Achievement Test 4. Listening Exercises 1 and 2 Recording 7 Interviewer

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Achievement test 4. Listening exercises 1 and 2


Recording 7

Interviewer: Today, to mark the opening of the Frankfurt book fair – the
world’s largest trade fair for books – we’re looking at current
trends in literature, what’s being read, and how people are
reading it. My guests are Peter Mitchell and Dale Lanegan,
notable literary critics. So Dale, we’re used to hearing that
digital technology is making a massive difference within most
areas of culture. Is this the same with books, with the novel
for example?

Dale: To some extent, and it’s understandable that this may be the
way forward, but it’s easy to overstate the impact, I think.
There’s a greater sense of opportunity available to young or
untried authors in terms of self-publishing platforms which
thrive in a digital environment. And some of the most
successful of these have utilised crowdfunding to ensure that
they end up in print form. So, there are some real pluses. But
in terms of reading digitally, I think there’s a way to go before
the humble paperback vanishes. Despite doomy portents to
that occurrence.

Interviewer: Peter, would you agree? Or are the naysayers right about
print’s inevitable demise?

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Advanced Plus Achievement test 4 audio script

Peter: Well, the viewpoint predominantly supported by the media is


that print is on the way out but as a book buying public we’re
at a point where screen fatigue is also guiding consumer
choice. Smartphones are less conducive to comfortable
reading. There is still a lot of potential for an alternative offer
– where text, audio, and video are intermixed to build a more
immersive experience. But I think that readers aren’t so
interested in that kind of enhancement at this juncture.
Perhaps it’ll be a generational thing, but the predicted tipping
point hasn’t yet arrived.

Interviewer: OK, so are there any particular trends that you’ve noticed,
ahead of the book fair?

Dale: Well, despite some of our most prestigious writers declaring


that the literary novel is dying as a cultural form, if you
scrutinise public reading trends there is a lot of interest in the
genre. But what really fascinates me is the themes that are
being played out in a number of high-profile works.

Interviewer: What kind of things are you seeing?

Dale: Well, there’s a distinct rise in the number of dystopian stories


which are being offered up by literary agents. If only a small
percentage of these find a publisher, then I think we’ll see this
outlook shaping a lot of the stories we read. It’s interesting,
because those themes of governance, individual rights,
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Advanced Plus Achievement test 4 audio script

oppression, liberty, and the power of language are all


prominent in our current media. I think that as readers we’re
ready to explore these ideas in a creative manner – sort of
playing out our concerns about reality in a fictionalised form,
so we can better make sense of what’s happening around us on
a daily basis.

Interviewer: Peter, if I can bring you in, here. Is that your take on it too?

Peter: I’m inclined to agree with that, yes. We’re very much in an
age where our understanding of the truth is heavily politicised,
and so stories that conceptualise a future where the effects of
this are explored can offer some sort of check. It’s as if the
dystopian novel becomes a cautionary tale – you know, don’t
let this happen to you.

Dale: True, when society’s fraught with tension, literature is a useful


medium for discussing complex or sensitive political issues.
But it’s also worth noting that sometimes the subversive
aspects are undermined as works become integrated into
popular culture.

Peter: Yes, when any sense of critique gets dulled, you’re just left
with chaos and angst as entertainment. I think that’s definitely
happened with some recent literary successes.

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