The Detective Story Genre
The Detective Story Genre
The Detective Story Genre
• “The Murders in the Rue Morgue” (1841), “The Mystery of Marie Rogêt”
(1842) and “The Purloined Letter” (1844).
• Oedipus Rex – the original detective story?
• Poe created the “private eye” character: Le Chevalier C. Auguste Dupin.
Crime in the Gothic Novel
• Gothic novels as predecessors of the detective story genre: mystery, horror,
rational thought.
• The early Gothic novel (1764 – 1818) in context: Enlightenment,
Industrialization, Modernity.
• Thematizing political and social unrest: French Revolution, Revolution in the
colonies. Civilized v. Barbaric.
• Ghosts from the past: set in the medieval world – castles, abbeys, dungeons.
• Victorian era: horror based on the development of science and industry.
• Gothic based on “criminology” and the ghost as an expression of the mind.
Law Enforcement in historical context: 1820 -1850
• Early 1800s: development and organization of police and law enforcement
agencies and its influence in Poe’s work.
• London: Bow Street Runners (est. 1750) became the Metropolitan Police (est.
1829), followed by Scotland Yard (est. 1842).
• Paris: the criminal Eugène-François Vidocq became head of the Fench
National Security or Sûreté Nationale (est. 1810).
• U.S.A: Philadelphia Police Department (c. 1833), Boston PD (c. 1838), New
York City PD (c. 1845), and the Baltimore PD (c. 1845).
• Pinkerton Detective Agency - Chicago (c. 1850).
Philosophy matters: Science tales and Detective tales
• The story must be narrated by a reliable character who will praise the
detective’s analytical, deductive abilities.
• Gertrude Stein on the detective novel: “the only really modern novel form that
has come into existence.” (p. 358)
• Thomas de Quincey “On Murder Considered as One of the Fine Arts,” argues
that once the crime is completed the time to moralize is over, then the act
may be contemplated as a work of art.
• Dupin: analyst and aesthete.
Outlining the detective genre III
• "As the strong man exults in his physical ability delighting in such exercises
as call his muscles into action, so glories the analyst in that moral activity
which disentangles. He derives pleasure from even the most trivial
occupations bringing his talent into play. He is fond of enigmas, of
conundrums, hieroglyphics, exhibiting in his solutions of each a degree of
acumen which appears to the ordinary apprehension preternatural. His
results, brought about by the very soul and essence of method, have in truth,
the whole air of intuition.“