t e r p r e t e d
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177
"' W h a t ' s a Mutin u s ? ' " Iff asks him. "'Is it a plant?'" Mali
state:
m e c h a n i c a l horse, f l i t s f r o m B a r g e - B i r d to B a r g e - B i r d to keep
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178
ra n away. (185)
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179
t h e r e f o r e u n a b l e to b u i l d a s e n s e of c o n s e n s u s a n d f r i e n d s h i p
c o n t e s t o p p o s i n g i deas freely, w i t h o u t a n y f e a r of r e t a l i a t i o n
f r o m t h e i r G e n e r a l o r King. T h i s f l e x i b i l i t y a nd o p e n n e s s o n
th e p a r t of the r u l e r s o f K a h a n i is t i e d to the f l u i d i t y a n d
t h e m s e l v e s ar e p a r t i a l l y r e s p o n s i b l e for t h e p o i s o n i n g o f the
p e r s p e c t i v e w h e n it c o m e s to the C h u p w a l a s .
s y s t e m b y h a v i n g H a r o u n a r t i c u l a t e the f o l l o w i n g c o n c e r n s :
b e c a u s e the d a n c e of the S h a d o w W a r r i o r s h o w e d h i m
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180
th e y o u n g p e o p l e of G u p f r e q u e n t l y v i s i t the T w i l i g h t Strip,
s i g n i f i e r w i t h m u l t i p l e m e a n i n g s b e c a u s e such i n t e r p r e t a t i o n s
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181
B e c a u s e the y a s s u m e t h a t e v e r y o n e is v i c t i m i z e d a n d e n s l a v e d
pr e v e n t s t h e m f r o m v i e w i n g Chup as a n y t h i n g o t h e r t h a n a d a r k
te r r a i n ruled a b s o l u t e l y b y Khattam-Shud.
t w i s t e d story s t r e a m s . A n d a l t h o u g h he d i v i d e s s t o r i e s into
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182
i n t e r m i n g l i n g of a c t i v e (gardener) w i t h p a s s i v e (vegetation) .
s i d e d as Khattam-Shud.
W h a t K h a t t a m - S h u d r e p r e s e n t s m o s t o b v i o u s l y is silence,
b u t e v e n "silence" is o p e n to v a r i o u s i n t e r p r e t a t i o n s . Early
H a r o u n h a d th e f e e l i n g that t h e y w e r e f l o a t i n g on a
g o o d .' (38)
T h i s c o n n e c t i o n b e t w e e n th e i n a b i l i t y to s peak, t he e r a s i n g of
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L anguage i t s e l f . He is the P r i n c e o f S i l e n c e a n d t h e F o e of
only sound th a t now emer g e s from his mouth is "ark. " The
r e p r e s e n t a t i o n of silence. O n it s t w i l i t shores,
w e r e c o a t e d in some u n k n o w n m u f f l i n g m a t e r i a l . The
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184
"Purity" is t h e r e f o r e d e a d l y a n d is l i n k e d t o the p o i s o n i n g o r
s i l e n c i n g of s t o r i e s . B y p r e s e n t i n g us w i t h m u l t i p l e v e r s i o n s
of "silence" in a s t o r y w h i c h f e a t u r e s it as an A r c h Enemy,
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185
m o o r i n g s a n d sets it a f l o a t .
H a r o u n t h a t in t he anci e n t t o n g u e of F r a n j , the V a l l e y t h a t is
B u t Franj is n o l o n g e r s p o k e n in th e c o u n t r y of A l i f b a y . Now,
m a n y p l a c e s a r e n a m e d a f t e r l e t t e r s of the Alphabet, a n d s i n c e
u n l i m i t e d n u m b e r of p l a c e s in n e e d of names, this r e s u l t s in
"silence" c a n b e a p p r o a c h e d f r o m m a n y d i f f e r e n t p e r s p e c t i v e s .
si g n i f i e r s a n d m u s t u se the sa m e o n e s o v e r a n d o v e r a g a i n e v e n
d e n o m i n a t o r to b o t h the n o t i o n o f m u l t i p l e s i g n i f i e r s o r too
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186
land of s t o r i e s .
Bu t e v e n be f o r e t h i s m a g i c a l jo u r n e y c o m m e n c e s , Rushdie
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187
it t u r n s out, is t e m p r e m e n t a l b e c a u s e it r e s p o n d s to the m o o d
of M i s e r y e n v e l o p i n g t h e i r swan-boat; S n o o t y B u t t o o ' s h o t a ir
s u c c e s s f u l antidote to t h e r i g i d i t y of K h a t t a m - S h u d .
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o f T h e S o u r c e of Stori e s . As he watches,
w e r e so m a n y S t r e a m s of Story, of so m a n y different
that it l o o k e d like a h u g e u n d e r w a t e r f o u n t a i n of
s h i n i n g w h i t e light. (167-68)
n e w s t o r y streams; h e c a n o n l y p l u g th e S o u r c e to p r e v e n t t h e m
f r o m e n t e r i n g a n d t h e r e b y r e n e w i n g the O c e a n . T h e p o w e r of
f i c t i o n is t h e r e f o r e g r e a t e r tha n the p o w e r of K h a t t a m - S h u d .
a w a y the C u l t m a s t e r a n d hi s s h a d o w y m a c h i n e r y a n d slaves . As
S p e e c h a n d Silence, w o u l d no l o n g e r be s e p a r a t e d into Z o n e s b y
th a t b i n a r i e s o n l y s e r v e to d i v i d e a n d s e p a r a t e a n d u l t i m a t e l y
l e a d to violence, t h i s n e w g o v e r n m e n t h o p e s to c r e a t e a s p a c e
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189
perspectives.
a n d th e c h o o s i n g of n e w l e a d e r s . E veryone is h a p p y i n a c i t y
and tells his father: " ' D o n ' t y o u get it? It isn't real.
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190
T h u s R u s h d i e p u s h e s h i m s e l f out to the S e a o f S t o r i e s o n
m u s t r e m a i n in hiding.
c a p t u r e d b y soldiers a n d t a k e n to th e E m p e r o r w h o t h r e a t e n s to
b l i n d h i m b e c a u s e W a n g - F o has p a i n t e d b e a u t i f u l p i c t u r e s of
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191
f i c t i o n a l K h a t t a m - S h u d is d e f e a t e d d u e to the i m a g i n a r y p o w e r s
d e s c r i b i n g it. B y p r o d u c i n g H a r o u n . R u s h d i e r e - d e s c r i b e s his
writes:
The ar g u m e n t b e t w e e n p u r i t y a n d impurity, w h i c h is
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192
earlier, a n d h a v i n g l i v e d in p o s t - f a t w a h i d i n g f o r o n e year,
R u s h d i e c o n t i n u e s the a r g u m e n t b e t w e e n s i l e n c e a n d s p e e c h in
H a r o u n a n d the Sea of S t o r i e s . a n o v e l w h i c h o f f e r s i t s e l f as
h y b r i d i t y a n d hotch-potch, i d e a s a r t i c u l a t e d in v a r y i n g forms
r e p r e s e n t e d as a c o n s t r u c t .
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VI. THE MOOR'S LAST S IGH
a n d o n e w h i c h he c o n s i d e r s to b e his b e s t l i t e r a r y effort y e t .
u s u a l l y r e s e r v e d for t h o s e w i t h a p r i c e o n t h e i r head. In
v i s i o n as rep r e s e n t e d b y t h e r e i g n i n g m y t h s of "religion" a n d
v a r i o u s angles in R u s h d i e ' s p r e c e d i n g f o u r n o v e l s is p r e s e n t e d
193
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194
to their best a d v a n t a g e an d e n d up o v e r p o w e r i n g a n d e r a s i n g
proponents of di fference, s u c h as t h e a r t i s t A u r o r a a n d th e
h y b r i d i t y is p i t t e d a g a i n s t s i n g u l a r i t y r a t h e r tha n p r e s e n t e d
as a space c a p a b l e o f i n c l u d i n g s i n g u l a r i t y . In T h e S a t a n i c
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195
C h a m c h a s u r v i v e s b e c a u s e of hi s a b i l i t y to i n c o r p o r a t e " g o o d ”
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19 6
p a r t i c u l a r l y as t h e y a p p l y to h i s m y t h of m i g r a n c y , w h i c h he
i l l u s t r a t e d in the c h a r a c t e r a n d f a m i l y b a c k g r o u n d of A u r o r a
da G a m a / Z o g o i b y .
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197
g a r d e n p e n e t r a t e d the i n t e r i o r space so t h o r o u g h l y
(16)
s t a y a n d l e a v e b e h i n d a r t w o r k t h a t d i s g u s t s Epifania: "'Your
B u t F r a n c i s c o a n d E p i f a n i a ca n n o t a g r e e o n anything, not e v e n
th e B r itish. F r a n c i s c o b e c o m e s p o l i t i c a l l y a ctive a n d g o e s to
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198
to b e l i e v e in t h e i r o m n i p o t e n t beneficence.
his father's footsteps and tells his wife Belle about the
is c l e a r l y a p r o p o n e n t of t h e s e c u l a r m y t h as a d v a n c e d b y one
. . . T h e n G a n d h i c a m e and m a d e e v e r y o n e c l a p hands
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199
t h a t a l t h o u g h Ga n d h i p r e a c h e d b o t h I s h w a r a n d A l l a h as b e i n g
I n d i a ' s divisiveness.
t h e n a t i o n a l i s t mo v e m e n t a n d b e g i n s to m o v e in e l i t e p o l i t i c a l
i m a g e is p a i n t e d o n w a l l s a n d c a r i c a t u r e d in the p a p e r s until
a l w a y s r e m a i n s true to a s e c u l a r p h i l o s o p h y that is o s t e n s i b l y
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N e h r u is her c onfi d a n t e , sh e c r i t i c i z e s h i m fo r b r e a k i n g u p a n
i m p o r t a n t strike in a n e f f o r t to c o m p r o m i s e w i t h the B r i t i s h .
s p a c e that is e v e n m o r e p r i v i l e g e d . Yet, R u s h d i e a t t e m p t s to
e x p o s e Au r o r a ' s shortcomings a n d s he is n ot p r e s e n t e d as an
i n t e r e s t i n g twis t to h e r c h a r a c t e r s i n c e she is c l e a r l y a w a r e
o f h o w tropes ca n b e u s e d a n d m i s - u s e d fo r p o l i t i c a l p u r p o s e s :
is h a p p y to p r e t e n d t h a t h e r e a l l y los t hi s leg in a p i r a t e
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reminiscent of h e r fa t h e r Camoens' e a r l i e r c o m m e n t to B e l l e
Gandhi.
h e r g r i e f b y painting. T he e n d r e s u l t is w h a t Ca m o e n s c a l l s
p a i n t s u p o n t h e walls a n d c e i l i n g of h e r studio, h i s t o r y is
I n c l u d e d in t h i s m ural is a p e r s o n a l f a m i l y h i s t o r y of t h e da
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202
M o o r of Spain, A u r o r a d e l i g h t s in h e r c o n n e c t i o n to V a s c o da
i m p l i e d b y a w r o n g - s i d e - o f - t h e - s h e e t s c o n n e c t i o n w i t h Vasco,
t h e n a r r a t o r explains,
p o i g n a n c y a n d p a s s i o n o f t he country's i m m e n s e life
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203
d e d i c a t e d - - e v e n p a t r i o t i c - - m i m e s i s . (173)
up h e r m i m e t i c a rt (179).
Eventually, A u r o r a m o v e s a w a y f r o m n a t u r a l i s m a n d begins,
o n c e again, to p a i n t to p l e a s e herself, in a s t y l e u n i q u e l y
c a l l e d M o o r i s t a n o r Palimpstine. T h e r e is n o t h i n g n e w tinder
India. H e r d e s i r e is to r e p r e s e n t a g o l d e n age o f h y b r i d i t y
s i d e f o r h u n d r e d s o f years. E a c h o f these c u l t u r e s a f f e c t e d
c o m p l e x e n v i r o n m e n t w as e f f a c e d b y t h e r e - c o n q u e r i n g C a t h o l i c s
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204
p a r a l l e l b e t w e e n the c o m p o s i t e c u l t u r e of I n d i a w h e r e t h e r e is
a H i n d u majority, but w h e r e m a n y o t h e r c u l t u r e s - - C h r i s t i a n ,
f u n d a m e n t a l i s m in I n d i a as a th r e a t to this r i c h c u l t u r e of
h o t c h - p o t c h an d h y b r i d i t y .
Catholics, S p a i n / I n d i a e n j o y e d a f l u i d i t y t h a t A u r o r a c aptures
b e t w e e n th e two w o r l d s o f w a t e r a n d l a n d b e c o m e s t h e f ocus of
a g o l d e n age:
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205
fashion, s t a n d i n g r e v e a l e d as a g l o r i o u s butterfly,
w h o s e w i n g s w e r e a m i r a c u l o u s c o m p o s i t e of all the
hist o r i e s a n d c u l t u r e s in S p a i n d u r i n g t he t i m e of Boabdil,
bu t he r idea is to r e a d I n d i a t h r o u g h S p a i n a n d c e l e b r a t e its
r e m i n i s c e n t of e a r l i e r p r o t a g o n i s t s in R u s h d i e ' s fiction, s u c h
as S a l a h u d d i n C h a m c h a w a l l a , as the M o o r is a c o m p o s i t e o f all
w h i c h is l i f e - g i v i n g a n d beautiful.
But A u r o r a is u n a b l e to s u s t a i n t h i s p o s i t i v e ideal a n d
the M o o r - f i g u r e o f h e r l a t e r p i c t u r e s s t a n d s alone, p o r t r a y e d
a n d weakness. H e r d i s i l l u s i o n m e n t w i t h t h e h o p e she o n c e h e l d
in c o n j o inings c o m e s f r o m t he i d e n t i t y p o l i t i c s she o b s e r v e s
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206
d r u m m e d u p b y t h e likes of M a i n d u c k o v e r h e r p a i n t i n g o f the
affinity, a n d o p p o s i t i o n is w a s h e d a w a y u n d e r t h e a t t a c k that
follows T h e K i s s i n g . A u r o r a is o t h e r i z e d b y h e r c o m m u n i t y and
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207
a s y m b o l of joy f u l c o m i n g s -t o g e t h e r s .
w i t h A u r o r a ' s e c l e c t i c p e r s o n a l i t y a n d art. S h e u s e s h i m as
a m o d e l fo r h e r B o a b d i l w h o is meant to r e p r e s e n t a n u l t i m a t e
f a s t - f o r w a r d s h i m f r o m a c h i l d h o o d w h e r e h e is s u r r o u n d e d b y
a s s o c i a t e d w i t h s u c h s n a k e - l i k e t r a n s f o r m a t i o n s are m u c h more
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208
s u i c i d e pact, b u t this p a r t i a l t u r n i n g t o w a r d a m o r e i n c l u s i v e
e x i s t e n c e is cut s h o r t b y his p o s t - p r i s o n d e c i s i o n to w o r k f o r
S p a i n in s e a r c h of M ooristan.
T h e r e is a n e w c o l o n i a l i s m in B e n a n g a l i w h i c h h a s c o m e a b o u t
S p a n i a r d i n sight. T h e s e n e o - c o l o n i a l i s t s in a l l i g a t o r s h o e s
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209
p a i n t i n g e n t i t l e d T h e Moor's Last S i g h w a s t h e d e s t r u c t i o n of
i n s t e a d as t h e r e p r e s e n t a t i o n of M i r a n d a ' s s i n g u l a r o b s e s s i o n
to d e s t r o y e v e r y t h i n g c onnected to A u r o r a .
in S p a i n r e s i d e s i n the town of E r a s m o t h a t M o r a e s p a s s e s in
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210
T h u s M o r a e s is i m p r i s o n e d in B e n a n g a l i b y Mira n d a , Mooristan
t u r n s o u t to be a n illusion, a n d the m u l t i p l i c i t y r e p r e s e n t e d
s u r v i v o r e v e n r e m o t e l y c o n n e c t e d to the Z o g o i b y / d a G a m a s is a
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211
R u s h d i e ' s entire n o v e l is i t s e l f a n o s t a l g i c l o o k i n g b a c k at
B e n a n g a l i , h e r p a l i m p s e s t p a i n t i n g of M a d o n n a - w i t h o u t - c h i l d is
M i d n i g h t 's C h ild r e n w a s a n o v e l he w r o t e ou t o f c h i l d h o o d a nd
for eight years has taken its toll and has effaced his
p o l i t i c a l optimism. T h e res u l t is a b o o k w h i c h is m e a n t to be
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212
to be v e r y h y b r i d at a l l . The o v e r - a r c h i n g t h e m e in M o o r is
of s e c u r a l i s m w a s m e a n t to o verride t h e d i v i s i v e n e s s r e s u l t i n g
inclusi v e n e s s a n d c r o s s i n g - o f - b o u n d a r i e s , is s t a u n c h l y s e c u l a r
processions a n d t a k e s p r i d e in h e r s e c u l a r vi ew s. In fact,
b r o u g h t to us as a d e f e n d e r of the c o l o n i a l r u l e i n India, a n d
F l o r y is r e p r e s e n t e d as the evil m o t h e r - i n - l a w w h o a c t u a l l y
m a k e s a R u m p l e s t i l s k i n e s q u e b a r g a i n w i t h A b r a h a m to t a k e h i s
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f i r s t - b o r n s o n in e x c h a n g e for a loan he d e s p e r a t e l y n e e d s to
s a n c t i t y of t h e i r identities, a n d b o t h w o m e n a r e p r e s e n t e d as
n a r r a t i n g p r i v a t e m o m e n t s he e x p e r i e n c e s in h is h o u s e a n d he
Abrahams, a n d A d a m s of India. E v e n th o u g h h e c l a i m s to b l a m e
te x t a r e c l e a r l y the r e i g n i n g m y t h s of "money" as r e p r e s e n t e d
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214
Mainduck.
So h o w h y b r i d is a h y b r i d i t y that d o e s no t m a k e r o o m for
singularity? In e a r l i e r R u s h d i e novels, c h a r a c t e r s w h o b o u g h t
a c k n o w l e d g e s his o w n w e a k n e s s e s a nd s a d d n e s s e s . In b o t h MC
p e r s p e c t i v e is e i t h e r h u m a n i z e d o r swept up int o th e g r e a t e r
r u s h of teeming h e t e r o g e n e i t y of the o v e r a l l n a r r a t i v e . In
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215
r e p r e s e n t e d in A u r o r a ' s art.
cre a t u r e s t hat belong both to the air and water, and her
u n o r g a n i z e d laborers, or the p o o r e s t of t he p o o r w h o l i v e in
Ganesh.
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216
L a t is a n a c t u a l being, a n d w h e t h e r Rekha, a v e n g e f u l g h o s t is
in u l t i m a t e c o n t r o l of th e narrative. B y m a i n t a i n i n g a sen s e
o f a m b i g u i t y r e g a r d i n g d i v i n e an d l a r g e r - t h a n - l i f e e p i s o d e s in
fo r god(s) a n d p r i v i l e g e s a s e c u l a r v i s i o n t o t he e x c l u s i o n of
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217
h y b r i d i t y in I n d i a is u l t i m a t e l y u n s u c c e s s f u l b e c a u s e it is
g u i l t y of the v e r y o t h e r i z a t i o n it s e e k s to expose.
c l a i m to i n c l u s i v e n e s s which, in fact, t h e y r e a d as a s e l l - o u t
"Africa":
P o s t c o l o n i a l i t y is the c o n d i t i o n of what w e m i g h t
trade in c u l t u r a l commodities of w o r l d c a p i t a l i s m
A f r i c a a n d t h r o u g h an A f r i c a t h e y h ave i n v e n t e d f o r
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"syncretism" in d e s c r i b i n g c o n t e m p o r a r y p o s t c o l o n i a l A f r i c a n
a s s a u l t s m a d e o n himself a n d o t h e r c o n t e m p o r a r y I n d i a n w riters
e m e r g i n g litera t u r e he s tates a r e
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219
In a n a t t e m p t to de f e n d h i m s e l f a n d o t h e r w r i t e r s l i k e him,
R u s h d i e n o t e s t h a t few of t h e s e c r i t i c i s m s are
bear. (54)
D e s p i t e hi s c h a r g e of "political correctness", w h a t is t r u l y
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220
e n d o w e d w i t h -- b a g g a g e h a v i n g to do with, a m o n g o t h e r things,
p r o d u c e r s are ab o v e p o l i t i c a l m o t i v a t i o n s .
to d i s t r u s t
experi e n c e a n y f o r m of m i g r a t i o n is to ge t a l e s s o n
(IH 2 8 0 )
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221
R u s h d i e ' s m i g r a n c y - m e t a p h o r . A s R e v a t h i K r i s h n a s w a m y asks in
f i g u r e o f m i g r a n c y ha s p r o v e d u s e f u l in
interpretation. P o l i t i c a l l y c h a r g e d w o r d s s u c h as
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222
d e p l o y e d p r o m i s c u o u s l y to d e s i g n a t e a w i d e a r r a y of
p o s t c o l o n i a l i s m into the m e t r o p o l i t a n a c a d e m y u n d e r
o b v i o u s l y has b e e n a pow e r f u l f a c t o r in d e t e r m i n i n g
(128)
f o r m a l s imilarit i e s b e t w e e n p o s t m o d e r n a n d p o s t c o l o n i a l texts,
i n t e l l e c t u a l hierarchies w i t h i n o t h e r c u l t u r e s w h i c h h a p p e n to
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223
p a r a d i g m of p o s t c o l o n i a l l iterature as n a t i o n a l a l l e g o r y w h i c h
p o s t c o l o n i a l p o l i t i c s is to r e t a i n its r a d i c a l c u t t i n g edge,
that
h i s t o r i e s of immigration, r o b s t h e o p p r e s s e d o f the
m u c h - n e e d e d o p p o s i t i o n a l disco u r s e . (13 0)
A c c o r d i n g to Krishnaswamy, the r h e t o r i c of m i g r a n c y in
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224
e c o n o m i c a n d p o l i t i c a l f o r c e s b e h i n d immigration. H e quotes
Rushdie:
places, in m e m o r i e s as m u c h as in m a t e r i a l things;
p e o p l e w ho h a v e b e e n o b l i g e d to d e f i n e t h e m s e l v e s -
- b e c a u s e t h e y a r e so d e f i n e d b y o t h e r s -- b y t heir
of n e o - c o l o n i a l g lobal c a p i t a l i s m d e t e r m i n i n g the d i s p e r s a l of
i
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m i d d l e - c l a s s , W e s t e r n - e d u c a t e d Indian, w h o s e s o c i a l c i r c l e is
b e c a u s e of p o l i t i c a l o r e c o n o m i c reasons. B y n e g l e c t i n g to
t h e h i e r a r c h y e s t a b l i s h e d w i t h i n SV, the m e t r o p o l i t a n m i g r a n c y
e x p e r i e n c e is c l e a r l y f o r e g r o u n d e d a n d p r i v i l e g e d .
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n a r r a t o r claims t h a t a l t h o u g h his s t o r y b e g a n as a m a s c u l i n e
o v e r the t e x t . I n O u t s i d e in the T e a c h i n g M a c h i n e . G a y a t r i
S p i v a k notes t h a t th e s t o r y of M a h o u n d i n S V is "a s t o r y of
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227
R us h d i e ' s a n t i d o t e to v a r i o u s v e r s i o n s of f u n d a m e n t a l i s m was
But a l t h o u g h R u s h d i e d oes n o t o f f e r a n y h o p e i n M o o r , it
o p p o r t u n i t y to p r o m o t e M o o r p u b l i c a l l y in print, o n radio, a n d
is Mirrorwork: F i f t y Years of I n d i a n W r i t i n g 1 9 4 7 - 1 9 9 7 e d i t e d
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a r e c e n t a r t i c l e p u b l i s h e d in T h e N e w Y o r k e r . R u s h d i e m a k e s
t h a t s u b c o n t i n e n t E n g l i s h is a u n i q u e v e r s i o n of the l a n g u a g e
c o n t e m p o r a r y Indi a n w r i t e r s in th e M i r r o r w o r k a n t h o l o g y h a v e
c h i l d r e n of i n d e p e n d e n t I n d i a se e m not to t h i n k of
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(64)
U n l i k e the e x - c o l o n i z e d i n d i v i d u a l w h o m a y c h o o s e to t u r n to
h i s / h e r n a t i v e l a n g u a g e as a n a l t e r n a t i v e to th e l a n g u a g e of
l a n g u a g e of the o p p r e s s o r a n d r e - f a s h i o n it f r o m t h e i r new,
p o l i t i c s , a n d s ociety. T h e eight y e a r s of d e e p h i d i n g ar e n o w
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VII. CONCLUSION
v e r s i o n a m o n g m a n y p o s s i b l e versions. R u s h d i e ' s e m p h a s i s on
h i s t o r y as a c o n s t r u c t c o n n e c t s h i m to p o s t s t r u c t u r a l i s t a n d
p o s t m o d e r n t h e o r y a c c o r d i n g to w h i c h as G a y a t r i S p i v a k sta t e s
230
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p s y c h o - s e x u a l - s o c i o - e t c . n e t w o r k or weave, a n d "the m o m e n t yo u
a n e x t e n t that n o t i o n t h a t w e a r e effects w i t h i n a m u c h l a r g e r
h i s t o r y in t h e N i e t z s c h i a n s e n s e
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c o m p a r t m e n t a l i z e d i n t e r p r e t a t i o n s of "reality" w h i c h in t u r n
lead to v i o l e n c e .
In SV, th e colonizer/colonized b i n a r y is d e c o n s t r u c t e d
sense, to e x p o s e o t h e r n a t u r a l i z e d m y t h s s u c h as "Islam" a n d
the do m i n a n t B r i t i s h discourse.
w h i c h i n e v i t a b l y l e a d s to violence. T h e a l t e r n a t i v e s p a c e in
w o r d c o m b i n e to f o r m e v e r - n e w v e r s i o n s of s t o r i e s .
c o l o n i z e d b y e v e r y o n e a r o u n d h i m a n d r e m a i n s a v i c t i m to the
end. U n l i k e S V i n w h i c h he i l l u s t r a t e s b o t h the l i m i t a t i o n s
dominant B r i t i s h d i s c o u r s e , in M o o r . R u s h d i e fails to o p e n up
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233
"fundamentalism."
R u s h d i e h i m s e l f has n o i n t e n t i o n o f s u c c u m b i n g to the v e r s i o n
of I s l a m i c f u n d a m e n t a l i s m t h a t s t i l l has a $2.5 m i l l i o n b o u n t y
c r e a t e d in this p e r i o d b y Indian w r i t e r s w o r k i n g in
books, (viii)
y e a r s ..." (ix) .
R u s h d i e s t i l l finds w o r t h c e l e b r a t i n g . In a n e s s a y p u b l i s h e d
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234
from the British and observes that Indians do not seem too
w o r s t o f India's com m u n a l e v i l s h a s b e e n r o c k e d b y a s e r i e s of
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235
to h a v e e m e r g e d in the p o s t c o l o n i a l period.
system, a n d w h i c h a t t e m p t s a g e s t u r e of d e c o n s t r u c t i o n .
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WORKS CITED
Press, 1993.
P h i l o s o p h y o f C u l t u r e . Oxford: O x f o r d U n i v e r s i t y Press,
1992.
U n i v e r s i t y Press, 1974.
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237
Publishers, 1992.
(1995) : 20.
Jalal, A y esha. D e m o c r a c y a n d A u t h o r i t a r i a n i s m in S o u t h A s i a .
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o n K n o w l e d g e . Trans. G e o f f B e n n i n g t o n a n d B r i a n M a s s u m i .
P u b l i s h e r s Ltd., 1993.
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238
B e a c o n Press, 1991.
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I ma g i n a r y H o m e l a n d s : Essays a n d C r i t i c i s m 1981-1991.
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239
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WORKS CONSULTED
Press, 1991.
(1989): 3-20.
(1991): 1-7.
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Company, 1991.
1995: 37.
U n i v e r s i t y Press, 1988.
I m p e r i a l i s m to P o s t c o l o n i a l i s m . " The C o l u m b i a H i s t o r y of
399-412.
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U n i v e r s i t y Press, 1986.
U n i v e r s i t y of H e w Y o r k Press, 1996.
21 Jan. 1997.
R o u t l e d g e , 1989.
B o o k s Ltd., 1974.
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P u b l i s h i n g Group, 1990.
1979.
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244
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